| E-Z Play Today #222. College Songs Piano Facile - Débutant Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
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| E-Z Play Today #199 - Jumbo Songbook
Piano, Voix et Guitare [Partition] - Débutant Hal Leonard
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names,...(+)
Keyboard/vocal/chords
songbook for voice and
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488 pages. Published by
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| Big Country Ensemble de Percussions - Intermédiaire Tapspace Publications
By Bela Fleck. Arranged by Olin Johannessen. Percussion Ensemble. For Marimba 1 ...(+)
By Bela Fleck. Arranged
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For percussion ensemble
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Level: Medium-Difficult.
Full score and CD-Rom
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| Musikwissen für Kinder Music Distribution Services
SKU: M7.SCHV-420 Das musikalische Nachschlagewerk zum Schmökern, Le...(+)
SKU: M7.SCHV-420
Das musikalische
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German. Musikwissen
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| Super Solos for F or E-Flat Horn Cor et Piano [Partition + CD] Anglo Music
(10 Selected Solos with Piano Accompaniment). Arranged by Philip Sparke. Horn. A...(+)
(10 Selected Solos with
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| Gustave Vogt's Musical Album of Autographs Cor anglais, Piano Carl Fischer
Chamber Music English Horn, Oboe SKU: CF.WF229 15 Pieces for Oboe and ...(+)
Chamber Music English
Horn, Oboe SKU:
CF.WF229 15 Pieces
for Oboe and English
Horn. Composed by
Gustave Vogt. Edited by
Kristin Jean Leitterman.
Collection - Performance.
32+8 pages. Carl Fischer
Music #WF229. Published
by Carl Fischer Music
(CF.WF229). ISBN
9781491153789. UPC:
680160911288. Intro
duction Gustave Vogt's
Musical Paris Gustave
Vogt (1781-1870) was born
into the Age of
Enlightenment, at the
apex of the
Enlightenment's outreach.
During his lifetime he
would observe its effect
on the world. Over the
course of his life he
lived through many
changes in musical style.
When he was born,
composers such as Mozart
and Haydn were still
writing masterworks
revered today, and
eighty-nine years later,
as he departed the world,
the new realm of
Romanticism was beginning
to emerge with Mahler,
Richard Strauss and
Debussy, who were soon to
make their respective
marks on the musical
world. Vogt himself left
a huge mark on the
musical world, with
critics referring to him
as the grandfather of the
modern oboe and the
premier oboist of Europe.
Through his eighty-nine
years, Vogt would live
through what was perhaps
the most turbulent period
of French history. He
witnessed the French
Revolution of 1789,
followed by the many
newly established
governments, only to die
just months before the
establishment of the
Third Republic in 1870,
which would be the
longest lasting
government since the
beginning of the
revolution. He also
witnessed the
transformation of the
French musical world from
one in which opera
reigned supreme, to one
in which virtuosi,
chamber music, and
symphonic music ruled.
Additionally, he
experienced the
development of the oboe
right before his eyes.
When he began playing in
the late eighteenth
century, the standard
oboe had two keys (E and
Eb) and at the time of
his death in 1870, the
System Six Triebert oboe
(the instrument adopted
by Conservatoire
professor, Georges
Gillet, in 1882) was only
five years from being
developed. Vogt was born
March 18, 1781 in the
ancient town of
Strasbourg, part of the
Alsace region along the
German border. At the
time of his birth,
Strasbourg had been
annexed by Louis XIV, and
while heavily influenced
by Germanic culture, had
been loosely governed by
the French for a hundred
years. Although it is
unclear when Vogt began
studying the oboe and
when his family made its
move to the French
capital, the Vogts may
have fled Strasbourg in
1792 after much of the
city was destroyed during
the French Revolution. He
was without question
living in Paris by 1798,
as he enrolled on June 8
at the newly established
Conservatoire national de
Musique to study oboe
with the school's first
oboe professor,
Alexandre-Antoine
Sallantin (1775-1830).
Vogt's relationship with
the Conservatoire would
span over half a century,
moving seamlessly from
the role of student to
professor. In 1799, just
a year after enrolling,
he was awarded the
premier prix, becoming
the fourth oboist to
achieve this award. By
1802 he had been
appointed repetiteur,
which involved teaching
the younger students and
filling in for Sallantin
in exchange for a free
education. He maintained
this rank until 1809,
when he was promoted to
professor adjoint and
finally to professor
titulaire in 1816 when
Sallantin retired. This
was a position he held
for thirty-seven years,
retiring in 1853, making
him the longest serving
oboe professor in the
school's history. During
his tenure, he became the
most influential oboist
in France, teaching
eighty-nine students,
plus sixteen he taught
while he was professor
adjoint and professor
titulaire. Many of these
students went on to be
famous in their own
right, such as Henri Brod
(1799-1839), Apollon
Marie-Rose Barret
(1804-1879), Charles
Triebert (1810-1867),
Stanislas Verroust
(1814-1863), and Charles
Colin (1832-1881). His
influence stretches from
French to American oboe
playing in a direct line
from Charles Colin to
Georges Gillet
(1854-1920), and then to
Marcel Tabuteau
(1887-1966), the oboist
Americans lovingly
describe as the father of
American oboe playing.
Opera was an important
part of Vogt's life. His
first performing position
was with the
Theatre-Montansier while
he was still studying at
the Conservatoire.
Shortly after, he moved
to the Ambigu-Comique
and, in 1801 was
appointed as first oboist
with the Theatre-Italien
in Paris. He had been in
this position for only a
year, when he began
playing first oboe at the
Opera-Comique. He
remained there until
1814, when he succeeded
his teacher,
Alexandre-Antoine
Sallantin, as soloist
with the Paris Opera, the
top orchestra in Paris at
the time. He played with
the Paris Opera until
1834, all the while
bringing in his current
and past students to fill
out the section. In this
position, he began to
make a name for himself;
so much so that specific
performances were
immortalized in memoirs
and letters. One comes
from a young Hector
Berlioz (1803-1865) after
having just arrived in
Paris in 1822 and
attended the Paris
Opera's performance of
Mehul's Stratonice and
Persuis' ballet Nina. It
was in response to the
song Quand le bien-amie
reviendra that Berlioz
wrote: I find it
difficult to believe that
that song as sung by her
could ever have made as
true and touching an
effect as the combination
of Vogt's instrument...
Shortly after this,
Berlioz gave up studying
medicine and focused on
music. Vogt frequently
made solo and chamber
appearances throughout
Europe. His busiest
period of solo work was
during the 1820s. In 1825
and 1828 he went to
London to perform as a
soloist with the London
Philharmonic Society.
Vogt also traveled to
Northern France in 1826
for concerts, and then in
1830 traveled to Munich
and Stuttgart, visiting
his hometown of
Strasbourg on the way.
While on tour, Vogt
performed Luigi
Cherubini's (1760-1842)
Ave Maria, with soprano
Anna (Nanette) Schechner
(1806-1860), and a
Concertino, presumably
written by himself. As a
virtuoso performer in
pursuit of repertoire to
play, Vogt found himself
writing much of his own
music. His catalog
includes chamber music,
variation sets, vocal
music, concerted works,
religious music, wind
band arrangements, and
pedagogical material. He
most frequently performed
his variation sets, which
were largely based on
themes from popular
operas he had, presumably
played while he was at
the Opera. He made his
final tour in 1839,
traveling to Tours and
Bordeaux. During this
tour he appeared with the
singer Caroline Naldi,
Countess de Sparre, and
the violinist Joseph
Artot (1815-1845). This
ended his active career
as a soloist. His
performance was described
in the Revue et gazette
musicale de Paris as
having lost none of his
superiority over the
oboe.... It's always the
same grace, the same
sweetness. We made a trip
to Switzerland, just by
closing your eyes and
listening to Vogt's oboe.
Vogt was also active
performing in Paris as a
chamber and orchestral
musician. He was one of
the founding members of
the Societe des Concerts
du Conservatoire, a group
established in 1828 by
violinist and conductor
Francois-Antoine Habeneck
(1781-1849). The group
featured faculty and
students performing
alongside each other and
works such as Beethoven
symphonies, which had
never been heard in
France. He also premiered
the groundbreaking
woodwind quintets of
Antonin Reicha
(1770-1836). After his
retirement from the Opera
in 1834 and from the
Societe des Concerts du
Conservatoire in 1842,
Vogt began to slow down.
His final known
performance was of
Cherubini's Ave Maria on
English horn with tenor
Alexis Dupont (1796-1874)
in 1843. He then began to
reflect on his life and
the people he had known.
When he reached his 60s,
he began gathering
entries for his Musical
Album of Autographs.
Autograph Albums Vogt's
Musical Album of
Autographs is part of a
larger practice of
keeping autograph albums,
also commonly known as
Stammbuch or Album
Amicorum (meaning book of
friendship or friendship
book), which date back to
the time of the
Reformation and the
University of Wittenberg.
