Recorder - Intermediate SKU: MB.30963 Saddle-stitched, Solos and Duets. B...(+)
Recorder - Intermediate
SKU: MB.30963
Saddle-stitched, Solos
and Duets. British Isles.
Book. 44 pages. Mel Bay
Publications, Inc #30963.
Published by Mel Bay
Publications, Inc
(MB.30963).
ISBN
9781513468204. 8.75x11.75
inches.
This exceptional
collection of 41 truly
beautiful airs and
ballads from the British
Isles offers both
well-known tunes by the
prolific blind Irish
harpist, Turlough
Oâ??Carolan and rarely
heard melodies by
anonymous composers; all
have stood the test of
time. Arranged for
soprano or tenor
recorder, these include
Oâ??Carolanâ??s
classically influenced
â??Lord Inchiquinâ?
and â??Eleanor
Plunkettâ? as well as
â??O Gentle Doveâ?
and â??Cuckoo
Dearâ?â?? both
examples of the strong
tradition of song in
Wales. Among other tunes,
the haunting modal
melodies of â??The Dark
Slender Boyâ? and
â??Enchanted Valleyâ?
express the melancholic
heart and soul of the
British Isles.
A
few of these songs have
taken on a life of their
own in modern times.
â??Bonny at Mornâ?, a
popular traditional tune
of northern England and
Scotland, was arranged
for soprano voice and
harp by the 20th century
British composer,
Benjamin Britten. â??The
Skye Boat Songâ?
originally recounted
Bonnie Prince Charles
Edward Stuartâ??s
journey to the Isle of
Skye after his defeat at
the historic Battle of
Culloden. Later, the song
evolved into a lilting
lullaby and was more
recently used as the
theme song for the
popular Outlander
television
series.
Departing
slightly from recorder
notation practice, author
Marcia Diehl has
judiciously arranged
these melodies complete
with spare slur markings
to aid the amateur player
in authentically and
musically rendering these
tunes.
Easy Piano Piano/Keyboard SKU: HL.282477 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282477
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Pop, Standards.
Softcover. 346 pages.
Published by Hal Leonard
(HL.282477).
ISBN
9781540034342. UPC:
888680789213.
9.0x12.0x0.812
inches.
Almost 100
songs from the birth of
the rock and roll era in
the 1950s are included in
this collection arranged
for easy piano with
lyrics. Songs include:
All I Have to Do Is Dream
* Bye Bye Love *
Chantilly Lace * Don't Be
Cruel * Earth Angel *
Fever * Great Balls of
Fire * Hound Dog * I Walk
the Line * It's So Easy *
Kansas City * Lonely
Teardrops * Mister
Sandman * Only You (And
You Alone) * Peter Gunn *
Rock Around the Clock *
Sh-Boom * Shout * Sixteen
Tons * Tequila * Tutti
Frutti * Unchained Melody
* Volare * Why Do Fools
Fall in Love * Yakety Yak
* Your Cheatin' Heart *
and more.
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
Easy Piano Piano/Keyboard SKU: HL.282475 The New Decade Series. Co...(+)
Easy Piano Piano/Keyboard
SKU: HL.282475
The New Decade
Series. Composed by
Various. Easy Piano
Songbook. Standards.
Softcover. 360 pages.
Published by Hal Leonard
(HL.282475).
ISBN
9781540034328. UPC:
888680789190.
9.0x12.0x0.847
inches.
Music is
what helped many keep
their spirits up during
the Great Depression in
the 1930s. Here are 100
of the most memorable
songs of the decade
presented in easy piano
arrangements with lyrics.
