Chamber Music Trombone, Piano SKU: PR.114414450 Man vs. Machine. C...(+)
Chamber Music Trombone,
Piano
SKU:
PR.114414450
Man
vs. Machine. Composed
by Adolphus Hailstork.
Sws. Folk. Set of Score
and Parts. With Standard
notation. Composed 2009.
24+8 pages. Duration 12
minutes. Theodore Presser
Company #114-41445.
Published by Theodore
Presser Company
(PR.114414450).
ISBN
9781598064087. UPC:
680160597635. 9x12
inches.
Inspired by
the tale of a legendary
folk hero, Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. This composition
uses quotes from the
spiritual Every Time I
Feel the Spirit and the
folk song The Ballad of
John Henry. For advanced
players. Duration:
13’_______________
_________________________
__Text on the scanned
back cover:JOHN HENRY'S
BIG(MAN vs. MACHINE)FOR
TROMBONE AND
PIANOInspired by the tale
of the legendary hero,
Adolphus
Hailstork’s
tour-de-force for
trombone and piano is a
riveting portrayal of the
steely strength and
stamina of John Henry, a
former slave who helped
build the American
railroads and ultimately
outperformed a steam
engine. PROGRAM NOTES
by the ComposerJohn Henry
was born a slave in the
1840’s or
1850’s. It is
important to remember
that no one knows for
sure if John Henry
existed or is a tall tale
created by writers. That
is one of the things that
makes the legend so
intriguing.According to
the legend, he grew to
stand 6 feet tall, 200
pounds – a giant
in that day.Though the
story of John Henry
sounds like the
quintessential tall tale,
it is certainly based, at
least in part, on
historical circumstance.
There are disputes as to
where the legend
originates. Some place
John Henry in West
Virginia, while recent
research suggests
Alabama. Still, all share
a similar back-story.In
order to construct the
railroads, companies
hired thousands of men to
smooth out terrain and
cut through obstacles
that stood in the way of
the proposed tracks. One
such chore that figures
heavily into some of the
earliest John Henry
ballads is the blasting
of the Big Bend Tunnel,
more than a mile straight
through a mountain in
West
Virginia.Steel-drivinâ
™ men like John Henry
used large hammers and
stakes to pound holes
into the rock, which were
were then filled with
explosives that would
blast a cavity deeper and
deeper into the mountain.
In the folk ballads, the
central event took place
under such conditions.
Eager to reduce costs and
speed up progress, some
tunnel engineers were
using steam drills to
power their way into the
rock. According to the
great American tall
tales, on hearing of the
machine, John Henry
challenged the steam
drill to a contest. He
won, but died of
exhaustion, his life cut
short by his own
superhuman effort.This
composition uses quotes
from the spiritual Every
Time I Feel the Spirit
and the folk song The
Ballad of John Henry.JOHN
HENRY’S BIG was
composed for trombonist
David Jackson.
Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714).
ISBN
9790004216514. 10.5 x 14
inches.
More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980.
Moyses Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
(Biblical Poem). By Federico Agnello. For concert band. Grade 4.5. Score and...(+)
(Biblical Poem). By
Federico
Agnello. For concert
band.
Grade 4.5. Score and full
set
of parts. Duration 16
minutes.
Published by Scomegna
Edizioni
Musical srl
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Hank Williams. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Hank
Williams. For voice,
piano and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Honky
tonk and traditional
country. 303 pages. 9x12
inches. Published by Hal
Leonard.
Part I, II, III and IV. Composed by Alex Poelman. The Best Original Compo...(+)
Part I, II, III and
IV. Composed by Alex
Poelman. The Best
Original Compositions for
Concert Band/Catalogue
Master Works Vol. 1.
Molenaar Masterpieces.
Recorded on The Seven
Wonders of the Ancient
World (ML.311080720).
Full set. Duration 20
minutes, 58 seconds.
Published by Molenaar
Edition (ML.012792100).
Choral TTBB choir, piano SKU: CF.CM9635 Composed by Victor Johnson. Fold....(+)
Choral TTBB choir, piano
SKU: CF.CM9635
Composed by Victor
Johnson. Fold.
Performance Score. 12
pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9635.
Published by Carl Fischer
Music (CF.CM9635).
ISBN 9781491157077.
UPC: 680160915637. 6.875
x 10.5 inches. Key: E
major. English, English.
Abram Joseph Ryan
(1838-1886).
Victor
Johnson captures the
mystery and nuance of the
bittersweet poem, Wake Me
a Song, by American poet,
Abram Joseph Ryan.
Nuance, text, and
Johnson's rich harmonies
paired with intertwining
textures make this a
noteworthy addition to
any program. Also
available for SATB Voices
(CM9561). About the
Author Abram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states. Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky. About the Song
Wake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment. To master
a performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections. One strategy
that could be used to
ensure proper phrasing is
the idea of Painting the
Phrase. The singer should
make a motion as if they
have a paintbrush in
their hand and paint the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept. About the
AuthorAbram Joseph Ryan
was born Matthew Abraham
Ryan on February 5, 1838
in Hagerstown, Maryland.
As a young man, Ryan and
his family moved west St.
Louis, Missouri, where he
was educated at the
Christian Brothers
School. He studied for
the priesthood at Niagra
University in New York
State and was ordained a
priest in the Vincentian
order on November 1,
1856. He taught theology,
first at Niagra
university and then at
the diocesan seminary in
Cape Girardeau, Missouri,
until the beginning of
the war between the
states.Father Ryan
enlisted in the army on
September 1, 1862, and
served as a chaplain
throughout the conflict,
carrying the wounded to
safety and performing
last rites on the
battlefield. His first
piece of poetry was
inspired by the death of
a younger brother while
serving in the army.
