Musik till Maria samt
till Advents- och
Jultid. Composed by
Stefan Petzen / Lars
Wallenas. Arranged by
Lars Wallenas. Score.
With Language: Swedish.
Gehrmans Musikforlag #GE
10748. Published by
Gehrmans Musikforlag
(GH.GE-10748).
Soprano voice and chamber orchestra (Flote, Oboe, Klarinette in B, Fagott, Horn ...(+)
Soprano voice and chamber
orchestra (Flote, Oboe,
Klarinette in B, Fagott,
Horn in F, Pauken,
Violine 1, Violine 2,
Viola, Violoncello,
Kontrabass) -
intermediate
SKU:
HL.49015661
Aus
Schlichte Weisen.
Composed by Max Reger.
Edited by Wolfgang
Birtel. Sheet music.
Edition Schott. Set of
parts, Fl., Ob., Cl.,
Bn., Hr., Pk. Str.
(5.5.4.3.2). Op. 76/52.
Duration 6'. Schott Music
#ED20029-10. Published by
Schott Music
(HL.49015661).
ISBN
9790001144858.
9.25x12.0x0.224 inches.
German.
The vocal
ouvre of Max Reger is
quite comprehensive but
only few of his more than
300 works have become
firmly established in the
concert repertoire.One
song, however, was to
become a real big seller:
Maria Wiegenlied in which
the composer had woven
the old Christmas carol
Joseph, lieber Joseph
mein. Because of its huge
success, Max Reger
recommended to his
publisher an
instrumentation which he
actually realized later:
This gem for piano was
turned into an
atmospheric piece of
pastoral music for voice
and chamber
orchestra.
Book/Online Audio. Vocal Collection. Vocal Standards, Classical and Play Along. ...(+)
Book/Online Audio. Vocal
Collection. Vocal
Standards, Classical and
Play Along. Softcover
Audio Online. With vocal
melody, lyrics, piano
accompaniment and
introductory text. 128
pages. Published by G.
Schirmer
Saxophone and piano SKU: LM.27954 Composed by Jean Marc Allerme and Vince...(+)
Saxophone and piano
SKU: LM.27954
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27954.
Published by Editions
Henry Lemoine (LM.27954).
ISBN
9790230979542.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.397260 SAM-Klang Ch...(+)
SAM a cappella Choral (SA
MEN, A CAPPELLA)
SKU:
HL.397260
SAM-Klang Choral
Series. Arranged by
Morten Schuldt-jensen.
Choral. Softcover. 28
pages. Published by Hal
Leonard (HL.397260).
ISBN 9781705158777.
UPC: 196288034766.
6.75x9.0x0.123
inches.
In many
parts of the world,
Advent and Christmas
carols have become part
of the standard
repertoire of popular
songs, and this tradition
has also produced a large
number of such songs in
German-speaking
countries. These include
not only folk songs, some
of unknown origin, but
also art songs in various
styles, as well as
movements from popular
classical Christmas
works. This diversity is
reflected in this first
volume of German-language
Christmas carols, which
brings together carols
from a broad range of
eras, origins and styles.
The name SAM-Klang takes
the three voice parts
from the arrangements --
Soprano, Alto and Men --
and combines it with the
Scandinavian and German
words for
“sound†to
create the portmanteau
word “sound
together†or
“harmony.â€
The series offers basic
and advanced choral
repertoire. In addition
to new repertoire and new
arrangements, you will
also find essential parts
of the classical German,
Scandinavian, French and
English SATB repertoire,
carefully and
considerately reworked
for SAM. The arrangements
retain the characteristic
features of the original
movements and have almost
the same richness of
timbre, resulting in
works which sound nearly
unchanged to an audience.
Piano reductions of all
choral movements
facilitate rehearsal
preparation. The
arrangements offer
development opportunities
for all voice sections,
bringing new life and new
quality to SAM choir
work. SAM-Klang enables
youth choirs to gain
access to classical
choral literature and
ensures that mixed choirs
who face challenges in
finding singers for all
male voice parts continue
to have access to
well-loved
repertoire.
Vocal
Score. Composed by
Carl Maria von Weber and
Weber. Edited by Frank
Ziegler, Joachim Veit,
Markus Bandur, and
Solveig Schreiter. This
edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. 234
pages. Schott Music
#WGA1087. Published by
Schott Music
(HL.49042471).
