By Camille Saint-Saens (1835-1921). Arranged by Angus Armstrong. For brass choir...(+)
By Camille Saint-Saens
(1835-1921). Arranged by
Angus Armstrong. For
brass choir 11 part with
timpani and 4 percussion.
Romantic. Advanced. Full
score and set of parts.
Published by Cherry
Classics
By Camille Saint-Saens (1835-1921) and Camille Saint-Sa. Arranged by Jamin Hoffm...(+)
By Camille Saint-Saens
(1835-1921) and Camille
Saint-Sa. Arranged by
Jamin Hoffman. For
Orchestra, String
Orchestra (Score and
Parts). Music for String
Orchestra. Grade 3-4.
Published by Hal Leonard
By Camille Saint-Saens (1835-1921) and Camille Saint-Sa. Arranged by Robert Long...(+)
By Camille Saint-Saens
(1835-1921) and Camille
Saint-Sa. Arranged by
Robert Longfield. For
Orchestra, String
Orchestra (Score and
Parts). Easy Music For
Strings. Grade 2.
Published by Hal Leonard
Havanaise Violon et Piano Lauren Keiser Music Publishing
(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by C...(+)
(for Violin and Piano
Critical Urtext Edition
Heifetz Collection).
Composed by Camille
Saint-Saens (1835-1921).
For Violin, Piano
Accompaniment. LKM Music.
Softcover. 16 pages.
Lauren Keiser Music
Publishing #S511022.
Published by Lauren
Keiser Music Publishing
SKU: HL.49007008 Composed by Michael Stegemann. This edition: Paperback/S...(+)
SKU: HL.49007008
Composed by Michael
Stegemann. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 288 pages.
Schott Music #ED 7158.
Published by Schott Music
(HL.49007008).
ISBN
9783795717872.
German.
Die
franzosische Musik der
zweiten Halfte des 19.
Jahrhunderts stand ganz
im Zeichen zweier Pole:
Oper und Salon. Die
weitgehende Missachtung
der Instrumentalmusik
tragt die Verantwortung
fur das falsche Licht, in
dem viele franzosische
Meister dieser Zeit immer
noch erscheinen. Unter
ihnen kommt vor allem
Charles-Camille
Saint-Saens (1835-1921)
grosste Bedeutung zu,
dessen Auseinandersetzung
mit der Gattung des
Solokonzerts von weit
uber die Grenzen
Frankreichs
hinausreichendem Einfluss
war.Diese Arbeit
korrigiert das heutige
Bild Saint-Saens' in
wesentlichen Punkten und
macht deutlich, dass sein
konzertantes Oeuvre zum
Besten gehort, was die
franzosische Romantik
hervorgebracht hat.Uber
den analytischen Teil
hinaus, der durch
zahlreiche Notenbeispiele
erganzt wird, enthalt der
Band die erste
vollstandige Biographie
des Komponisten in
deutscher Sprache;
ausfuhrliche Biographie,
thematisches Verzeichnis
der untersuchten Werke
und vor allem eine
chronologische Tabelle
von nahezu 200
franzosischen
Solokonzerten der Zeit
machen den Band zu einer
wertvollen Quelle fur die
Musikgeschichtsschreibung
des 19. Jahrhunderts.
Composed by Camille Saint-Saens (1835-1921). Edited by Richard W. Sargeant Jr. O...(+)
Composed by Camille
Saint-Saens (1835-1921).
Edited by Richard W.
Sargeant Jr. Original
Works, Dances, Opera
Excerpts. Reprint Source:
Edwardsville: Serenissima
Music, Inc., 2015. Plate
41588. Romantic, French
Mythology/Legends. Study
score (paperback).
Composed 1877. 46 pages.
Duration 8 minutes.
Published by Serenissima
(SA.41588).
Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited ...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Merle J.
Isaac, edited by George
Megaw. Full score for
full orchestra. With full
score notation. 44 pages.
Published by Alfred
Publishing.
Composed by Camille Saint-Saens (1835-1921), arranged by Merle J. Isaac, edited ...(+)
Composed by Camille
Saint-Saens (1835-1921),
arranged by Merle J.
Isaac, edited by George
Megaw. Full score and set
of performance parts for
full orchestra. Medium.
With full score notation
and standard notation.
176 pages. Published by
Alfred Publishing.
