The Angel Gabriel CD Chorale [Conducteur et Parties séparées] Hal Leonard
Choral (CHOIRTRAX CD) SKU: HL.284830 Carols for Christmas Series. ...(+)
Choral (CHOIRTRAX CD)
SKU: HL.284830
Carols for Christmas
Series. Arranged by
John Leavitt. Sacred
Choral. Christmas,
General Worship, Sacred.
CD. Duration 160 seconds.
Published by Hal Leonard
(HL.284830).
UPC:
888680867492.
5.0x5.0x0.19 inches. Luke
1:26-38.
This
lesser-known carol
receives special
treatment in an artful
rendition. Offered with
the option of a charming
chamber orchestration,
the seasonal offering is
ideal for community choir
concerts or lessons and
carols programs. The text
presents the angelic
visitation to Mary and
fills an important
liturgical slot for
church choir directors.
Score and Parts (fl 1-2,
ob, cl 1-2, bn, perc 1-2,
hp, vn 1-2, va, vc, db)
available as a digital
download.
The Angel Gabriel Chorale 3 parties SA, Piano [Conducteur et Parties séparées] Hal Leonard
Choral (SAB Choir) SKU: HL.1418816 Arranged by John Leavitt. Sacred Chora...(+)
Choral (SAB Choir)
SKU: HL.1418816
Arranged by John Leavitt.
Sacred Choral. Christmas,
General Worship, Sacred.
Octavo. Duration 160
seconds. Published by Hal
Leonard (HL.1418816).
UPC: 196288197973.
6.75x10.5x0.019 inches.
Luke 1:26-38.
This
lesser-known carol
receives special
treatment in an artful
rendition. Offered with
the option of a charming
chamber orchestration,
the seasonal offering is
ideal for community choir
concerts or lessons and
carols programs. The text
presents the angelic
visitation to Mary and
fills an important
liturgical slot for
church choir directors.
Score and Parts (fl 1-2,
ob, cl 1-2, bn, perc 1-2,
hp, vn 1-2, va, vc, db)
available as a digital
download.
Johnny Angel [Set de Parties séparées] Alfred Publishing
Choir Secular SoundPax SKU: AP.37912 Composed by Lee Pockriss. Arranged b...(+)
Choir Secular SoundPax
SKU: AP.37912
Composed by Lee Pockriss.
Arranged by Jay Althouse.
This edition: SoundPax.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Pop; Secular. Part(s). 26
pages. Alfred Music
#00-37912. Published by
Alfred Music (AP.37912).
UPC: 038081423845.
English. Words by Lyn
Duddy.
Your ladies'
angelic voices will sound
heavenly on this pop hit
single from 1962,
originally sung by
Shelley Fabares. A
winsome, romantic lyric
and a fun arrangement
especially for your
gals.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
CME Intermediate.
Composed by Daniel
Brewbaker. CME
Intermediate Series.
Classical, Concert.
Octavo. 8 pages. Boosey &
Hawkes #M051480425.
Published by Boosey &
Hawkes (HL.48022585).
UPC: 884088690083.
6.75x10.5x0.019
inches.
A gentle,
lilting waltz for unison
choir, treble solo and
piano. The angel being
addressed is reassured
that he/she has done well
in her attempt to find
the Beloved. Written for
the Anima Young Singers,
Emily Ellsworth,
conductor, this is a
wonderful piece for
melodic independence for
a young choir. From the
cantata Living the
Divine. Duration:
ca.4:00.
Choral (ShowTrax CD) SKU: HL.124746 By The Andrews Sisters. Arranged by J...(+)
Choral (ShowTrax CD)
SKU: HL.124746
By
The Andrews Sisters.
Arranged by Jill Gallina.
Secular Christmas Choral.
Christmas, Holiday,
Oldies, Secular, Show
Choir. CD only. Published
by Hal Leonard
(HL.124746).
UPC:
884088984175. 5x5
inches.
Sweet
Angie, the Christmas Tree
Angel, wishes you a very,
very, merry, merry
Christmas, from the tippy
top of the tree! Recorded
by the Andrews Sisters,
this 1950's classic makes
a charming holiday
showcase for treble
choirs of all ages!