ISBN
9783795793609.
8.75x12.25x0.84
inches.
Vocal score
and critical commentary.
Contents: Einlagen zu
Helena und Lodoiska (WeV
D. 2a, 7a) * Konzertarien
Il momento s'abbicina,
Misera me!, Signor se
padre sei, Non paventar
mia vita (WeV E. 1a, 3a,
5a, 6a) *
Turandot-Ouverture (WeV
F.1a) * Jubel-Ouverture
(WeV M 6a).
Piano Reduction SKU: HL.14020666 Composed by Bo Holten and Eva Holten. Mu...(+)
Piano Reduction
SKU:
HL.14020666
Composed
by Bo Holten and Eva
Holten. Music Sales
America. Piano Reduction.
Edition Wilhelm Hansen
#KP00761. Published by
Edition Wilhelm Hansen
(HL.14020666).
SATB choir, soli, string quartet, electric bass SKU: GH.GE-11503 Composed...(+)
SATB choir, soli, string
quartet, electric bass
SKU: GH.GE-11503
Composed by Anna
Cederberg-Orreteg. Piano
reduction. With Language:
Swedish. 56 pages.
Gehrmans Musikforlag #GE
11503. Published by
Gehrmans Musikforlag
(GH.GE-11503).
ISBN
979-0-070-11503-2. A4
inches. Text: Maria
Cederberg-Ryden / Anna
Hogberg.
An opera
for a new generation.
Swedish lyrics only.
Mezzo-soprano voice or baritone voice and piano SKU: NR.73936 Per mezz...(+)
Mezzo-soprano voice or
baritone voice and piano
SKU: NR.73936
Per mezzo-soprano o
baritono e pianoforte
(it). Composed by
Giuseppe Saverio Raffaele
Mercadante. Vocal music.
Score. With Language:
Italian. Noten Roehr
#73936. Published by
Noten Roehr (NR.73936).
Vocal Selections with Piano Accompaniment Tracks. Composed by Richard Rodgers an...(+)
Vocal Selections with
Piano Accompaniment
Tracks. Composed by
Richard Rodgers and Oscar
Hammerstein. Vocal
Selections. Broadway,
Movies, Musicals.
Softcover Audio Online.
80 pages. Published by
Hal Leonard
Recorder SKU: BT.9780713670462 Composed by David Moses. Recorder Magic. M...(+)
Recorder
SKU:
BT.9780713670462
Composed by David Moses.
Recorder Magic. Method.
Book with CD. 24 pages.
Collins Music Publishing
#9780713670462. Published
by Collins Music
Publishing
(BT.9780713670462).
ISBN
9780713670462.
T
en classical themes by
the greatest composers
have been arranged for a
young Recorder ensemble.
A selection of melodies
by Mozart, Boccerini,
Weber, Beethoven and more
are presented here in
full score for four
descantRecorders with
Piano accompaniment. The
four parts vary in
difficulty to suit a
mixed-ability classroom
group. An audio CD
provides exemplary
quality backing tracks
and example performances
for use in rehearsal or
in
concert.
Furthermore, a
CD-ROM is also provided
which is packed with
parts for other
Recorders, including 3
parts for
treble/sopranino, 3 parts
for tenor and bass parts
for any C
instrument. The
selectionofworks will
give young students vital
first-time experience of
Classical music-playing,
and the pack contains
everything you need for
even the most unusual
combination of
instruments and
abilities.
Piano duets SKU: BR.EB-9272 Music for 2 Pianos. Composed by Johann...(+)
Piano duets
SKU:
BR.EB-9272
Music
for 2 Pianos.
Composed by Johannes
Maria Staud. Solo
instruments; stapled.
Edition Breitkopf.
World
premiere: Witten, April
28, 2018Commissioned by
WDR for the Wittener Tage
fur neue Kammermusik
Music post-1945; New
music (post-2000). Score.
Composed 2017/18. 44
pages. Duration 14'.
Breitkopf and Haertel #EB
9272. Published by
Breitkopf and Haertel
(BR.EB-9272).
ISBN
9790004185728. 9 x 12
inches.
