| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book Of Blues Piano seul Music Sales
| | |
| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Void of Day Trio de Flûtes: 3 flûtes Potenza Music
Flute trio SKU: P2.10022 Composed by Cornelius Boots. Chamber music, 20th...(+)
Flute trio SKU:
P2.10022 Composed by
Cornelius Boots. Chamber
music, 20th century.
Published by Potenza
Music (P2.10022).
The third part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979)by James
Hillman (1926-2011) and
musically it explores the
textural possibilities of
a flute ensemble within
the context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The trio is
divided into three
sections: The Way We
Descend--Reflection of
Narcissus--Below Nature.
Taking a break from Greek
myth-nerd terms, this
movement introduces
chthonic-flavored phrases
that elaborate on our
descent into the
underworld, specifically
through dreams. The realm
of the underworld can be
such a shock to our
dayworld, limited, egoic
consciousness that it can
seem like a violation as
Hillman points out,
referencing the Greeks:
This style of the
underworld experience is
overwhelming, it comes as
violation, dragging one
out of life and into the
Kingdom that the Orphic
Hymn to Pluto describes
as 'void of day.' So it
often says on Greek
epitaphs that entering
Hades is 'leaving the
sweet sunlight.' (p.49)
He elaborates on the
differences between
dayworld and underworld
perspectives: The dream
is not compensation but
initiation. It does not
complete
ego-consciousness, but
voids it. So it matters
very much the way we
descend. (p.112) He goes
on to describe the
various modes in which
mythical figures have
descended: Ulysses and
Aenas to learn; Hercules
to take and to test, for
example. To act like
Hercules, like the hero,
in the underworld is to
miss the point and cause
more problems, the
villain in the underworld
is the heroic ego, not
Hades. (p.113). $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Enantiodromia Potenza Music
Flute duo SKU: P2.10021 Composed by Cornelius Boots. Chamber music, 20th ...(+)
Flute duo SKU:
P2.10021 Composed by
Cornelius Boots. Chamber
music, 20th century.
Published by Potenza
Music (P2.10021).
The second part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979) by
James Hillman (1926-2011)
and musically it explores
the textural
possibilities of a flute
ensemble within the
context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The duo is
divided into two
sections: Nekyia and
Hypnoia. Each of these is
a Greek myth-nerd term
for some key aspect of an
archetypal descent into
the underworld. In fact,
nekyia is a term that
specifically means
archetypal descent as one
finds in myths across the
ages from Dante to the
Greeks and beyond.
Hillman sees a lack of
sufficient nekyia myths
in our modern culture,
yet our popular heroes in
films and music are shady
underworld characters.
Dante's underworld was
our culture's last, and
it was imagined even
before the Renaissance
had properly begun. Our
ethnic roots reach back
to great underworld
configurations: the
Celtic Dagda or Cerunos,
the Germanic Hel, and the
Biblical Sheol. All have
faded... (p.64) Hyponoia
is a more subtle term
used by Plato that refers
to an undersense or a
deeper meaning. The
search for undersense is
what we express in common
speech as the desire to
understand. We want to
get below what is going
on and see its basis, its
fundamentals, how and
where it is grounded. (p.
137) This deeper
understanding is one of
the motivations and
constant characteristics
of the underworld
descent: but the
discoveries made and
experiences experienced
are not always as they
seem to be. Hillman
recommends over and over
that we see and see into
each thing for what it
is, and not force a
dayworld perspective onto
dream images and
occurrences. As a duo
movement, the term
enantiodromia (counter
enantio, and running
dromia) is particularly
appropriate as it is a
grounding principle by
which Jung understands
the regulative function
of opposites. As Hillman
tends to turn things on
their metaphorical heads,
he fleshes out dualism
and oppositionalism in
such a way that in the
underworld this actually
becomes a unifying
principle: If you go far
enough with any one
movement, a
countermovement will set
in...The way up and the
way down are one and the
same: the manifestation
of one power by opposite
forces. (p. 76) This
implies a union of the
two opposites, a
conjunction as contrasted
with an opposition. There
are two voices but they
are both flutes; there
are two contrasting
halves to the piece, yet
they balance each other
even in their
differences. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Root of Ether Potenza Music
Bass flute solo SKU: P2.10020 Composed by Cornelius Boots. Solo music, 20...(+)
Bass flute solo SKU:
P2.10020 Composed by
Cornelius Boots. Solo
music, 20th century.
Published by Potenza
Music (P2.10020).
The first part
of the Chthonic Flute
Suite commissioned by
Areon Flutes in 2012.
This suite has two main
inspirations:
ideologically it draws
guidance from the book
The Dream and the
Underworld (1979)by James
Hillman (1926-2011) and
musically it explores the
textural possibilities of
a flute ensemble within
the context of the heavy
chamber music style I
have developed with
Edmund Welles: the bass
clarinet quartet since
1996. This style draws
virtuosic precision from
the classical realm;
innovation and texture
from jazz; and power,
rhythm and overall
perspective from rock and
metal. The term chthonic
[thon-ik] generally means
underworld. However,
Hillman thoroughly
elaborates that its true
meaning extends below the
earth and beyond it into
invisible, non-physical
and far distant psychic
realms: the deeper
mysteries of the
invisible. The journey to
the underworld is a solo
undertaking of the self,
towards the unknown, yet
still rooted within. The
low bass tones invoke
mystery and point the
direction. As an
explorer, licensed
teacher of and composer
for the shakuhachi (an
ancient Zen flute crafted
from the thicker root-end
of bamboo) I have become
initiated into the
sense-characteristics of
playing a flute that has
actual roots as part of
its structure. Physically
this changes the balance,
sonically it presents
certain deepening
qualities, and
aesthetically it alters
your connection to the
dead and dried piece of
nature. I have composed
27 solo pieces and etudes
for Taimu (a very thick,
bass variant on the
traditional shakuhachi
flute) and tapped into
the same dense, slow,
timbral approach for this
movement. However, the
chromatic, metal, modern
bass flute offers a whole
new set of possibilities
and so the movement
explores a wide realm of
sounds and tempos. Being
rooted in the actual
ground is an appropriate
starting point for the
underworld exploration of
the whole suite that only
goes deeper from this
point downwards. The
primacy of the root pitch
in tonal music is another
contributing facet to the
root aspect of this
title. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Portals GIA Publications
SKU: GI.G-CD-986 GIA WindWorks Series. GIA WindWorks. Music Educat...(+)
SKU: GI.G-CD-986
GIA WindWorks
Series. GIA
WindWorks. Music
Education. CD. GIA
Publications #986.
Published by GIA
Publications
(GI.G-CD-986). UPC:
785147098621. The
creation of the WindWorks
label represents an
expanded relationship
between the North Texas
Wind Symphony and GIA
Publications, Inc.
Composers, conductors,
music critics, and
connoisseurs worldwide
have praised the
recordings conducted by
Eugene Migliaro Corporon
for their innovation,
excellence, and
professional standards.
Bells Across the Atlantic
(2013) Adam Gorb •
Auguries of Innocence
(2014) William Pitts
• Concerto Grosso a
Quattro Chori (ca.
1730/2013) Gottfried
Heinrich Stölzel
• Allegro •
Adagio • Vivac
• Meditation at
Lagunitas (2014) Paul
Booley • Vulcan
(2014) Michael Daugherty
• Pon Farr •
Mind Meld •
Vulcan’s Forge
• The Three
Embraces (2013) Carter
Pann • Antique,
calming • With
quiet longing •
With rubato, a joyous
ceremony at first •
Jungla (2006) Ferrer
Ferrán . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |