(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

By Alabama. By Becky Hobbs and Don Goodman. Edited by Bob Dingley. Arranged by Pete Schmutte. Performance Music Ensemble; Single Titles. Pop choral octavo (SATB). Choral, Contemporary Country and New Traditionalist. Octavo. With chord names. 12 pages. Alfred Music #00-CH9552. Published by Alfred Music

By Alabama. Edited by Bob Dingley. Arranged by Pete Schmutte. Performance Music Ensemble; Single Titles. Pop choral octavo (2-part). Contemporary Country, New Traditionalist and Choral. Octavo. With chord names. 12 pages. Alfred Music #00-CH9554. Published by Alfred Music

Composed by Alabama. Arranged by Pete Schmutte. Performance Music Ensemble; Single Titles. Alfred Archive Edition: Pop Choral Series. Country; Sacred. Choral Octavo. 12 pages. Alfred Music #00-CH9553. Published by Alfred Music

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Grade 1

SKU: CL.024-4688-00

An Old Fashioned Hymn. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR396). Score and set of parts. Composed 2018. Duration 1 minute, 57 seconds. C.L. Barnhouse #024-4688-00. Published by C.L. Barnhouse (CL.024-4688-00).

Beautifully stunning, highly reflective, and deeply emotional best describes this well-crafted hymn penned by celebrated composer James Swearingen. The flowing lines and rich harmonies are scored to touch the human spirit in every way possible. Because the technical demands are well within reach, your band will be able to focus on playing not just the notes themselves, but on the expressive meaning of the notes as well. Simply breathtaking!

Grade 1

SKU: CL.024-4688-01

An Old Fashioned Hymn. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR396). Extra full score. Composed 2018. Duration 1 minute, 57 seconds. C.L. Barnhouse #024-4688-01. Published by C.L. Barnhouse (CL.024-4688-01).

Beautifully stunning, highly reflective, and deeply emotional best describes this well-crafted hymn penned by celebrated composer James Swearingen. The flowing lines and rich harmonies are scored to touch the human spirit in every way possible. Because the technical demands are well within reach, your band will be able to focus on playing not just the notes themselves, but on the expressive meaning of the notes as well. Simply breathtaking!

By Benjamin Harlan. Arranged by Benjamin Harlan. (IPAKO). Daybreak Christmas Choral. Sacred. Published by Daybreak Music.

By Benjamin Harlan. Arranged by Benjamin Harlan. (Choirtrax CD). Daybreak Christmas Choral. Sacred. CD only. Size 5x5 inches. Published by Daybreak Music.

By Benjamin Harlan. Arranged by Benjamin Harlan. (preview CD pak). Daybreak Christmas Choral. Sacred. BOOK W/CD. Size 6.8x10.5 inches. Published by Daybreak Music.

By Benjamin Harlan. Arranged by Benjamin Harlan. (SATB). Daybreak Christmas Choral. Sacred. Size 6.75x10.5 inches. 77 pages. Published by Daybreak Music.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

For String Orchestra. Arranged by Stuart Ross Carlson. Southern Music. Softcover. Southern Music Company #SO107C. Published by Southern Music Company (HL.210381).

Edited by Carol Cuellar, arranged by Dan Coates. Songbook for voice and easy piano. Series: Piano arrangement mixed folio (Easy piano). 104 pages. Published by Alfred Publishing.

Arranged by Dan Coates. For Piano. Piano - Big Note Collection. Pop/Rock. Level: Big Note. Book. 104 pages. Published by Alfred Publishing.

Piano - Intermediate

SKU: CZ.9798357964915

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798357964915. Published by Children's Music Workshop (CZ.9798357964915).

ISBN 9798357964915.

Get into the swing of the holiday season with Christmas Jazz Sax Sheet Music. This collection brings together beloved Christmas melodies and timeless jazz-inspired arrangements, perfect for saxophone players of all skill levels.

Inside this sheet music book, you'll find a treasure trove of Christmas classics transformed into jazz-infused solos for saxophone. The beauty of these arrangements lies in their approachability – the melody lines for sax are crafted to be fairly easy to play, making them accessible to beginners and intermediate players. However, don't be fooled by their simplicity. The real magic happens when these straightforward melodies intertwine with the sophisticated jazz harmonies in the piano accompaniments.

Ac companying the saxophone solos are vibrant and exciting piano arrangements. These jazz-inspired accompaniments elevate the overall performance, infusing it with a maturity not usually experienced by beginning sax players. The rich harmonies, syncopated rhythms, and tasteful improvisation opportunities create a dynamic interplay between the sax and piano, giving your holiday performance a touch of sophistication and style.

Among the timeless tunes included in this collection are Angels from the Realms of Glory, God Rest Ye Merry Gentlemen, O Holy Night, Jingle Bells, and Silent Night. But that's just the beginning! With over forty holiday classics to choose from, you'll have a wealth of material to explore and showcase your saxophone skills.

Whether you're a jazz enthusiast looking to spice up your holiday repertoire or a saxophone player eager to explore new musical horizons, Christmas Jazz Sax Sheet Music is the perfect companion. Embrace the holiday spirit with the magic of jazz, and let your saxophone soar with the joy and warmth of the season. The combination of accessible melodies and sophisticated harmonies will help you develop your skills while delighting your audience with a performance that goes beyond expectations.

Don' t miss out on this enchanting collection. Grab your saxophone, gather around the piano, and immerse yourself in the world of Christmas Jazz Sax Sheet Music. Let the music bring the holiday cheer to life, and experience the joy of playing saxophone with a mature and sophisticated twist. Create unforgettable memories as you explore the unique blend of simplicity and elegance in these jazz-infused holiday solos.

By Alabama. Arranged by Pete Schmutte. For Choir. Choral Octavo. Warner Bros. Chartbuster Series. CD. Published by Alfred Publishing.

Arranged by Dan Coates. Single for voice and easy piano. 80 pages. Published by Alfred Publishing.

Arranged by Dan Coates. Songbook for voice and easy piano. 276 pages. Published by Alfred Publishing.

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

By Alabama. Guitar Chord Songbook. Softcover. 128 pages. Published by Hal Leonard.

For Voice, Piano. Classical. Sheet Music. 100 pages. Published by Novello and Co Ltd.

Performed by Alabama. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 256 pages. Published by Hal Leonard.

For Organ. Composed by Olivier Messiaen (1908-1992). Leduc. Post-1900, Sacred, Classical. Softcover. 11 pages. Alphonse Leduc #AL19271. Published by Alphonse Leduc