Four Marian antiphons
for two high voices.
Composed by Marc-Antoine
Charpentier. Edited by
Inge Forst. Quatre
Antiennes à la Vierge
pour deux dessus. Full
Score. H 16, 21, 22, 32.
Carus Verlag #2103102.
Published by Carus Verlag
(CA.2103102).
ISBN
9790007247577.
Latin.
In the
extensive output of
French composer
Marc-Antoine Charpentier,
best-known for his Te
Deum (Carus 21.032), the
Marian antiphons occupy a
special place among his
smaller church music
works. He devoted himself
to these over a period of
almost 25 years while
working in the
Italian-influenced circle
of the Duchess Marie de
Lorraine (known as
Mademoiselle de Guise),
and later in the service
of the Parisian Jesuits
firstly at the Collège
Louis-le-Grand, then at
the Church of Saint
Louis. This volume
contains settings of the
Alma redemptoris mater,
Ave regina coelorum, and
two Regina coeli for two
high voices and basso
continuo.
Orchestra; Voice (Complete Edition) SKU: HL.49018355 Carl Maria von We...(+)
Orchestra; Voice
(Complete Edition)
SKU: HL.49018355
Carl Maria von Weber
Complete Edition - Series
3 Volume 11 T1.
Composed by Carl Maria
von Weber. Edited by
Frank Ziegler, Markus
Bandur, and Solveig
Schreiter. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Classical, Opera.
Hardcover. 338 pages.
Schott Music #WGA1038-10.
Published by Schott Music
(HL.49018355).
ISBN
9783795793463.
10.25x13.25x1.4 inches.
German -
English.
Contents:
Einlagen zum Pasticcio
Der Freybrief von Joseph
Haydn u. a., No. 5: Rondo
alla Polacca fur Tenor
(WeV D.1/1), No. 2:
Duetto fur Sopran und
Tenor (WeV D.1/2) * Szene
und Arie fur Sopran zu
Mehuls Helena Ha! Sollte
Edmund selbst * La, o la
ihn Rettung finden (WeV
D.2) * Einlagen zu Karl
Ludwig Gieseckes Der
travestirte Aeneas, No.
3: Lied fur Bariton (WeV
D.3/1), No. 11: Duett fur
Sopran und Bariotn (WeV
D.3/2) * Lied fur Sopran
zu Ferdinand Kauers
Sternenmadchen im
Maidlinger Walde (WeV
D.5) * Szene und Arie fur
Sopran zu Cherubinis
Lodoiska Was sag ich? *
Fern von ihm (WeV D.7) *
Huldigungs-Einlage fur
Sopran und Bass zu
Spontinis Olimpia (WeV
D.8) * Rezitativ und
Rondo fur Sopran Il
momento s'avvicina * La
dolce speranza (WeV E.1)
* Duett fur zwei
Altstimmen Se il mio ben
(WeV E.2a) * Szene und
Arie der Atalia Misera me
* Ho spavento d'ogn'aura
(WeV E.3) * Szene und
Arie aus Demetrio fur
Tenor und Mannerchor
Qual'altro attendi *
Giusti Numi! (WeV E.4) *
Szene und Arie aus Ines
de Castro fur Tenor
Signor, se padre sei *
Chiamami ancor spietato
(WeV E.5) * Szene und
Arie aus Ines de Castro
fur Sopran Non paventar,
miavita! * Sei tu sempre
(WeV E.6).
Orchestra; Voice (Complete Edition) SKU: HL.49018356 Carl Maria von We...(+)
Orchestra; Voice
(Complete Edition)
SKU: HL.49018356
Carl Maria von Weber
Complete Edition - Series
3 Volume 11 T2.
Composed by Carl Maria
von Weber. Edited by
Frank Ziegler, Markus
Bandur, and Solveig
Schreiter. This edition:
Full-cloth binding. Sheet
music. Edition Schott.
Classical, Opera.
Hardcover. 287 pages.
Schott Music #WGA1038-20.
Published by Schott Music
(HL.49018356).
ISBN
9783795793470.
10.25x13.25x1.08 inches.
German -
English.
Contents:
Einlagen zum Pasticcio
Der Freybrief von Joseph
Haydn u. a., No. 5: Rondo
alla Polacca fur Tenor
(WeV D.1/1), No. 2:
Duetto fur Sopran und
Tenor (WeV D.1/2) * Szene
und Arie fur Sopran zu
Mehuls Helena Ha! Sollte
Edmund selbst * La, o la
ihn Rettung finden (WeV
D.2) * Einlagen zu Karl
Ludwig Gieseckes Der
travestirte Aeneas, No.
