For SATB and Piano (SATB). Secular Chorals. Songs of Innonence Choral Suite. Sacred. Vocal score. Published by Aspen Grove Music

By Bob Chilcott. For SSA choir, piano, optional bass and drum kit. Upper Voices. Secular, Choral Collection. Vocal score. 36 pages. Duration 16'. Published by Oxford University Press

By Robert D. Vandall. For Piano. Piano Solo; Sheet; Solo. Signature Series. Intermediate. 4 pages. Published by Alfred Music Publishing

Guitar; Methods and Music for Children

SKU: UT.CH-157

Composed by Giorgio Signorile. Saddle stitching. Classical. Score and Parts. 40 pages. Ut Orpheus #CH 157. Published by Ut Orpheus (UT.CH-157).

ISBN 9790215320369. 9 x 12 inches.

Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee

Th e Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.
The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...
The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.
(G. Signorile).

(TBD) of the Best Songs from the Islands. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. P/V/C Mixed Folio. Book. 224 pages. Published by Alfred Publishing.

Band concert band - Grade 4

SKU: KJ.WB148

Composed by Christopher Salerno. Bandworks. Score and set of parts. Neil A. Kjos Music Company #WB148. Published by Neil A. Kjos Music Company (KJ.WB148).

An overture-style piece, Images of Appalachia portrays the composer's impression of the colorful Appalachian mountain ranges and valleys of southwestern Virginia.

Concert Band - Grade 2.5

SKU: AP.46661S

Composed by William Palange. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Score. 24 pages. Alfred Music #00-46661S. Published by Alfred Music (AP.46661S).

UPC: 038081533186. English.

Nine Mile Creek meanders through the picturesque village of Marcellus, NY in the rolling hills and valleys just west of Syracuse and has had a significant impact on the growth of commerce and recreation in the region. This piece celebrates the achievements of the hundreds of students who have been part of this town's band program.

Choral (Cd 10-Pak)

SKU: HL.195826

A Journey with the Shepherd. Composed by Pepper Choplin. Brookfield Choral Series. Cantata, Christ The Good Shepherd, General Worship, Psalm, Sacred. CD. Duration 2280 seconds. Published by Brookfield Press (HL.195826).

UPC: 888680642662. 5.0x5.0x0.995 inches.

This major work is an affirmation of assurance that takes us on a musical and spiritual pilgrimage through the beloved 23rd Psalm. Singers and listeners will be carried from peaceful meadows to the shadowed valleys, and from the fragile hope of faith, to life everlasting. A work of scope and substance, Psalm 23 - A Journey with the Shepherd gives directors a wonderful opportunity to program outside the seasonal box. A glorious orchestration by Michael Lawrence decorates the expressive choral writing with color and a theatrical sweep. Songs include: We Are Not Alone; The Lord Is My Shepherd; Restore My Soul; Lead Me on the Paths of Righteousness; Though I Walk through the Valley; You Comfort Me; My Cup Overflows; We Are Not Alone (reprise); Surely Goodness and Mercy. Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn 3/tba, perc 1-2, timp, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.

By Jay Althouse. For Choir. (SATB, a cappella). Choral Octavo. Spiritual, Christmas. Level: Level 4 (grade L4). Choral Octavo. 8 pages. Published by Alfred Publishing.

Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Christmas; Folk; Secular; Winter. 12 pages. Published by Alfred Music

Cornet

SKU: ST.H494

Composed by Benjamin Frank Vaughan. Wind & brass music. Standard: Intermediate. Three movements for Solo Cornet in B flat. Score. Stainer & Bell Ltd. #H494. Published by Stainer & Bell Ltd. (ST.H494).

ISBN 9790220222894.

Ar Ben y Bryn (On Top of the Hill);
Yr Ogof (The Cave);
Y Ddraig Goch (The Red Dragon) [PDF Sample]

Ar y Mynydd Prydferth Cymreig (On the Beautiful Welsh Mountain) is a colourful, programmatic piece in three short movements, depicting scenes of Welsh mountains, valleys, caves and a hero, armed only with his trusty cornet, who encounters a legendary red dragon.

This work was highly commended by the judges in the first Stainer & Bell Award for Brass Composition, held at the Royal Welsh College of Music & Drama in Cardiff in May 2010.

Jazz ensemble jazz band - Grade 1.5

SKU: LO.60-1030H

Composed by Peter Blair. First Flight Series. Jazz. Score and set of parts. Heritage Music Press #60/1030H. Published by Heritage Music Press (LO.60-1030H).

UPC: 000308055108.

This contemporary sounding chart puts the spotlight on your emerging Trumpet soloist or section. The solo line is cued in all the Trumpet parts, so you'll have several performance options. The even-eighth groove will be easy for your rhythm section to play with confidence, and the unique harmony and texture should make it interesting for all the players. Topaz Sky requires no improvisation, but there are written out, eight-measure solos for both Trumpet and piano. This chart provides a multitude of ways to teach your band how dynamic peaks and valleys really can make music come alive.

SKU: WD.080689284335

Composed by Cliff Duren. CD choraltrax. Word Music #080689284335. Published by Word Music (WD.080689284335).

UPC: 080689284335.

SKU: WD.080689832147

Composed by Cliff Duren. Stem mixes. Word Music #080689832147. Published by Word Music (WD.080689832147).

UPC: 080689832147.

Band Concert Band

SKU: PR.465000130

For Large Wind Ensemble. Composed by Dan Welcher. Sws. Contemporary. Full score. With Standard notation. Composed 2010. Duration 14 minutes. Theodore Presser Company #465-00013. Published by Theodore Presser Company (PR.465000130).

ISBN 9781598064070. UPC: 680160600144. 9x12 inches.

