America The Beautiful and Star Spangled Banner * Masterpiece Edition arranged by Russ Lombardi. For piano solo. Solo. Masterpiece Edition series. Classical. Intermediate. Sheet Music. Text Language: English. 4 pages. Published by Santorella Publications

The Star-Spangled Banner by Francis Scott Key and John Stafford Smith. Arranged by Russell L. Robinson. Choir Secular. For Opt. Accompaniment (2-Part Choir). Choral Octavo. Patriotic. Grade 3. Choral Octavo. 4 pages. Published by Alfred Music Publishing

Star Spangled Banner and America the Beautiful * Piano Vocal Edition composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Patriotic. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Choral (SATB)

SKU: HL.357210

Composed by Kile Smith. Craig Hella Johnson Series. Concert, Festival, Patriotic. Octavo. Published by Hal Leonard (HL.357210).

UPC: 840126943078. 6.75x10.5x0.036 inches.

Here is a brand new melody to the famous words by Francis Scott Key. Inspired by a story from Native American Sarah Winnemucca Hopkins, Kile wondered what a Star-Spangled Banner, untethered to memory, feeling its way through pride, atrocity, and respect for an ideal might sound like. Imagining a wonder at our now well-known words in this early light, with their questions and fear. Does the flag still fly? Are the people still free and brave?

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1104961-140

Opus 117. Arranged by Wil van der Beek. Great Classics. Polka. Score Only. Composed 2010. 8 pages. De Haske Publications #DHP 1104961-140. Published by De Haske Publications (BT.DHP-1104961-140).

9x12 inches.

Die Annen-Polka schrieb Johann Strauss (Sohn) zu Ehren der Kaiserin Anna Maria von Österreich. Uraufgeführt wurde das heute noch beliebte Stück im Juli 1852 im Wiener Vergnügungspark Prater. Die Annen-Polka ist eines der frühesten Werke von Johann Strauss (Sohn) und das Manuskript soll gar das älteste überlieferte des Komponisten sein.

L’Annen -Polka, op. 117, de Johann Strauss fils, fut présentée, en 1852, soit dix ans après la première publique de la Beliebte Annen-Polka, op. 137, composée par son père. Le fait que tous deux aient écrit une polka portant le même nom n’est pas un hasard. En effet, l’Annenfest (la fête de sainte Anne) était alors la fête d’été la plus populaire de Vienne. Chaque compositeur viennois, célèbre ou inconnu, a composé une œuvre pour cette occasion. Johann Strauss fils avait 26 ans quand il écrivit cette polka. Il n’était pas en très bons termes avec son père ; une rivalité notoire bouillonnait entre eux. Cependant, la création de sa nouvelle œuvre connutun vif succès. Elle fut bissée plusieurs reprises et louée pour ses motifs très dansants. Dès lors, elle triompha sur les scènes du monde entier.

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1104961-010

Opus 117. Arranged by Wil van der Beek. Great Classics. Polka. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104961-010. Published by De Haske Publications (BT.DHP-1104961-010).

9x12 inches.

Die Annen-Polka schrieb Johann Strauss (Sohn) zu Ehren der Kaiserin Anna Maria von Österreich. Uraufgeführt wurde das heute noch beliebte Stück im Juli 1852 im Wiener Vergnügungspark Prater. Die Annen-Polka ist eines der frühesten Werke von Johann Strauss (Sohn) und das Manuskript soll gar das älteste überlieferte des Komponisten sein.

L’Annen -Polka, op. 117, de Johann Strauss fils, fut présentée, en 1852, soit dix ans après la première publique de la Beliebte Annen-Polka, op. 137, composée par son père. Le fait que tous deux aient écrit une polka portant le même nom n’est pas un hasard. En effet, l’Annenfest (la fête de sainte Anne) était alors la fête d’été la plus populaire de Vienne. Chaque compositeur viennois, célèbre ou inconnu, a composé une œuvre pour cette occasion. Johann Strauss fils avait 26 ans quand il écrivit cette polka. Il n’était pas en très bons termes avec son père ; une rivalité notoire bouillonnait entre eux. Cependant, la création de sa nouvelle œuvre connutun vif succès. Elle fut bissée plusieurs reprises et louée pour ses motifs très dansants. Dès lors, elle triompha sur les scènes du monde entier.

