Par . What better way to celebrate the 100th anniversary of Disney than with 100 magical songs in a beautiful, collectible hardcover edition' Beginning with a foreword by composer and Disney legend, Alan Menken, and a preface by Walt Disney Records Supervising Producer and Music Historian, Randy Thornton, and featuring colorful art throughout, Disney 100 Songs will take you on a century-long musical journey through 60 feature films, theme park attractions, and television shows. Each song is presented with melody, lyrics, and chords so everyone will be able to sing and play these beloved favorites. / Date parution : 2023-10-31/ Recueil / Mélodie, Paroles et Accords

Par . Looking for a fun and easy way to learn your favorite Disney songs' Look no further than the Hal Leonard Disney Hits Super Easy Songbook! With simplified arrangements of everyone's favorite tunes from timeless classics like The Lion King and Aladdin to modern favorites like Frozen and Moana, this book is perfect for beginners of all ages. With no page turns, simple right-hand melodies, letter names inside each note, and basic left-hand chord diagrams, you'll be playing along to your favorite Disney songs in no time! Songs include: For the First Time in Forever · He's a Pirate · How Far I'll Go · I Just Can't Wait to Be King · Into the Unknown · Love Is an Open Door · Nobody like U · The Place Where Lost Things Go · Remember Me (Ernesto de la Cruz) · Speechless · Spirit · We Don't Talk About Bruno · When Will My Life Begin' · You'll Be in My Heart (Pop Version) · You're Welcome · and more. / Niveau : Facile / Date parution : 2023-10-31/ Recueil / Piano

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

Par SCHUMANN CLARA. This book presents seven piano solos that represent the wonderful variety of compositions by Clara Schumann. The brilliant “Polonaise” was composed and performed by Clara as a child prodigy. The enchanting “Prelude, Op. 16, No. 2”, and “Romance, Op. 21. No.2” are both beautiful and suitable for many occasions. The joyful “Mazurka” makes a great recital piece as well as “Scherzo” in C minor. “Nocturne in F, Op. 6, No. 2' is one of the most beautifully written nocturnes. Chopin once told Clara that she was the only woman in Germany that could play his music. She may have been inspired to compose this piece after performing many of Chopin's works in her concerts. The final piece in this collection of Clara Schumann’s Piano Notebook is her “Theme and Variations”, which she dedicated to Robert Schumann. Robert composed and published many variations of his own on Clara's theme. Her own variations remained unknown until recently. These variations are very interesting, and the theme is easily recognizable throughout. “Theme and Variations” truly showcases Clara’s unique sense of creativity. These piano selections are presented as examples of Clara Schumann's legacy–a great composer of the 19th century. Her music is timeless and must be preserved for future generations of pianists. This collection will be valuable for recitals, programs and your own enjoyment. / Date parution : 2020-11-16/ Recueil / Piano

Par MARTINU BOHUSLAV. Though Bohuslav Martinu produced a lot of didactic material for the piano, not all of it has been published and many delightful works have remained unknown. In this Easy Piano Pieces and Dances album, Martinu’s four-part piano cycle Quarter and Eighth Notes, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a copyist’s manuscript of it resurfaced in Brno in 2011. The jazz piece One Step, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’s autograph. Along with these two“discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle Christmas, composed in Paris in 1927. These were previously available in Compositions for Policka. Though Bohuslav Martinu produced a lot of didactic material for the Piano, not all of it has been published and many delightful works have remained unknown. In this “Easy Piano Pieces and Dances” album, Martinu ’s four-part Piano cycle “Crotchets and Quavers”, composed in Paris in 1937, appears for the first time. It is devoted to changes of metre and tempo. The work, previously known only from his correspondence, was long considered lost until a manuscript copy resurfaced in Brno in 2011. The jazz piece “One-step”, composed in 1921, is also made accessible here for the first time. It hitherto only existed in the composer’sautograph. Along with these two “discoveries”, this album contains the dance pieces that Martinu composed in Policka in the 1920s as well as the three-part cycle “Christmas”, composed in Paris in 1927. These were previously available in “Compositions for Policka”. Includes original Martinu works, some published for the first time Foreword (Cz/Eng/Ger) and fingering by Lucie Harasim Berná Easy to moderately difficult pieces / Niveau : Facile / Répertoire / Piano