Piano Solo SKU: HL.14043165 Piano Solo. Composed by Patrick Hawes....(+)
Piano Solo
SKU:
HL.14043165
Piano
Solo. Composed by
Patrick Hawes. Music
Sales America. Classical.
Softcover. 12 pages.
Novello & Co Ltd.
#NOV294712. Published by
Novello & Co Ltd.
(HL.14043165).
9.0x12.0x0.082
inches.
Patrick
Hawes' Two Angel Preludes
, scored for solo Piano.
' Cherubim : This piano
prelude aims to create a
sense of weightlessness
and tranquillity whilst
at the same time having
momentum and energy. Like
the Seraphim, the
Cherubim are ceaseless in
prayer, and the repeated
note figurations are
designed to enhance this
image.' ' Seraphim : The
triple meter and lilting
melody in this piece for
solo piano combine to
create a sense of quiet
joy as the Seraphim
perpetually pray to the
heavenly Father.' -
Patrick Hawes.
Composed by James
d'Angelo. Flute Quintet -
Piccolo, 2 flutes, Alto
Flute, Bass Flute. Score
and parts. Forton Music
#FM557. Published by
Forton Music (FT.FM557).
ISBN
9790570484560.
The
Wounded Angel (2013) is
written for piccolo, two
flutes, alto flute and
bass flute, and is
dedicated to Christine
Turellier, a professor of
flute at the Lille
Conservatory of Music
(France) where the work
was premiered. These
pieces were inspired by a
painting entitled The
Wounded Angel (1967) by
the visionary British
artist Cecil Collins
(1908-1990). His works
have been the basis for a
number of D'Angelo's
compositions. For
example, one of his
latest pieces for
orchestra takes its
inspiration from Collins'
painting The Angel of the
Flowing Light (1968). In
his extensive output the
artist often used angels
and fools as symbols of
purity and wisdom. In the
painting, the earthbound,
winged, wounded angel is
lying on its side with
its eyes closed. Its
colours blend in with the
purplish colours of the
earth. In the distance is
a mountain shaped like a
pyramid while the sky is
filled with shades of
orange. Just at the point
where the mountain meets
the bleak landscape we
see the sun just rising.
This angel has been
injured and fallen to
Earth and in its distress
has to find a way of
healing itself and
ascending to its
spiritual home. In this
highly impressionistic
piece the piccolo stands
for the wounded angel. It
has a three note motif
and its wound is
suggested by the semitone
difference of the second
note each time the motif
is repeated. The piece is
a voyage through all the
states of mind the angel
experiences. For example,
there are moments of
contemplation and peace
where the alto and bass
flutes play rocking
rhythms in open fifths.
The final bars of The
Wounded Angel portray the
gentle power of the angel
to heal itself and return
to the heavens. Here,
following the motif of
the gently rocking
rhythms the piccolo plays
two ascending fourths
leading to a G sharp
which has its resolution
in the angels keynote
A.
Guitar SKU: HL.14030951 For Guitar. Composed by Bent Sorensen. Mus...(+)
Guitar
SKU:
HL.14030951
For
Guitar. Composed by
Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. 2
pages. Edition Wilhelm
Hansen #KP00857.
Published by Edition
Wilhelm Hansen
(HL.14030951).
ISBN
9788759851937.
10.5x14.5x0.423 inches.
English.
Work for
Guitar. The composer
writes: 'The title of
this tiny little piece
came to me out of my
fascination of a picture
by the French painter
Jean-Francois Millet,
entitled L'ANGELUS It
features two praying
people listening to the
evening bells. My
Angelus-Bells were later
on squeezed into a
waltz-like rhythm. The
piece was written by
request of and is
dedicated to David
Starobin.'.
Choral; Organ Accompaniment (SATB AND ORGAN) SKU: HL.1216624 Composed by ...(+)
Choral; Organ
Accompaniment (SATB AND
ORGAN)
SKU:
HL.1216624
Composed
by Matthew Martin.
Choral. Christmas.
Octavo. 16 pages.
Duration 210 seconds.
Novello and Co Ltd.
#NOV297543. Published by
Novello and Co Ltd.
(HL.1216624).
ISBN
9781705195369. UPC:
196288140467.
9.0x12.0x0.069
inches.