SKU: HL.1226166

Mackie. Live Sound. Duration 205 seconds. Hal Leonard #PPM1008. Published by Hal Leonard (HL.1226166).

UPC: 663961015584. 16.0x22.0x16.0 inches.

Mackie's PPM Series Powered Mixers are an excellent choice for small to medium sized venues or bars that have limited space. Its compact and ultra-lightweight design mean you can pull it out when you need it and have all the power you need. PPM is an excellent solution for integration into existing passive loudspeaker systems, bands touring small clubs or any application requiring an ultra-lightweight, powerful, all-in-one mixing and amplification solution. The PPM1008 features 800W + 800W peak Class-D, Fast Recovery power amplifiers, six mono mic/line channels each with a 3-band Perkins EQ and sweepable mid and two stereo mic/line/RCA channels each with 4-band Perkins EQ. The PPM1008 is equipped with a 32-bit RMFX+ processor featuring 24 effects with tap delay, dual 9-band graphic EQ (one for mains, one for monitors) and dedicated in-line compressors on the first four channels. Each mono channel has a premium Mackie mic preamp, a low/high gain switch, one Mon send and one FX/Mon send, and a channel insert jack for connecting an external processor. There are built-in DIs on channels 5 and 6 for direct connection of guitars or bass, a 1/4″ stereo footswitch jack for muting effects and a subwoofer output. Other features include +4BV phantom power, stereo tape output, stereo 12-segment LED meters and TRS stereo output jacks. Despite its large channel count, the PPM1008 is ultra-light and has Mackie's “Built-Like-a-Tank� �€ construction.

SKU: GI.G-CD-914

Composed by James Whitbourn. GIA ChoralWorks. Music Education. CD. GIA Publications #914. Published by GIA Publications (GI.G-CD-914).

UPC: 747313307074.

The first major choral setting of The Diary of Anne Frank takes the teenager's remarkable and penetrating observations, written whilst hiding in an Amsterdam attic, as the basis of its extaordinary and moving libretto. Whitbourn's music for this work has been described as woundingly beautiful (The Daily Telegraph). He reflects sounds of the Westerkerk bells and tunes heard on the radio in the Annexe, along with representations of Anne Frank's Jewish and German heritage, details that add to a score whose respectful understatement is its greatest strength (The Times). This Grammy Award Nominated recording is conducted by James Jordan with Soprano, Arianna Zukerman, the Westminster Williamson Voices, and The Lincoln Trio with Bharat Chandra, on Clarinet. For an insightful look into the making of this heartbreakingly stunning recording, be sure to read The Musicians Trust (G-8388) written by James Jordan and James Whitbourn. A portion of the book chronicles the process that culminated in the now Grammy nominated recording and details the journey to its creation.  Visit the Grammy's website.

SKU: HF.G-2242

Kinderliedre mit Klavierbegleitung. Composed by Siegfried Bimberg. Sheet music. Friedrich Hofmeister Musikverlag #G 2242. Published by Friedrich Hofmeister Musikverlag (HF.G-2242).

ISBN 9790203457343. 11.7 x 8.3 inches.

1. Wer kommt heute Nacht;2. Im Winter; 3. Tannenbaumschmucken; 4. Wir zunden die Kerzen an; 5. Einzug des Weihnachtsmannes; 6. Im Marchenwald auf dem Weihnachtsmarkt; 7. Schneemann baun'n und Schneeballschlacht; 8. Komm doch, lieber Weihnachtsmann; 9. Auszug des Weihnachtsmannes.

Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano Voice Solo, 3 Tenor Voice Solo, 3 Baritone Voice Solo, Orchestra)

SKU: BA.BA08812-01

Comedy in one act in verses, with ariettes and vaudevilles. Composed by Adolphe Benoît Blaise and Marie-Justine-Benoîte Favart. Edited by Andreas Münzmay and Janine Droese. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 2. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08812_01. Published by Baerenreiter Verlag (BA.BA08812-01).

ISBN 9790006543182. 33.1 x 26.5 cm inches. Text Language: French. Preface: Münzmay, Andreas. Text: nach Jean-Francois Marmontel.