After the war, he
established a weekly
literary magazine in
which most of his poetry
was published. He also
put out several volumes
of poetry, including
Father Ryan's Poems and A
Crown for Our Queen.
Father Ryan died on April
22, 1886 at a Franciscan
monastery in Louisville,
Kentucky.About the
SongWake Me A Song is an
inspired and sensitive
setting of the
19th-century poem by
Abram Joseph Ryan. It
features sweeping melodic
lines, rich harmonies,
and a flowingly beautiful
accompaniment.To master a
performance of this
selection, singers must
perform very
expressively, paying
close attention to such
musical aspects as phrase
shaping, the rise and
fall of the melodic line,
blending and proper
intonation between
sections.One strategy
that could be used to
ensure proper phrasing is
the idea of
“Painting the
Phrase.†The singer
should make a motion as
if they have a paintbrush
in their hand and
“paint†the
melodic line and phrase
shape as if they are
painting with a nice,
flowing brush stroke. One
could think about
painting a rainbow or an
arch to show the rise and
fall of the line and/or
phrase. The director can
also show this gesture
while conducting to
reinforce this
concept.
Composed by Christian Mason. World premiere: Paris, Cite de la musique, Januar...(+)
Composed by Christian
Mason.
World premiere: Paris,
Cite
de la musique, January
14,
2020. Breitkopf and
Haertel
#EB 9377. Published by
Breitkopf and Haertel
Piano Accompaniment; Violin SKU: HL.14041762 Violin and Piano. Com...(+)
Piano Accompaniment;
Violin
SKU:
HL.14041762
Violin
and Piano. Composed
by Helen Grime. Music
Sales America. Classical.
Softcover. Composed 2011.
12 pages. Chester Music
#CH79508. Published by
Chester Music
(HL.14041762).
9.0x12.0x0.071
inches.
'Romanc
e for violin and piano is
a short, reflective piece
that exploits the lyrical
qualities inherent in the
combination. Originally
written for a very young
but talented violinist,
Romance travels through
numerous moods andcolours
within a continuous
musical development of
the opening material. At
first gentle and
reflective with
increasing dramatic
outbursts outlined by the
violin sforzandi and
parallel sixths in the
piano writing, numerous
shortsolo passages in
both instruments
culminate in a fiery
climax. Quickly subsiding
into the calmer yet now
more melancholy strains
of the earlier stages of
the piece, the ending is
somewhat incomplete. This
seems to suggest
acontinuous turn of
events alluded to in the
music.' <
em> &nbs
p;  
;
- Helen
Grime
Born in 1981,
Helen studied oboe with
JohnAnderson and
composition with Julian
Anderson and Edwin
Roxburgh at the Royal
College of Music. She
graduated from the BMus
course with First Class
Honours and completed her
Masters with Distinction
in 2004. From 2005-07,
Helenwas a Legal &
General Junior Fellow at
the Royal College of
Music. In 2003 she won a
British Composer Award
for her Oboe Concerto,
and was awarded the
intercollegiate Theodore
Holland Composition Prize
in 2003 as well as allthe
major composition prizes
in the RCM. In 2008 she
was awarded a Leonard
Bernstein Fellowship to
study at the Tanglewood
Music Center where she
studied with John
Harbison, Michael
Gandolfi, Shulamit Ran
and Augusta Read
Thomas.Helen has had
works commissioned by
some of the most
established performers
and organisations
including ENO, London
Symphony Orchestra, BCMG,
Britten Sinfonia, BBC
Scottish Symphony
Orchestra and the
Tanglewood Music
Center.Conductors who
have performed her work
include Daniel Harding,
Oliver Knussen, Pierre
Boulez and Yan Pascal
Tortelier. Helen is the
2010 recipient of the
Lili Boulanger Memorial
Fund and Associate
Composer of The Halle
from the.
Composed by Ed Kiefer.
Symphonic Band (SPS). Set
of Score and Parts. With
Standard notation.
4+4+2+4+8+8+2+1+2+2+2+2+2
+2+3+6+6+9+2+2+3+3+3+3+4+
1+1+1+1+1+16+2 pages.
Duration 2 minutes, 58
seconds. Carl Fischer
Music #SPS82. Published
by Carl Fischer Music
(CF.SPS82).
ISBN
9781491152591. UPC:
680160910090. Key: Bb
major.
Resignation
was composed in
memory of one of Ed
Kiefer's best friends.
Evoking the struggle of
coming to grips with the
loss of a dear friend,
the piece is based on the
hymn, My Shepherd Will
Supply My Need. It is
dramatic, heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings.
Composed by Ed Kiefer.
Symphonic Band (SPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #SPS82F.
Published by Carl Fischer
Music (CF.SPS82F).
ISBN 9781491153277.
UPC:
680160910779.
Resig
nation was
composed in memory of
one of Ed Kiefer's best
friends. Evoking the
struggle of coming to
grips with the loss of a
dear friend, the piece is
based on the hymn, My
Shepherd Will Supply My
Need. It is dramatic,
heartfelt, and
overwhelmingly beautiful.
As Hans Christian
Andersen once said, When
words fail, music
speaks.. Dr. David S.