The
composer writes: â??I
was delighted to be asked
by Daniel Hyde and King's
College, Cambridge to
write this year's
commission for the
Festival of Nine Lessons
and Carols. I have chosen
to set a familiar text
and tune - Angelus ad
Virginem - and for it to
serve as a tribute to the
late great Simon Preston
CBE (chorister and later
organ scholar at King's).
The text suggests
something descriptive and
exuberant, and this
arrangement makes use of
the original 13th century
carol throughout. A
colorful organ part is
designed to propel the
music forward, sometimes
twisting and distorting
the melody in unexpected
ways, hopefully
reflecting something of
Simon's wit, vitality and
stylish energy.â? -
Matthew Martin.
Based on Angels from the Realms of Glory. Arranged by Eric Robertson, Robert Lon...(+)
Based on Angels from the
Realms of Glory. Arranged
by Eric Robertson, Robert
Longfield. (Score and
Parts). Score and full
set of parts. Canadian
Brass Concert Band.
Published by Canadian
Brass.
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet
SKU:
HL.14030980
Parts. Composed by
Bent Sorensen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00249.
Published by Edition
Wilhelm Hansen
(HL.14030980).
ISBN
9788759871973.
12.0x16.0x0.285
inches.
Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angel's Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on
Angel's Music was started
in Rome, where I spent
the autumn of 1987
staying at The Danish
Academy. Whether this
stay has influenced the
quartet or not is
impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part of the
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of
Angel's Music is divided
into three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the general
pattern almost
fractionally into the
smallest cells of the
music, or more correctly;
crawl from the small
cells into the general
pattern.'.
ISBN 076923688X. With vocal melody, piano accompaniment, lyrics, chord names and...(+)
ISBN 076923688X. With
vocal melody, piano
accompaniment, lyrics,
chord names and
instructional text.
Gospel and Learn To Play.
9x12 inches.
HOW TO PLAY HYMNS AND
GOSPEL SONGS IN
EVANGELISTIC STYLES, is
presented in three
sections. The first
section presents how to
play hymns in Basic
Chorale Style. The second
section presents how to
play hymns in Full
Chorale and Accompaniment
Styles. The third section
is a collection of
well-loved standard
Gospel hymns, already
arranged for you, using
the three Styles taught
in sections one and two.
HOW TO PLAY HYMNS AND
GOSPEL SONGS IN
EVANGELISTIC STYLES, is
not for the beginner. For
the beginner there are
books in the DAVID CARR
GLOVER Sacred Music
Library, Primer and
Levels I-VI.
(From the motion picture Angelas Ashes) By John Williams. Full score (spiral bou...(+)
(From the motion picture
Angelas Ashes) By John
Williams. Full score
(spiral bound) for
orchestra. Series: John
Williams Signature
Edition. 32 pages.
Published by Hal Leonard.
A Festival of Carols (A Medley including "Hark! The Herald Angels Sing," "While ...(+)
A Festival of Carols (A
Medley including "Hark!
The Herald Angels Sing,"
"While by My Sheep," "God
Rest Ye Merry,
Gentlemen," "Still,
Still, Still," and
"Angels We Have Heard on
High")
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
Angels' Gloria Chorale 3 parties SSA, Piano [Octavo] Alfred Publishing
(Featuring: Angels We Have Heard on High / Hark! The Herald Angels Sing / O Come...(+)
(Featuring: Angels We
Have Heard on High /
Hark! The Herald Angels
Sing / O Come, All Ye
Faithful / Gesu Bambino /
In the Bleak Midwinter /
Silent Night). Arranged
by Laura Farnell. Choir
Secular. Women's Choir.
Choral Octavo. Choral
Designs. Form: Medley.
Christmas; Winter. 12
pages. Published by
Alfred Music Publishing
Song of the Angels Chorale SATB SATB, Piano [Octavo] Lorenz Publishing Company
(Angels We Have Heard on High/Hark! The Herald Angels Sing). By Mark Hayes. For ...(+)
(Angels We Have Heard on
High/Hark! The Herald
Angels Sing). By Mark
Hayes. For SATB choir,
piano (miscellaneous
Brass, percussion,
congregation). Christmas.
Octavo. Published by
Lorenz Publishing Company