40 kid-friendly smash hits, including: ?Adore You?, ?Happy?, ?Let It Go?, ?Shake It Off?, ?Shotgun? and many more. The songs in this collection have been specially arranged for really easy piano with chord symbols and lyrics. Each song is presented with background notes and hints and tips to help
1. Adore You [Harry Styles]
2. Bad Day [Daniel Powter]
3. Best Day of My Life [American Authors]
4. Beautiful Day [U2]
5. Crazy Little Thing Called Love [Queen]
6. Call Me Maybe [Carly Rae Jepsen]
7. CAN'T STOP THE FEELING! [Justin Timberlake]
8. Cups (When I'm Gone) (from Pitch Perfect)
9. Don't Start Now [Dua Lipa]
10. Fight Song [Rachel Platten]
11. Firework [Katy Perry]
12. Hakuna Matata (from THE LION KING)
13. Happy [Pharrell Williams]
14. Havana [Camila Cabello]
15. High Hopes [Panic! At The Disco]
16. Let It Go (From Frozen)
17. I Love Rock 'n Roll [Joan Jett and The Blackhearts]
18. I'm a Believer [Smash Mouth]
19. Into the Unknown (from Frozen 2)
20. ME! [Taylor Swift ft. Brendon Urie]
21. Old Town Road (Remix) [Lil Nas X ft. Billy Ray Cyrus]
22. One Call Away [Charlie Puth]
23. Party in the U.S.A. [Miley Cyrus]
24. Perfect [Ed Sheeran]
25. Pompeii [Bastille]
26. Reach [S Club 7]
27. Roar [Katy Perry]
28. Shake It Off [Taylor Swift]
29. Shotgun [George Ezra]
30. Sing [Ed Sheeran]
31. Shut Up And Dance [Walk The Moon]
32. A Sky Full Of Stars [Coldplay]
33. Someone You Loved [Lewis Capaldi]
34. Stitches [Shawn Mendes]
35. Story of My Life [One Direction]
36. Stronger (What Doesn't Kill You) [Kelly Clarkson]
37. This Is Me (from THE GREATEST SHOWMAN)
38. Uptown Funk [Bruno Mars]
39. We Are Young [Fun ft. Janelle Monae]
40. What Makes You Beautiful [One Direction]
/ Partitions variété - pop - rock / Variété internationale / Piano / HAL LEONARD

Fragments K. 442. Par MOZART WOLFGANG AMADEUS. Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer, and on this basis they were given the number “442” in Köchel’s catalogue. The first edition used completions by Mozart ’s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed, highly rewarding completions by Robert D. Levin. / Seiffert, Wolf-Dieter / Répertoire / Violon, Violoncelle et Piano

Hardcover, Cloth-Bound. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

Description Franz Liszt: Sonata In B Minor And Other Works For Piano Among Franz Liszt's many brilliant compositions for piano, few have been so admired and performed as the Sonata in B minor, long considered one of the greatest piano compositions of the 19th century. Songlist [Unknown] Andante Lagrimoso Ave Maria Ballade No.1 In D Flat Major Ballade No.2 In B Minor Benediction De Dieu Dans La Solitude Cantique D'amour Consolations Funerailles Harmonies Poetiques Et Religieuses: Hymne De L'enfant A Son Revil Invocation Legendes: Miserere D'apres Plaestrina Pater Noster Pensee Des Morts Sonata In B Minor St Francois D'assise. La Predication Aux Oiseaux St Francois De Paule Marchant Sur Les Flots

Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.

Passions-Oratorium. Par BACH JOHANN CHRISTOPH FRIEDRICH. “An unknown work from the so-called Bückeburger Bach, which at first was ascribed unjustly to Carl Philipp Emanuel Bach. The story of the Suffering of the Lord is examined from a different perspective. Pilgrims have undertaken a journey to the Holy Land and when they arrive they are informed by a hermit of the suffering and death of Christ. An additional figure, an angel, lends this representation of the Passion a heightened form for communicating the importance of the suffering of Christ. ” / Oratorio / Date parution : 1999-01-01/ Répertoire / Solistes, Choeur SATB, 2 Flûtes Traversières, 2 Ha