3: Lied fur Bariton (WeV
D.3/1), No. 11: Duett fur
Sopran und Bariotn (WeV
D.3/2) * Lied fur Sopran
zu Ferdinand Kauers
Sternenmadchen im
Maidlinger Walde (WeV
D.5) * Szene und Arie fur
Sopran zu Cherubinis
Lodoiska Was sag ich? *
Fern von ihm (WeV D.7) *
Huldigungs-Einlage fur
Sopran und Bass zu
Spontinis Olimpia (WeV
D.8) * Rezitativ und
Rondo fur Sopran Il
momento s'avvicina * La
dolce speranza (WeV E.1)
* Duett fur zwei
Altstimmen Se il mio ben
(WeV E.2a) * Szene und
Arie der Atalia Misera me
* Ho spavento d'ogn'aura
(WeV E.3) * Szene und
Arie aus Demetrio fur
Tenor und Mannerchor
Qual'altro attendi *
Giusti Numi! (WeV E.4) *
Szene und Arie aus Ines
de Castro fur Tenor
Signor, se padre sei *
Chiamami ancor spietato
(WeV E.5) * Szene und
Arie aus Ines de Castro
fur Sopran Non paventar,
miavita! * Sei tu sempre
(WeV E.6).
Opera. Composed by
Johannes Maria Staud.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Music theatre;
New music (post-2000).
Sheet Music. Composed
2016-2022. Duration 135'.
Breitkopf and Haertel
#CHB 5389. Published by
Breitkopf and Haertel
(BR.CHB-5389).
ISBN
9790004413906. 9 x 12
inches. German.
The
Gesang der Weiden (Song
of the Willows) is a
slightly revised and
reworked excerpt from the
6th scene of the opera
Die Weiden. The work is
for chorus a cappella
(minimum 16 voices).The
opera Die Weiden is a
journey 'into the heart
of darkness' along a
great river in Central
Europe today, which, if
you will, can undoubtedly
be identified as the
Danube. The story
oscillates between a
travel journey of two
lovers who fall in and
out of love and, a
surreal distorted
observation of today's
current threatening
developments. Keywords:
the Angry Citizen, the
Vigilante, the increasing
isolation from the
outside and the
brutalization of the
social center - all this
despite our heavily
burdened history. This is
achieved through
pandemonium-like
hallucinations of one of
the protagonists as well
as through the
transformation motif
man-to-fish.(Johannes
Maria
Staud)
Opera. Composed by
Johannes Maria Staud.
Choir; stapled.
Chor-Bibliothek (Choral
Library). Music theatre;
New music (post-2000).
Sheet Music. Composed
2016-2022. Duration 135'.
Breitkopf and Haertel
#ChB 5389-02. Published
by Breitkopf and Haertel
(BR.CHB-5389-02).
ISBN
9790004413906. 9 x 12
inches. German.
The
Gesang der Weiden (Song
of the Willows) is a
slightly revised and
reworked excerpt from the
6th scene of the opera
Die Weiden. The work is
for chorus a cappella
(minimum 16 voices).The
opera Die Weiden is a
journey 'into the heart
of darkness' along a
great river in Central
Europe today, which, if
you will, can undoubtedly
be identified as the
Danube. The story
oscillates between a
travel journey of two
lovers who fall in and
out of love and, a
surreal distorted
observation of today's
current threatening
developments. Keywords:
the Angry Citizen, the
Vigilante, the increasing
isolation from the
outside and the
brutalization of the
social center - all this
despite our heavily
burdened history. This is
achieved through
pandemonium-like
hallucinations of one of
the protagonists as well
as through the
transformation motif
man-to-fish.(Johannes
Maria
Staud)
Band Music SKU: HL.50494009 Ed. C. Andreoni - Per Flicorno Basso Grave...(+)
Band Music
SKU:
HL.50494009
Ed. C.
Andreoni - Per Flicorno
Basso Grave In Mi Bem.,
Basso In Mi Bem.,
Bombardone In Mi
Bem.. By C. Andreoni.
By Mariani G. MGB.
Method. Score Only.
Composed 1984. Ricordi
#NR128971. Published by
Ricordi (HL.50494009).
Italian.
ED. C.
ANDREONI - PER FLICORNO
BASSO GRAVE IN MI BEM.,
BASSO IN MI BEM.,
BOMBARDONE IN MI BEM.