Kirby Commission
Consortium Phillip Riggs,
Commission
CoordinatorNorthwest
District Bandmasters
AssociationRodney
Workman, Past-Chair
Andrew Jimeson,
ChairWestern North
Carolina Bandmasters
AssociationAllen Klaes,
ChairNorth Carolina
School of Science and
MathPhillip Riggs,
DirectorA.C. Reynolds
High School BandSean
Smith, DirectorSouth
Caldwell High School
BandJason Childers,
DirectorJay M. Robinson
Symphonic BandAndrew
Carter, DirectorApex High
School BandDaniel Jarvis,
DirectorPanther Creek
High School BandDavid
Robinson, DirectorEastern
Randolph High School
BandCarolina Perez,
DirectorStanley County
Concert Band/Pfeiffer
University Concert
BandCarmella Hedrick, Tim
Hedrick and Frank Poolos,
DirectorsLenoir Rhyne
University Wind
SymphonyDr. Daniel Kiser,
ConductorDr. Christopher
NegrelliNumerous
colleagues, fellow
teachers, and former
studentsProgram
NotesThere is no possible
way I could compose a
piece of music worthy of
the memory of my close
friend, Dr. David Kirby,
who died very suddenly at
an early age. Neither
could I write a piece
that could come close to
reflecting his kind
spirit, wit, personality
or talent. In fact, it
was almost impossible for
me to write anything at
all. My own grief and the
stages of my
grief kept getting in
the way. I ended up with
a setting of the
hymn-tune, Resignation.
Resigned. To the fact
that he is no longer
with us. I know he is
in a better place, but we
are not. We miss him very
much. And so, My Shepherd
Will Supply My Need seems
to speak to those of us
he left behind. I
apologize if this piece
does not reflect your
special feelings for him
or help you celebrate his
moving on. Unfortunately,
I could only put down
what I have come to
accept and hope in some
way it may speak to any
of you that knew him or
to others of you who have
also lost a close friend.
My Shepherd Will Supply
My Need. That is my
hope and my hope for
you.Although technically
very easy, this
composition requires a
maturity of musicianship
to be performed properly.
The Bb contrabass
clarinet part is integral
to the composition, but
there are cues in the
tuba part if you need
them. Â Make sure you
bring horns to the fore
at m. 53 and the low
brass at m. 59 so the
melody can be heard
without effort.
Exaggerate dynamics to
bring more emotion to the
piece. Be careful not to
diminuendo too soon near
the end or it will be
difficult to diminish
even further at the very
end, where the lone
clarinetist holds over a
couple of measures,
fading into nothing. I
hope your students will
enjoy this piece and take
from it a greater
appreciation for the way
making music can express
feelings.
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
Composed by Adam Gorb.
Arranged by Michael
Brand. Band Music. Score
only. Duration 4:20.
Published by G & M Brand
Music Publishers
(CN.S11242).
Scenes from an
English Landscape is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end of
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax.
This is a
brief nostalgic tone poem
taking its inspiration
from visions of rural
England as depicted in
the paintings of John
Constable, the novels of
Thomas Hard, and the
music of Gustav Holst and
Ralph Vaughan Williams. I
imagined a community of
villagers coming out of
church and filling a
village square with their
vibrant presence. A
chorale-like theme is
stated in the brass and
then taken up at three
times the tempo in the
woodwinds. At the end o
the work, both versions
of the theme are stated
together to bring the
piece to a triumphant
climax. Adam Gorb was
born in Cardiff and
started composing at the
age of ten. His first
work broadcast on
national radio was
written when he was
fifteen. He studied at
Cambridge University
(1977-1980) and the Royal
Academy of Music
(1991-1993) where he
graduated with the
highest honours including
the Principal's Prize. He
has been on the staff at
the London College of
Music and Media, the
junior Academy of the
Royal Academy of Music
and, since 2000 he has
been the Head of School
of Composition at the
Royal Northern College of
Music in Manchester .
International recognition
came in 1994 with the US
Walter Beeler Prize for
his work Metropolis .
With it began what has
developed into probably
the most important wind
ensemble catalogue by a
contemporary composer,
ranging from extremely
challenging to the most
accessible, at all
technical levels, seized
on by players
internationally, widely
recorded and now
absolutely central to the
world's wind repertoire.
Equally important though
are his works for dance,
and concert pieces like
the chamber orchestral
Weimar , the Violin
Sonata , a Clarinet
Concerto for the Royal
Liverpool Philharmonic
Orchestra and Diaspora
for strings (for the
Goldberg Ensemble).
Deceptively mainstream at
first glance, they
display the same
inventive brilliance,
pulsating sound world,
striking use of rhythm
and an undogmatic absence
of stylistic hang-ups to
embrace jazz and
serialism in works where
power, poetry, irony and
pathos, often underlaid
by a theatrical and
deeply subversive
element, coalesce in an
integrated, highly
individual musical voice.
Gorb is also not afraid
to draw on the vivid
musical heritage of his
Jewish roots, sometimes
directly, often in a more
subsumed or radically
creative way. The crucial
and consistent feature of
Gorb's work though is
that it communicates
strongly without
patronizing players or
audiences. He firmly
believes that if
contemporary music - any
music - does not impact
on listeners then its
message is irrelevant; it
is lost.
Concert band (ST KPL) - advanced SKU: HL.49012048 Composed by Hans G&aacu...(+)
Concert band (ST KPL) -
advanced
SKU:
HL.49012048
Composed
by Hans Gá and l.
This edition: Folding.
Sheet music. Schott
Harmonie Serie (Concert
Band). Classical. Set of
Parts. Op. 1007. 214
pages. Duration 11'.
Schott Music #SHS1007-70.
Published by Schott Music
(HL.49012048).
ISBN
9790001100816. UPC:
884088158811.
8.25x11.75x0.634
inches.
This work
was written for the
Donaueschingen Musiktage
of 1926 and given its
first performance there
together with Paul
Hindemith's
'Konzertmusik' and Ernst
Toch's 'Spiel' for wind
band. Until a few years
ago the score was thought
to be lost. This first
edition reproduces the
original Version but it
has been carefully
extended so that it can
be played by the usual
combination of
Instruments now found in
a wind band. The work is
suitable for advanced
wind bands and those at
the highest level, and is
one of the first original
compositions for this
form of ensemble.Hans Gal
was born in Vienna where
he studied composition
and musicology and then
taught at the university.
