Compilation. Par PATON JOHN GLENN. This authoritative, new edition of the world's most loved songs and arias draws on original manuscripts, historical first editions and recent research by prominent musicologists to meet a high standard of accuracy and authenticity. Includes fascinating background information about the arias and their composers as well as a singable rhymed translation, a readable prose translation and a literal translation of each single Italian word. / Niveau : Moyen / Rép Classique / Recueil / Chant et Piano

Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue

Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano

Par HAGEN JOCELYN. Jocelyn Hagen is one of the best-loved choral composers working in the USA today. Her Mother’s Song uses a touching translation by Willis Barnstone of an anonymous Japanese text in which the health and well-being of a mother’s child is sought. Commissioned by VOCES8 for their LIVE From London festival in 2020 and scored for unaccompanied SSAATTBB choir, this three-minute piece contains wonderfully rich and sonorous harmonies. Suitable for performance at Christmas/Holidays or at any time for the year./ Répertoire / Choeur SSAATTBB

The solos, duets and songs in this anthology are taken from the original sources and are graded and carefully fingered for the modern player. It is as faithful as possible to the originals while offering a practical performing score suitable for the concert stage. Includes pieces by de Visee, Sanz and other master composers for the lute, as well as introductory text sections and study notes. / Guitare

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).

Easy Pieces for Acoustic Guitar: Christmas contains simple acoustic arrangements of 16 festive tunes for solo Guitar. The music is written in both standard notation and Guitar tab making it the perfect material for classical or steel-string guitarists to show off their technique through great songs which have stood the test of time. The CD contains demonstrations of all the pieces. / Guitare

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Adagio (Mozart) * Allegretto (Haydn) * Bouree (Telemann) * Concert Duet in Three Movements (Snell) * Dance (Snell) * Daniel Cowper (English Country Dance) * English Folk Tune (Traditional) * The Hunters of Kentucky (American Traditional) * Intrada (Graupner) * Legend (Snell) * March (Anonymous) * Minuet in G (Bach) * The Music Box (Snell) * Norwegian Folk Song (Traditional) * Red River Valley (American Traditional) * Scottish Folk Song (Traditional) * Sea Shanty (American Traditional) * Serenade (Turk) * Three German Dances (Haydn).

This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Renaissance to the Romantic periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes sacred music fun! Contains: Adoramus Te (We Adore Thee) (Palestrina) * Amen (Stainer) * Cherubim Song (Archangelsky) * Chorale (Bach) * Deep River (Anonymous) * Gloria Patri (Purcell) * Go Down, Moses (Anonymous) * God Of Our Fathers (Warren) * Missa Apostolorum (Cavazzoni) * Old Hundredth (Bourgeois) * Onward, Christian Soldiers (Sullivan) * The Quest (Marianlieder) *Shir Hamaalot (Anonymous).

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

144 pieces by CPE Bach, JS Bach, Bartók, Beethoven, Burgmüller, Clementi, Dubernoy, Ellmenreich, Greig, Gurlitt, Handel, Heller, Köhler, Kullak, le Couppey, Petzold, Reinecke, Reinhold, Schumann, Streabbog, and Tchaikovsky. All are at the early intermediate level in a convenient value-priced edition. Includes - ANONYMOUS: Minuet in G Major, BWV Appendix 116 - Polonaise in G minor, BWV Appendix 119 - Musette in D Major, BWV Appendix 126 - Minuet in D minor, BWV Appendix 132 - CPE BACH: March in D Major, BWV Appendix 122 - JS BACH: Prelude in C Major, BWV 939 - BARTÓK: 9 selections from Ten Easy Pieces - BEETHOVEN: Sonatina in G Major, Anh. 5, #1 - Waltz in D Major, WoO 85 - Eccossaise in E-flat Major, WoO 86 - BURGMÜLLER: 13 selections from 25 Easy and Progressive Studies, Op. 100 - CLEMENTI: Sonatina in C Major, Op. 36, #1 - DUVERNOY: Study in A Major from 25 Elementary Studies, Op. 176, #15 - ELLMENREICH: Spinning Song, Op. 14, #4 - GRIEG: Watchman's Song from Lyric Pieces, Op. 12, #3 - National Song from Lyric Pieces, Op. 12, #8 - Sailor's Song from Lyric Pieces, Op. 68, #1 - GURLITT: 10 selections from Albumleaves for the Young, Op. 101 - HANDEL: Sarabanda from Suite in D minor, HWV 437 - HELLER: Scampering from 25 Studies, Op. 47, #1 - Lullaby from 25 Studies, Op. 47, #19 - KÖHLER: 12 Easy Studies for the Piano, Op. 157 - KULLAK: The Clock from Scenes from Childhood, Op. 62, #2 - LE COUPPEY: The Alphabet, Op. 17 - PETZOLD: Minuet in G Major, BWV Appendix 114 - Minuet in G minor, BWV Appendix 115 - REINECKE: Sonatina in C Major, Op.136, #1 - Sonatina in G Major, Op. 136, #2 - REINHOLD: March from Miniatures, Op. 39, #1 - Hungarian Dance from Miniatures, Op. 39, #9 - Gypsy Song from Miniatures, Op. 39, #13 - SCHUMANN: 12 selections from Album for the Young, Op. 68 - STREABBOG: 12 Very Easy and Melodious Studies, Op. 63 - 12 Easy and Melodious Studies, Op. 64 - TCHAIKOVSKY: Morning Prayer from Album for the Young, Op. 39, #1 - The Sick Doll from Album for the Young, Op. 39, #6 - The Doll's Burial from Album for the Young, Op. 39, #7 - In Church from Album for the Young, Op. 39, #24 #17 - Sunday from Albumleaves for the Young, Op. 101, #18 - HANDEL: Sarabanda from Suite in D minor, HWV 437 - HELLER: Scampering from 25 Studies, Op. 47, #1 - Lullaby from 25 Studies, Op. 47, #19 - KÖHLER: 12 Easy Studies for the Piano, Op. 157 - KULLAK: The Clock from Scenes from Childhood, Op. 62, #2 - LE COUPPEY: The Alphabet, Op. 17 - PETZOLD: Minuet i / Piano