It was during the
mid-sixteenth century
that students at the
University of Wittenberg
began passing around
bibles for their fellow
students and professors
to sign, leaving messages
to remember them by as
they moved on to the next
part of their lives. The
things people wrote were
mottos, quotes, and even
drawings of their family
coat of arms or some
other scene that meant
something to the owner.
These albums became the
way these young students
remembered their school
family once they had
moved on to another
school or town. It was
also common for the
entrants to comment on
other entries and for the
owner to amend entries
when they learned of
important life details
such as marriage or
death. As the practice
continued, bibles were
set aside for emblem
books, which was a
popular book genre that
featured allegorical
illustrations (emblems)
in a tripartite form:
image, motto, epigram.
The first emblem book
used for autographs was
published in 1531 by
Andrea Alciato
(1492-1550), a collection
of 212 Latin emblem
poems. In 1558, the first
book conceived for the
purpose of the album
amicorum was published by
Lyon de Tournes
(1504-1564) called the
Thesaurus Amicorum. These
books continued to
evolve, and spread to
wider circles away from
universities. Albums
could be found being kept
by noblemen, physicians,
lawyers, teachers,
painters, musicians, and
artisans. The albums
eventually became more
specialized, leading to
Musical Autograph Albums
(or Notestammbucher).
Before this
specialization, musicians
contributed in one form
or another, but our
knowledge of them in
these albums is mostly
limited to individual
people or events. Some
would simply sign their
name while others would
insert a fragment of
music, usually a canon
(titled fuga) with text
in Latin. Canons were
popular because they
displayed the
craftsmanship of the
composer in a limited
space. Composers
well-known today,
including J. S. Bach,
Telemann, Mozart,
Beethoven, Dowland, and
Brahms, all participated
in the practice, with
Beethoven being the first
to indicate an interest
in creating an album only
of music. This interest
came around 1815. In an
1845 letter from Johann
Friedrich Naue to
Heinrich Carl
Breidenstein, Naue
recalled an 1813 visit
with Beethoven, who
presented a book
suggesting Naue to
collect entries from
celebrated musicians as
he traveled. Shortly
after we find Louis Spohr
speaking about leaving on
his grand tour through
Europe in 1815 and of his
desire to carry an album
with entries from the
many artists he would
come across. He wrote in
his autobiography that
his most valuable
contribution came from
Beethoven in 1815.
Spohr's Notenstammbuch,
comprised only of musical
entries, is
groundbreaking because it
was coupled with a
concert tour, allowing
him to reach beyond the
Germanic world, where the
creation of these books
had been nearly
exclusive. Spohr brought
the practice of
Notenstammbucher to
France, and in turn
indirectly inspired Vogt
to create a book of his
own some fifteen years
later. Vogt's Musical
Album of Autographs
Vogt's Musical Album of
Autographs acts as a form
of a memoir, displaying
mementos of musicians who
held special meaning in
his life as well as
showing those with whom
he was enamored from the
younger generation. The
anonymous Pie Jesu
submitted to Vogt in 1831
marks the beginning of an
album that would span
nearly three decades by
the time the final entry,
an excerpt from Charles
Gounod's (1818-1893)
Faust, which premiered in
1859, was submitted.
Within this album we find
sixty-two entries from
musicians whom he must
have known very well
because they were
colleagues at the
Conservatoire, or
composers of opera whose
works he was performing
with the Paris Opera.
Other entries came from
performers with whom he
had performed and some
who were simply passing
through Paris, such as
Joseph Joachim
(1831-1907). Of the
sixty-three total
entries, some are
original, unpublished
works, while others came
from well-known existing
works. Nineteen of these
works are for solo piano,
sixteen utilize the oboe
or English horn, thirteen
feature the voice (in
many different
combinations, including
vocal solos with piano,
and small choral settings
up to one with double
choir), two feature
violin as a solo
instrument, and one even
features the now obscure
ophicleide. The
connections among the
sixty-two contributors to
Vogt's album are
virtually never-ending.
All were acquainted with
Vogt in some capacity,
from long-time
friendships to
relationships that were
created when Vogt
requested their entry.
Thus, while Vogt is the
person who is central to
each of these musicians,
the web can be greatly
expanded. In general, the
connections are centered
around the Conservatoire,
teacher lineages, the
Opera, and performing
circles. The
relationships between all
the contributors in the
album parallel the
current musical world, as
many of these kinds of
relationships still
exist, and permit us to
fantasize who might be
found in an album created
today by a musician of
the same standing. Also
important, is what sort
of entries the
contributors chose to
pen. The sixty-three
entries are varied, but
can be divided into
published and unpublished
works. Within the
published works, we find
opera excerpts, symphony
excerpts, mass excerpts,
and canons, while the
unpublished works include
music for solo piano,
oboe or English horn,
string instruments
(violin and cello), and
voice (voice with piano
and choral). The music
for oboe and English horn
works largely belong in
the unpublished works of
the album. These entries
were most likely written
to honor Vogt. Seven are
for oboe and piano and
were contributed by
Joseph Joachim, Pauline
Garcia Viardot
(1821-1910), Joseph
Artot, Anton Bohrer
(1783-1852), Georges
Onslow (1784-1853),
Desire Beaulieu
(1791-1863), and Narcisse
Girard (1797-1860). The
common thread between
these entries is the
simplicity of the melody
and structure. Many are
repetitive, especially
Beaulieu's entry, which
features a two-note
ostinato throughout the
work, which he even
included in his
signature. Two composers
contributed pieces for
English horn and piano,
and like the previous
oboe entries, are simple
and repetitive. These
were written by Michele
Carafa (1787-1872) and
Louis Clapisson
(1808-1866). There are
two other entries that
were unpublished works
and are chamber music.
One is an oboe trio by
Jacques Halevy
(1799-1862) and the other
is for oboe and strings
(string trio) by J. B.
Cramer (1771-1858). There
are five published works
in the album for oboe and
English horn. There are
three from operas and the
other two from symphonic
works. Ambroise Thomas
(1811-1896) contributed
an excerpt from the
Entr'acte of his opera La
Guerillero, and was
likely chosen because the
oboe was featured at this
moment. Hippolyte Chelard
(1789-1861) also chose to
honor Vogt by writing for
English horn. His entry,
for English horn and
piano, is taken from his
biggest success, Macbeth.
The English horn part was
actually taken from Lady
Macbeth's solo in the
sleepwalking scene.
Vogt's own entry also
falls into this category,
as he entered an excerpt
from Donizetti's Maria di
Rohan. The excerpt he
chose is a duet between
soprano and English horn.
There are two entries
featuring oboe that are
excerpted from symphonic
repertoire. One is a
familiar oboe melody from
Beethoven's Pastoral
Symphony entered by his
first biographer, Anton
Schindler (1796-1864).
The other is an excerpt
from Berlioz's choral
symphony, Romeo et
Juliette. He entered an
oboe solo from the Grand
Fete section of the
piece. Pedagogical
benefit All of these
works are lovely, and fit
within the album
wonderfully, but these
works also are great oboe
and English horn music
for young students. The
common thread between
these entries is the
simplicity of the melody
and structure. Many are
repetitive, especially
Beaulieu's entry, which
features a two-note
ostinato throughout the
work in the piano. This
repetitive structure is
beneficial for young
students for searching
for a short solo to
present at a studio
recital, or simply to
learn. They also work
many technical issues a
young player may
encounter, such as
mastering the rolling
finger to uncover and
recover the half hole.
This is true of Bealieu's
Pensee as well as
Onslow's Andantino.
Berlioz's entry from
Romeo et Juliette
features very long
phrases, which helps with
endurance and helps keep
the air spinning through
the oboe. Some of the
pieces also use various
levels of ornamentation,
from trills to grace
notes, and short
cadenzas. This allows the
student to learn
appropriate ways to
phrase with these added
notes. The chamber music
is a valuable way to
start younger students
with chamber music,
especially the short
quartet by Cramer for
oboe and string trio. All
of these pieces will not
tax the student to learn
a work that is more
advanced, as well as give
them a full piece that
they can work on from
beginning to end in a
couple weeks, instead of
months. Editorial Policy
The works found in this
edition are based on the
manuscript housed at the
Morgan Library in New
York City (call number
Cary 348, V886. A3). When
possible, published
scores were consulted and
compared to clarify pitch
and text. The general
difficulties in creating
an edition of these works
stem from entries that
appear to be hastily
written, and thus omit
complete articulations
and dynamic indications
for all passages and
parts. The manuscript has
been modernized into a
performance edition. The
score order from the
manuscript has been
retained. If an entry
also exists in a
published work, and this
was not indicated on the
manuscript, appropriate
titles and subtitles have
been added tacitly. For
entries that were
untitled, the beginning
tempo marking or
expressive directive has
been added as its title
tacitly. Part names have
been changed from the
original language to
English. If no part name
was present, it was added
tacitly. All scores are
transposing where
applicable. Measure
numbers have been added
at the beginning of every
system. Written
directives have been
retained in the original
language and are placed
relative to where they
appear in the manuscript.
