Piano SKU: AP.1-ADV12016 Volume 1. For Piano. Composed by C...(+)
Piano
SKU:
AP.1-ADV12016
Volume 1. For
Piano. Composed by
Clare Fischer. Piano
Collection; Piano
Supplemental; Solo; Solo
Small Ensembles. Advance
Music. Jazz. Book.
Advance Music
#01-ADV12016. Published
by Advance Music
(AP.1-ADV12016).
UPC:
805095120165.
English.
Over 40
songs by one of the most
unique composers in the
history of jazz, for the
first time in print in
their original form,
using the composer's
manuscripts, including
his most popular songs
Morning and Pensativa,
tunes from his critically
acclaimed record
Extension, a
representative collection
of his best Latin
material plus several new
songs. Also included are
forewords by Jerry Coker
and Bill Dobbins, a
biography and a complete
discography.
Titles: A Long
Time Ago * Baroque *
Basic Blues * Bittersweet
* Blues at Play * Cal's
On * Canto Africano *
Clavo * Confusion in
Dallas * DaVidaBel(l)a *
Dancing Song * Elegy *
Coker's Blues * Running
Mate * Francis Paudrás
* Funquiado * Fuzz Blues
* Faviota * Hoaky Blues
(alias Blues in G) * Igor
* Love Come Upon Me *
Love's Walk * Memento *
Miles Behind * Minor
Sights * Morning * Nova *
O Canto * Ornithardy *
Pájaro Loco (Crazy
Bird) * Passacaglia *
Passarinho * Pavillón
* Pensativa * Quiet Dawn
* Serenidade * Soloette *
Starbright * Strayhorn *
Suddenly * Tahlia (Song
for Tahli) * The Greek *
The House on Summit *
Thiers' Tears * Twas Only
Yesterday * Waiting (for
Jack's Plane) * Waltz *
When Autumn Comes.
(A Comprehensive Guide to some of the best Blues Riffs. Featuring Blues, Rock, R...(+)
(A Comprehensive Guide to
some of the best Blues
Riffs. Featuring Blues,
Rock, Rhythm and Blues
and Gospel Styles.)
Written by Andrew D.
Gordon. For Bb
instrument. Includes
instructional book and
examples CD. With
introductory text,
standard notation and
chord names.
Instructional and Blues.
58 pages. 9x12 inches.
Published by ADG
productions.
Composed by Franz Schubert (1797-1828). Edited by Ulrich Leisinger. Performance ...(+)
Composed by Franz
Schubert (1797-1828).
Edited by Ulrich
Leisinger. Performance
score. 56 pages. Wiener
Urtext/Vienna Urtext
#UT50408. Published by
Wiener Urtext/Vienna
Urtext (PR.UT050408).
Unison/2-part choir, piano accompaniment - Very Easy SKU: WD.080689429774 ...(+)
Unison/2-part choir,
piano accompaniment -
Very Easy
SKU:
WD.080689429774
A
Glorious Celebration of
Christmas. Composed
by Dale Mathews. Arranged
by Allan Douglas and
Sarah Huffman. Choral,
cantatas. Very Simply
Word. Christmas. Posters
(12-pak). Duration ca. 23
minutes. Word Music
#080689429774. Published
by Word Music
(WD.080689429774).
UPC:
080689429774.
From
the Very Simply Word
Series - with its
creatively-fresh,
inspiringly simple
approach to EZ,
Unison/2-Part choral
works - comes the first
seasonal offering for
your Christmas
Choir...Hope Was Born
This Night!
The Very
Simply Series is designed
to be easy-to-learn and
easy-to-sing, while
making your choir sound
larger than life! Enhance
your presentation with
the vibrant,
visually-compelling DVD
Accompaniment Track to
take your Christmas Choir
concert to new heights.
Bring the sights and
sounds of Christmas to
your church this season
with Hope Was Born This
Night!
Composed by Wissam Abboud. Saddle-stitched. Mastering the Classical Guitar. C...(+)
Composed by Wissam
Abboud.
Saddle-stitched.
Mastering
the Classical Guitar.
Classical. Book and
online
audio. 72 pages. Mel Bay
Publications, Inc
#30685M.
Published by Mel Bay
Publications, Inc
SKU: GI.G-CD-674 Simple Songs for Worship. Composed by Marty Hauge...(+)
SKU: GI.G-CD-674
Simple Songs for
Worship. Composed by
Marty Haugen. Sacred. CD.
GIA Publications #674.
Published by GIA
Publications
(GI.G-CD-674).