If you've been playing clarinet for a little while, you are probably eager to learn some familiar works. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet.
Complete contents include: About Strange Lands and People from Scenes from Childhood (Schumann) ? Adagio, Op. 63, No. 24 (Baermann) ? Andante from Symphony No. 6 ?Pathétique? (Tchaikovsky) ? Andante from Symphony No. 94 ?Surprise? (Haydn) ? Aria from Aria con Variazioni (Handel) ? Ave Maria (Schubert) ? Barcarolle from The Tales of Hoffmann (Offenbach) ? Canon in D (Pachelbel) ? Dance of the Blessed Spirits from Orfeo ed Euridice (Gluck) ? Emperor Waltz (Strauss) ? Etude in E Major, Op. 10, No. 3 (Chopin) ? Evening Prayer from Hansel and Gretel (Humperdink) ? Funeral March of a Marionette (Gounod) ? He Shall Feed His Flock from Messiah (Handel) ? Heidenröslein (Schubert) ? Hungarian Dance No. 5 (Brahms) ? Intermezzo, Op. 117, No. 1 (Brahms) ? Irish Tune from County Derry (Grainger) ? Jupiter Chorale from The Planets (Holst) ? La donna è mobile from Rigoletto (Verdi) ? Largo from Serse (Handel) ? Largo from Symphony No. 9 ?From the New World? (Dvorák) ? Lullaby (Brahms) ? Lullaby (Schubert) ? Marmotte (Beethoven) ? Mazurka (Glinka) ? The Merry Farmer from Album for the Young (Schumann) ? Minuet from String Quintet in E Major, Op. 11, No. 5 (Boccherini) ? Minuet in D minor, BWV Appendix 132 (Anonymous) ? Minuet in G Major, BWV Appendix 114 (Petzold) ? Minuet in G Major, WoO 10, No. 2 (Beethoven) ? Minuet in G minor, BWV Appendix 115 (Petzold) ? The Moldau from Ma Vlast (Smetana) ? Musette in D Major, BWV Appendix 126 (Bach) ? Non più andrai from The Marriage of Figaro (Mozart) ? O mio babbino caro from Gianni Schicchi (Puccini) ? Ode to Joy from Symphony No. 9 (Beethoven) ? On the Beautiful Blue Danube (Strauss) ? Pavane (Fauré) ? Pomp and Circumstance March No. 1 (Elgar) ? Schlummerlied, Op. 84, No. 2 (Baermann) ? Solvejg's Song from Peer Gynt (Grieg) ? St. Anthony Chorale (Haydn) ? Theme from Swan Lake (Tchaikovsky) ? To Music (Schubert) ? Toreador's Song from Carmen (Bizet) ? Waltz from Sleeping Beauty (Tchaikovsky) ? Waltz from The Merry Widow (Lehár) ? Waltz, Op. 39, No. 15 (Brahms) ? Wild Horseman from Album for the Young (Schumann). / Partitions classique / Bois / Clarinette / HAL LEONARD