Soprano Voice and Piano SKU: BT.MUSM570209187 Composed by Sadie Harrison....(+)
Soprano Voice and Piano
SKU:
BT.MUSM570209187
Composed by Sadie
Harrison. Vocal Score. 7
pages. University of York
Music Press
#MUSM570209187. Published
by University of York
Music Press
(BT.MUSM570209187).
Full Orchestra SKU: SU.32040110 For Full Orchestra. Composed by Am...(+)
Full Orchestra
SKU:
SU.32040110
For
Full Orchestra.
Composed by Amy Riebs
Mills. Orchestra. Full
Score. Subito Music
Corporation #32040110.
Published by Subito Music
Corporation
(SU.32040110).
2,1 2,1 2,1 2;
4331; timp, 2perc, cel;
stgs Duration: 8'
Composed: 2012 Published
by: Amy Mills Music, LLC
Creative setting of 3
carols: O Come O Come
Emanuel intertwined with
Ma Navu Ding Dong Merrily
on High with bells,
glock, chimes Angels We
Have Heard on High with
charming mixed meter
Majestic recap of Rejoice
section of O Come O Come
Emanuel Maestro Harvey
Felder, after the
premiere with the Tacoma
Symphony: The thing that
I really appreciated
about your Christmas
Angels and Bells was the
skillful and artistic
writing. As you know,
holiday music typically
offers little or no
musical depth, which
leads to a less than
enthusiastic reaction
from the orchestra. Your
piece offered a level of
musical sophistication
worthy of a professional
symphony while still
creating a festive
holiday spirit. The
orchestra and I enjoyed
having the opportunity to
dig into something
substantive yet fun on
our holiday concert. See
composer website for
audio sample. Performance
materials available on
rental only:.
Composed by Michael
Brand. Band Music. Score
and parts. Duration 5:30.
Published by G & M Brand
Music Publishers
(CN.R10257).
This piece is
based on the local folk
song Dance to your Daddy,
and comprises four of
these scenes: a misty
morning as a village
awakes, the local brass
band marching past, a
love duet and a dance.
The full folk tune
reappears and musical
fragments of each scene
compete for the Angel's
attention.
Angel
of the North takes its
title and inspiration
from the huge public
sculpture next to the A1
road in Gateshead,
England. Its wings are 54
meters wide, larger than
a jumbo jet, and the
statue stands higher than
a five story
building.
Composed by Michael
Brand. Arranged by
Geoffrey Brand. Band
Music. Score only.
Duration 5:30. Published
by G & M Brand Music
Publishers (CN.S11257).
This piece is
based on the local folk
song Dance to your Daddy,
and comprises four of
these scenes: a misty
morning as a village
awakes, the local brass
band marching past, a
love duet and a dance.
The full folk tune
reappears and musical
fragments of each scene
compete for the Angel's
attention.
Angel
of the North takes its
title and inspiration
from the huge public
sculpture next to the A1
road in Gateshead,
England. Its wings are 54
meters wide, larger than
a jumbo jet, and the
statue stands higher than
a five story
building.
Piano, Vocal and Guitar SKU: HL.14019177 Composed by Caroline Hoile. Musi...(+)
Piano, Vocal and Guitar
SKU: HL.14019177
Composed by Caroline
Hoile. Music Sales
America. Musical
Education. Book
[Softcover]. Composed
2017. 24 pages. Music
Sales #GA10133. Published
by Music Sales
(HL.14019177).
ISBN
9781870997058.
9.0x12.0x0.092 inches.
English.
A highly
successful journey in
story and song through
the enoyable things
associated with a happy
Christmas. Arriving at
the Bethlehem Nativity
scene, the Little Angel
finds out what makes the
night so special. This
fun and effective
Christmas celebration is
easy to understand, and
is suitable for children
aged 4 to 7. Arranged for
piano, voice and simple
percussion, with Guitar
chords given. Duration:
25-30 mins. Script
available in student
book. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
Angele Dei Chorale SATB SATB divisi, A Cappella [Octavo] Santa Barbara Music Publishing
By Susan LaBarr. For SATB choir (divisi, a cappella). Jo-Michael Scheibe Choral ...(+)
By Susan LaBarr. For SATB
choir (divisi, a
cappella). Jo-Michael
Scheibe Choral Series.