Kantate
zu Mariae Reinigung.
Composed by Georg Philipp
Telemann. Edited by Klaus
Hofmann. Arranged by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Telemann-Archiv. German
title: Herzlich tut mich
verlangen. Sacred vocal
music, Cantatas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary,
Mourning, death. Single
Part, Cello/Double Bass.
TVWV 1:784. 8 pages.
Duration 18 minutes.
Carus Verlag #CV
39.108/14. Published by
Carus Verlag
(CA.3910814).
ISBN
9790007055455. Key: G
minor. Language:
German/English.
The
baroque cantata libretto
by Erdmann Neumeister
focuses upon the aged
Simeon in the Temple, who
desires to leave this
world and is longing for
the hereafter. Telemann's
setting is appealing
through its poetry,
warmth and ardor, and
through the exemplary
balance of its overall
form. The two chorales
which begin and end this
seven-movement work are
fashioned with particular
artistry and care.
Formally, the center and
heart of the work is a
motet-like choral
movement to the words
Selig sind die Toten, die
in dem Herrn sterben
(Revelation 14:13) - Also
suitable as a cantata for
Eternity Sunday, and for
funerals and memorial
services. Score and part
available separately -
see item CA.3910800.
Opera in 3 Acts.
Composed by Siegfried
Matthus. Choir;
Softcover. Deutscher
Verlag.
World
premiere: Netzeband, July
12, 1997
Opera; Music
theatre; Music post-1945;
New music (post-2000).
Choral score. Composed
1996/97. 20 pages.
Deutscher Verlag fur
Musik #DV 7969-02.
Published by Deutscher
Verlag fur Musik
(BR.DV-7969-02).
ISBN
9790200471618. 7.5 x 10.5
inches.
Duration:
full evening Text by the
composer using a text by
Walter Jens Place and
time: Chamber of the King
Philip V. of Spain,
Middle of the 18th
Century Characters:
Farinelli
(Countertenor/alto) -
King Philip V. of Spain
(baritone) - Nicola
Porpora (baritone) - The
Kings Personal Physician,
also Barber (tenor) - The
Kings Confessor, also
Impresario and Priest
(bass) - Maria (Bellino),
later Anna Maria Strada
(soprano) - Georg
Friedrich Handel
(baritone) - Jenny, Jim,
John, English Opera
Troupe (soprano, tenor,
baritone) - The young
Carlo Broschi (boy
treble) The dramaturgical
constellation of the
subject forced me to use
multifaceted and
stylistic means. I have
used melodic segments
from the Farinelli arias
that are still extant
today, as well as other
Baroque vocal and formal
elements, models inspired
by the Singspiel and the
musical, and even a rap
piece over a techno
rhythm. The musical
center of the opera
consists of song and the
human voice. Farinelli is
a bel canto opera.
(Siegfried Matthus) Carlo
Broschi, known as
Farinelli, was the
brightest star among the
castrato tenors of the
18th century. Handels
enemies brought him to
London so that he could
outshine Handels singers.
Here, Matthus depicts
Farinelli at the Spanish
court, ruled by the
pathologically melancholy
King Philip V. In a
review of his life, we
relive important stages
in the career of the
singer, who lived outside
of the norm and found his
home in the fascinating
twilight world between
art and
artificiality.
Piano SKU: AY.PN3058PM Composed by Gloria Rodriguez. Keyboards - Piano. S...(+)
Piano
SKU:
AY.PN3058PM
Composed
by Gloria Rodriguez.
Keyboards - Piano. Sheet
music. Duration 4'.
Periferia Publishing
#PN3058PM. Published by
Periferia Publishing
(AY.PN3058PM).
ISBN
9790543573789.
