SKU: GI.G-10803 Composed by David Hedgecoth. Music Education. Book. 118 p...(+)
SKU: GI.G-10803
Composed by David
Hedgecoth. Music
Education. Book. 118
pages. GIA Publications
#10803. Published by GIA
Publications
(GI.G-10803).
ISBN
9781622777112.
The
environment, resources,
and expectations for
teaching music in charter
schools often differ from
traditional public
schools, but the
teacher’s mission
remains the same: to
provide quality music
education for all
students. This concise
handbook, written by
David M. Hedgecoth of The
Ohio State University,
offers practical tools
and information for music
educators who accept
charter positions and are
tasked with beginning or
sustaining a music
program at their school.
In Part I, Hedgecoth
answers more than two
dozen critical questions
about charter schools,
addressing everything
from class size,
scheduling, funding, and
performance expectations
to non-profit status,
assessment, school
culture, and working with
administration. He also
provides a brief history
of charter schools,
defines essential
vocabulary, and offers
tips for first-year
teachers. In Part II,
Hedgecoth highlights
pertinent charter
legislation, which varies
greatly from state to
state. In clear language,
he reviews key elements
of each state’s
charter law and provides
links to additional
information and resources
for music teachers. A
Handbook for Charter
School Music Educators is
essential reference
material for any music
educator or administrator
looking to deliver
quality music instruction
to charter school
students. David M.
Hedgecoth is Associate
Professor of Music
Education as well as
Associate Director and
Chair of Undergraduate
Studies at The Ohio State
University School of
Music. He leads courses
in graduate and
undergraduate methods and
conducts the Collegiate
Winds. His research
interests include charter
schools, educational
policy and change, and
international
education.
SKU: HL.51488044 Henle Music Folios. G. Henle #HN8044. Published by G. He...(+)
SKU: HL.51488044
Henle Music Folios. G.
Henle #HN8044. Published
by G. Henle
(HL.51488044).
UPC:
196288082385. 2.5x9.0x9.0
inches.
“Time
for a break†white
print on Henle blue, 425
ml, 74 x 74 x 217 mm. The
three-part Henle Water
Bottle easily breaks down
into its individual
components for thorough
cleaning - even in the
dish-washer. It is sturdy
and safe, and the ideal
travelling companion on
outings, at school, at
work and at home.
However, it is not a
thermos flask and should
not be used for hot
drinks. Also not suitable
for carbonated drinks.
This product is based on
cellulose: 100% pure
material, 100%
recyclable, extremely
long-lasting, food- and
dishwasher-safe, and
without any harmful
substances, Koziol
quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Graupner-Werke-Verzeic
hnis (GWV). Instrumental
music. Edited by
Christoph Grosspietsch,
Oswald Bill. This
edition: Linen cover.
Graupner-Werkeverzeichnis
I Instrumental (Bill).
Catalogues of composers'
works, Musicological
books. Book. GWV. 400
pages. Carus Verlag #CV
24.029/00. Published by
Carus Verlag
(CA.2402900).
ISBN
9790007101213. Language:
German.
Christoph
Graupner (1683-1760) is
one of the many composers
who laid the groundwork
for their careers as
pupils at the St. Thomas
school in Leipzig. After
subsequently studying law
in Leipzig he was
initially employed as a
harpsichordist at the
Hamburg Opera, which was
followed by his
appointment to the
position of Kapellmeister
at the court of
Darmstadt. He was
selected for the position
of Thomaskantor in 1723,
but his patron in
Darmstadt refused to
release him. Graupner's
more than 1,400 cantatas
occupy a central position
in the history of the
Protestant church
cantata. Here, for the
first time, in this
six-volume thematic
catalog his entire opus
is presented and
elucidated by means of
detailed incipits for
each movement of each
work, including all of
the relevant information,
such as scoring, history
of the sources, dating
and origin of the text.
This Graupner catalog is
also an indispensable
reference work for
understanding the music
of the Bach era.
Green Day: Dookie Guitare notes et tablatures [Partition] Alfred Publishing
By Green Day. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guit...(+)
By Green Day.
Artist/Personality;
Authentic Guitar TAB;
Guitar Personality;
Guitar TAB. Guitar
Recorded Version. Punk
Rock and Pop Rock. Guitar
tablature songbook
(softcover). With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar tab glossary. 63
pages. Alfred Music
#GF0663. Published by
Alfred Music
Composed by Gabriel
Faure. Edited by James
William Sobaskie. This
edition: complete
edition, urtext edition.