From 1929 until 1933 he
was Director of the
Musikhochschule in Mainz.
He then had to return to
Vienna and he emigrated
to Edinburgh where he was
a university lecturer and
conductor. Together with
Eusebius Mandyczewski he
published the collected
works of Brahms
1
Piccolo-Flote, 2 Floten,
1 Oboe ad lib., 1 Fagott
ad lib., 1 Klarinette in
Es, 3 Klarinetten in B, 1
Bass-Klarinette in B ad
lib., 2 Alt-Saxophone in
Es ad lib., 1
Tenor-Saxophon in B ad
lib., 1 Bariton-Saxophon
in es ad lib., 3 Horner
in F, 2 Trompeten in B, 3
Posaunen, 2 Flugelhorner
in B, 2 Tenorhorner in B,
1 Bariton, 2 Tuben,
Pauken, Schlagzeug:
kleine Trommel, grosse
Trommel, Tamburin,
Triangel, Becken).
Choral; Organ Accompaniment (SATB AND ORGAN) SKU: HL.277960 SATB and O...(+)
Choral; Organ
Accompaniment (SATB AND
ORGAN)
SKU:
HL.277960
SATB and
Organ. Composed by
Rachel Portman. Choral.
General Worship, Sacred.
Softcover. 16 pages.
Chester Music #SRO100172.
Published by Chester
Music (HL.277960).
6.5x9.75
inches.
Rachel
Portman's Magnificat and
Nunc Dimittis for SATB
choir and organ
accompaniment. Born in
west Sussex, England,
Rachel Portman began
composing at age 14 and
studied music at Oxford
University. She gained
experience writing music
for drama in BBC and
Channel 4 films including
Mike Leigh's Four Days in
July and Jim Henson's
Storyteller series. Her
extensive film work
includes scores for Never
Let Me Go, The Joy Luck
Club, Benny and June, and
The Manchurian Candidate.
She won an Academy award
for her score for Emma
and Academy nominations
for Chocolat and The
Cider House Rules. She
has written a musical of
Little House on the
Prairie as well as an
opera of Saint Exupery's
The Little Prince for
Houston Grand Opera and
The Water Diviner, a
dramatic choral symphony
commissioned for the BBC
Proms concerts. She was
appointed Officer of the
Order of the British
Empire (OBE) in the 2010
New Year Honours.
Partita No. 2 Piccolo [Conducteur] Theodore Presser Co.
Chamber Music Piccolo SKU: PR.114422450 Composed by Johann Sebastian Bach...(+)
Chamber Music Piccolo
SKU: PR.114422450
Composed by Johann
Sebastian Bach. Arranged
by Nicola Mazzanti. Sws.
Full score. 20 pages.
Duration 17 minutes.
Theodore Presser Company
#114-42245. Published by
Theodore Presser Company
(PR.114422450).
ISBN
9781491134986. UPC:
680160685974. 9 x 12
inches.
Bachâs
colossal Partita No. 2
for Solo Violin has been
crowned by many masters
as one of musicâs
greatest achievements,
and even its famous
Chaconne movement alone
is a mountain many
performers dare not
scale. While the
literature of several
other instruments has
been enriched by
transcriptions of the
Chaconne, Mazzantiâs
heroic adaptation of the
complete Partita is the
culmination of many
yearsâ work, and the
only transcription
specifically for the
piccoloâs unique
range. THE
INSPIRATIONEver since my
childhood, Johann
Sebastian Bachâs
solo violin music (like
his works for solo cello)
has always held a charm
and mystery for me.
Thereâs something
about this repertoire
that sparks an
inextinguishable
questioning in my musical
and human soul.It is
music without spatial
limits or temporal cages,
a music as essential as
it is masterfully
complex, in which the
solitary voice of man
meets the
all-encompassing voice of
God. It is a music whose
vertical and horizontal
dimensions, already
admirably fused, are
faceted into new and
mysterious realities. For
every violinist, the
study of these
compositions is at the
apex of tenacious
technical study and
interpretative
effort.Violinist Joshua
Bell has said the
Ciaccona (Bach did write
the Partitaâs
movement titles in
Italian) is ânot
just one of the greatest
pieces of music ever
written, but one of the
greatest achievements of
any man in history.
Itâs a spiritually
powerful piece,
emotionally powerful,
structurally
perfect.âTranscribin
g and performing
Bachâs PARTITA NO.
2, BWV 1004 on piccolo
was a feat that took
years of work. The famous
Ciaccona movement is, of
course, the piece that
alone occupied most of
this time. How does one
honor and elevate such
high music with such a
âsmallâ
instrument, devoid of the
enormous expressive
potential of the violin,
devoid of its chords and
its polyphony? How might
I transform the piccolo
into an instrument with,
like the violin,
full-bodied low notes and
subtle high notes? Above
all, why undertake such a
demanding and
extraordinary journey?The
first reason is obvious:
by transcribing,
studying, and performing
such an admirable piece,
we assimilate it, it
becomes part of us, it
enormously enriches our
musical interior.In
addition, it forces us
technically to expand the
colors, agility, and
flexibility of the
instrument; it makes us
think in a polyphonic
way.Finally, the daily
study, especially of the
Ciaccona, is an
extraordinary gymnasium
in which to consolidate
and strengthen our
general technique.THE
TRANSCRIPTIONThe whole
Partita was transcribed
in the key of A minor, a
fifth above the original
in D minor. This was
necessary for the lowest
note of the violin (G) to
correspond to the lowest
note of the piccolo (D).
This version exploits the
full range of the
piccolo, from the D of
the first octave to the B
of the third octave.