Concert, General. Octavo.
Published by Santa
Barbara Music Publishing
A Messiah Christmas Chorale SATB SATB [Octavo] - Intermédiaire Jackman Music Corporation
By George Frideric Handel. Arranged by David Len Allen. Text: G. F. Handel/scrip...(+)
By George Frideric
Handel. Arranged by David
Len Allen. Text: G. F.
Handel/scriptures. For
SATB Choir. Level:
Medium. Duration 17:00.
Published by Jackman
Music Corporation.
Methods and Music for Children SKU: UT.DM-33 Composed by Gabrielangela Sp...(+)
Methods and Music for
Children
SKU:
UT.DM-33
Composed by
Gabrielangela Spaggiari
and Irene Bonfrisco.
Saddle stitching. Fare
Musica. Classical. Ut
Orpheus #DM 33. Published
by Ut Orpheus (UT.DM-33).
ISBN 9790215306769. 9
x 12 inches.
I
tradizionali percorsi
educativi miranti alla
formazione musicale non
valorizzano abbastanza il
momento dell?ascolto, e
per questo in genere non
prevedono neppure una sua
presenza strutturata e
specifica. È invece
nostra convinzione che
sia necessario stimolare
e sostenere da subito
l?abitudine all?ascolto,
proprio al fine di
arricchire, completare ed
anche motivare lo studio
della musica. Per
questo il percorso che
qui viene proposto aspira
a contribuire allo
sviluppo delle capacità
percettive e della
creatività dell?allievo
abituandolo a
riconoscere, distinguere
e mettere tra loro in
relazione alcuni degli
elementi del discorso
musicale. A tal fine
viene proposta una serie
di esperienze di ascolto
?attivo?. È attraverso
l?uso del corpo e della
voce, di grafici e di
interventi strumentali
che possiamo offrire
all?allievo non solo
l?occasione di sentirsi
partecipe e protagonista
- anche mentre ascolta -
dell?esperienza musicale,
ma anche la possibilità
di costruire e di
esprimere qualcosa che
riguarda il senso di ciò
che
ascolta. L?esecuzione
di partiture ritmiche e
ritmico-melodiche e la
realizzazione di
coreografie possono
inoltre contribuire allo
sviluppo del senso
ritmico, della
coordinazione motoria,
delle capacità di
memorizzazione e di
concentrazione nonché di
alcune abilità relative
alla pratica strumentale
e alla lettura
musicale. A
quest?ultimo proposito,
il quaderno propone di
abituare l?allievo a
seguire la musica anche
attraverso la lettura di
?guide melodiche? e in
partitura; l?intenzione
è di favorire un ascolto
sempre più autonomo e
consapevole. La
proposta di grafici
d?ascolto e l?invito
all?allievo di tentare di
tracciarne anche altri ci
sembra infine possa
aiutare il formarsi di
un?immagine mentale
sintetica dei brani
ascoltati, possibile
forma spaziale -
interpretata, e
ricostruita - di quanto
percepito e
interiorizzato attraverso
le altre ?attività? di
ascolto. La raccolta
propone l?ascolto di 13
danze di Mozart e
Beethoven: Contraddanze,
Minuetti, Danze Tedesche.
La scelta di questo
repertorio, poco
conosciuto ed eseguito,
è motivata, oltre che
dal suo valore musicale,
dalla semplicità
strutturale e
fraseologica, dalla
ricchezza timbrica
dell?organico e dalla
breve durata di ogni
brano. Il quaderno si
rivolge principalmente
agli allievi dei corsi di
propedeutica musicale
delle scuole di musica, a
partire dai nove anni. Le
proposte di ascolto qui
raccolte, per il tipo di
attività e per il
repertorio, possono
essere utilizzate anche
nella scuola di base,
comprese le scuole medie
ad orientamento musicale
e nei corsi di teoria e
solfeggio. Può essere
infine proposto come
sussidio nelle scuole di
didattica della musica e
per la formazione dei
docenti della scuola
elementare e materna.