Over the
years, I wanted to write
a version for two pianos,
and now the time had
come: Im Lichte II
subjects Im Lichte for
two pianos and orchestra,
the original work now
over ten years old, to a
critical examination and
detailed reworking. I
found it extremely
exciting to identify and
analyze what I have
gained since then and
what I lost. (Johannes
Maria Staud)
World
premiere: Witten, April
28, 2018 Commissioned by
WDR for the Wittener Tage
fur neue Kammermusik.
Chorus; Orchestra; Vocal (Complete Edition) SKU: HL.49042473 Carl Mari...(+)
Chorus; Orchestra; Vocal
(Complete Edition)
SKU: HL.49042473
Carl Maria von Weber
Complete Edition.
Composed by Carl Maria
von Weber. Edition
Schott. Classical.
Hardcover. 180 pages.
Schott Music #WGA1089.
Published by Schott Music
(HL.49042473).
Carl Maria von
Weber's fame rests mainly
on Der Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as Preciosa, Oberon,
and Euryanthe, the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Webers work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cro.
Complete Edition, Score Score (Full Score) SKU: HL.49045854 Carl Maria...(+)
Complete Edition, Score
Score (Full Score)
SKU: HL.49045854
Carl Maria von Weber
Complete Edition
Score. Composed by
Carl Maria von Weber.
Edited by Solveig
Schreiter. Opera.
Classical, German
Edition. Hardcover. 484
pages. Schott Music
#WGA1034-10. Published by
Schott Music
(HL.49045854).
Carl Maria von
Weber's fame rests mainly
on 'Der Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cro.
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score)
SKU: HL.49042455
Concerto for piano and
orchestra No. 2 E flat
major. Composed by
Carl Maria von Weber.
Edited by Markus Bandur.
This edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. Op.
32. 206 pages. Schott
Music #WGA1054-20.
Published by Schott Music
(HL.49042455).
ISBN
9783795794828.
10.0x13.25x0.845 inches.
German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Romantische Oper in
drei Aufzugen Hardcover
Vocal Score. Composed
by Carl Maria von Weber.
Edited by Joachim Veit.
Edition Schott.
Classical. Hardcover. 332
pages. Schott Music
#WGA1083. Published by
Schott Music
(HL.49042467).
Carl Maria von
Weber's fame rests mainly
on 'Der Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-relatedand
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information
an.
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score)
SKU:
HL.49042437
For
the Celebration of the
Fiftieth Anniversary of
the Reign of King
Friedrich August I of
Saxony. Composed by
Carl Maria von Weber.
Edition Schott.
Classical. Hardcover. 312
pages. Schott Music
#WGA1024. Published by
Schott Music
(HL.49042437).
ISBN
9783795794507.
Carl
Maria von Weber's fame
rests mainly on Der
Freischutz. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was notconducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer,ritic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (68 vols.)
are edited in Berlin and
the letters (810 vols.)
and other writings (2
vols.) in Detmold.This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Webers
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based
on.
SKU: HL.49045855 Critical Commentary. Composed by Carl Maria von W...(+)
SKU: HL.49045855
Critical
Commentary. Composed
by Carl Maria von Weber.
Edited by Solveig
Schreiter. Classical.
Hardcover. 324 pages.
Schott Music #WGA1034-20.
Published by Schott Music
(HL.49045855).
Carl Maria von
Weber's fame rests mainly
on 'Der Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume. Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities. Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for eachwork.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant toeach other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cro.
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birt...(+)
(P+KRB)
SKU:
HL.49042438
Together with Other
Occasional Works for
Birthdays or
Funerals. Composed by
Carl Maria von Weber.
Edited by Frank Ziegler.
This edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 312
pages. Schott Music
#WGA1025. Published by
Schott Music
(HL.49042438).
ISBN
9783795794811.
10.0x13.5x1.098
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB)
SKU:
HL.49042459
Composed
by Carl Maria von Weber.
Edited by Andreas
Fukerider and Claudia
Theis. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Score and critical
commentary, complete
edition. 274 pages.
Schott Music #WGA1061.
Published by Schott Music
(HL.49042459).
ISBN
9783795794682.
8.75x12.25x1.022
inches.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.