However some octave
adjustments were
needed.The chords,
particularly in the
Sarabanda and the
Ciaccona, have been left
with the same notational
system used by Bach in
his version for violin. I
chose to respect
Bachâs presentation
and did not transcribe
these into grace notes
breaking the chords. I
advocate that we must at
least try to think of
this music in its
vertical dimension,
trying to make the notes
resonate as if they were
being played together,
deciding the speed of the
arpeggio based on musical
needs.While some woodwind
editions of Bachâs
string solos do indicate
broken chords as grace
notes, this implies that
the most important note
is necessarily the
highest one, while
sometimes it is precisely
in the lower pitches that
the theme is voiced.In
this piccolo adaptation,
many of Bachâs
original articulations
have been respected. Some
have been changed, when
needing to adapt them to
the specific needs of
flute playing.The two
passages in the Ciaccona
where Bach indicates
âarpeggioâ were
rendered trying to
respect the most
consolidated and virtuous
violin traditions, and at
the same time the
possibilities that the
piccolo offers us. For
this purpose, in some
cases, different
revoicings of the chords
have been used.I thank
all those who patiently
listened to me and were
close to me during this
period, for their
observations and advice.
In particular, I thank my
daughter Sara for her
assistance and skill in
entering this edition
into music writing
software.
Baritone; Female Voices; Piano Accompaniment; Soprano (SSAA Choir) SKU: HL.48...(+)
Baritone; Female Voices;
Piano Accompaniment;
Soprano (SSAA Choir)
SKU: HL.48025388
Legend for soprano &
baritone soli, SSAA &
piano. Composed by
Leokadiya Kashperova. BH
Large Choral. Classical,
Romantic, Vocal.
Softcover. 40 pages.
Duration 660 seconds.
Boosey & Hawkes
#M060140358. Published by
Boosey & Hawkes
(HL.48025388).
UPC:
196288195405.
9.0x12.0x0.227
inches.
Leokadiya
Kashperova
(1872–1940),
hitherto consigned to a
footnote in musical
history as Stravinsky's
piano teacher, is
undergoing rediscovery. A
double graduate of the St
Petersburg Conservatoire,
she emerged as a virtuoso
pianist and composer in
the romantic tradition.
She was associated with
some of the great
musicians of her day,
including Balakirev and
Auer. She performed in
both Germany and the UK
in the 1900s, but her
career petered out after
1920. Following her
graduation from the St
Petersburg Conservatoire
Kashperova became
personally acquainted
with the poet Yakov
Polonsky and often
attended his literary
gatherings. When he died
in 1898 Kashperova
responded by setting his
enchanting and mystical
'legend' To a Child in
Answer to the Question:
Where Do the Stars Come
From? The baritone
soloist takes the role of
the father or grandfather
who endeavours to answer
the riddle posed in the
title. He decides to
relate 'a tale of old, an
Eastern legend' which
recounts how, long ago,
the flowers would weep,
so afraid were they of
the dark. In response an
archangel (soprano solo)
descends to Earth and is
so moved by the
flowersÂ’ anguished
appeal, she gathers 'all
their tears in chalice
gold / And bears them up
to God in Heav'n above'.
The baritone narrates the
final scene as the
Almighty casts the tears
across the firmament,
thus creating the
constellations. The
childÂ’s question is
answered, and the
peaceful domesticity of
the opening scene
returns.
2 violins, 2 violas, 2 celli - Level 6 SKU: KU.GM-1911 Composed by David ...(+)
2 violins, 2 violas, 2
celli - Level 6
SKU:
KU.GM-1911
Composed
by David Philip Hefti.
Edited by David Philip
Hefti. Bach format (230 x
302). In A Folder. Full
score, parts. 78 pages.
Duration 19 minutes.
Edition Kunzelmann
#GM-1911. Published by
Edition Kunzelmann
(KU.GM-1911).
ISBN
9790206202384. 9 x 12
inches.
Monu
mentum, Music for
String Sextet, was
written in 2014 to a
commission from the
Moritzburg Festival, The
Chamber Music Society of
Lincoln Center New York
and the Kathe Kollwitz
House in Moritzburg. It
is dedicated to the
cellist Jan Vogler. The
world premiere took place
on 19 August 2014 at the
Moritzburg Festival,
performed by Timothy
Chooi & Mira Wang
(violins), Roberto Diaz
& Hartmut Rohde
(violas), Jan Vogler
& Harriet Krijgh
(cellos). The American
premiere took place on 7
May 2015 in the Lincoln
Center with the Amphion
String Quartet, the
violist Yura Lee and the
cellist Jan
Vogler.
The
String
Sextet Momentum<
/em> commemorates
the outbreak of the First
World War, the death of
Peter Kollwitz –
who died as a volunteer,
aged just 18, in the
early weeks of the war
– and the manner in
which his mother, the
artist Kathe Kollwitz,
mourned the loss of her
son. The artist worked
through her pain by
creating her most famous
sculpture, The
Mourning Parents. It
stands today at the
German soldiers’
cemetery at Vladslo in
western Flanders, where
her son Peter also lies
buried. During the 18
years that she worked on
the Parents
, Kathe Kollwitz attended
several concerts at the
Volksbuhne in Berlin,
where from January to
February 1927 she heard
Arthur Schnabel’s
cycle of all the
Beethoven piano sonatas.
Schnabel performed the
Sonata op. 111 in c minor
on 26 February 1927, and
this work touched her in
particular, as we can
read in her diary:
“The strange
flickering notes turned
into flames – a
moment of rapture, taking
one into a different
sphere, and the heavens
opened almost as in the
Ninth (Symphony). Then
one found one’s way
back – but it was a
return after having been
assured that there is a
heaven. These notes are
serene – confident
– and good. Thank
you, Schnabel!”