Linen. Gabriel Faure. The
Complete Works V/3.
Complete edition, Score,
anthology. Opus 120, 121.
Baerenreiter Verlag
#BA09464_01. Published by
Baerenreiter Verlag
(BA.BA09464-01).
ISBN
9790006544530. 33 x 26 cm
inches. Key: D minor, e
minor. Text Language:
French/English/German.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Vocal and Piano SKU: HL.14008497 Composed by Harry Egediusen. Music Sales...(+)
Vocal and Piano
SKU:
HL.14008497
Composed
by Harry Egediusen. Music
Sales America. Classical.
Book [Softcover].
Composed 2005. 24 pages.
Edition Wilhelm Hansen
#WH27285. Published by
Edition Wilhelm Hansen
(HL.14008497).
ISBN
9788774553298.
Indh
old:1. Her vil jeg tegne
ottetaller2. Mae si'r det
lille lam3. Vil du, vil
du4. Nissen er en kunstig
mand5. Stork, stork
langeben6. Hvilket
postbud 7. Tinge- linge-
later8. En lille fro9.
Lille Lise10. Tornerose
var et vakkert barn11.
Der bor en bager12. jeg
gik mig over so og
land13. Skaere, skaere
havre14. Sa gar vi rundt
om en enebaerbusk15.
Save, save braende16.
Bro, bro brille17. En
lille nisse rejste18. l
en kaelder sort som
kul19. Drengen og
laerken20. Vil du vide21.
Haren hist i groften22.
Snehvide og dvaergene23.
Barnets farvel 24. l
skoven skulde vaere
gilde25. jeg elsker de
gronne lunde26. Roselil
og hendes moder27.
Prinsessen sad i
hojeloft28. Kukkeren29.
Op lille Hans30.Vente pa
far31. Ride, ride
ranke32. Lille Peter
edderkop33. Pjerrot og
manen34. jeg vil sjunge
om en helt35. Poul sine
hons36. Og raeven han
lakked37. Dagen gar med
raske fjed38. Giv tid39.
Hojt pa en gren40. Sov
sodelig41. Pa en gron
bakketop.
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Band concert band - Grade 2.5 SKU: KJ.WB370 Composed by Brad Ciechomski. ...(+)
Band concert band - Grade
2.5
SKU: KJ.WB370
Composed by Brad
Ciechomski. Beginning
Concert BandWorks. Score
and set of parts. Neil A.
Kjos Music Company
#WB370. Published by Neil
A. Kjos Music Company
(KJ.WB370).
ISBN
9788402702012. UPC:
8402702015.
Written
to capture moods often
found in school hallways
and classrooms, the suite
of Three Moods for
Concert Band is a
terrific way to challenge
your younger band! I.
Energetic serves as an
exhilarating beginning.
II. Questioning depicts
curiosity, as questions
are asked and answered
between various sections.
III. Laughing
incorporates the comic
effects of a siren and
slide whistles with the
quick rhythms of a light
hearted march.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-19. Published by
Breitkopf and Haertel
(BR.OB-32034-19).
ISBN
9790004350911. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-15. Published by
Breitkopf and Haertel
(BR.OB-32034-15).
ISBN
9790004350898. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Chorus (with soloists)
and orchestra (solos:
SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc)
SKU:
BR.PB-32034
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score.
Duration 9'. Breitkopf
and Haertel #PB 32034.
Published by Breitkopf
and Haertel
(BR.PB-32034).
ISBN
9790004215678. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU...(+)
Organ (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc)
SKU:
BR.OB-32034-11
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-11. Published by
Breitkopf and Haertel
(BR.OB-32034-11).
ISBN
9790004350881. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-20. Published by
Breitkopf and Haertel
(BR.OB-32034-20).
ISBN
9790004350928. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-26. Published by
Breitkopf and Haertel
(BR.OB-32034-26).
ISBN
9790004350935. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str -...(+)
Chorus and piano (solos:
SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc)
SKU:
BR.EB-32034
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 9'.
Breitkopf and Haertel #EB
32034. Published by
Breitkopf and Haertel
(BR.EB-32034).
ISBN
9790004186398. 7.5 x 10.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-16. Published by
Breitkopf and Haertel
(BR.OB-32034-16).
ISBN
9790004350904. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-54. Published by
Breitkopf and Haertel
(BR.OB-32034-54).
ISBN
9790004350966. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.