Acco
rding to the
distinguished
musicologist Juan
Bautista Varela, the
Galician Treboada is a
musical term out of the
songbook, as its sense is
merely musical. From a
lexicographical point of
view it means
thunderstorm, storm,
squall, etc. It is almost
an onomatopoeic sense,
due to the great noise
that the bass drums,
fundamental elements of
the Treboada, make. The
Treboada is played always
on the eves of
celebrations or feasts
and it is played by three
or five bass drums, one
or two Galician bagpipes
and a drum. The
dispersion area of the
Treboada is much reduced,
according to the poet and
essayist Eliseo Alonso
Rodriguez, it comprises
the parishes of Forcadela
and Estas, both of them
belong to the town of
Tomino. Xose Hernique
Rodriguez Portela, from
Tomino, says that they
also play it on the feast
of the Virgin of St. Mary
of Tomino eve (Virgen del
Alivio de Santa Maria de
Tomino). I owe him the
idea of this piece,
because Xose Henrique
described to me how the
bass drums sound in the
distance, early in the
morning, like great roars
along with blank bullets
that are shot every time
a particular house
donates money for the
feast and they gradually
approach the house until
it trembles. He sang the
melody I wrote and he
confessed he had heard it
not long ago in the
rehearsal of a popular
folk group where there
was only a percussionist
and a Galician bagpipe
player, as with the drums
it is difficult to
appreciate the bagpipe. I
also mix the Treboada
with an Alborada, because
in Galicia almost all the
churches have
loudspeakers that play
this melody at around
nine o'clock in the
morning, the same time
that the Treboada of
Tomino starts playing.
Gloria Rodriguez Gil.
By Various. Arranged by Chuck Sher. For E§ Instruments, Melody/Lyrics/Chords....(+)
By Various. Arranged by
Chuck Sher. For E§
Instruments,
Melody/Lyrics/Chords.
Latin and Latin Jazz.
Difficulty: easy-medium
to medium. Fakebook
(spiral bound). Melody
and chord names. 572
pages. Published by Sher
Music Company
5-part Trombone ensemble - advanced SKU: CY.CC2946 Composed by Carl Maria...(+)
5-part Trombone ensemble
- advanced
SKU:
CY.CC2946
Composed by
Carl Maria von Weber.
Arranged by Ignacio Rey.
German Romantic. Score
and parts. 20 pages.
Cherry Classics #2946.
Published by Cherry
Classics (CY.CC2946).
ISBN
9790530057650.
Roma
nce by Carl Maria von
Weber is one of the most
popular solos in the
Trombone repertoire and
may have been originally
composed for the Bassoon.
This work of about 7-9
minutes in length from
the Romantic period is
lyrically very
expressive, featuring
large dynamic contrasts
and extended
range.
Ignacio
del Rey's fine
arrangement for solo
Trombone and Trombone
Quartet (or Ensemble) is
appropriate for
moderately advanced
performers.
Ballad. Composed
by Richard Rodgers and
Stanley Newcomb Kenton.
Arranged by Bill Holman.
Sheet music. Score and
parts. Handelsware #SMP
1042. Published by
Handelsware
(M7.SMP-1042).
English.
As
originally recorded by
the great Charlie Mariano
with the Stan Kenton
Orchestra, this is a
must-have solo feature
for alto saxophone. Let
your alto player (or
trumpet ...... parts
provided for either)
shine on this popular
standard, arranged by
none other than Bill
Holman.
Voice and piano (solo: T - 2(picc.A-fl).2(ob.d'am[ad lib.].cor ang.muha).2(B-cla...(+)
Voice and piano (solo: T
-
2(picc.A-fl).2(ob.d'am[ad
lib.].cor
ang.muha).2(B-clar.S-sax.
muha).2(kfg.muha) -
1.1(corn [ad lib.]).1.0 -
timp.perc(3) -
acc(windmachine
I).hp(rainmaker.windmachi
ne
II).guit(rainmaker.windma
chine III) - str:
1.1.2.1.1)
SKU:
BR.EB-9394
A
Composed
Interpretation.
Composed by Hans Zender.
Voice; Softbound. Edition
Breitkopf. World
premiere: Frankfurt am
Main, September 21, 1993.
Song; Music post-1945.
Piano/Vocal Score.
Composed 1993. 120 pages.
Duration 85'. Breitkopf
and Haertel #EB 9394.
Published by Breitkopf
and Haertel (BR.EB-9394).
ISBN 9790004188682. 9
x 12 inches.
My
lecture of the
Winterreise does not
demand a new expressive
interpretation, but
instead systematically
exercises the freedom
which all interpreters
allow themselves
intuitively, such as:
instrumental dilation i.