This encounter with
Beethoven’s last
sonata inspired the
artist to take up work
again on her sculpture
after a long interruption
and to consider different
possibilities for
arranging the two
figures. For this reason,
the first minutes
ofMomentum
are derived from this
sonata by Beethoven
– though without it
being quoted in an
audible manner –
and they leave their mark
on the form of the
Sextet. The number 18 and
the date of Peter
Kollwitz’s death
(23 October 1914) also
have a direct impact on
the work’s
dramaturgy. This music is
mostly calm in nature,
but is time and again
interrupted unexpectedly,
being disturbed by unruly
sounds and vehement
eruptions until time
itself seems to dissolve
in an aleatoric passage.
The work ends with an
extended lament on
“seed corn should
not be ground”, a
line from
Goethe’s W
ilhelm Meister’s
Journeyman Years.
Kathe Kollwitz often
quoted this phrase to
argue for peace, and also
took it as the title for
a lithograph that she
made in 1942. -
David Philip
Hefti
Columbus Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000826-010 Composed by Rob ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000826-010
Composed by Rob Goorhuis.
Set (Score & Parts). 24
pages. Gobelin Music
Publications #GOB
000826-010. Published by
Gobelin Music
Publications
(BT.GOB-000826-010).
Christopher
Columbus was born in
Genoa in 1451. His father
was a wool merchant.
Originally he seemed
destined to follow in his
father’s footsteps, and
thus sailed the oceans to
countries as far apart as
Iceland and Guinea.
In 1476 his ship was sunk
during a battle off the
coast of Portugal.
Columbus saved his own
life by swimming to
shore. In 1484 he
conceived the idea of
sailing to the Indies via
a westward sea route, but
it was only in 1492 that
he was able to realize
this plan. On this
first voyage he was in
command of three ships:
the flag-ship, called the
Santa Maria, the Pinta,
and the Ni?a. From Spain
Columbus sailed via the
Canary Islands to the
Bahamas, whichhe sighted
on October 12th 1492.
Without being aware of it
Columbus discovered the
‘New World’ he
thought he had landed in
the eastern part of Asia.
The motif from
Dvoøák’s 9th Symphony
‘Aus der neuen Welt’
forms a little
counterfeit history at
this point in the
composition. After
this first voyage
Columbus was to undertake
another three long
voyages to America. These
voyages were certainly
not entirely devoid of
misfortune. More than
once he was faced with
shipwreck, mutiny and the
destruction of
settlements he had
founded. After
Columbus had left for
Spain from Rio Belen in
1503, he beached his
ships on the coast of
Jamaica. The crew were
marooned there and it was
only after a year that
Columbus succeeded in
saving his men and
sailing back to Spain
with them. In the
music the
misunderstanding about
which continent Columbus
discovered in his
lifetime resounds, for
does this part in the
composition not contain
Asiatic motifs? Poor
Columbus! In 1506 the
famous explorer died in
Valladolid.
Christopher
Columbus wordt in 1451
geboren in Genua als zoon
van een wolhandelaar.
Aanvankelijk lijkt hij
voorbestemd om als
koopman door het leven te
gaan. Zo bevaart hij al
een groot deel van de
wereldzeeën tot landen
als IJslanden Guinea.
In 1476 zinkt zijn schip
in een veldslag voor de
kust van Portugal.
Columbus kan zich
zwemmend naar de kust
redden. In 1484 vat
hij het plan op om langs
de “andere” kant van
de wereld naar India te
varen. Pasin 1492 kan hij
zijn plan
verwezenlijken. Het
vlaggeschip op deze reis
is de Santa Maria. Het
schip wordt gesecondeerd
door de Pinta en de Ni?a.
Vanuit Spanje vaart
Columbus via de
Canarische eilanden naar
de Bahamas,die hij op 12
oktober 1492 in zicht
krijgt. Zonder het te
weten ontdekt Columbus de
“Nieuwe wereld”.
Hij verkeert in de
veronderstelling in het
oosten van Azië te zijn
aangeland. Een stukje
geschiedvervalsing vormt
hier eenmotiefje uit
Dvoøák’s 9de
symfonie, ‘Aus der
neuen Welt’. Na
deze eerste reis maakt
Columbus nog drie grote
reizen naar Amerika. De
reizen verlopen zeker
niet alle voorspoedig. Zo
is er bijv. meermaals
sprake van
schipbreuk,muiterij en
verwoesting van de door
Columbus gestichte
nederzettingen. Als
hij in 1503 uit Rio Belen
weer richting Spanje
vertrekt, stranden zijn
schepen op de kust van
Jamaica. De bemanning
wordt daar achtergelaten.
Paseen jaar later
weet Columbus zijn
bemanning te redden en
met hen terug te varen
naar Spanje. In de
muziek klinkt het
misverstand over welk
werelddeel Columbus in
zijn leven bevaren had
door. Roept dit deeltje
geen associatiesop met
Aziatische klanken? Arme
Columbus! Christopher
Columbus overlijdt in
1506 in Valladolid.
Columbus Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000827-020 Composed by Rob Goorhuis....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000827-020
Composed by Rob Goorhuis.
Set (Score & Parts). 146
pages. Gobelin Music
Publications #GOB
000827-020. Published by
Gobelin Music
Publications
(BT.GOB-000827-020).
Christopher
Columbus was born in
Genoa in 1451. His father
was a wool merchant.
Originally he seemed
destined to follow in his
father’s footsteps, and
thus sailed the oceans to
countries as far apart as
Iceland and Guinea.
In 1476 his ship was sunk
during a battle off the
coast of Portugal.
