By Austin C. Lovelace. For SAB choir, organ. Parish. Choral, General, Hymn. Easy/Medium. Choral octavo. Published by Paraclete Press

(Come, Thou Fount of Every Blessing). Arranged by Thomas Kahelin. Concert Band. Concert Band; Score; SmartMusic. Alfred Concert Band. Folk; Hymn; Sacred. Grade 3. 12 pages. Published by Alfred Music

Handbells (3-5 octaves) - Level 2+

SKU: LO.20-1504L

Composed by Michael Helman. Concert, General, Sacred. Handbell score. Lorenz Publishing Company #20/1504L. Published by Lorenz Publishing Company (LO.20-1504L).

ISBN 9781429108027.

Leve l 2+ • Three of the finest examples of early American hymnody are brought together in this creative scoring. The tunes follow one another through two key changes, with ample use of LV. (From the collection Tune My Heart to Ring Your Praise—20/1415L.).

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.165001000

Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12 +8+4+4+4+4+8+8+8+8+4+4+4+ 4+8+8+8+8+8+8+8+8+4+16+4+ 8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000).

ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Full orchestra - Intermediate

SKU: MN.25-401

Composed by K. Lee Scott. MorningStar Music Publishers #25-401. Published by MorningStar Music Publishers (MN.25-401).

UPC: 688670254017.

Begin ning with a plaintive solo against a drone in the low strings, the mood of quiet introspection is established in this setting of the hymn tune PROSPECT. The mood builds to a majestic setting of the tune in the brass with woodwind and string figurations. The mood gradually returns to the quiet opening solo.

Vocal - Beginning

SKU: MB.30856

Christian, Saddle-stitched. Woodwinds. Book. 36 pages. Mel Bay Publications, Inc #30856. Published by Mel Bay Publications, Inc (MB.30856).

ISBN 9781513470795. 8.75x11.75 inches.

With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or â??singingsâ? are not easily accessible.
 
Th e hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.

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Handbell choir (3-5 octaves) - Level 4

SKU: JF.MLAHB1106

Arranged by J. Smith. Published by Laurendale Associates (JF.MLAHB1106).

UPC: 765844003036.

Commi ssioned by a church in Texas for its 125th anniversary, this arrangement of the American folk hymn tune has been set for 3, 4 or 5 octaves of bells. After a short introduction the melody enters in the bass bells with the mid-range bells on chords and the upper bells dancing around with ornamentation. A little later the registers trade textures. A quicker section involves the use of mallets on tabled bells in the lower voices and the upper bells on the melody in octaves. A broad section finishes the work.

SATB choir a cappella - Intermediate

SKU: MN.50-4063

Composed by Neil Harmon. Easter, Easter Season. MorningStar Music Publishers #50-4063. Published by MorningStar Music Publishers (MN.50-4063).

UPC: 688670540639. English.

The 19th-century American folk hymn tune SHOUT ON is set for SATB unaccompanied voices. The 1775 text is by Samuel Medley and includes the recurring refrain, Glory, Hallelujah! Sopranos divide briefly near the end, otherwise this is straight SATB with very approachable writing. Bright and rhythmic, this anthem is perfect for small and large choirs alike. Duration: 3:00.

Full orchestra - Intermediate

SKU: MN.25-400

Composed by K. Lee Scott. MorningStar Music Publishers #25-400. Published by MorningStar Music Publishers (MN.25-400).

UPC: 688670254000.

Set for full orchestra, this is a rhythmic, spirited setting of the Southern Harmony tune PROMISED LAND. Sections are featured on the verse/refrain settings: woodwinds, then brass, then strings each take a turn or two before the tutti ending.

By Michael Helman. For handbells (3-5 octaves). Level: Level 3. Handbell collection. Published by Lorenz Publishing Company. (20/1415L)

Full orchestra - Intermediate

SKU: MN.25-402

Composed by K. Lee Scott. MorningStar Music Publishers #25-402. Published by MorningStar Music Publishers (MN.25-402).

UPC: 688670254024.

This setting of the tune KEEP YOUR LAMPS begins with an extended introduction with energetic sixteenth note patterns leads to the first statement of the melody in the strings with woodwind punctuation, The brass section takes over the sixteenth notes just before a tutti statement of the melody. The activity and energy builds to a dramatic ending.

Violin - Beginning; Intermediate; Advanced

SKU: MB.30859

Saddle-stitched, Wedding. World Music. Book/insert. 68 pages. Mel Bay Publications, Inc #30859. Published by Mel Bay Publications, Inc (MB.30859).

ISBN 9781513465951. 8.75x11.75 inches.

Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page pull-out section of twelve selected pieces for an optional cello part.

It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World. 

SATB choir, assembly, organ accompaniment, oboe, cello - Early intermediate

SKU: GI.G-1732

Composed by American Folk Hymn. Arranged by Noel Goemanne. Choral. Choral. Tune name: Let Us Break Bread. Sacred. Octavo. 8 pages. GIA Publications #1732. Published by GIA Publications (GI.G-1732).

Text Source: American folk hymn.

Arranged by Jack Schrader. (SATB). American Folk Tune, Eternal Life, Hymntune, Lamb of God, Redemption, Sacrifice, Hymntune and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Organ: 2-staff - Moderately Easy

SKU: LO.70-2449L

Composed by John S. Dixon. Sacred. Lorenz Publishing Company #70/2449L. Published by Lorenz Publishing Company (LO.70-2449L).

ISBN 9780787779085.

Draw ing from over 250 years of evolving American hymnody, John Dixon has curated a diverse series of 12 organ settings that capture the essence of this rich heritage. Featuring a variety of tunes, half of which are rooted in 19th-century folk hymn tradition and the remainder hailing from the late 19th and early 20th centuries, these settings are designed to inspire, uplift, and console.