Tempo markings from the
manuscript have been
retained, even if they
were abbreviated, i.e.,
Andte. The barlines,
braces, brackets, and
clefs are modernized. The
beaming and stem
direction has been
modernized. Key
signatures have been
modernized as some of the
flats/sharps do not
appear on the correct
lines or spaces. Time
signatures have been
modernized. In a few
cases, when a time
signature was missing in
the manuscript, it has
been added tacitly.
Triplet and rhythmic
groupings have been
modernized. Slurs, ties,
and articulations
(staccato and accent)
have been modernized.
Slurs, ties, and
articulations have been
added to parallel
passages tacitly.
Courtesy accidentals
found in the manuscript
have been removed, unless
it appeared to be helpful
to the performer. Dynamic
indications from the
manuscript have been
retained, except where
noted. --Kristin
Leitterman. Introducti
onGustave Vogt’s
Musical ParisGustave Vogt
(1781–1870) was
born into the “Age
of Enlightenment,â€
at the apex of the
Enlightenment’s
outreach. During his
lifetime he would observe
its effect on the world.
Over the course of his
life he lived through
many changes in musical
style. When he was born,
composers such as Mozart
and Haydn were still
writing masterworks
revered today, and
eighty-nine years later,
as he departed the world,
the new realm of
Romanticism was beginning
to emerge with Mahler,
Richard Strauss and
Debussy, who were soon to
make their respective
marks on the musical
world. Vogt himself left
a huge mark on the
musical world, with
critics referring to him
as the “grandfather
of the modern oboeâ€
and the “premier
oboist of
Europe.â€Through his
eighty-nine years, Vogt
would live through what
was perhaps the most
turbulent period of
French history. He
witnessed the French
Revolution of 1789,
followed by the many
newly established
governments, only to die
just months before the
establishment of the
Third Republic in 1870,
which would be the
longest lasting
government since the
beginning of the
revolution. He also
witnessed the
transformation of the
French musical world from
one in which opera
reigned supreme, to one
in which virtuosi,
chamber music, and
symphonic music ruled.
Additionally, he
experienced the
development of the oboe
right before his eyes.
When he began playing in
the late eighteenth
century, the standard
oboe had two keys (E and
Eb) and at the time of
his death in 1870, the
“System Sixâ€
Triébert oboe (the
instrument adopted by
Conservatoire professor,
Georges Gillet, in 1882)
was only five years from
being developed.Vogt was
born March 18, 1781 in
the ancient town of
Strasbourg, part of the
Alsace region along the
German border. At the
time of his birth,
Strasbourg had been
annexed by Louis XIV, and
while heavily influenced
by Germanic culture, had
been loosely governed by
the French for a hundred
years. Although it is
unclear when Vogt began
studying the oboe and
when his family made its
move to the French
capital, the Vogts may
have fled Strasbourg in
1792 after much of the
city was destroyed during
the French Revolution. He
was without question
living in Paris by 1798,
as he enrolled on June 8
at the newly established
Conservatoire national de
Musique to study oboe
with the school’s
first oboe professor,
Alexandre-Antoine
Sallantin
(1775–1830).Vogtâ
€™s relationship with
the Conservatoire would
span over half a century,
moving seamlessly from
the role of student to
professor. In 1799, just
a year after enrolling,
he was awarded the
premier prix, becoming
the fourth oboist to
achieve this award. By
1802 he had been
appointed
répétiteur, which
involved teaching the
younger students and
filling in for Sallantin
in exchange for a free
education. He maintained
this rank until 1809,
when he was promoted to
professor adjoint and
finally to professor
titulaire in 1816 when
Sallantin retired. This
was a position he held
for thirty-seven years,
retiring in 1853, making
him the longest serving
oboe professor in the
school’s history.
During his tenure, he
became the most
influential oboist in
France, teaching
eighty-nine students,
plus sixteen he taught
while he was professor
adjoint and professor
titulaire. Many of these
students went on to be
famous in their own
right, such as Henri Brod
(1799–1839),
Apollon Marie-Rose Barret
(1804–1879),
Charles Triebert
(1810–1867),
Stanislas Verroust
(1814–1863), and
Charles Colin
(1832–1881). His
influence stretches from
French to American oboe
playing in a direct line
from Charles Colin to
Georges Gillet
(1854–1920), and
then to Marcel Tabuteau
(1887–1966), the
oboist Americans lovingly
describe as the
“father of American
oboe playing.â€Opera
was an important part of
Vogt’s life. His
first performing position
was with the
Théâtre-Montansier
while he was still
studying at the
Conservatoire. Shortly
after, he moved to the
Ambigu-Comique and, in
1801 was appointed as
first oboist with the
Théâtre-Italien in
Paris. He had been in
this position for only a
year, when he began
playing first oboe at the
Opéra-Comique. He
remained there until
1814, when he succeeded
his teacher,
Alexandre-Antoine
Sallantin, as soloist
with the Paris Opéra,
the top orchestra in
Paris at the time. He
played with the Paris
Opéra until 1834, all
the while bringing in his
current and past students
to fill out the section.
In this position, he
began to make a name for
himself; so much so that
specific performances
were immortalized in
memoirs and letters. One
comes from a young Hector
Berlioz
(1803–1865) after
having just arrived in
Paris in 1822 and
attended the Paris
Opéra’s
performance of
Mehul’s Stratonice
and Persuis’
ballet Nina. It was in
response to the song
Quand le bien-amié
reviendra that Berlioz
wrote: “I find it
difficult to believe that
that song as sung by her
could ever have made as
true and touching an
effect as the combination
of Vogt’s
instrument…â€
Shortly after this,
Berlioz gave up studying
medicine and focused on
music.Vogt frequently
made solo and chamber
appearances throughout
Europe. His busiest
period of solo work was
during the 1820s. In 1825
and 1828 he went to
London to perform as a
soloist with the London
Philharmonic Society.
Vogt also traveled to
Northern France in 1826
for concerts, and then in
1830 traveled to Munich
and Stuttgart, visiting
his hometown of
Strasbourg on the way.
While on tour, Vogt
performed Luigi
Cherubini’s
(1760–1842) Ave
Maria, with soprano Anna
(Nanette) Schechner
(1806–1860), and a
Concertino, presumably
written by himself. As a
virtuoso performer in
pursuit of repertoire to
play, Vogt found himself
writing much of his own
music. His catalog
includes chamber music,
variation sets, vocal
music, concerted works,
religious music, wind
band arrangements, and
pedagogical material. He
most frequently performed
his variation sets, which
were largely based on
themes from popular
operas he had, presumably
played while he was at
the Opéra.He made his
final tour in 1839,
traveling to Tours and
Bordeaux. During this
tour he appeared with the
singer Caroline Naldi,
Countess de Sparre, and
the violinist Joseph
Artôt
(1815–1845). This
ended his active career
as a soloist. His
performance was described
in the Revue et gazette
musicale de Paris as
having “lost none
of his superiority over
the oboe….
It’s always the
same grace, the same
sweetness. We made a trip
to Switzerland, just by
closing your eyes and
listening to
Vogt’s
oboe.â€Vogt was also
active performing in
Paris as a chamber and
orchestral musician. He
was one of the founding
members of the
Société des
Concerts du
Conservatoire, a group
established in 1828 by
violinist and conductor
François-Antoine
Habeneck
(1781–1849). The
group featured faculty
and students performing
alongside each other and
works such as Beethoven
symphonies, which had
never been heard in
France. He also premiered
the groundbreaking
woodwind quintets of
Antonin Reicha
(1770–1836).After
his retirement from the
Opéra in 1834 and from
the Société des
Concerts du Conservatoire
in 1842, Vogt began to
slow down. His final
known performance was of
Cherubini’s Ave
Maria on English horn
with tenor Alexis Dupont
(1796–1874) in
1843. He then began to
reflect on his life and
the people he had known.
When he reached his 60s,
he began gathering
entries for his Musical
Album of
Autographs.Autograph
AlbumsVogt’s
Musical Album of
Autographs is part of a
larger practice of
keeping autograph albums,
also commonly known as
Stammbuch or Album
Amicorum (meaning book of
friendship or friendship
book), which date back to
the time of the
Reformation and the
University of Wittenberg.
It was during the
mid-sixteenth century
that students at the
University of Wittenberg
began passing around
bibles for their fellow
students and professors
to sign, leaving messages
to remember them by as
they moved on to the next
part of their lives. The
things people wrote were
mottos, quotes, and even
drawings of their family
coat of arms or some
other scene that meant
something to the owner.