Songs include: As Time
Goes By * Blue Moon *
Body and Soul *
Embraceable You * Georgia
on My Mind * The Glory of
Love * How Deep Is the
Ocean (How High Is the
Sky) * I Don't Know Why
(I Just Do) * I Got
Rhythm * I'll Be Seeing
You * In the Mood * The
Lady Is a Tramp * Love Is
Here to Stay * Mood
Indigo * My Funny
Valentine * The Nearness
of You * Over the Rainbow
* Sing, Sing, Sing *
Summertime * Thanks for
the Memory * The Very
Thought of You * The Way
You Look Tonight * and
more.
Fakebook (spiral bound) for Eb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Eb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Fakebook (spiral bound) for Bb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound)
for Bb instrument and
voice. With vocal melody,
lyrics, chord names,
black and white photos
and introductory text.
574 pages. Published by
Sher Music Company.
Tenor/Baritone
Edition. By Various.
Vocal Collection. Pop,
Pop/Rock, Rock.
Softcover. 12 pages.
Published by Hal Leonard
(HL.383304).
ISBN
9781705154144. UPC:
196288021438. 9.0x12.0
inches.
Do you need
a perfect contemporary
song for a vocal audition
or performance? The
Singer's Anthology of
Pop/Rock Ballads gives
you over 30 pop/rock
classics to choose
from––all transposed
into appropriate keys and
based on the original
recorded hits. These
songs fall into the new
wave of standards that
you are hearing more
often at cabaret,
concerts, and special
occasions. These songs
are most often identified
with singer-songwriters,
so this collection
features the work of
Billy Joel, Carole King,
Adele, and others. These
arrangements were custom
made for this collection
as authentic performing
editions, friendly to
both the singer and
accompanist. Keys were
carefully chosen, either
preserving the original
recorded key or
transposing as near the
original as possible to
increase accessibility.
This volume is presented
in separate editions for
Soprano/Alto and
Tenor/Baritone, with some
songs shared between the
two, and others specific
to the voice type. The
Tenor/Baritone edition
features 30 songs,
including: Ain't No
Sunshine • All by
Myself • Bridge over
Troubled Water • Crying
• Dust in the Wind •
Fields of Gold • Fire
and Rain • Hallelujah
• Imagine • Lean on
Me • Mad World • New
York State of Mind •
Rocket Man (I Think It's
Gonna Be a Long Long
Time) • Thinking Out
Loud • Time After Time
• Unchained Melody •
With or Without You •
Wonderful Tonight •
Your Song • and
more.
Composed by Benjamin Yeo.
Folio. Cps. Set of Score
and Parts.
8+2+8+8+2+4+4+4+4+2+4+4+4
+4+6+6+4+4+8+2+2+1+4+1+2+
24 pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CPS245.
Published by Carl Fischer
Music (CF.CPS245).
ISBN 9781491158128.
UPC: 680160916726. 9 x 12
inches.
ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo.
Composed by Benjamin Yeo.
Sws. Cps. Full score. 24
pages. Carl Fischer Music
#CPS245F. Published by
Carl Fischer Music
(CF.CPS245F).
ISBN
9781491158135. UPC:
680160916733. 9 x 12
inches.
ABOUT THE
MUSIC Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this anew ideaa needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE MUSIC
Future of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang. Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this work.
EDUCATIONAL NOTES Key: Eb
Major SECTION BARS EVENT
/ SCORING / SUGGESTIONS
Introduction 1-4 Opens in
Eb major with dotted
rhythm motif. 1st Strain
5-20 Take note of melodic
phrasing above the
(light) oom-pah ostinato;
melody repeats at m. 13
with the addition of
countermelody in the
inner lines; although
written at mf dynamic,
this 'new idea' needs to
be heard clearly for
contrast with the
previous statement. 2nd
Strain 21-36 C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29. Trio 37-56 Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.
Break Strain 57-62
Excerpt from Rasa Sayang
with some play in
tonality and instrumental
dialogue; quasi
grandioso-style before
the final strain. Final
Strain 63-82 Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79. NOTE TO THE
CONDUCTOR This march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece. This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets. I wish you the best
in the performance of
this work. - Benjamin
Yeo. ABOUT THE
MUSICFuture of Tomorrow
(Concert March) was
commissioned by the Arts
Education Branch,
Ministry of Education as
the set piece for the
Singapore Youth Festival
2016 Arts Presentation
for Concert and Brass
Bands (Primary Level).