A
major liturgical
release from Marty
Haugen... Perfect for
small choirs and
communities... Marty
Haugen's first liturgical
recording in many years,
Only You, O God generates
a sense of familiarity
from the first note. The
simplicity of his
melodies coupled with
understated
accompaniments make the
songs on this recording
perfect for use in all
forms of worship. Haugen
also uses familiar hymn
tunes with new texts,
evoking immediate and
prayerful participation.
The inspired poetic texts
of Pastor Susan Briehl
lend a soulful depth to
the songs Once We Sang
and Danced and Only You,
O God. There is a
tranquil sonority in
Haugen's rich harmonies
and insightful texts.
Only You, O God
exemplifies the beauty of
simplicity. Music
collection in
preparation. Â .
Composed by Timothy Brown. For 1 piano, 4-hands. FJH Piano Ensemble Series. Earl...(+)
Composed by Timothy
Brown. For 1 piano,
4-hands. FJH Piano
Ensemble Series. Early
intermediate. Single. 15
pages. Published by The
FJH Music Company Inc
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Composed by Heinrich Schenker. Edited by William Drabkin, translated by Ian Bent...(+)
Composed by Heinrich
Schenker. Edited by
William Drabkin,
translated by Ian Bent,
William Drabkin, Richard
Kramer, John Rothgeb, and
Hedi Siegel. Book;
Masterworks; Reference
Textbooks; Textbook -
General. Dover Edition.
20th Century; Masterwork.
Published by Dover
Publications
Set of Parts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Wolf-Di...(+)
Set of Parts. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Wolf-Dieter Seiffert and
Ernst Herttrich. Sheet
music. Paperbound. Henle
Music Folios. Pages: Vl I
Part = * Vl II Part = *
Va I Part = *Va II Part =
* Vc Part =. Classical.
Set of Parts. 64 pages.
G. Henle #HN777.
Published by G. Henle
Composed by Benjamin
Godard. Arranged by
Robert Rainford. Flute
Quartet - 2 Flutes, Alto
Flute, Bass Flute. Score
and parts. Forton Music
#FM582. Published by
Forton Music (FT.FM582).
ISBN
9790570484812.
This
is an arrangement of
Godard’s third and
final string quartet for
flute quartet. It was
originally published in
1893 towards the end of
the composers life, and
shows us all the traits
of late romantic French
chamber music. The first
movement is lyrical and
flowing, with rich chords
and unexpected harmonic
twists. The second
movement is languid and
dreamy, featuring a
soaring bass flute solo
in the middle of the
movement. The third is
almost like a minuet,
featuring a florid melody
in the first flute
supported by the other
instruments, and the
final movement uses
driving triplets and
rhythmic unison passages
to create urgency and
excitement. Surely the
pinnacle of chamber
music, quartets give the
players a chance to
interact on the most
intimate level with the
other players and the
audience. Knowing when to
bring your line to the
fore or when to support
another player, how to
duet with another
musician, and how to work
with your fellow players
to allow the music to
flower is possibly the
ultimate expression of
musicianship. This
quartet allows flautists
access to this
experience, and also
gives a new insight into
a composer who’s works
have unjustifiably fallen
out of favour.
SKU: GI.G-9439 Composed by John Henderson and Trevor Jarvis. Royal School...(+)
SKU: GI.G-9439
Composed by John
Henderson and Trevor
Jarvis. Royal School of
Church Music. Sacred. 186
pages. GIA Publications
#9439. Published by GIA
Publications (GI.G-9439).
English.
A new
book featuring Sydney
Nicholson and the setting
up of the College of St
Nicolas and the School of
English Church Music (now
the Royal School of
Church Music). Through
the testimony of former
choristers, archive
letters and photographs
(many of which have never
previously been
published), together with
Nicholson’s
personal accounts and
diaries held in the RSCM
archive, the two authors
have pieced together a
detailed account of the
College’s first
ten years, creating a
fascinating insight into
what life must have been
like at this unique
college. As well as
biographical details of
choristers, students and
tutors at the College,
there are details of the
many well-known names in
the music world and
beyond who were
associated with the early
years of the SECM. The
book also takes the
opportunity to review the
life and achievements of
Sydney Nicholson, and to
reassess the pioneering
work of this remarkable
man. With a foreword by
Martin How and a wealth
of photographs, the book
also contains a detailed
list of sound recordings
made by the College
choir, a list of
Nicholson’s
publications and
comprehensive endnotes
listing all the sources
used, as well as
additional information on
the many characters
mentioned. Dr John
Henderson is Honorary
Librarian of the RSCM,
and Trevor Jarvis is
Honorary Assistant
Librarian.