These albums became the
way these young students
remembered their school
family once they had
moved on to another
school or town. It was
also common for the
entrants to comment on
other entries and for the
owner to amend entries
when they learned of
important life details
such as marriage or
death.As the practice
continued, bibles were
set aside for emblem
books, which was a
popular book genre that
featured allegorical
illustrations (emblems)
in a tripartite form:
image, motto, epigram.
The first emblem book
used for autographs was
published in 1531 by
Andrea Alciato
(1492–1550), a
collection of 212 Latin
emblem poems. In 1558,
the first book conceived
for the purpose of the
album amicorum was
published by Lyon de
Tournes
(1504–1564) called
the Thesaurus Amicorum.
These books continued to
evolve, and spread to
wider circles away from
universities. Albums
could be found being kept
by noblemen, physicians,
lawyers, teachers,
painters, musicians, and
artisans.The albums
eventually became more
specialized, leading to
Musical Autograph Albums
(or Notestammbücher).
Before this
specialization, musicians
contributed in one form
or another, but our
knowledge of them in
these albums is mostly
limited to individual
people or events. Some
would simply sign their
name while others would
insert a fragment of
music, usually a canon
(titled fuga) with text
in Latin. Canons were
popular because they
displayed the
craftsmanship of the
composer in a limited
space. Composers
well-known today,
including J. S. Bach,
Telemann, Mozart,
Beethoven, Dowland, and
Brahms, all participated
in the practice, with
Beethoven being the first
to indicate an interest
in creating an album only
of music.This interest
came around 1815. In an
1845 letter from Johann
Friedrich Naue to
Heinrich Carl
Breidenstein, Naue
recalled an 1813 visit
with Beethoven, who
presented a book
suggesting Naue to
collect entries from
celebrated musicians as
he traveled. Shortly
after we find Louis Spohr
speaking about leaving on
his “grand
tour†through
Europe in 1815 and of his
desire to carry an album
with entries from the
many artists he would
come across. He wrote in
his autobiography that
his “most valuable
contribution†came
from Beethoven in 1815.
Spohr’s
Notenstammbuch, comprised
only of musical entries,
is groundbreaking because
it was coupled with a
concert tour, allowing
him to reach beyond the
Germanic world, where the
creation of these books
had been nearly
exclusive. Spohr brought
the practice of
Notenstammbücher to
France, and in turn
indirectly inspired Vogt
to create a book of his
own some fifteen years
later.Vogt’s
Musical Album of
AutographsVogt’s
Musical Album of
Autographs acts as a form
of a memoir, displaying
mementos of musicians who
held special meaning in
his life as well as
showing those with whom
he was enamored from the
younger generation. The
anonymous Pie Jesu
submitted to Vogt in 1831
marks the beginning of an
album that would span
nearly three decades by
the time the final entry,
an excerpt from Charles
Gounod’s
(1818–1893) Faust,
which premiered in 1859,
was submitted.Within this
album ... $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-140 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1216293-140
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Score Only.
Composed 2021. 8 pages.
De Haske Publications
#DHP 1216293-140.
Published by De Haske
Publications
(BT.DHP-1216293-140).
English-German-French-
Dutch. When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
Lorsquâ
€™on joue dans un
orchestre depuis
longtemps, on sait que la
musique fait partie des
plus beaux moments de la
vie, mais aussi
d’instants très
ardus. Jouer ensemble
peut donner de la force
lorsque les choses sont
difficiles.To a
Friend est une
Å“uvre
merveilleusement
réconfortante pour
toute personne
confrontée une
période sombre. Jacob
de Haan a composé
cette pièce pour son
beau-père, Gerard
Bosch, lui-même
musicien passionné.
Elle a
étécréée
quelques semaines avant
son décès. Lors
d’une fin de
journée
ensoleillée, ses amis,
les musiciens de ses deux
sociétés musicales
(Oefening Baart Kunst
Otterlo et le Reünie
Orkest Artillerie
Trompetterkorps ), ont
interprétéla
nouvelle composition pour
Gerard. Ils
l’ignoraient
alors, mais ce petit
concert constitua un
adieu merveilleux. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| To a Friend Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1216293-010 Composed by Jac...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1216293-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Hymns &
Chorals. Set (Score &
Parts). Composed 2021. De
Haske Publications #DHP
1216293-010. Published by
De Haske Publications
(BT.DHP-1216293-010).
English-German-French-
Dutch. When you
have been playing in a
band for a long time, you
will know that music
belongs to the most
beautiful moments in
life, but also to the
roughest times. Making
music together can give
you strength when things
are difficult.To a
Friend is a
wonderfully comforting
work for anyone going
through a dark time.
Jacob de Haan composed
the work for his father
in law, Gerard Bosch, a
musician to the core. The
piece received its first
performance justweeks
before his passing. On a
sun-kissed evening, his
friends, the musicians of
his two music societies
Oefening Baart Kunst
(Practice Makes Perfect)
Otterlo, and the
Reünie Orkest
Artillerie
Trompetterkorps (Reunion
BandArtillery Trumpet
Corps) played the work
for Gerard - an unknowing
yet beautiful
goodbye.
Wanneer
je al lang samen in een
orkest speelt, weet je
dat muziek hoort bij de
mooiste momenten in het
leven, maar ook bij de
diepste dalen. Samen
muziek maken kan je
kracht geven wanneer je
het moeilijk hebt. To
a Friendis een
prachtig troostrijk werk
voor iedereen die donkere
tijden meemaakt. Jacob de
Haan componeerde het werk
voor zijn schoonvader,
Gerard Bosch, een
muzikant in hart en
nieren. Een paar weken
voor diens overlijden was
het klaarom te worden
uitgevoerd. Op een
zonovergoten avond
speelden zijn vrienden,
de muzikanten van zijn
beide muziekverenigingen
Oefening Baart Kunst
Otterlo en het Reünie
Orkest Artillerie
Trompetterkorps het voor
Gerard. Eenprachtig
afscheid.
Wer
lange in einem Orchester
gespielt hat, der
weiß, dass Musik zu
den schönsten Momenten
im Leben gehört, aber
auch zu den schwersten.
Gemeinsames Musizieren
kann einem in schwierigen
Zeiten Kraft geben. To
a Friend istein
wunderbar tröstliches
Werk für jeden, der
eine schwere Zeit
durchlebt. Jacob de Haan
komponierte das Werk
für seinen
Schwiegervater Gerard
Bosch, der Musiker durch
und durch war. Das
Stück wurde nur wenige
Wochen vor seinemTod
uraufgeführt. An einem
sonnigen Abend spielten
seine Freunde, die
Musiker seiner beiden
Musikvereine Oefening
Baart Kunst (Ãœbung
macht den Meister“)
Otterlo und das Reünie
Orkest Artillerie
Trompetterkorps (Reunion
BandArtillerie Trompet
Corps) , das Werk für
Gerard. Ein unbewusster
und zugleich schöner
Abschied.
Lorsquâ
€™on joue dans un
orchestre depuis
longtemps, on sait que la
musique fait partie des
plus beaux moments de la
vie, mais aussi
d’instants très
ardus. Jouer ensemble
peut donner de la force
lorsque les choses sont
difficiles.To a
Friend est une
Å“uvre
merveilleusement
réconfortante pour
toute personne
confrontée une
période sombre. Jacob
de Haan a composé
cette pièce pour son
beau-père, Gerard
Bosch, lui-même
musicien passionné.
Elle a
étécréée
quelques semaines avant
son décès. Lors
d’une fin de
journée
ensoleillée, ses amis,
les musiciens de ses deux
sociétés musicales
(Oefening Baart Kunst
Otterlo et le Reünie
Orkest Artillerie
Trompetterkorps ), ont
interprétéla
nouvelle composition pour
Gerard. Ils
l’ignoraient
alors, mais ce petit
concert constitua un
adieu merveilleux. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bilbo the Hobbit Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1064055-040 Pièce pour cor et or...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1064055-040
Pièce pour cor et
orchestre d'harmonie.
Solo Spectrum. Solo and
Concerto. Set (Score and
Parts). Composed 2006. De
Haske Publications #DHP
1064055-040. Published by
De Haske Publications
(BT.DHP-1064055-040).
9x12 inches.
English-German-French-Dut
ch. Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
Fasziniert vom
Schaffen der groÃ?en
Meister der Filmmusik,
versuchte Maxime Aulio
dieses konzertante Werk
über den Fantasy-Roman
Werk Der kleine
Hobbit von
J.R.R.Tolkien in ihrem
Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
groÃ?en Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Durant
toute une vie, un homme
s'est consacré un
autre monde, un monde
imaginaire drapé du
mystère de la
littérature
fantastique et des
légendes. Nous entrons
dans une autre dimension.