Columbus saved his own
life by swimming to
shore. In 1484 he
conceived the idea of
sailing to the Indies via
a westward sea route, but
it was only in 1492 that
he was able to realize
this plan. On this
first voyage he was in
command of three ships:
the flag-ship, called the
Santa Maria, the Pinta,
and the Ni?a. From Spain
Columbus sailed via the
Canary Islands to the
Bahamas, whichhe sighted
on October 12th 1492.
Without being aware of it
Columbus discovered the
‘New World’ he
thought he had landed in
the eastern part of Asia.
The motif from
Dvoøák’s 9th Symphony
‘Aus der neuen Welt’
forms a little
counterfeit history at
this point in the
composition. After
this first voyage
Columbus was to undertake
another three long
voyages to America. These
voyages were certainly
not entirely devoid of
misfortune. More than
once he was faced with
shipwreck, mutiny and the
destruction of
settlements he had
founded. After
Columbus had left for
Spain from Rio Belen in
1503, he beached his
ships on the coast of
Jamaica. The crew were
marooned there and it was
only after a year that
Columbus succeeded in
saving his men and
sailing back to Spain
with them. In the
music the
misunderstanding about
which continent Columbus
discovered in his
lifetime resounds, for
does this part in the
composition not contain
Asiatic motifs? Poor
Columbus! In 1506 the
famous explorer died in
Valladolid.
Christopher
Columbus wordt in 1451
geboren in Genua als zoon
van een wolhandelaar.
Aanvankelijk lijkt hij
voorbestemd om als
koopman door het leven te
gaan. Zo bevaart hij al
een groot deel van de
wereldzeeën tot landen
als IJslanden Guinea.
In 1476 zinkt zijn schip
in een veldslag voor de
kust van Portugal.
Columbus kan zich
zwemmend naar de kust
redden. In 1484 vat
hij het plan op om langs
de “andere” kant van
de wereld naar India te
varen. Pasin 1492 kan hij
zijn plan
verwezenlijken. Het
vlaggeschip op deze reis
is de Santa Maria. Het
schip wordt gesecondeerd
door de Pinta en de Ni?a.
Vanuit Spanje vaart
Columbus via de
Canarische eilanden naar
de Bahamas,die hij op 12
oktober 1492 in zicht
krijgt. Zonder het te
weten ontdekt Columbus de
“Nieuwe wereld”.
Hij verkeert in de
veronderstelling in het
oosten van Azië te zijn
aangeland. Een stukje
geschiedvervalsing vormt
hier eenmotiefje uit
Dvoøák’s 9de
symfonie, ‘Aus der
neuen Welt’. Na
deze eerste reis maakt
Columbus nog drie grote
reizen naar Amerika. De
reizen verlopen zeker
niet alle voorspoedig. Zo
is er bijv. meermaals
sprake van
schipbreuk,muiterij en
verwoesting van de door
Columbus gestichte
nederzettingen. Als
hij in 1503 uit Rio Belen
weer richting Spanje
vertrekt, stranden zijn
schepen op de kust van
Jamaica. De bemanning
wordt daar achtergelaten.
Paseen jaar later
weet Columbus zijn
bemanning te redden en
met hen terug te varen
naar Spanje. In de
muziek klinkt het
misverstand over welk
werelddeel Columbus in
zijn leven bevaren had
door. Roept dit deeltje
geen associatiesop met
Aziatische klanken? Arme
Columbus! Christopher
Columbus overlijdt in
1506 in Valladolid.
Columbus Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-000826-140 Composed by Rob ...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.GOB-000826-140
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000826-140. Published by
Gobelin Music
Publications
(BT.GOB-000826-140).
Christopher
Columbus was born in
Genoa in 1451. His father
was a wool merchant.
Originally he seemed
destined to follow in his
father’s footsteps, and
thus sailed the oceans to
countries as far apart as
Iceland and Guinea.
In 1476 his ship was sunk
during a battle off the
coast of Portugal.
Columbus saved his own
life by swimming to
shore. In 1484 he
conceived the idea of
sailing to the Indies via
a westward sea route, but
it was only in 1492 that
he was able to realize
this plan. On this
first voyage he was in
command of three ships:
the flag-ship, called the
Santa Maria, the Pinta,
and the Ni?a. From Spain
Columbus sailed via the
Canary Islands to the
Bahamas, whichhe sighted
on October 12th 1492.
Without being aware of it
Columbus discovered the
‘New World’ he
thought he had landed in
the eastern part of Asia.
The motif from
Dvoøák’s 9th Symphony
‘Aus der neuen Welt’
forms a little
counterfeit history at
this point in the
composition. After
this first voyage
Columbus was to undertake
another three long
voyages to America. These
voyages were certainly
not entirely devoid of
misfortune. More than
once he was faced with
shipwreck, mutiny and the
destruction of
settlements he had
founded. After
Columbus had left for
Spain from Rio Belen in
1503, he beached his
ships on the coast of
Jamaica. The crew were
marooned there and it was
only after a year that
Columbus succeeded in
saving his men and
sailing back to Spain
with them. In the
music the
misunderstanding about
which continent Columbus
discovered in his
lifetime resounds, for
does this part in the
composition not contain
Asiatic motifs? Poor
Columbus! In 1506 the
famous explorer died in
Valladolid.
Christopher
Columbus wordt in 1451
geboren in Genua als zoon
van een wolhandelaar.
Aanvankelijk lijkt hij
voorbestemd om als
koopman door het leven te
gaan. Zo bevaart hij al
een groot deel van de
wereldzeeën tot landen
als IJslanden Guinea.
In 1476 zinkt zijn schip
in een veldslag voor de
kust van Portugal.