Annette et Lubin

Justine Favart and Adolphe Blaise'sAnnette et Lubinwas premiered on 15 February 1762 at the Paris Opera-Comique - the first new production at that theater following its merger with the Comedie-Italien. It was a resounding success: by the time the season came to an end, on 3 April, it had been almost continuously on the program with no decline in interest from the public, and it remained in the repertoire for more than thirty years. Countless new editions, translations, and parodies of the play bear witness to its impact far beyond the borders of Paris. Like all of Favart's works, it deals with the subject of natural love, unencumbered by considerations of money or social status endangering it from the outside through powerful aristocratic or wealthy rivals. The plot is based on a literary model, the like-named tale by Jean-Francois Marmontel, which is in turn based on a contemporary occurrence.

Annette and her cousin Lubin are sharply reprimanded for their love by an estate administrator (Le Bailli) who himself has designs on Annette. He takes advantage of Annette's illegitimate pregnancy to extort her: only by marrying him can she escape condemnation by society and the church. But Annette and her lover are able to gain the protection of the local squire (Le Seigneur), and the story ends happily with a conciliatory gesture from the lord of the manor.

The second volume in our series OPERA, Annette et Lubin, consists of a cloth-bound book and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited.
Further information on the work and the OPERA series can be found at http://www. opera-edition.com/en/anne tteetlubin_en.htm.


OPERA: Spectrum of European Music Theatre in Separate Editions is dedicated to critical editions of outstanding works of European music theatre from the 17th to the 20th centuries.

Compositions of French, Italian, German, English, Scandinavian and Slavic origin are being edited. These include specific genres which have seldom been given attention in editorial undertakings until now and which present their own editorial problems, such as ballet, theatre music, melodrama or operetta.

A new feature is the form of the presentation in so-called hybrid editions. While the scores appear in traditional cloth-bound volumes, the musical and textual sources, the editions of the dramatic texts, as well as the critical commentaries are prepared and presented on an electronic platform (Edirom).
Thanks to this ability to access the underlying sources, the editorial decisions are completely transparent to the user.

This special editorial access being implemented by OPERA's editions uses the software Edirom, which was developed in a project of the Deutsche Forschungsgemeinschaft (German Research Foundation) based at the University of Paderborn. All components of the electronic part are encoded according to the modern standard of XML. The text components follow the standard of the Text Encoding Initiative (TEI).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: FZ.5917

75 blueprints. Edited by Jacques Aboucaya, Andre Clergeat, Philippe Bardet. Mnemosis: The Memory of Music Collection. Book and CD. Published by Anne Fuzeau Productions - France (FZ.5917).

ISBN 9782841691500. 17.00 x 22.00 cm inches.

Delve into the memory of music with the Mnemosis collection from Anne Fuzeau Classique. 75 plans. Cet ouvrage s'adresse a un public desireux d'avoir du jazz une vision aussi juste et complete que possible sans se perdre dans des details d'erudition. Le propos de ses auteurs a donc ete d'aller a l'essentiel - ce qui ne signifie en aucune facon simplifier ou schematiser, encore moins fausser une realite artistique qui se prete a maintes interpretations, parfois les plus contestables. Leur souci de rigueur, de verite historique, leur parti pris de s'en tenir aux faits sans cautionner les legendes colportees au fil des annees les conduit parfois a battre en breche des idees recues. Tel qu'il se presente, ce manuel se veut avant tout pratique et d'un maniement aise, facilite par la diversite des approches et des eclairages. Il devrait repondre aux attentes de ceux qui abordent le jazz en leur fournissant les jalons et les reperes indispensables a la connaissance de cette musique.

Violin, Flute, Piccolo, Oboe, Bassoon

SKU: FZ.6158

Composed by Jean-Fery Rebel. Edited by Catherine Cessac. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Chamber Music. Full score. Published by Anne Fuzeau Productions - France (FZ.6158).

ISBN 9790230661584. 24.00 x 33.00 cm inches.

This facsimile of an original by Jean-Fery Rebel is part of our French classical music collection. Fantaisie. Paris, l'auteur, Le Clerc, 1729 - Work published in full score. Les Plaisirs Champetres. Paris, Le Clerc, s. d. (=1734) - Work published in full score. Annex : Les parodies nouvelles. Extraits. Presentation by Catherine Cessac. The preface to this edition is by Catherine Cessac, specialist and author of a book on Rebel. More informations on the blogCollection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Netherlands Music Institute in The Hague (Netherlands). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Organ solo

SKU: FZ.1278

Composed by Girolamo Frescobaldi. Edited by Philippe Lescat. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.1278).