La Terre du Milieu est
née, et dans la force
de sa flamme
créatrice, John Ronald
Reuel Tolkien (1892-1973)
a donné vie toutes les
créatures fabuleuses
qui la peuplent : nains,
elfes, dragons et
hobbits. Nous sommes au
Troisième ge de la
Terre du Milieu, quelques
décennies avant la
trilogie du Seigneur
des Anneaux. Nous
sommes lâ??ère de
Bilbon Sacquet ou
Bilbon le Hobbit,
un être de petite
taille qui vit
paisiblement avec ses
semblables dans un pays
de collines
verdoyantes,la Comté.
Paix précaire depuis
que Bilbon a trouvé
lâ??Anneau Unique jadis
forgé par Sauron, le
maître du Mal. Car
lâ??Anneau souverain est
doté dâ??un pouvoir
immense qui permet son
détenteur de se rendre
invisible et gouverner
les possesseurs des
autres Anneaux. Sauron le
Maléfique, avide de
pouvoir, décide de
reconquérir
lâ??Anneau Unique par
tous les
moyens.Fasciné par les
?uvres des maîtres de
la musique de film,
Maxime Aulio structure
cette pièce
concertante leur
manière. Et tel un
générique de fin,
sa musique revient sur
les passages et
personnages fondamentaux
du roman. La vision de
Maxime Aulio est
grandiose. Des paysages
de la Comté la Terre
du Milieu, des Grands
Dragons Gandalf le
Magicien, Bilbon Sacquet
raconte son histoire au
travers dâ??arabesques
virtuoses et
éthérées
interprétées par le
soliste. Bilbo the
Hobbit (Bilbon le
Hobbit) a été
créé par la Musique
des Ã?quipages de la
Flotte de Brest et
Jean-Pierre Cenedese,
Cor.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
lâ??Hobbit. La sua
visione è grandiosa.
Dai paesaggi della contea
alla Terra di Mezzo, dai
Grandi Draghi a Gandalf
il Mago, Bilbon Saquet
racconta la sua storia
attraverso virtuosi ed
eterei arabeschi
interpretatati dal
solista. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bilbo the Hobbit Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Horn Solo - Grade 4 SKU: BT.DHP-1064055-140 ...(+)
Concert Band/Harmonie and
Horn Solo - Grade 4
SKU:
BT.DHP-1064055-140
Pièce pour cor et
orchestre d'harmonie.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Score Only.
Composed 2006. 32 pages.
De Haske Publications
#DHP 1064055-140.
Published by De Haske
Publications
(BT.DHP-1064055-140).
9x12 inches.
English-German-French-Dut
ch. Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
Fasziniert vom
Schaffen der großen
Meister der Filmmusik,
versuchte Maxime Aulio
dieses konzertante Werk
über den Fantasy-Roman
Werk Der kleine
Hobbit von
J.R.R.Tolkien in ihrem
Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
großen Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Durant
toute une vie, un homme
s'est consacré un
autre monde, un monde
imaginaire drapé du
mystère de la
littérature
fantastique et des
légendes. Nous entrons
dans une autre dimension.
La Terre du Milieu est
née, et dans la force
de sa flamme
créatrice, John Ronald
Reuel Tolkien (1892-1973)
a donné vie toutes les
créatures fabuleuses
qui la peuplent : nains,
elfes, dragons et
hobbits. Nous sommes au
Troisième ge de la
Terre du Milieu, quelques
décennies avant la
trilogie du Seigneur
des Anneaux. Nous
sommes l’ère de
Bilbon Sacquet ou
Bilbon le Hobbit,
un être de petite
taille qui vit
paisiblement avec ses
semblables dans un pays
de collines
verdoyantes,la Comté.
Paix précaire depuis
que Bilbon a trouvé
l’Anneau Unique
jadis forgé par
Sauron, le maître du
Mal. Car l’Anneau
souverain est doté
d’un pouvoir
immense qui permet son
détenteur de se rendre
invisible et gouverner
les possesseurs des
autres Anneaux. Sauron le
Maléfique, avide de
pouvoir, décide de
reconquérir
l’Anneau Unique
par tous les
moyens.Fasciné par les
œuvres des
maîtres de la musique
de film, Maxime Aulio
structure cette pièce
concertante leur
manière. Et tel un
générique de fin,
sa musique revient sur
les passages et
personnages fondamentaux
du roman. La vision de
Maxime Aulio est
grandiose. Des paysages
de la Comté la Terre
du Milieu, des Grands
Dragons Gandalf le
Magicien, Bilbon Sacquet
raconte son histoire au
travers
d’arabesques
virtuoses et
éthérées
interprétées par le
soliste. Bilbo the
Hobbit (Bilbon le
Hobbit) a été
créé par la Musique
des Équipages de la
Flotte de Brest et
Jean-Pierre Cenedese,
Cor.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
l’Hobbit. La
sua visione è
grandiosa. Dai paesaggi
della contea alla Terra
di Mezzo, dai Grandi
Draghi a Gandalf il Mago,
Bilbon Saquet racconta la
sua storia attraverso
virtuosi ed eterei
arabeschi interpretatati
dal solista. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Bilbo the Hobbit Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie and Horn Solo - Grade 4 SKU: BT.DHP-1064055-010 ...(+)
Concert Band/Harmonie and
Horn Solo - Grade 4
SKU:
BT.DHP-1064055-010
Pièce pour cor et
orchestre d'harmonie.
Composed by Maxime Aulio.
Solo Spectrum. Solo &
Concerto. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064055-010. Published by
De Haske Publications
(BT.DHP-1064055-010).
9x12 inches.
English-German-French-Dut
ch. Originally
written by the great
English writer J.R.R.
Tolkien (1892-1973), The
Lord of the Rings has
encountered new-found
popularity recently with
the release of three
?huge-hit? motion
pictures. With Bilbo the
Hobbit we enter the lands
of Middle-earth during
the Third Age, some
decades before The Lord
of the Rings trilogy.
Fascinated by the works
of the masters of film
music, Maxime Aulio
structured this work in
their way. When the end
credits roll, Maxime?s
music displays all the
basic characters and
passages of the novel.
From the landscapes of
the Shire to
Middle-earth, the Great
Dragons to Gandalf the
Wizard, Bilbo Baggins
tells us his story
through light and
virtuosoarabesques in the
solo part. Bilbo the
Hobbit is a wonderful
addition to the french
horn repertoire and one
to be a sure-fire hit
with horn players
everywhere.
ijdens zijn leven
schiep J.R.R. Tolkien
(1892-1973) met zijn boek
The Hobbit en de
trilogie The Lord of
the Rings (In de ban van
de ring) een totaal
nieuwe wereld, bevolkt
met fabuleuze wezens:
dwergen, elven, drakenen
natuurlijk hobbits.
Maxime Aulio gaf dit
concertante werk vorm in
filmische stijl. Met de
aftiteling voor ogen
verklankt Aulio’s
muziek de hoofdpersonen
en belangrijkste
gebeurtenissen in de
wereld van Bilbo de
hobbit,zijn visie op
het verhaal is imposant.
Van de landschappen van
de Gouw tot Middenaarde
en van de draken tot
Gandalf de tovenaar
vertelt Bilbo
Baggins ons zijn
verhaal door middel van
lichte en virtuoze
arabesken in de
solpartij.
Faszini
ert vom Schaffen der
großen Meister der
Filmmusik, versuchte
Maxime Aulio dieses
konzertante Werk über
den Fantasy-Roman Werk
Der kleine Hobbit
von J.R.R.Tolkien in
ihrem Sinne zu
strukturieren.Wie in
einem Abspann illustriert
Aulios Musik alle
wichtigen Figuren und
Passagen der Erzählung
in einer beeindruckenden
Vision. Von den
Landschaften in Auenland
bis hin zu ganz
Mittelerde, von den
großen Drachen bis zu
Gandalf, dem Zauberer,
erzählt uns Bilbo
Beutlin in seinem Solo
seine Geschichte in
leichten, virtuosen
Arabesken.
Durant
toute une vie, un homme
s'est consacré un
autre monde, un monde
imaginaire drapé du
mystère de la
littérature
fantastique et des
légendes. Nous entrons
dans une autre dimension.
La Terre du Milieu est
née, et dans la force
de sa flamme
créatrice, John Ronald
Reuel Tolkien (1892-1973)
a donné vie toutes les
créatures fabuleuses
qui la peuplent : nains,
elfes, dragons et
hobbits. Nous sommes au
Troisième ge de la
Terre du Milieu, quelques
décennies avant la
trilogie du Seigneur
des Anneaux. Nous
sommes l’ère de
Bilbon Sacquet ou
Bilbon le Hobbit,
un être de petite
taille qui vit
paisiblement avec ses
semblables dans un pays
de collines
verdoyantes,la Comté.