Danse Bacchanale Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Baton Music
(from the Opera Samson et Dalila). By Camille Saint-Saens (1835-1921). Arranged ...(+)
(from the Opera Samson et
Dalila). By Camille
Saint-Saens (1835-1921).
Arranged by Jose Schyns.
For Concert Band. Grade
5. Full score and set of
parts. Duration 8:00
By Camille Saint-Saens. Arranged by Jay Bocook. MusicWorks Grade 4. Concert Band...(+)
By Camille Saint-Saens.
Arranged by Jay Bocook.
MusicWorks Grade 4.
Concert Band. Score and
full set of parts. Size
9x12 inches. Published by
Hal Leonard.
SKU: HL.49007730 Analytische Untersuchungen und didaktische Empfehlung...(+)
SKU: HL.49007730
Analytische
Untersuchungen und
didaktische Empfehlungen
fur den Musikunterricht
in der Sekundarstufe.
Edited by Albrecht
Goebel. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 312 pages.
Schott Music #ED 8031.
Published by Schott Music
(HL.49007730).
ISBN
9783795702373.
German.
Will der
Schulmusiker seine
Schuler in Erfullung des
'Lehrplansolls' mit der
Gattung 'Programmusik'
bekannt machen, so wird
er bei der Materialsuche
in Lehrbuchern und
Fachliteratur immer
wieder auf Beschreibungen
derselben Kompositionen
stossen: Smetana's
'Moldau', R. Strauss'
'Till Eulenspiegel' usw.
Der Herausgeber hat sich
im Zusammenwirken mit den
in diesem Sammelband
vertretenen Autoren
deshalb auf die Suche
nach Werken hoher
Qualitat, aber teilweise
geringeren
Bekanntheitsgrades
begeben und prasentiert
fur den Musikunterricht
in der Sekundarstufe
analytische
Untersuchungen,
didaktische Empfehlungen
und historische
Hintergrundinformationen
zu 21 Werken des 17. bis
20. Jahrhunderts. Die
Spannweite reicht von
Vivaldi bis Beethoven,
von Berlioz bis Cesar
Franck, von C. M. von
Weber bis Max Reger, von
den grossen slawischen
Meistern bis hin zu
Honegger und Schonberg,
um nur einige zu nennen.
Eingeleitet wird das Buch
durch eine Einfuhrung in
die Asthetik der
Programmmusik im 19.
Jahrhundert von Albrecht
Riethmuller. Eine
Fundgrube fur die
Gestaltung eines
abwechslungsreichen und
damit interessanten
Unterrichts.
SKU: HL.49006765 Eine kommentierte Bibliographie von Unterrichtsbeispi...(+)
SKU: HL.49006765
Eine kommentierte
Bibliographie von
Unterrichtsbeispielen und
Analysen. Composed by
Wolfgang Schmidt-Brunner.
This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 120 pages.
Schott Music #ED 6885.
Published by Schott Music
(HL.49006765).
ISBN
9783795729530.
German.
Dieses
Repertoire, das Werke von
70 Komponisten: Josquin
des Pres bis John Cage
umfasst, soll dem
Schulmusiker die
Orientierung in der Fulle
der musikpadagogischen
Unterrichtsliteratur
erleichtern und ihm eine
Hilfe bei der
Unterrichtsvorbereitung
sein.Zugleich mag es dem
Studierenden erste
Anregungen bei der
Unterrichtsplanung
vermitteln und des
weiteren einer kunftigen
systematischen
Aufarbeitung der (von
Michael Alt) sogenannten
'Praktikerliteratur' als
bibliographische
Grundlage dienen. Die
Zusammenstellung enthalt
Hinweise auf im
allgemeinen leicht
erreichbare
Veroffentlichungen, in
denen Musikwerke unter
didaktischem Aspekt
analysiert bzw. daruber
hinaus in
Unterrichtssequenzen mit
methodischen Empfehlungen
versehen sind.
Organ SKU: M7.DOHR-20476 From Samson and Dalila. Composed by Camil...(+)
Organ
SKU:
M7.DOHR-20476
From
Samson and Dalila.
Composed by Camille
Saint-Saens. Arranged by
Otto Depenheuer. Sheet
music. Édition
bon(n)orgue Vol. 76. Op.
47. 20 pages. MDS (Music
Distribution Services)
#DOHR 20476. Published by
MDS (Music Distribution
Services)
(M7.DOHR-20476).