This march uses brief
excerpts from the
well-known Malay folk
songs Katak Lompat and
Rasa Sayang.Our youths
are indeed our future of
tomorrow. This
joyful-themed march aims
to bring out the best in
each of your young
players. I hope that
students, band directors
and audiences will enjoy
preparing, performing and
listening to this
work.EDUCATIONAL
NOTESKey: Eb
MajorSECTIONBARSEVENT /
SCORING /
SUGGESTIONSIntroduction1-
4Opens in Eb major with
dotted rhythm motif.1st
Strain5-20Take note of
melodic phrasing above
the (light) oom-pah
ostinato;melody repeats
at m. 13 with the
addition of countermelody
in the inner lines;
although written at mf
dynamic, this ‘new
idea’ needs to be
heard clearly for
contrast with the
previous statement.2nd
Strain21-36C minor
(relative minor); excerpt
from Katak Lompat; melody
in the lower brass/wind
from m. 21 with a
contrasting
attitude/style from 1st
strain; back to a more
lyrical treatment from m.
29.Trio37-56Stays
unmodulated in the same
key; opens with a
percussion solo feature
before the start of the
softer Trio theme; keep
this section controlled
and be sensitive to the
balance; the metallic
timbre of the muted
trumpet/cornet needs to
be heard clearly (might
suggest to bring the
dynamic level up to mf
when muted); if
cued-notes are played,
make sure they are played
throughout the melodic
phrase as written to
avoid awkward leaps.Break
Strain57-62Excerpt from
Rasa Sayang with some
play in tonality and
instrumental dialogue;
quasi grandioso-style
before the final
strain.Final
Strain63-82Back to Eb
major with the reprise of
the Trio theme;
festive-like style with
fuller orchestration and
new countermelodies;
dotted rhythm motif from
the introduction
concludes the march in a
codetta-like section from
m. 79.NOTE TO THE
CONDUCTORThis march has
been carefully written
with reasonable
technicalities and range
in mind for younger
players. Generally,
optional cued notes in
parenthesis are given for
less experienced players
who have yet to develop
their range on the
instrument. However, they
should never be taken as
an easy alternative for
all players in the
section; otherwise, this
may result in a less than
ideal flow of the musical
lines. Marches are good
tools to train tempo
consistency, articulation
and rhythmic precision as
well as musical phrasing.
I hope that there will be
great learning
opportunities for your
students as they learn
this piece.This march is
separately orchestrated
for both wind and brass
bands to maximize the
instrumental colors
within each ensemble. The
parts are therefore not
exchangeable between the
wind band and brass band
sets.I wish you the best
in the performance of
this work.- Benjamin
Yeo.
By Ed Huckeby. Concert band. Young Concert Band. Command Series. Audio recording...(+)
By Ed Huckeby. Concert
band. Young Concert Band.
Command Series. Audio
recording available
separately (item
CL.WFR317). Grade 2.5.
Extra full score.
Composed 2001. Duration 2
minutes, 29 seconds.
Published by C.L.
Barnhouse
Composed by English Ballad. Arranged by Russell L. Robinson. Fold. Octavo. 8...(+)
Composed by English
Ballad.
Arranged by Russell L.
Robinson. Fold. Octavo. 8
pages. Duration 2
minutes, 47
seconds. Carl Fischer
Music
#CM9657. Published by
Carl
Fischer Music
Melody, Lyrics and Simplified Chords C Instruments; Melody/Lyrics/Chords SKU:...(+)
Melody, Lyrics and
Simplified Chords C
Instruments;
Melody/Lyrics/Chords
SKU: HL.298905
100 Songs in the Key
of C. Composed by
Various. Easy Fake Book.