Paix précaire depuis
que Bilbon a trouvé
l’Anneau Unique
jadis forgé par
Sauron, le maître du
Mal. Car l’Anneau
souverain est doté
d’un pouvoir
immense qui permet son
détenteur de se rendre
invisible et gouverner
les possesseurs des
autres Anneaux. Sauron le
Maléfique, avide de
pouvoir, décide de
reconquérir
l’Anneau Unique
par tous les
moyens.Fasciné par les
œuvres des
maîtres de la musique
de film, Maxime Aulio
structure cette pièce
concertante leur
manière. Et tel un
générique de fin,
sa musique revient sur
les passages et
personnages fondamentaux
du roman. La vision de
Maxime Aulio est
grandiose. Des paysages
de la Comté la Terre
du Milieu, des Grands
Dragons Gandalf le
Magicien, Bilbon Sacquet
raconte son histoire au
travers
d’arabesques
virtuoses et
éthérées
interprétées par le
soliste. Bilbo the
Hobbit (Bilbon le
Hobbit) a été
créé par la Musique
des Équipages de la
Flotte de Brest et
Jean-Pierre Cenedese,
Cor.
Affascinato
dal lavoro di Tolkien e
dai maestri delle musiche
da film, Maxime Aulio
struttura questo brano
concertante alla loro
maniera. La musica
riprende passaggi e
personaggi chiave del
romanzo Bilbo,
l’Hobbit. La
sua visione è
grandiosa. Dai paesaggi
della contea alla Terra
di Mezzo, dai Grandi
Draghi a Gandalf il Mago,
Bilbon Saquet racconta la
sua storia attraverso
virtuosi ed eterei
arabeschi interpretatati
dal solista. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Saxophone Tenor et Piano [Partition + CD] - Intermédiaire Anglo Music
Tenor Saxophone and Piano - intermediate SKU: BT.AMP-368-400 20 Progre...(+)
Tenor Saxophone and Piano
- intermediate SKU:
BT.AMP-368-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 368-400.
Published by Anglo Music
Press (BT.AMP-368-400).
ISBN 9789043138871.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten. Inhalt:
Nice to See You Again
-Pony and Trap -Summer
Siesta -Spring (Vivaldi)
-A Victorian Ballad
-Trumpet Tune -Promenade
-Greensleeves -Could You
Repeat That? -Alladale
Aria -Scales of Justice
-Largo from Winter
(Vivaldi) -Waltz with
Variations -Atthe Circus
- Adagio (Mozart) -
Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation
structurée des
techniques de jeu et
d’apprentissage.
Les solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi
qu’une version
où ne subsiste que
l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - intermediate SKU: BT.AMP-350-400 20 Progressive Piec...(+)
Cello and Piano -
intermediate SKU:
BT.AMP-350-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 350-400.
Published by Anglo Music
Press (BT.AMP-350-400).
ISBN 9789043138680.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten. Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation
structurée des
techniques de jeu et
d’apprentissage.
Les solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi
qu’une version
où ne subsiste que
l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Hautbois, Piano (duo) [Partition + CD] - Intermédiaire Anglo Music
Oboe and Piano - intermediate SKU: BT.AMP-356-400 Composed by Philip Spar...(+)
Oboe and Piano -
intermediate SKU:
BT.AMP-356-400
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 356-400.
Published by Anglo Music
Press (BT.AMP-356-400).
ISBN 9789043138796.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten. Inhalt:
Nice to See You Again
-Pony and Trap -Summer
Siesta -Spring (Vivaldi)
-A Victorian Ballad
-Trumpet Tune -Promenade
-Greensleeves -Could You
Repeat That? -Alladale
Aria -Scales of Justice
-Largo from Winter
(Vivaldi) -Waltz with
Variations -Atthe Circus
- Adagio (Mozart) -
Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation
structurée des
techniques de jeu et
d’apprentissage.
Les solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi
qu’une version
où ne subsiste que
l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Alto, Piano [Partition + CD] - Intermédiaire Anglo Music
Viola and Piano - intermediate SKU: BT.AMP-349-400 20 Progressive Piec...(+)
Viola and Piano -
intermediate SKU:
BT.AMP-349-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 349-400.
Published by Anglo Music
Press (BT.AMP-349-400).
ISBN 9789043138673.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten. Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation
structurée des
techniques de jeu et
d’apprentissage.
Les solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi
qu’une version
où ne subsiste que
l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Skilful Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - intermediate SKU: BT.AMP-348-400 20 Progressive Pie...(+)
Violin and Piano -
intermediate SKU:
BT.AMP-348-400 20
Progressive Pieces with
Piano Accompaniment.
Composed by Philip
Sparke. Tuition. Book
with CD. Composed 2013.
44 pages. Anglo Music
Press #AMP 348-400.
Published by Anglo Music
Press (BT.AMP-348-400).
ISBN 9789043138666.
9x12 inches.
English-German-French-Dut
ch. Philip
Sparke’s
Skilful Solos is
the second volume of a
progressive series of
solo books that takes the
young wind player from
beginner to accomplished
musician. Following on
from the first book in
the series Starter
Solos this collection
generally contains longer
pieces suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Solos introduces the
concept of phrasing by
suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges, new
notes being introduced in
a gradual and logical
manner.Skilful
Solos comes with a
play-along CD. The
advantages of playing
eitherwith piano or CD
accompaniment are that
the beginning player can
now experience the
important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always achieved when
playing alone.
Skilful
Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een succesvolle
reeks van Philip Sparke.
Net als de eerdergenoemde
uitgaven bevat Skilful
Solos
waardevol,motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen. Uitgave
met cd: De voordelen van
het spelen metbegeleiding
- hetzij op de piano,
hetzij op de cd - zijn
dat de beginnende speler
de belangrijke aspecten
van het ensemblespel kan
ervaren vanaf de eerste
lessen en essentiële
vaardigheden kan
aanleren: het luisteren
tijdens het spelen en
hethandhaven van een
strak tempo. Bij het
alleen spelen komen deze
factoren minder aan de
orde.
Das frühe
Lernstadium ist, neben
einem guten Lehrer im
Unterricht, für jedes
Instrument zweifellos das
Wichtigste. Von großer
Bedeutung ist aber auch
motivierendes
Lehrmaterial. Für
diese zwei Solobücher
beriet sich Philip Sparke
mit vielen Lehrern, wie
man am besten neue Noten
einführt und zugleich
einen Rahmen schafft, in
den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesenSoli und Etüden
in drei verschiedenen
Schwierigkeitsstufen
können
Instrumentalschüler
schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse und
Anforderungen des
einzelnen Instrumentes
zugeschnitten. STARTER
SOLOS und SKILFUL SOLOS
können dank der im
Buch und auf der CD
enthaltenen Begleitungen
auch gut alleine oder mit
einem Pianisten
einstudiert und
aufgeführt werden. Der
Vorteil dabei ist, dass
Anfänger so nicht nur
die wichtigsten Aspekte
desEnsemblespiels
erfahren sondern auch von
Anfang an die
Fähigkeit entwickeln,
zu hören während
sie spielen und das Tempo
zu halten. Inhalt:
Nice to See You Again
•Pony and Trap
•Summer Siesta
•Spring (Vivaldi)
•A Victorian Ballad
•Trumpet Tune
•Promenade
•Greensleeves
•Could You Repeat
That? •Alladale
Aria •Scales of
Justice •Largo from
Winter (Vivaldi)
•Waltz with
Variations •Atthe
Circus - Adagio (Mozart)
- Marche Militaire
(Schubert) - Thinking of
You - Fives and Threes -
Daydream - Rhode Island
Rag Suivant
Starter Solos,
Skilful Solos est
le nouveau recueil
motivant offrant une
présentation
structurée des
techniques de jeu et
d’apprentissage.
Les solos composés par
Philip Sparke constituent
les premiers pas
plaisants de votre
entrée dans le
formidable monde de la
musique ! Sur le compact
disc inclus, vous
trouverez une version
intégrale de chaque
pièce ainsi
qu’une version
où ne subsiste que
l’accompagnement ;
la version papier des
accompagnements de piano
est jointe au
recueil. Skilfu
l Solos può essere
considerato il seguito di
Starter Solos.
Suonare con
l’accompagnamento
è un lavoro di squadra
che sviluppa la capacit
di ascolto e di reazione.
Skilful Solos è
indispensabile per
progredire nel mondodella
musica. $22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rondeau - Facile De Haske Publications
5-Part Flexible Band - Grade 2 SKU: BT.DHP-1084500-216 Composed by Jean-J...(+)
5-Part Flexible Band -
Grade 2 SKU:
BT.DHP-1084500-216
Composed by Jean-Joseph
Mouret. Arranged by
Lorenzo Bocci. Flexible 5
Series. Classical. Score
Only. Composed 2008. 12
pages. De Haske
Publications #DHP
1084500-216. Published by
De Haske Publications
(BT.DHP-1084500-216).