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 14
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-16. Published by
Breitkopf and Haertel
(BR.OB-5542-16).
ISBN
9790004341728. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 12
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-15. Published by
Breitkopf and Haertel
(BR.OB-5542-15).
ISBN
9790004341711. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 10
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-26. Published by
Breitkopf and Haertel
(BR.OB-5542-26).
ISBN
9790004341742. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
3
Work Stages, 2 Versions,
1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Study Score.
80 pages. Duration 35'.
Breitkopf and Haertel #PB
5566-07. Published by
Breitkopf and Haertel
(BR.PB-5566-07).
ISBN
9790004213766. 6.5 x 9
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Set of parts.
92 pages. Duration 35'.
Breitkopf and Haertel #OB
5542-30. Published by
Breitkopf and Haertel
(BR.OB-5542-30).
ISBN
9790004341759. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
1st
and 2nd Version -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
3 Work Stages, 2
Versions, 1
Edition
,,…
the musical text is fine.
This is a valuable
improvement. (Clifford
Bartlett, Early Music
Review)
Symphony;
Classical. Part. 14
pages. Duration 35'.
Breitkopf and Haertel #OB
5542-19. Published by
Breitkopf and Haertel
(BR.OB-5542-19).
ISBN
9790004341735. 10 x 12.5
inches.
With the
new edition of the
G-minor Symphony, a vital
work group in Mozart's
oeuvre is now complete:
the three late symphonies
K. 543, 550 and 551, now
available in Urtext
editions. As in his new
edition of the Hafner
Symphony, Henrik Wiese
uncovers in the present
Breitkopf Urtext score
three different stages in
the genesis of the
G-minor Symphony. Mozart
initially wrote the work
without clarinets (1st
stage), and then he added
the clarinets (2nd
stage). Not until a final
stage did he change the
wind instrumentation in
the Andante (3rd stage).
Mozart thus returned to
the 1st version again
after completing the 2nd
version (with clarinets).
This advances the
importance of the 1st
version without clarinets
as Fassung letzter Hand.
A compelling insight
which sheds new light on
the famous G-minor
Symphony. Both versions
are of equal value and
can now be compared with
one another, studied and,
above all, performed for
the first time ever
thanks to the new score
and parts.Another
extremly practical aspect
that should be noted: the
orchestral parts offer
solutions for all the
problematic page turns
for the first time ever
(please see the sample
pages of OB 5542 - Violin
II.),,... the musical
text is fine. This is a
valuable improvement.
(Clifford Bartlett, Early
Music Review)
SKU: HL.148197 Getting the Most Out of Your Project or Professional Re...(+)
SKU: HL.148197
Getting the Most Out
of Your Project or
Professional Recording
Studio. Berklee
Guide. Recording/Music
Business. Softcover. 484
pages. Published by
Berklee Press
(HL.148197).
ISBN
9781495028755. UPC:
888680076887.
8.0x10.0x1.189
inches.
Understandi
ng Audio explores the
fundamentals of audio and
acoustics that impact
every stage of the music
recording process.
Whether you are a
musician setting up your
first Pro Tools project
studio, or you are a
seasoned recording
engineer or producer
eager to find a reference
that fills in the gaps in
your understanding of
audio, this book is for
you. Understanding Audio
will enable you to
develop a thorough
understanding of the
underlying principles of
sound, and take some of
the mystery and guesswork
out of how equipment
setup affects the quality
of your recordings.
Projects at the end of
each chapter will assist
you in applying these
principles to your own
recording environment.
Learn about: •
Basic and advanced audio
theory • Cables and
studio wiring •
Recording studio and
console signal flow
• Digital and
analog audio •
Studio and listening room
acoustics •
Psychoacoustics •
“In the
Studio†insights,
relating audio principles
to real recording
situations.
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano/orche...(+)
By Ludwig van Beethoven
(1770-1827). Edited by
Jonathan Del Mar. For
piano/orchestra. This
edition: Urtext edition.
Paperback. Score.
English/German. No. 1,
Op. 15. Published by
Baerenreiter Verlag
(Traditional Hymns for the Modern Church). Arranged by Kevin Memley. For Pia...(+)
(Traditional Hymns for
the
Modern Church). Arranged
by
Kevin Memley. For Piano.
Pavane Choral. Upper
Intermediate. Softcover.
44
pages. Pavane Publishing
#P7003. Published by
Pavane
Publishing
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