Piano Solo - Medium SKU: BU.EBR-A050 Composed by Camille Saint-Saens. Arr...(+)
Piano Solo - Medium
SKU: BU.EBR-A050
Composed by Camille
Saint-Saens. Arranged by
Jean-Francois Pailler.
This edition: French
Edition. Classique.
Anacrouse. Partition +
Biographie + Notes sur
l'oeuvre. Score. Editions
Bourges #EBR-A050.
Published by Editions
Bourges (BU.EBR-A050).
Piano Solo SKU: IS.PN6534EM Composed by Charles Camilleri. Keyboards - Pi...(+)
Piano Solo
SKU:
IS.PN6534EM
Composed
by Charles Camilleri.
Keyboards - Piano.
Metropolis Music
Publishers #PN6534EM.
Published by Metropolis
Music Publishers
(IS.PN6534EM).
ISBN
9790365065349.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him.
Piano 4 Hands SKU: IS.PN6030EM Composed by Charles Camilleri. Keyboards -...(+)
Piano 4 Hands
SKU:
IS.PN6030EM
Composed
by Charles Camilleri.
Keyboards - Piano.
Metropolis Music
Publishers #PN6030EM.
Published by Metropolis
Music Publishers
(IS.PN6030EM).
ISBN
9790365060306.
Char
les Camilleri (1931 -
2009) was a Maltese
composer. As a teenager,
he composed a number of
works based on folk music
and legends of his native
Malta. He moved from his
early influences by
Maltese folk music to a
musical form in which
nothing is fixed and his
compositions evolve from
themselves with a sense
of fluency and
inevitability. He
composed over 100 works
for orchestra, chamber
ensemble, voice and solo
instruments. Camilleri's
work has been performed
throughout the world and
his research of folk
music and improvisation,
the influences of the
sounds of Africa and
Asia, together with the
academic study of
European music, helped
him create a universal
style. Camilleri is
recognized in Malta as
one of the major
composers of his
generation. He died on 3
January 2009 at the age
of 77. His funeral took
place two days later at
Naxxar, his long-time
town of residence. Flags
across Malta were flown
at half-mast in tribute
to him.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Breitkopf and
Haertel #OB 15136-23.
Published by Breitkopf
and Haertel
(BR.OB-15136-23).
ISBN
9790004341322. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Breitkopf and
Haertel #OB 15136-16.
Published by Breitkopf
and Haertel
(BR.OB-15136-16).
ISBN
9790004341308. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Breitkopf and
Haertel #OB 15136-27.
Published by Breitkopf
and Haertel
(BR.OB-15136-27).
ISBN
9790004341339. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 28 pages.
Breitkopf and Haertel #OB
15136-30. Published by
Breitkopf and Haertel
(BR.OB-15136-30).
ISBN
9790004341346. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Study Score. 36 pages.
Breitkopf and Haertel #PB
15137-07. Published by
Breitkopf and Haertel
(BR.PB-15137-07).
ISBN
9790004214732. 6.5 x 9
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland. Stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Breitkopf and
Haertel #OB 15136-15.
Published by Breitkopf
and Haertel
(BR.OB-15136-15).
ISBN
9790004341292. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.
Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-...(+)
Violin and orchestra
(solos: vl - 2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-15136
Urtext. Composed
by Camille Saint-Saens.
Edited by Christiane
Strucken-Paland.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 32 pages.
Breitkopf and Haertel #PB
15136. Published by
Breitkopf and Haertel
(BR.PB-15136).
ISBN
9790004214725. 10 x 12.5
inches.
The
Havanaise possibly has
its roots in the
friendship of the
composer with the
Cuban-born violinist
Rafael Diaz Albertini. It
is thus perfectly
plausible that
Saint-Saens borrowed the
Cuban syncopated slow
dance Habanera out of
kindness towards his
performance partner when
he was getting ready to
write a work for Diaz
Albertini in 1887.
Saint-Saens originally
wrote a version for
violin and piano, which
was later followed by the
orchestral version that
the publisher Durand had
urged him to write. Diaz
Albertini, to whom the
work was dedicated, gave
its world premiere before
other virtuosos adopted
it for themselves and
spread its fame
throughout the world. The
basis of this first
Urtext edition of the
piece is the first
edition, which was
presumably personally
overseen by
Saint-Saens.