Movies. Softcover. 232
pages. Published by Hal
Leonard (HL.298905).
ISBN 9781540059901.
UPC: 888680955274.
9.0x12.0x0.556
inches.
This
updated second edition
features 100 songs from
the silver screen in
larger-than-usual fake
book notation and all in
the key of C. Songs
include: Born Free
• Chariots of Fire
• City of Stars
(from La La Land) •
Endless Love •
Footloose •
Ghostbusters •
Happy (from Despicable Me
2) • I Will Always
Love You (from The
Bodyguard) • Theme
from Jaws • Let It
Go (from Frozen) •
A Million Dreams (from
The Greatest Showman)
• My Heart Will Go
On (Love Theme from
Titanic) • Nine to
Five • Over the
Rainbow (from The Wizard
of Oz) • Shallow
(from A Star Is Born)
• Singin' in the
Rain • Summer
Nights (from Grease)
• (I've Had) The
Time of My Life (from
Dirty Dancing) •
The Wind Beneath My Wings
(from Beaches) •
Yellow Submarine •
and more.
Horn SKU: HL.119098 For Horn. By Various. Instrumental Solo. Rock....(+)
Horn
SKU:
HL.119098
For
Horn. By Various.
Instrumental Solo. Rock.
Softcover. 114 pages.
Published by Hal Leonard
(HL.119098).
ISBN
9781480341364. UPC:
884088905262. 9x12
inches.
An amazing
selection of songs from
VH-1's special arranged
for instrumentalists.
Includes: All Along the
Watchtower • All
Shook Up • American
Pie • Beat It •
Blowin' in the Wind
• Blue Suede Shoes
• Bohemian Rhapsody
• Born to Be Wild
• Born to Run •
Bridge over Troubled
Water • California
Dreamin' • Dream On
• Every Breath You
Take • Fire and Rain
• Free Bird •
Gloria • Good
Vibrations • Great
Balls of Fire • A
Hard Day's Night •
Hey Jude • Hotel
California • (I
Can't Get No)
Satisfaction • I
Heard It Through the
Grapevine • Imagine
• Jump • Layla
• Let It Be •
London Calling •
Louie, Louie •
Maggie May • My
Generation • Piano
Man • Proud Mary
• Respect •
Rock Around the Clock
• Roxanne •
Smells like Teen Spirit
• Stairway to Heaven
• Stand by Me •
Sunshine of Your Love
• Superstition
• We Are the
Champions • When
Doves Cry •
Yesterday • You
Shook Me All Night Long
• and more.
Tenor Piano Accompaniment; Tenor; Vocal (BOOK) SKU: HL.238676 Tenor Ed...(+)
Tenor Piano
Accompaniment; Tenor;
Vocal (BOOK)
SKU:
HL.238676
Tenor
Edition. Composed by
Various. Edited by
Richard Walters. Vocal
Collection. Standards.
Softcover. 160 pages.
Published by Hal Leonard
(HL.238676).
ISBN
9781495098437. UPC:
888680700409.
9.0x12.0x0.425
inches.
Some of the
most famous and enduring
songs from “the
great American
songbook†have been
selected and edited
especially for singers in
this landmark series,
with songs from George
& Ira Gershwin,
Richard Rodgers &
Lorenz Hart, Jerome Kern,
Cole Porter, Irving
Berlin and many others.
The music all dates from
the 1920s to the early
1960s, in a musical style
that pre-dates the rock
era. The majority of the
songs appear in all four
volumes, though some
songs are uniquely in the
women's volumes or men's
volumes. Unlike standard
piano/vocal sheet music,
the edition does not have
the melody in the piano
accompaniment, which
gives the singer more
vocal freedom. Keys have
been carefully chosen for
each voice type. Each
volume also includes a
historical note about
each song, often citing
recording artists who
became associated with a
song.
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.