ISBN 9790230612784. 24.00 x 33.00 cm inches.

This facsimile of an original by Girolamo Frescobaldi is part of our Dominantes collection. Editions : Venetia, Vicenti, 1635Presentation by Philippe Lescat : the liturgical role of the organ in seventheenth century Italy the organ of Frescobaldi - Frescobaldi's preface (Al lettore). Annexes: translation of Frescobaldi's preface - note figures used in the Fiori Musicali - interpretation of the score - restoration of the score. The preface gives the liturgical context and the alternation of organ pieces and plainchant. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Civico Museo Bibliografico Musicale of Bologna (Italy). Anne Fuzeau Classique propose period copies of classical music scores.

Harpsichord solo

SKU: FZ.4340

Composed by Johann Gottfried Eckard. Edited by Jeanne Roudet. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.4340).

ISBN 9790230643405. 23.50 x 32.50 cm inches.

This facsimile of an original by Johann Gottfried Eckard is part of our Dominantes collection. Six sonatas for harpsichord Opus I. Edition : Paris, l'Auteur, (undated=1763). Two sonatas for harpsichord or fortepiano- Opus II. Edition : Paris, l'Auteur, (undated=1764). Menuet d'Exaudet with variations for harpsichord Edition : Paris, l'Auteur, (undated=1764). Presentation by Jeanne Roudet : Introduction Dynamics and agogics - Use of pedal - Ornamentation - Appendix I - Appendix II. Facsimile of this composer's entire works. They can be played on harpsichord or fortepiano. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Piano

SKU: FZ.3034

Composed by Alexandre Pierre Francois Boely. Edited by Jeanne Roudet. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.3034).

ISBN 9790230630344. 24.00 x 33.00 cm inches.

This facsimile of an original by Alexandre Pierre Francois Boely is part of our Dominantes collection. Two sonatas for the fortepiano, Opus I - Paris, Ignace Pleyel, Naderman (undated = 1810). Presentation of Jeanne Roudet : Biographical details Elements of interpretation (accentuation, articulation). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

By Barry Galbraith. Published by Jamey Aebersold Jazz. (BG5DS) Contains 10 finger/transcribed solos based on "standard" chord changes by the great Barry Galbraith. Recording contains Mark Slifstein playing the transcribed solos with Milt Hinton on Bass and Barry comping behind you. Turn off the Slifstein channel and solo with Barry and Milt comping! Turn off the other channel and comp with Milt behind Mark. You can also listen to both channels and simply enjoy the trio!

Organ solo

SKU: FZ.5690

Paris, 1531. Composed by Pierre Attaingnant. Edited by Marcel Degrutere. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.5690).

ISBN 9790230656900. 12.50 x 17.50 cm inches.

This Pierre Attaignant's original publication is in facsimile on Dominantes collection. Tablature pour le jeu dorgues spinet and manicordion sur le plain-chant de Cunctipotens et Kyrie fonsEdition : Paris, 1531. Presentation of Marcel Degrutere : Principles of notation remarks on the notation summary utilisation documents annexed: plain chant. The earliest surviving organ mass with plain chant alternation published in France. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the Bayerische Staatsbibliothek of Munich (Germany).

Harpsichord (harpsichord)

SKU: HL.48189265

Composed by Anne Dubar. Leduc. Softcover. Alphonse Leduc #NT08660B. Published by Alphonse Leduc (HL.48189265).

Dubar Methode De Clavecin 1ere Annee Volume 2 Harpsichord Book.

Harpsichord (harpsichord)

SKU: HL.48189264

Composed by Anne Dubar. Leduc. Softcover. Alphonse Leduc #NT08660A. Published by Alphonse Leduc (HL.48189264).

Dubar Methode De Clavecin 1ere Annee Volume 1 Harpsichord Book.

Fortepiano

SKU: FZ.5804

Serie I - France 1600-1800. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5804).