Columbus kan zich
zwemmend naar de kust
redden. In 1484 vat
hij het plan op om langs
de “andere” kant van
de wereld naar India te
varen. Pasin 1492 kan hij
zijn plan
verwezenlijken. Het
vlaggeschip op deze reis
is de Santa Maria. Het
schip wordt gesecondeerd
door de Pinta en de Ni?a.
Vanuit Spanje vaart
Columbus via de
Canarische eilanden naar
de Bahamas,die hij op 12
oktober 1492 in zicht
krijgt. Zonder het te
weten ontdekt Columbus de
“Nieuwe wereld”.
Hij verkeert in de
veronderstelling in het
oosten van Azië te zijn
aangeland. Een stukje
geschiedvervalsing vormt
hier eenmotiefje uit
Dvoøák’s 9de
symfonie, ‘Aus der
neuen Welt’. Na
deze eerste reis maakt
Columbus nog drie grote
reizen naar Amerika. De
reizen verlopen zeker
niet alle voorspoedig. Zo
is er bijv. meermaals
sprake van
schipbreuk,muiterij en
verwoesting van de door
Columbus gestichte
nederzettingen. Als
hij in 1503 uit Rio Belen
weer richting Spanje
vertrekt, stranden zijn
schepen op de kust van
Jamaica. De bemanning
wordt daar achtergelaten.
Paseen jaar later
weet Columbus zijn
bemanning te redden en
met hen terug te varen
naar Spanje. In de
muziek klinkt het
misverstand over welk
werelddeel Columbus in
zijn leven bevaren had
door. Roept dit deeltje
geen associatiesop met
Aziatische klanken? Arme
Columbus! Christopher
Columbus overlijdt in
1506 in Valladolid.
Columbus Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2.5 SKU: BT.GOB-000827-120 Composed by Rob Goorhuis....(+)
Fanfare Band - Grade 2.5
SKU:
BT.GOB-000827-120
Composed by Rob Goorhuis.
Score Only. 24 pages.
Gobelin Music
Publications #GOB
000827-120. Published by
Gobelin Music
Publications
(BT.GOB-000827-120).
Christopher
Columbus was born in
Genoa in 1451. His father
was a wool merchant.
Originally he seemed
destined to follow in his
father’s footsteps, and
thus sailed the oceans to
countries as far apart as
Iceland and Guinea.
In 1476 his ship was sunk
during a battle off the
coast of Portugal.
Columbus saved his own
life by swimming to
shore. In 1484 he
conceived the idea of
sailing to the Indies via
a westward sea route, but
it was only in 1492 that
he was able to realize
this plan. On this
first voyage he was in
command of three ships:
the flag-ship, called the
Santa Maria, the Pinta,
and the Ni?a. From Spain
Columbus sailed via the
Canary Islands to the
Bahamas, whichhe sighted
on October 12th 1492.
Without being aware of it
Columbus discovered the
‘New World’ he
thought he had landed in
the eastern part of Asia.
The motif from
Dvoøák’s 9th Symphony
‘Aus der neuen Welt’
forms a little
counterfeit history at
this point in the
composition. After
this first voyage
Columbus was to undertake
another three long
voyages to America. These
voyages were certainly
not entirely devoid of
misfortune. More than
once he was faced with
shipwreck, mutiny and the
destruction of
settlements he had
founded. After
Columbus had left for
Spain from Rio Belen in
1503, he beached his
ships on the coast of
Jamaica. The crew were
marooned there and it was
only after a year that
Columbus succeeded in
saving his men and
sailing back to Spain
with them. In the
music the
misunderstanding about
which continent Columbus
discovered in his
lifetime resounds, for
does this part in the
composition not contain
Asiatic motifs? Poor
Columbus! In 1506 the
famous explorer died in
Valladolid.
Christopher
Columbus wordt in 1451
geboren in Genua als zoon
van een wolhandelaar.
Aanvankelijk lijkt hij
voorbestemd om als
koopman door het leven te
gaan. Zo bevaart hij al
een groot deel van de
wereldzeeën tot landen
als IJslanden Guinea.
In 1476 zinkt zijn schip
in een veldslag voor de
kust van Portugal.
Columbus kan zich
zwemmend naar de kust
redden. In 1484 vat
hij het plan op om langs
de “andere” kant van
de wereld naar India te
varen. Pasin 1492 kan hij
zijn plan
verwezenlijken. Het
vlaggeschip op deze reis
is de Santa Maria. Het
schip wordt gesecondeerd
door de Pinta en de Ni?a.
Vanuit Spanje vaart
Columbus via de
Canarische eilanden naar
de Bahamas,die hij op 12
oktober 1492 in zicht
krijgt. Zonder het te
weten ontdekt Columbus de
“Nieuwe wereld”.
Hij verkeert in de
veronderstelling in het
oosten van Azië te zijn
aangeland. Een stukje
geschiedvervalsing vormt
hier eenmotiefje uit
Dvoøák’s 9de
symfonie, ‘Aus der
neuen Welt’. Na
deze eerste reis maakt
Columbus nog drie grote
reizen naar Amerika. De
reizen verlopen zeker
niet alle voorspoedig. Zo
is er bijv. meermaals
sprake van
schipbreuk,muiterij en
verwoesting van de door
Columbus gestichte
nederzettingen. Als
hij in 1503 uit Rio Belen
weer richting Spanje
vertrekt, stranden zijn
schepen op de kust van
Jamaica. De bemanning
wordt daar achtergelaten.
Paseen jaar later
weet Columbus zijn
bemanning te redden en
met hen terug te varen
naar Spanje. In de
muziek klinkt het
misverstand over welk
werelddeel Columbus in
zijn leven bevaren had
door. Roept dit deeltje
geen associatiesop met
Aziatische klanken? Arme
Columbus! Christopher
Columbus overlijdt in
1506 in Valladolid.