Following a celebrated series of wind ensemble tone poems about national parks in the American West, Dan Welcher’s Upriver celebrates the Lewis & Clark Expedition from the Missouri River to Oregon’s Columbia Gorge, following the Louisiana Purchase of 1803. Welcher’s imaginative textures and inventiveness are freshly modern, evoking our American heritage, including references to Shenandoah and other folk songs known to have been sung on the expedition. For advanced players. Duration: 14’.
In 1803, President Thomas Jefferson sent Meriwether Lewis and William Clark’s Corps of Discovery to find a water route to the Pacific and explore the uncharted West. He believed woolly mammoths, erupting volcanoes, and mountains of pure salt awaited them. What they found was no less mind-boggling: some 300 species unknown to science, nearly 50 Indian tribes, and the Rockies.Ihave been a student of the Lewis and Clark expedition, which Thomas Jefferson called the “Voyage of Discovery,” for as long as I can remember. This astonishing journey, lasting more than two-and-a-half years, began and ended in St. Louis, Missouri — and took the travelers up more than a few rivers in their quest to find the Northwest Passage to the Pacific Ocean. In an age without speedy communication, this was akin to space travel out of radio range in our own time: no one knew if, indeed, the party had even survived the voyage for more than a year. Most of them were soldiers. A few were French-Canadian voyageurs — hired trappers and explorers, who were fluent in French (spoken extensively in the region, due to earlier explorers from France) and in some of the Indian languages they might encounter. One of the voyageurs, a man named Pierre Cruzatte, also happened to be a better-than-average fiddle player. In many respects, the travelers were completely on their own for supplies and survival, yet, incredibly, only one of them died during the voyage. Jefferson had outfitted them with food, weapons, medicine, and clothing — and along with other trinkets, a box of 200 jaw harps to be used in trading with the Indians. Their trip was long, perilous to the point of near catastrophe, and arduous. The dream of a Northwest Passage proved ephemeral, but the northwestern quarter of the continent had finally been explored, mapped, and described to an anxious world. When the party returned to St. Louis in 1806, and with the Louisiana Purchase now part of the United States, they were greeted as national heroes.Ihave written a sizeable number of works for wind ensemble that draw their inspiration from the monumental spaces found in the American West. Four of them (Arches, The Yellowstone Fires, Glacier, and Zion) take their names, and in large part their being, from actual national parks in Utah, Wyoming, and Montana. But Upriver, although it found its voice (and its finale) in the magnificent Columbia Gorge in Oregon, is about a much larger region. This piece, like its brother works about the national parks, doesn’t try to tell a story. Instead, it captures the flavor of a certain time, and of a grand adventure. Cast in one continuous movement and lasting close to fourteen minutes, the piece falls into several subsections, each with its own heading: The Dream (in which Jefferson’s vision of a vast expanse of western land is opened); The Promise, a chorale that re-appears several times in the course of the piece and represents the seriousness of the presidential mission; The River; The Voyageurs; The River II ; Death and Disappointment; Return to the Voyage; and The River III .The music includes several quoted melodies, one of which is familiar to everyone as the ultimate “river song,” and which becomes the through-stream of the work. All of the quoted tunes were either sung by the men on the voyage, or played by Cruzatte’s fiddle. From various journals and diaries, we know the men found enjoyment and solace in music, and almost every night encampment had at least a bit of music in it. In addition to Cruzatte, there were two other members of the party who played the fiddle, and others made do with singing, or playing upon sticks, bones, the ever-present jaw harps, and boat horns. From Lewis’ journals, I found all the tunes used in Upriver: Shenandoah (still popular after more than 200 years), V’la bon vent, Soldier’s Joy, Johnny Has Gone for a Soldier, Come Ye Sinners Poor and Needy (a hymn sung to the tune “Beech Spring”) and Fisher’s Hornpipe. The work follows an emotional journey: not necessarily step-by-step with the Voyage of Discovery heroes, but a kind of grand arch. Beginning in the mists of history and myth, traversing peaks and valleys both real and emotional (and a solemn funeral scene), finding help from native people, and recalling their zeal upon finding the one great river that will, in fact, take them to the Pacific. When the men finally roar through the Columbia Gorge in their boats (a feat that even the Indians had not attempted), the magnificent river combines its theme with the chorale of Jefferson’s Promise. The Dream is fulfilled: not quite the one Jefferson had imagined (there is no navigable water passage from the Missouri to the Pacific), but the dream of a continental destiny.

Piano

SKU: UM.13953

A Pianist's I Ching Vol.5. Composed by Geoffrey Poole. United Music Publishing #13953. Published by United Music Publishing (UM.13953).

ISBN 9790224413953.

Concert Band Symphonic Band - Grade 4.5

SKU: FJ.B1844

Composed by Brian Balmages. Concert Band. FJH Symphonic Band. Meters. Score and Part(s). The FJH Music Company Inc #98-B1844. Published by The FJH Music Company Inc (FJ.B1844).

UPC: 241444433874. English.

Heroic, sweeping melodies form the basis of this celebratory work highlighting achievement and longevity. The constant rhythmic drive is augmented by soaring countermelodies and engaging percussion. Several peaks and valleys culminate in a powerful final fanfare that brings the work to a thrilling conclusion.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

Composed by Michael Culloton. Advanced/Collegiate. Year B Advent2. Advent, 21st Century, Hope/Assurance. Octavo. Published by Galaxy Music Corporation (EC.1.3489).

By Stephen Chatman. For SATB Choir and optional brass parts: trumpet 1, trumpet 2, trumpet 3 and trombone (Mixed Voices). Secular. Choral. 12 pages

The third in our set of bestselling short piano collections, ideal for recitals or teaching.
This set of pieces is the set requird for our Pianists competition, a Free to enter competition whih closes on the 31st December and has a prize attached, see our website www.timknightmusic.com