ISBN 9790230658041. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Louis ADAM et Ludwig-Wensel LACHNITZ - Ignace PLEYEL et Johann-Ludwig DUSSEK. Table of contents: Pleyel Ignace et Dussek Johann-Ludwig: Methode pour le pianoforte - 1797. Adam Louis et Lachnitz Ludwig-Wensel: Methode ou principe general du doigte (premiere partie de la reedition de 1801). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the fortepiano.

Voice

SKU: FZ.5892

Serie II - France 1800-1860. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5892).

ISBN 9790230658928. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Girolamo CRESCENTINI - Alexis de GARAUDE. Table of contents: Crescentini Girolamo: Vingt-cinq nouvelles vocalises c. 18181823. Garaude Alexis de: Methode complete de chant (2eme edition) c. 1841. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the chant.

Voice

SKU: FZ.5894

Serie II - France 1800-1860. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5894).

ISBN 9790230658942. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Manuel Patricio Rodriguez GARCIA (fils) - Laure CINTI-DAMOREAU - Joseph CONCONE. Tables of contents: Garcia Manuel Patricio Rodriguez: Traite complet de l'art du chant - 1847. Cinti Damoreau Laure: Methode de chant - 1849. Concone Joseph: Introduction a l'art de bien chanter - c. 1845. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the chant.

Voice

SKU: FZ.5896

Serie II - France 1800-1860. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5896).

ISBN 9790230658966. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Auguste PANSERON. Table of contents: Panseron Auguste: Methode de vocalisation en 2 parties (partie 1) - 1840. Panseron Auguste: Methode de vocalisation en 2 parties (partie 2 : basse-taille, baryton, contralto) - 1841. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the chant.

Voice

SKU: FZ.5897

Serie II - France 1800-1860. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5897).

ISBN 9790230658973. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Heinrich PANOFKA - Francois Joseph FETIS. Table of contents: Panofka Heinrich: L'art de chanter theorique et pratique - 1854. Panofka Heinrich: L'art de chanter 24 vocalises 1854. Fetis Francois Joseph: Methode des methodes de chant - 1870. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the chant.

Voice

SKU: FZ.5893

Serie II - France 1800-1860. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5893).

ISBN 9790230658935. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in seven books. Manuel GARCIA del Populo Vincente Rodriguez (pere) - Gilbert-Louis DUPREZ - Giacomo ROSSINI. Table of contents: Garcia Manuel del Populo Vincente Rodriguez: Exercices pour la voix - c. 1835. Duprez Gilbert-Louis: L'art du chant - 1846. Rossini Giacomo: Gogheggi e solfeggi - 1827. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (England). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the chant.

Fortepiano

SKU: FZ.5803

Serie I - France 1600-1800. Edited by Jeanne Roudet. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5803).

ISBN 9790230658034. 24.00 x 33.00 cm inches.

These early music methods are in facsimile in two books. Jean-Chretien BACH et Francesco-Pasquale RICCI - Antoine BEMETZRIEDER - Felix-Louis DESPREAUX - C. DREUX - Francois-Guillaume DUCRAY-DUMINIL - Encyclopedie methodique - Joseph NONOT - Francesco-Pasquale RICCI - Jean-Francois TAPRAY - Bernard VIGUERIE - Frederic THIEME. Table of contents: Despreaux Felix-Louis: Cours d'education de clavecin ou pianoforte - 1783. Bach Jean-Chretien et Ricci Francesco-Pasquale: Methode ou recueil de connoissances - 1786. Ricci Francesco-Pasquale: Recueil de connoissances elementaires - s. d. n. l. Ducray-Duminil Francois-Guillaume: Clavier et gamme de clavecin ou pianoforte - 1788. Encyclopedie methodique (edition de Panckouche) - 1788. Tapray Jean-Francois: Premiers elements du clavecin ou du piano - 1789. Bemetzreider Antoine: Nouvelles lecons de clavecin ou pianoforte - c. 1796. Viguerie Bernard: L'art de toucher le piano-forte - c. 1796. Dreux C. : Principe du clavecin ou du piano-forte - 1796. Thieme Frederic: Principes abreges de musique pratique pour le fortepiano - 1796. Nonot Joseph: Lecons methodiques de clavecin ou de forte piano - 1797. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the fortepiano.