9x12 inches.
English-German-French-Dut
ch. De Fransman
Jean-Joseph Mouret
(1682-1738) was een van
de belangrijkste
barokcomponisten van zijn
land. Hij schreef veel
opera’s en
balletten als gunsteling
van Anne-Louise
Bénédicte de
Bourbon-Condé, de
hertogin van Maine.
Verderschreef hij airs,
motetten en instrumentale
werken. De meeste hiervan
zijn in vergetelheid
geraakt, maar het
fanfare-rondeau uit de
eerste van zijn twee
Suites de
Symphonies(1729) is
nog altijd populair. In
de VS is het bekendals
herkenningstune van het
beroemde
televisieprogramma
Masterpiece
Theatre, dat Britse
dramaseries uitzendt. Dit
vijfstemmige arrangement
is een
aanrader.
Der
Komponist, Sänger und
Dirigent Jean-Joseph
Mouret gilt zwar als
einer der wichtigsten
Vertreter des
französischen Barock,
von seinem Werk ist
jedoch vieles in
Vergessenheit geraten.
Nicht so Rondeau
aus der ersten seiner
beiden Suites de
Symphonies von 1729.
Dieses Stück ist heute
noch weltweit bekannt, in
den USA wird es sogar als
Erkennungsmelodie einer
beliebten Fernsehsendung
verwendet. In der
vielseitig einsetzbaren
Ausgabe für
fünfstimmig variable
Besetzung von Lorenzo
Bocci sehr zu
empfehlen!
Jean-Jo
seph Mouret (1682-1738),
surnommé le «
musicien des gr ces »,
évoque, par ses
opéras-ballets et ses
divertissements, le type
même du compositeur
Régence : ses
œuvres sont
élégantes,
charmantes et surtout
légères. Ses deux
Suites de
symphonies (1729)
laissent pressentir la
symphonie française
telle qu’elle
s’est
développée au cours
de la seconde moitié
du XVIIIe siècle. Le
célèbre
Fanfare-Rondeau
est extrait de la
première suite.
Lorenzo Bocci en a
réalisé un charmant
arrangement cinq voix
pour instrumentation
variable. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rondeau - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1084500-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1084500-015
Composed by Jean-Joseph
Mouret. Arranged by
Lorenzo Bocci. Flexible 5
Series. Classical. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1084500-015. Published by
De Haske Publications
(BT.DHP-1084500-015).
9x12 inches.
English-German-French-Dut
ch. De Fransman
Jean-Joseph Mouret
(1682-1738) was een van
de belangrijkste
barokcomponisten van zijn
land. Hij schreef veel
opera’s en
balletten als gunsteling
van Anne-Louise
Bénédicte de
Bourbon-Condé, de
hertogin van Maine.
Verderschreef hij airs,
motetten en instrumentale
werken. De meeste hiervan
zijn in vergetelheid
geraakt, maar het
fanfare-rondeau uit de
eerste van zijn twee
Suites de
Symphonies(1729) is
nog altijd populair. In
de VS is het bekendals
herkenningstune van het
beroemde
televisieprogramma
Masterpiece
Theatre, dat Britse
dramaseries uitzendt. Dit
vijfstemmige arrangement
is een
aanrader.
Der
Komponist, Sänger und
Dirigent Jean-Joseph
Mouret gilt zwar als
einer der wichtigsten
Vertreter des
französischen Barock,
von seinem Werk ist
jedoch vieles in
Vergessenheit geraten.
Nicht so Rondeau
aus der ersten seiner
beiden Suites de
Symphonies von 1729.
Dieses Stück ist heute
noch weltweit bekannt, in
den USA wird es sogar als
Erkennungsmelodie einer
beliebten Fernsehsendung
verwendet. In der
vielseitig einsetzbaren
Ausgabe für
fünfstimmig variable
Besetzung von Lorenzo
Bocci sehr zu
empfehlen!
Jean-Jo
seph Mouret (1682-1738),
surnommé le «
musicien des gr ces »,
évoque, par ses
opéras-ballets et ses
divertissements, le type
même du compositeur
Régence : ses
œuvres sont
élégantes,
charmantes et surtout
légères. Ses deux
Suites de
symphonies (1729)
laissent pressentir la
symphonie française
telle qu’elle
s’est
développée au cours
de la seconde moitié
du XVIIIe siècle. Le
célèbre
Fanfare-Rondeau
est extrait de la
première suite.
Lorenzo Bocci en a
réalisé un charmant
arrangement cinq voix
pour instrumentation
variable. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Super Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected So...(+)
Cello and Piano - late
intermediate SKU:
BT.AMP-353-400 10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
353-400. Published by
Anglo Music Press
(BT.AMP-353-400). ISBN
9789043138710. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können. Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale Supe
r Solos s'inscrit
dans la lignée des
recueils Starter
Solos et Skilful
Solos. Jouer avec un
accompagnateur est un
travail d'équipe qui
développe l'écoute
et la capacité de
réaction. Super
Solos est le moteur
indispensable de votre
avancée dans le monde
de la musique.
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Super Solos Hautbois, Piano (duo) [Partition + CD] - Intermédiaire Anglo Music
Oboe and Piano - late intermediate SKU: BT.AMP-357-400 10 Selected Sol...(+)
Oboe and Piano - late
intermediate SKU:
BT.AMP-357-400 10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
357-400. Published by
Anglo Music Press
(BT.AMP-357-400). ISBN
9789043138802. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können. Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale Supe
r Solos s'inscrit
dans la lignée des
recueils Starter
Solos et Skilful
Solos. Jouer avec un
accompagnateur est un
travail d'équipe qui
développe l'écoute
et la capacité de
réaction. Super
Solos est le moteur
indispensable de votre
avancée dans le monde
de la musique.
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
$23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Super Solos Violon et Piano [Partition + CD] - Intermédiaire Anglo Music
Violin and Piano - late intermediate SKU: BT.AMP-351-400 10 Selected S...(+)
Violin and Piano - late
intermediate SKU:
BT.AMP-351-400 10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
351-400. Published by
Anglo Music Press
(BT.AMP-351-400). ISBN
9789043138697. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können. Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale Supe
r Solos s'inscrit
dans la lignée des
recueils Starter
Solos et Skilful
Solos. Jouer avec un
accompagnateur est un
travail d'équipe qui
développe l'écoute
et la capacité de
réaction. Super
Solos est le moteur
indispensable de votre
avancée dans le monde
de la musique.
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Super Solos Alto, Piano [Partition + CD] - Intermédiaire Anglo Music
Viola and Piano - late intermediate SKU: BT.AMP-352-400 10 Selected So...(+)
Viola and Piano - late
intermediate SKU:
BT.AMP-352-400 10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
352-400. Published by
Anglo Music Press
(BT.AMP-352-400). ISBN
9789043138703. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können. Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale Supe
r Solos s'inscrit
dans la lignée des
recueils Starter
Solos et Skilful
Solos. Jouer avec un
accompagnateur est un
travail d'équipe qui
développe l'écoute
et la capacité de
réaction. Super
Solos est le moteur
indispensable de votre
avancée dans le monde
de la musique.
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Super Solos Saxophone Tenor et Piano [Partition + CD] - Intermédiaire Anglo Music
Tenor Saxophone and Piano - late intermediate SKU: BT.AMP-369-400 10 S...(+)
Tenor Saxophone and Piano
- late intermediate
SKU:
BT.AMP-369-400 10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
369-400. Published by
Anglo Music Press
(BT.AMP-369-400). ISBN
9789043138888. 9x12
inches.
English-German-French-Dut
ch. Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können. Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale Supe
r Solos s'inscrit
dans la lignée des
recueils Starter
Solos et Skilful
Solos. Jouer avec un
accompagnateur est un
travail d'équipe qui
développe l'écoute
et la capacité de
réaction. Super
Solos est le moteur
indispensable de votre
avancée dans le monde
de la musique.
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
$22.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gershwin Flûte traversière [Partition + CD] - Intermédiaire De Haske Publications
Flute - late intermediate SKU: BT.DHP-1084512-400 Modern Arrangements ...(+)
Flute - late intermediate
SKU:
BT.DHP-1084512-400
Modern Arrangements of
Old Favourites.
Composed by George
Gershwin. Arranged by Rik
Elings. Book with CD.
Composed 2008. 28 pages.
De Haske Publications
#DHP 1084512-400.
Published by De Haske
Publications
(BT.DHP-1084512-400).
ISBN 9789043130073.
9x12 inches.
English-German-French-Dut
ch. The
compositions of George
Gershwin have a special
place in jazz music.
Every professional jazz
musician knows the
Gershwin songs. Although
composed long ago - in
the first half of the
previous century - they
remain ever popular.