By Jay Althouse. Arranged by George W. Briggs. (SATB). American Folk Tune, Atonement, Blood, Communion, Cross of Christ, Holy Week, Lamb of God, Life of Christ, Lord's Supper, Redemption, Sacrifice, Communion and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Composed by Mack Wilberg (1955-). For SATB choir and piano or orchestra (3 flutes (3rd doubles piccolo), 3 oboes, solo recorder (opt.), 4 horns, harp, strings). Mixed Voices. Sacred. Level A-B (very easy - easy). Octavo. Duration 6'. Published by Oxford University Press

By Potter, Doreen. Arranged by John Carter. (SATB). American Folk Tune, Dedication, Hymntune, Love, Mission, Outreach, Service, Hymntune, Thanksgiving and Sacred. Print Music Single (SATB). 8 pages. Published by Hope Publishing Company.

Arranged by L. Eugene Oldham. General; Lent; Good Friday; Love; With Hymn Tune. Octavo. Beckenhorst Press #BP2300. Published by Beckenhorst Press

SATB choir, keyboard accompaniment, C instrument

SKU: GI.G-008819

Composed by James E Clemens. Easter, Easter 2 C, Easter 5 A, Easter 2 B, Easter 2 A. Tune Name: Resting Hearts. Sacred. Octavo. 8 pages. GIA Publications #008819. Published by GIA Publications (GI.G-008819).

UPC: 641151088198. Text by David Wright. Scripture: Jn 14:1–7.

Jim has teamed up with hymn writer and colleague David Wright in this beautifully harmonized and poignant original piece reminiscent of an American folk hymn. If you are familiar with Jim's previous choral works (Wondrous Love and People Look East,' to name just two), you'll recognize that each vocal line is carefully crafted and satisfying to sing. This piece will quickly become a favorite of choirs large and small.

Arranged by Karen Thompson. For handbell choir (2-3 octaves) with optional handchimes (3 octaves) (5-7 ringers). Ring More with Less series. Sacred. Level 2. Handbell score. 8 pages. Published by Chorister's Guild

Composed by John Rutter (1945-). Mixed Voices. Vocal score. 4 pages. Duration 2.5'. Published by Oxford University Press (OU.9780193511309).

SATB choir, piano

SKU: LO.10-5814L

Composed by Bryan Sharpe. Choral. Sacred Anthem, Advent, Christmas. Octavo. Lorenz Publishing Company #10/5814L. Published by Lorenz Publishing Company (LO.10-5814L).

ISBN 9780787789398.

Brya n Sharpe beautifully blends the beloved text from Isaac Watts with the American folk hymn LAND OF REST in this creative and festive anthem. Set in a vibrant 6/8, youâ??ve never heard â??Joy to the Worldâ? quite like this! A brief original tune referencing the classic carol melody is the highlight of this arrangement, and the optional sleigh bell part adds the perfect touch.

2-part Choir, assembly, descant,2-4-part Choir, keyboard accompaniment

SKU: GI.G-008811

Composed by Lisa Stafford. Triduum. Tune Name: Mary Wore Three Links Of Chain. Sacred. Octavo. GIA Publications #008811. Published by GIA Publications (GI.G-008811).

English.

A carefully crafted, clearly written choral work. For two-part choir with assembly in mind, this is just the right piece for those occasions when a message of hope is appropriate. Evocative of an early American folk hymn, the lyrical melody is paired with a flowing harmony line in the lower voice and effectively modulates up a whole step to the final verse, placing all voices firmly on the melody under a heavenly vocal descant on the Latin text Adoremus in aeternum. Smaller choirs will love this one.

Piano - Intermediate

SKU: CZ.9798396181786

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798396181786. Published by Children's Music Workshop (CZ.9798396181786).

ISBN 9798396181786.

Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.
With Thirty Famous Patriotic Songs for Piano Accompaniment (Winds), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.
To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.
From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Winds)encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.
Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Winds) and let the music of America inspire you.

Piano - Intermediate

SKU: CZ.9798396293144

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798396293144. Published by Children's Music Workshop (CZ.9798396293144).

ISBN 9798396293144.

Disc over the spirit of America with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), a remarkable collection of melodies that celebrates the land of the brave and the home of the free. This comprehensive book brings together some of the most beloved patriotic tunes that honor the USA, making it the perfect companion for occasions like July Fourth or any time of the year when you want to express your love for your country.
With Thirty Famous Patriotic Songs for Piano Accompaniment (Strings), you can immerse yourself in the rich musical heritage that has resonated with Americans throughout history while providing accompaniment for a number of different woodwinds and brass. The book features timeless classics like Amazing Grace, My Country Tis of Thee, America the Beautiful, and The Star-Spangled Banner, which will evoke a deep sense of national pride with every note.
To enhance your musical experience, mp3 accompaniment tracks are available online, allowing you to perform these iconic songs with full instrumental support. This accompaniment book ensures that pianists have the sheet music they need to master these patriotic melodies and provide musical background for instrumental solos.
From the stirring Battle Cry of Freedom to the soul-stirring Eternal Father, Strong to Save, Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) encompasses a diverse array of compositions that capture the essence of the American spirit. Whether you're commemorating the sacrifices of the armed forces with The Marine's Hymn or embracing the lively spirit of American folk with Oh! Susanna and Yankee Doodle, this collection has it all.
Experience the pride and joy of being an American with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings). Immerse yourself in the rich tapestry of American history, as reflected in the music that has accompanied the nation through triumph and adversity. Let the melodies of liberty, unity, and patriotism resonate within your heart as you sing or play these beloved songs. Celebrate the legacy of a nation with Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) and let the music of America inspire you.