Antiphonen für großes Ensemble. Par PINTSCHER MATTHIAS. / Répertoire / Ensemble Large

Idéale pour les musiciens pratiquant Trompette ou Cornet et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence MORE02141.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Antifona, 4Tp - 4 Tb de Morel. / Trompette / niveau : Cycle 2 / Partition

Marianische Antiphon. Par MOCNIK DAMIJAN. Marianische Antiphon / Musique contemporaine / Répertoire / Choeur SSAATTBB

Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Par KEMBER JOHN. Recreate the glitz and glamour of the Broadway stage10 songs from the best shows across the decades, arranged for instrument andpiano with CD backingsIncludes songs from Anything Goes to Grease and ChicagoThe accompanying CD is enhanced and includes backing tracks to play along with and printable piano accompaniment parts/ Recueil / Violon et Piano

Antiphona Angelorum. Aus: Zwölf Geistliche Gesänge. Par SCHUTZ HEINRICH. Tonalité : mixolydisch - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 421 (op. 13 #2) / Messe / Répertoire / Choeur SATB, (4 Instruments, Contrebasse, et Orgue

Meditation on 'O come, O come, Immanuel'. The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium. / Niveau : 2.5 / Musique religieuse / Recueil / Brass Band

Antifona Per C., 2 Ob., 2 Vl., Vla E B. - Ed. Critica M. Talbot - Parti. Par VIVALDI ANTONIO. / Répertoire / Matériel D'Orchestre

Antiphona Angelorum. Aus: Zwölf Geistliche Gesänge. Par SCHUTZ HEINRICH. Tonalité : mixolydisch - Horn, Paul (Arr.) - Schubert, Margaret (Trad.) - SWV 421 (op. 13 #2)/ Répertoire / Choeur SATB, (4 Instruments, Contrebasse, et Orgue

Meditation on 'O come, O come, Immanuel'. The Advent hymn we all know today as O Come, O Come, Immanuel was arranged in its modern form by Thomas Helmore and published in Hymnal Noted in 1856. Both the words and melody, however, predate this version by centuries. The words are based on a 9th century antiphon and the tune, Veni Immanuel, is taken from a 15th century processional of French Franciscan nuns, part of the setting for the funeral hymn Libera Me. This arrangement aims to expand on the power and mystery of the original tune and will be most effective if the solo cornet at the start and end of the piece can be placed away from the band, maybe at the back of the auditorium. / Niveau : 2.5 / Musique religieuse / Recueil / Brass Band

Marienantiphon. Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozarts 'Regina coeli' ist die erste seiner drei Vertonungen der marianischen Antiphon für die Vesper in der Osterzeit. / Hymnes et chorals / Répertoire / Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Haut