Simply because of the
genius of the melodies,
rhythms, and texts, the
Gershwin tunes have
transcended their
original conception and
are still extremely
popular. In his own
characteristic manner,
Rik Elings has arranged
these Gershwin melodies
in a contemporary and
interesting fashion.
Everyone - amateur
musicians, students of
jazz, and audiences alike
- will take pleasure in
Elingâ??s inspiring
exploration of the
Gershwin oeuvre.
Enjoy!
Wer Jazz
spielen will, kommt an
Gershwin nicht vorbei!
Für dieses Buch
wählte Rik Elings die
Juwelenâ?? aus dem
Gershwin-Repertoire aus
und bearbeitete sie in
moderner Weise. Auf der
CD sind sowohl komplette
Demoversionen aller Titel
als auch die Begleitungen
zum Mitspielen enthalten.
George Gershwin
occupe une place
particulière dans
lâ??univers du jazz.
Pour réaliser ce
recueil, Rik Elings a
réunit onze des plus
beaux joyaux du
répertoire de
Gershwin. Les
arrangements sont
originaux, modernes et
motivants.
George
Gerswhin occupa un posto
particolare nell'universo
del jazz. Per realizzare
questa pubblicazione, Rik
Elings ha riunito i
gioielli del repertorio
di Gershwin. Gli
arrangiamenti sono
originali, moderni e
motivanti. Strumentisti e
pubblico saranno
coinvolti nell'
esecuzione e nell'ascolto
delle opere di George
Gerswhin. Il CD propone
una versione integrale di
ogni brano, come anche
una versione con il solo
accompagnamento. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gershwin Trompette [Partition + CD] - Intermédiaire De Haske Publications
Trumpet - late intermediate SKU: BT.DHP-1084515-400 Modern Arrangement...(+)
Trumpet - late
intermediate SKU:
BT.DHP-1084515-400
Modern Arrangements of
Old Favourites.
Composed by George
Gershwin. Arranged by Rik
Elings. Book with CD.
Composed 2008. 28 pages.
De Haske Publications
#DHP 1084515-400.
Published by De Haske
Publications
(BT.DHP-1084515-400).
ISBN 9789043130127.
9x12 inches.
English-German-French-Dut
ch. The
compositions of George
Gershwin have a special
place in jazz music.
Every professional jazz
musician knows the
Gershwin songs. Although
composed long ago - in
the first half of the
previous century - they
remain ever popular.
Simply because of the
genius of the melodies,
rhythms, and texts, the
Gershwin tunes have
transcended their
original conception and
are still extremely
popular. In his own
characteristic manner,
Rik Elings has arranged
these Gershwin melodies
in a contemporary and
interesting fashion.
Everyone - amateur
musicians, students of
jazz, and audiences alike
- will take pleasure in
Elingâ??s inspiring
exploration of the
Gershwin oeuvre.
Enjoy!
Wer Jazz
spielen will, kommt an
Gershwin nicht vorbei!
Für dieses Buch
wählte Rik Elings die
Juwelenâ?? aus dem
Gershwin-Repertoire aus
und bearbeitete sie in
moderner Weise. Auf der
CD sind sowohl komplette
Demoversionen aller Titel
als auch die Begleitungen
zum Mitspielen enthalten.
George Gershwin
occupe une place
particulière dans
lâ??univers du jazz.
Pour réaliser ce
recueil, Rik Elings a
réunit onze des plus
beaux joyaux du
répertoire de
Gershwin. Les
arrangements sont
originaux, modernes et
motivants.
George
Gerswhin occupa un posto
particolare nell'universo
del jazz. Per realizzare
questa pubblicazione, Rik
Elings ha riunito i
gioielli del repertorio
di Gershwin. Gli
arrangiamenti sono
originali, moderni e
motivanti. Strumentisti e
pubblico saranno
coinvolti nell'
esecuzione e nell'ascolto
delle opere di George
Gerswhin. Il CD propone
una versione integrale di
ogni brano, come anche
una versione con il solo
accompagnamento. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gershwin: Modern Arrangements of Old Favourites Clarinette [Partition + CD] - Intermédiaire De Haske Publications
Clarinet - late intermediate SKU: BT.DHP-1084513-400 Modern Arrangemen...(+)
Clarinet - late
intermediate SKU:
BT.DHP-1084513-400
Modern Arrangements of
Old Favourites.
Composed by George
Gershwin. Arranged by Rik
Elings. Book with CD.
Composed 2008. 28 pages.
De Haske Publications
#DHP 1084513-400.
Published by De Haske
Publications
(BT.DHP-1084513-400).
ISBN 9789043130080.
9x12 inches.
English-German-French-Dut
ch. The
compositions of George
Gershwin have a special
place in jazz music.
Every professional jazz
musician knows the
Gershwin songs. Although
composed long ago - in
the first half of the
previous century - they
remain ever popular.
Simply because of the
genius of the melodies,
rhythms, and texts, the
Gershwin tunes have
transcended their
original conception and
are still extremely
popular. In his own
characteristic manner,
Rik Elings has arranged
these Gershwin melodies
in a contemporary and
interesting fashion.
Everyone - amateur
musicians, students of
jazz, and audiences alike
- will take pleasure in
Elingâ??s inspiring
exploration of the
Gershwin oeuvre.
Enjoy!
Wer Jazz
spielen will, kommt an
Gershwin nicht vorbei!
Für dieses Buch
wählte Rik Elings die
Juwelenâ?? aus dem
Gershwin-Repertoire aus
und bearbeitete sie in
moderner Weise. Auf der
CD sind sowohl komplette
Demoversionen aller Titel
als auch die Begleitungen
zum Mitspielen enthalten.
George Gershwin
occupe une place
particulière dans
lâ??univers du jazz.
Pour réaliser ce
recueil, Rik Elings a
réunit onze des plus
beaux joyaux du
répertoire de
Gershwin. Les
arrangements sont
originaux, modernes et
motivants.
George
Gerswhin occupa un posto
particolare nell'universo
del jazz. Per realizzare
questa pubblicazione, Rik
Elings ha riunito i
gioielli del repertorio
di Gershwin. Gli
arrangiamenti sono
originali, moderni e
motivanti. Strumentisti e
pubblico saranno
coinvolti nell'
esecuzione e nell'ascolto
delle opere di George
Gerswhin. Il CD propone
una versione integrale di
ogni brano, come anche
una versione con il solo
accompagnamento. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gershwin: Modern Arrangements of Old Favourites [Partition + CD] - Intermédiaire De Haske Publications
Alto- or Tenor Saxophone - late intermediate SKU: BT.DHP-1084514-400 M...(+)
Alto- or Tenor Saxophone
- late intermediate
SKU:
BT.DHP-1084514-400
Modern Arrangements of
Old Favourites.
Composed by George
Gershwin. Arranged by Rik
Elings. Book with CD.
Composed 2008. 52 pages.
De Haske Publications
#DHP 1084514-400.
Published by De Haske
Publications
(BT.DHP-1084514-400).
ISBN 9789043130097.
9x12 inches.
English-German-French-Dut
ch. The
compositions of George
Gershwin have a special
place in jazz music.
Every professional jazz
musician knows the
Gershwin songs. Although
composed long ago - in
the first half of the
previous century - they
remain ever popular.
Simply because of the
genius of the melodies,
rhythms, and texts, the
Gershwin tunes have
transcended their
original conception and
are still extremely
popular. In his own
characteristic manner,
Rik Elings has arranged
these Gershwin melodies
in a contemporary and
interesting fashion.
Everyone - amateur
musicians, students of
jazz, and audiences alike
- will take pleasure in
Eling’s inspiring
exploration of the
Gershwin oeuvre.
Enjoy!
Wer Jazz
spielen will, kommt an
Gershwin nicht vorbei!
Für dieses Buch
wählte Rik Elings die
Juwelen“ aus dem
Gershwin-Repertoire aus
und bearbeitete sie in
moderner Weise. Auf der
CD sind sowohl komplette
Demoversionen aller Titel
als auch die Begleitungen
zum Mitspielen enthalten.
George Gershwin
occupe une place
particulière dans
l’univers du jazz.
Pour réaliser ce
recueil, Rik Elings a
réunit onze des plus
beaux joyaux du
répertoire de
Gershwin. Les
arrangements sont
originaux, modernes et
motivants.
George
Gerswhin occupa un posto
particolare nell'universo
del jazz. Per realizzare
questa pubblicazione, Rik
Elings ha riunito i
gioielli del repertorio
di Gershwin. Gli
arrangiamenti sono
originali, moderni e
motivanti. Strumentisti e
pubblico saranno
coinvolti nell'
esecuzione e nell'ascolto
delle opere di George
Gerswhin. Il CD propone
una versione integrale di
ogni brano, come anche
una versione con il solo
accompagnamento. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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