e. acceleration of the
pace, transposition into
other keys and
elaboration of
characteristic color
timbres. In addition,
there are further ways of
reading; the music;
jumping around in the
text, repeating certain
lines, interrupting the
continuity, comparing
different expressions of
the same phrase ... All
these new possibilities
are subjected to my
compositional discipline
and form autonomous
formal processes which
are imposed on Schuberts
original. The
transformation of the
piano tones into a
multifaceted orchestra
full of resonance is only
one of many aspects.(Hans
Zender)CDs:Hans Peter
Blochwitz (Tenor),
Ensemble Modern,
Conductor: Hans Zender CD
BMG 9026-68067-2
Christoph Pregardien
(Tenor), Klangforum Wien,
Conductor: Sylvain
Cambreling CD Kairos
0012002KAIJulien
Pregardien (Tenor),
Deutsche Radio
Philharmonie
Kaiserslautern,
Conductor: Robert Reimer2
CD's P.RHEI
(2016)Bibliography:Adam-S
chmidmeier, Eva-Maria
von: Schubert
interpretieren. Hans
Zender: Schuberts
Winterreise. Eine
komponierte
Interpretation im
Unterricht, in: Musik und
Unterricht Heft 96
(2009), pp. 50-56.Gruhn,
Wilfried: Wider die
asthetische Routine. Hans
Zenders Version von
Schuberts Winterreise,
in: Neue Zeitschrift fur
Musik 1/1997.Hebling,
Harald: Kompositorische
Schubertrezeption im 20.
Jahrhundert,
Magisterarbeit
Universitat Wien 2003,
especially pp.
148-157.Nonnenmann,
Rainer: Vom Nutzen und
Nachteil der
Musikhistorie fur das
Musikleben. Zur Kritik
aktualisierender
Interpretation am
Beispiel von Hans Zenders
Schuberts ,Winterreise,
in: Musik und Asthetik 7,
Heft 26 (April 2003), pp.
65-90.ders.: Schuberts
,Winterreise .
Komponierte
Interpretation von Hans
Zender / Ballett von John
Neumeier, in:
Osterreichische
Musikzeitung 60 (2005),
Heft 3, p. 42f.ders.:
Fremd bin ich eingezogen,
fremd zieh ich wieder
aus. Versuch zur Rettung
der Vergangenheit
Schuberts Winterreise.
Eine komponierte
Interpretation fur Tenor
und kleines Orchester
(1993) von Hans Zender,
in ders.: Winterreisen.
Komponierte Wege von und
zu Franz Schuberts
Liederzyklus aus zwei
Jahrhunderten, 2 Bande (=
Taschenbucher zur
Musikwissenschaft, Band
150/151), Wilhelmshaven:
Florian Noetzel 2006, pp.
143-205.Petersen, Birger:
Neue Musik. Analysen,
Berlin: Simon Verlag fur
Bibliothekswissen 2013,
pp. 11-24.Revers, Peter:
... Schnee, du weisst von
meinem Sehnen. Aspekte
der Schubert-Rezeption in
Hans Zenders Winterreise
(1993), in: Dialekt ohne
Erde. Franz Schubert und
das 20. Jahrhundert,
hrsg. von Otto
Kolleritsch, Wien-Graz
1998 (Studien zur
Wertungsforschung, Band
34), pp.
98-120.Schafer-Lembeck,
Hans-Ulrich:
Gegenstrebige Fugungen.
Hans Zenders Musik und
seine komponierte
Interpretation von
Schuberts Winterreise,
in: Neue Musik
vermitteln. Analysen
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
295-307.Stahmer, Klaus
Hinrich: Bearbeitung als
Interpretation - Zur
Schubertrezeption Gustav
Mahlers, Hans Zenders und
Friedhelm Dohls, in:
Franz Schubert und Gustav
Mahler in der Musik der
Gegenwart, Mainz
1998.Zender, Hans: warum
wieder die Winterreise?
Hartmut Regitz im
Gesprach mit dem
Komponisten, in:
ballet.tanz -
international.aktuell,
Heft 12 (2001), p.
18.
World
premiere: Frankfurt am
Main, September 21,
1993.
So in Love Ensemble de cuivres - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1074204-030 Composed by Cole Porter. Arr...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1074204-030
Composed by Cole Porter.
Arranged by Kazuhiro
Morita and Klaas van der
Woude. New Sounds in
Brass.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed 2007. De Haske
Publications #DHP
1074204-030. Published by
De Haske Publications
(BT.DHP-1074204-030).
9x12 inches.
English-German-French-Dut
ch.
Cole Porter was
one of the great masters
of Broadway musicals
during the thirties,
forties and fifties, with
So in Love, from
the musical Kiss Me
Kate, being one of
his best loved works. It
has been recorded by many
artists including Bing
Crosby, Lulu, Shirley
Bassey and Julie Andrews,
however it is the Ella
Fitzgerald version that
is best known. This jazzy
musical classic can now
be enjoyed by your brass
band with this excellent
new
arrangement.