Choral SSA Choir and Piano SKU: CF.CM9575 Born on a Fishing Boat. ...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9575
Born on
a Fishing Boat.
Composed by Braeden
Ayres. Fold. Performance
Score. 8 pages. Duration
2 minutes, 51 seconds.
Carl Fischer Music
#CM9575. Published by
Carl Fischer Music
(CF.CM9575).
ISBN
9781491153970. UPC:
680160912476. 6.875 x
10.5 inches. Key: F
minor. English. Mei-Li
Medvar.
Original.
Parts for String Quartet No.3 'Angel's Music' by Bent Sorensen (1988) Premiered ...(+)
Parts for String Quartet
No.3 'Angel's Music' by
Bent Sorensen (1988)
Premiered by the Arditti
String Quartet at the
Danish Radio Concert Hall
16 November 1988. Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angels Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on Angels
Music was started in
Rome, where I spent the
autumn of 1987 staying at
The Danish Academy.
Whether this stay has
influenced the quartet or
not is impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part ofthe
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of Angels
Music is divided into
three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the small
cells into the general
pattern.'
By Various Artists. Composed by Andrew Lloyd Webber. Lyricist: Charles Hart, Ric...(+)
By Various Artists.
Composed by Andrew Lloyd
Webber. Lyricist: Charles
Hart, Richard Stilgoe. 2
discs. Broadway. Karaoke
CD. Published by Stage
Stars Records.
String Quartet SKU: HL.14030980 Parts. Composed by Bent Sorensen. ...(+)
String Quartet
SKU:
HL.14030980
Parts. Composed by
Bent Sorensen. Music
Sales America. Classical.
Set of Parts. Edition
Wilhelm Hansen #KP00249.
Published by Edition
Wilhelm Hansen
(HL.14030980).
ISBN
9788759871973.
12.0x16.0x0.285
inches.
Score
available: KP00250 The
composer writes: 'Even
when I was writing Adieu,
I knew that I wished to
write Angel's Music. The
title existed in an
incomplete form in my
mind and gradually more
and more ideas and a few
outlines became clear.
The actual work on
Angel's Music was started
in Rome, where I spent
the autumn of 1987
staying at The Danish
Academy. Whether this
stay has influenced the
quartet or not is
impossible to say.
however, it is true to
say that, in the Roman
churches I visited, I saw
countless angels playing
in the top of frescoes
and altars. Without these
angels, together with the
many crackled-gold
paintings in this city
and my general
fascination with the
Italian renaissance
painter Fra Angelico, (in
fact there are only a few
paintings by him in Rome,
but even his name..!) I
am not sure my quartet
would have been what it
is. Anyway I do feel that
there is a bit of Italy
in the piece. The angels
apart there are, in the
short rhythmic agitating
part of the quartet,
reminiscences of the
Italian medieval Trotto
dance, and in the most
expressive part of the
piece there are flashes
of Puccini-like music.
From the very beginning
of my work on the
quartet, the distant,
extremely muted sound in
the high register which
opens the piece, was on
my mind. A sound satiated
with a dense heterophonic
and polyphonic texture of
elegiac melody and
vibrating trills. I
imagined that little
songs (maybe angel songs)
could be created in this
density, these songs
constantly echoing
themselves. Gradually as
this sound got a more and
more concrete musical and
instrumental form, I
felt, that not only
should the little songs
be created, played and
die out in an echo, but
also that the general
pattern of the quartet
should give the feeling
of music which, from the
distance, is getting
closer and closer,
culminates and at last
disappears like an echo.
Related to this, the
general pattern of
Angel's Music is divided
into three: a pre-echo,
culmination and echo..
The relationship between
the three part is 5: 6:
4. The reason why I can
say this precisely and
prosaically is that it
was necessary to me to
mark the overall
guidelines before I
started to compose. I had
to do this in order to
enable the relationships
to crawl from the general
pattern almost
fractionally into the
smallest cells of the
music, or more correctly;
crawl from the small
cells into the general
pattern.'.