Cole
Porter schrieb
unvergessene, wundervolle
Musicals und Lieder.
Seine Musik wurde schon
von vielen groÃ?en
Künstlern
interpretiert - von
Jazzentertainern wie Ella
Fitzgerald und Frank
Sinatra über
klassische Sängerinnen
bis hin zu
Popkünstlern wie U2
und Tom Waits. Mit
Kazuhiro Moritas
Bearbeitung des
romantischen Songs So
in Love aus dem
Musical Kiss Me
Kate können Sie
sich nun in diese
illustre Riege einreihen!
So in Love Ensemble de cuivres [Conducteur] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1074204-130 Composed by Cole Porter. Arr...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1074204-130
Composed by Cole Porter.
Arranged by Kazuhiro
Morita and Klaas van der
Woude. New Sounds in
Brass.
TV-Film-Musical-Show.
Score Only. Composed
2007. 28 pages. De Haske
Publications #DHP
1074204-130. Published by
De Haske Publications
(BT.DHP-1074204-130).
9x12 inches.
English-German-French-Dut
ch.
Cole Porter was
one of the great masters
of Broadway musicals
during the thirties,
forties and fifties, with
So in Love, from
the musical Kiss Me
Kate, being one of
his best loved works. It
has been recorded by many
artists including Bing
Crosby, Lulu, Shirley
Bassey and Julie Andrews,
however it is the Ella
Fitzgerald version that
is best known. This jazzy
musical classic can now
be enjoyed by your brass
band with this excellent
new
arrangement.
Cole
Porter schrieb
unvergessene, wundervolle
Musicals und Lieder.
Seine Musik wurde schon
von vielen großen
Künstlern
interpretiert - von
Jazzentertainern wie Ella
Fitzgerald und Frank
Sinatra über
klassische Sängerinnen
bis hin zu
Popkünstlern wie U2
und Tom Waits. Mit
Kazuhiro Moritas
Bearbeitung des
romantischen Songs So
in Love aus dem
Musical Kiss Me
Kate können Sie
sich nun in diese
illustre Riege einreihen!
Composed by Cole Porter.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Original
Light Music. Score Only.
Composed 2000. De Haske
Publications #DHP
1002212-140. Published by
De Haske Publications
(BT.DHP-1002212-140).
Cole Porter was
one of the great masters
of Broadway musicals
during the thirties,
forties and fifties, with
So in Love, from
the musical Kiss Me
Kate, being one of
his best loved works. It
has been recorded by many
artists including Bing
Crosby, Lulu, Shirley
Bassey and Julie Andrews,
however it is the Ella
Fitzgerald version that
is best known. This jazzy
musical classic can now
be enjoyed by your brass
band with this excellent
new
arrangement.
Cole
Porter schrieb
unvergessene, wundervolle
Musicals und Lieder.
Seine Musik wurde schon
von vielen großen
Künstlern
interpretiert - von
Jazzentertainern wie Ella
Fitzgerald und Frank
Sinatra über
klassische Sängerinnen
bis hin zu
Popkünstlern wie U2
und Tom Waits. Mit
Kazuhiro Moritas
Bearbeitung des
romantischen Songs So
in Love aus dem
Musical Kiss Me
Kate können Sie
sich nun in diese
illustre Riege einreihen!
Composed by Cole Porter.
Arranged by Kazuhiro
Morita. New Sounds for
Concert Band. Original
Light Music. Set (Score &
Parts). Composed 2000. De
Haske Publications #DHP
1002212-010. Published by
De Haske Publications
(BT.DHP-1002212-010).
Cole Porter was
one of the great masters
of Broadway musicals
during the thirties,
forties and fifties, with
So in Love, from
the musical Kiss Me
Kate, being one of
his best loved works. It
has been recorded by many
artists including Bing
Crosby, Lulu, Shirley
Bassey and Julie Andrews,
however it is the Ella
Fitzgerald version that
is best known. This jazzy
musical classic can now
be enjoyed by your brass
band with this excellent
new
arrangement.
Cole
Porter schrieb
unvergessene, wundervolle
Musicals und Lieder.
Seine Musik wurde schon
von vielen großen
Künstlern
interpretiert - von
Jazzentertainern wie Ella
Fitzgerald und Frank
Sinatra über
klassische Sängerinnen
bis hin zu
Popkünstlern wie U2
und Tom Waits. Mit
Kazuhiro Moritas
Bearbeitung des
romantischen Songs So
in Love aus dem
Musical Kiss Me
Kate können Sie
sich nun in diese
illustre Riege einreihen!
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Basso continuo.
Sacred vocal music,
Praise and thanks. Single
Part, basso continuo. ZWV
146. 12 pages. Duration
28 minutes. Carus Verlag
#CV 27.197/14. Published
by Carus Verlag
(CA.2719714).
ISBN
9790007200978. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
SKU: TM.08724VS Composed by Maria Luigi Cherubini. Vocal Score. Lucks Mus...(+)
SKU: TM.08724VS
Composed by Maria Luigi
Cherubini. Vocal Score.
Lucks Music Library
#A2588. Published by
Lucks Music Library
(TM.08724VS).
Rev 1920; Can
reduce instrumentation if
necessary and have the
absent instrument cues
played by the orchestra:
Omit FL III part and FL
II will play from
alternate FL II & Picc
part instead. OB II and
ENG HN can be performed
by 1 player and follow
notes when to omit one of
the parts. BASS CL and
CONTRA BN can be omitted.
If using 2 COR(/TPT): use
the 2 parts titled FOR
REDUCED ORCHESTRA. If
using 3 COR(/TPT): use
regular parts and omit
TPT II part.
Jacques-Martin
Hotteterre (1673 - 1763)
was the heir to a famous
family of wind instrument
inventors originating in
Normandy, France. The
Hotteterre family is
known to have brought
great innovations to the
development of wind
instruments, including
the three-part
demountable flute and the
oboe, whose invention is
credited to his
grandfather Jean.
Jacques-Martin Hotteterre
was perhaps the most
gifted of his dynasty,
with his father Martin, a
renowned flute craftsman
who created instruments
used by Jean-Baptiste
Lully.
His
nickname Roman was given
to him following a stay
in Rome. He was
identified as Monsù
Giacomo mastro di flauto
(Monsieur Jacques master
of flute), as documented
at the court of The
Marquis Francesco Maria
Ruspoli in
Rome.
David
Lasocki was born in
London in 1947 and grew
up in Manchester. Then he
lived and worked in the
United States and now
Brazil. He holds a PhD in
musicology from The
University of Iowa (1983)
and his dissertation won
a national prize. He
retired as Head of Music
Reference Services in the
Cook Music Library,
Indiana
University–Bloomington
in 2011 after working
there for 24 years, and
is now a self-employed
writer, researcher,
editor, publisher (see
www.instantharmony.net),
and energy
healer.
Many kind
people have viewed David
as one of the world’s
foremost researchers of
the history of woodwind
instruments, especially
members of the flute
family. His articles and
books have also won
national prizes, and he
received a lifetime
achievement award from
the American Recorder
Society in 2011.
Recorder SKU: ST.C532 Composed by Jacques Hotteterre le Romain. Wind & br...(+)
Recorder
SKU:
ST.C532
Composed by
Jacques Hotteterre le
Romain. Wind & brass
music. Clifton Edition
#C532. Published by
Clifton Edition
(ST.C532).
ISBN
9790570815326.
Formerly published by
Nova Music as NM171 and
by European Music Archive
as EMA123.
The
Optional Basso Continuo
part is free to download
from https://clift
onedition.com/C532. Jacques-Martin
Hotteterre (1673 - 1763)
was the heir to a famous
family of wind instrument
inventors originating in
Normandy, France. The
Hotteterre family is
known to have brought
great innovations to the
development of wind
instruments, including
the three-part
demountable flute and the
oboe, whose invention is
credited to his
grandfather Jean.
Jacques-Martin Hotteterre
was perhaps the most
gifted of his dynasty,
with his father Martin, a
renowned flute craftsman
who created instruments
used by Jean-Baptiste
Lully.
His
nickname Roman was given
to him following a stay
in Rome. He was
identified as Monsù
Giacomo mastro di flauto
(Monsieur Jacques master
of flute), as documented
at the court of The
Marquis Francesco Maria
Ruspoli in
Rome.
David
Lasocki was born in
London in 1947 and grew
up in Manchester. Then he
lived and worked in the
United States and now
Brazil. He holds a PhD in
musicology from The
University of Iowa (1983)
and his dissertation won
a national prize. He
retired as Head of Music
Reference Services in the
Cook Music Library,
Indiana
University–Bloomington
in 2011 after working
there for 24 years, and
is now a self-employed
writer, researcher,
editor, publisher (see
www.instantharmony.net),
and energy
healer.
Many kind
people have viewed David
as one of the world’s
foremost researchers of
the history of woodwind
instruments, especially
members of the flute
family. His articles and
books have also won
national prizes, and he
received a lifetime
achievement award from
the American Recorder
Society in 2011.
By Maria Xaveria Peruchona (1652-1709). Edited by Barbara Jackson. SAT choir and...(+)
By Maria Xaveria
Peruchona (1652-1709).
Edited by Barbara
Jackson. SAT choir and
basso continuo. For SAT
voices and continuo (SAT
and continuo (choral or
soli)). Trio. Trio.
Baroque. Adult. Sheet
music. 20 pages. Duration
4 minutes, 3 seconds.
Published b. Baroque.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Violin 2. Sacred
vocal music, Praise and
thanks. Single Part,
Violin 2. ZWV 146. 16
pages. Duration 28
minutes. Carus Verlag #CV
27.197/12. Published by
Carus Verlag
(CA.2719712).
ISBN
9790007200954. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Organ. Sacred
vocal music, Praise and
thanks. Single Part,
Organ. ZWV 146. 20 pages.
Duration 28 minutes.
Carus Verlag #CV
27.197/49. Published by
Carus Verlag
(CA.2719749).
ISBN
9790007164874. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. 1x 27.197/21
flute 1, 1x 27.197/22
flute 2, 1x 27.197/23
oboe 1, 1x 27.197/24 oboe
2, 5x 27.197/31 trumpet
1-4 and timpani.
Stuttgart Urtext Edition.
Harmony parts. Sacred
vocal music, Praise and
thanks. Set of Orchestra
Parts. ZWV 146. Duration
28 minutes. Carus Verlag
#CV 27.197/09. Published
by Carus Verlag
(CA.2719709).
ISBN
9790007200930. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and parts available
separately - see item
CA.2719700.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Violin 1. Sacred
vocal music, Praise and
thanks. Single Part,
Violin 1. ZWV 146. 16
pages. Duration 28
minutes. Carus Verlag #CV
27.197/11. Published by
Carus Verlag
(CA.2719711).
ISBN
9790007200947. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score and part available
separately - see item
CA.2719700.
Violin & orchestra SKU: HH.HH050-BCS Composed by Antonio Vivaldi. Edited ...(+)
Violin & orchestra
SKU: HH.HH050-BCS
Composed by Antonio
Vivaldi. Edited by Paul
Everett. Violin &
Orchestra. Basso continuo
score. Edition HH Music
Publishers #HH050-BCS.
Published by Edition HH
Music Publishers
(HH.HH050-BCS).
ISBN
9790708024811.
The
present concerto, RV 762,
is here published for the
first time in its
original key and in an
edition based on an
authoritative source. It
is one of numerous
concertos by Vivaldi
known to have been played
by Anna Maria, the most
celebrated of the many
remarkable performers
produced by the Ospedale
della Pietà , the
Venetian charitable
institution with which
the composer was
associated for much of
his career. And yet it
is, besides RV 286 in F
major, the only violin
concerto of his for which
a source inscribed with
the name of the virtuosa
has survived
complete.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Sacred vocal
music, Praise and thanks.
Full score. ZWV 146.
Duration 28 minutes.
Carus Verlag #CV
27.197/00. Published by
Carus Verlag
(CA.2719700).
ISBN
9790007164133. Language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of
Saxony.
Composed
by Jan Dismas Zelenka.
Edited by Thomas
Kohlhase. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition. Sacred vocal
music, Praise and thanks.
Choral Score. ZWV 146. 28
pages. Duration 28
minutes. Carus Verlag #CV
27.197/05. Published by
Carus Verlag
(CA.2719705).
ISBN
9790007164867. Text
language:
Latin.
Two settings
of the Te Deum by Jan
Dismas Zelenka have been
survived: the Te Deum in
D major ZWV 145 of ca.
1724 and the present Te
Deum a due cori in D
major ZWV 146, which was
composed in 1731. Whereas
the Te Deum ZWV 145 is
scored for five voices
(soli e tutti) and an
orchestra including two
trumpets and timpani, the
setting of the Te Deum a
due cori, which includes
five soloists and two
four-part choirs, as well
as four trumpets and
timpani, and soloistic
flauti traversi is
magnificently realized in
a more decisive manner.
The large, solemn scoring
suggests that the work
was composed for a
worship service on the
occasion of the birth of
the Electoral Princess
Maria Josepha of Saxony.
Score available
separately - see item
CA.2719700.