SKU: GI.G-1117 Music of William Averitt. Composed by Cameron LaBar...(+)
SKU: GI.G-1117
Music of William
Averitt. Composed by
Cameron LaBarr, Missouri
State University Chorale,
and William Averitt. GIA
ChoralWorks. Music
Education. Choral score.
GIA Publications #1117.
Published by GIA
Publications (GI.G-1117).
UPC:
785147011729.
â€
œHistory is written by
the victors…â€
In societal struggles,
those who “come out
on top†seem to get
to choose what is taught
as history. With respect
to racial matters in the
United States, the
struggles of people of
color have simply not
been a significant part
of historical studies in
American schools. The
immense failure of
Reconstruction on Black
people in America is the
cataclysm that is most
pertinent to the
retelling of Easter,
1906. Lynchings were a
deeply disturbing and
immoral method of
dominating, primarily,
Black people and
terrorizing them into
submission. Behind these
exercises in mob violence
lay frequently invented
claims of crimes. Easter,
1906 recounts one such
event that took place in
Springfield, Missouri,
over Easter weekend,
1906. Poet Robert Bode
has collected material
from historical documents
of the period and created
new poems that reflect
upon this tragic event.
In turn, Bode’s
words are here set to
music by composer William
Averitt for double choir,
spoken narration, piano
four-hands, and two
percussionists. Performed
by the Missouri State
University Chorale,
conducted by Cameron
LaBarr. Â A powerful
work like this is
important because we can
easily forget events that
have contributed to the
lingering blatant and
hidden prejudices that
exist today. It is
through this musical
presentation that
musicians and audiences
can have the tough yet
meaningful conversations
about how we all can do
and be better when
relating to others.
—Marques L. A.
Garrett  Â
Conductor and Composer
Learn more about the
story behind this project
in the video below:.
Wayfaring Stranger Chorale SATB SATB, Piano - Intermédiaire Walton Music
SATB choir, piano accompaniment, four-hand piano - Late intermediate SKU: GI....(+)
SATB choir, piano
accompaniment, four-hand
piano - Late intermediate
SKU: GI.WW1713
From Over Jordan.
Composed by William
Averitt. Arranged by
William Averitt. Cameron
LaBarr. Classical.
Octavo. 16 pages. Walton
Music #WW1713. Published
by Walton Music
(GI.WW1713).
UPC:
785147013662.
English.
Movement 1
from the larger work,
Over Jordan. The
brilliant William Averitt
has put his dynamic spin
on this hymn using
challenging but
achievable vocal lines
paired with truly unique
and masterful four-hand
piano writing. Cameron
LaBarr Choral Series.
Choral (SATB) SKU: HL.1428506 Composed by Adrian Dunn. Gentry Publication...(+)
Choral (SATB)
SKU:
HL.1428506
Composed
by Adrian Dunn. Gentry
Publications. Octavo.
Gentry Publications
#JG2725. Published by
Gentry Publications
(HL.1428506).
UPC:
196288202721.
Adria
n Dunn's “You
Promised” is a
soul-stirring piece for
piano, choir, and solo
that resonates with the
unwavering promise of
divine presence. Crafted
as a slow gospel ballad,
this composition
encapsulates the
assurance that, amidst
life's trials, God
remains steadfast by our
side. With room for
emotive ad libs, it's a
moving piece that not
only leaves choirs and
audiences captivated but
also instills a profound
sense of faith, reminding
us that God's promise of
unwavering support
endures through every
challenge.
Tripartita Violon, Clarinette, Piano (trio) [Conducteur et Parties séparées] Subito Music
Clarinet, Violin & Piano SKU: SU.46200090 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano
SKU: SU.46200090
For Clarinet, Violin &
Piano. Composed by
William Averitt. Chamber
Music, Piano Trio. Score
& Parts. Subito Music
Corporation #46200090.
Published by Subito Music
Corporation
(SU.46200090).
Clarinet,
Violin & Piano Duration:
22' Composed: 1988
Published by: Verdehr
Trio Tripartita is a
title invented for this
score, a piece in three
movements for three
players. The first
movement Elaborations is
a sonata-like structure
whose ideas evolve out of
the harmonic succession
heard as the background
material of the opening
passage. The second and
third movements are based
on essentially the same
scalar and harmonic
materials as the first;
however, they are
somewhat different in
their moods and
expression, in part
because they both
incorporate elements
derived from popular
music idioms of the early
part of the twentieth
century. The form of the
second movement,
Dances,is related to the
nineteenth century
scherzo with two trios;
here, the scherzo
sections are fast and
jazzy,while the more
relaxed digressions are,
respectively, a
ragtime-waltz and a
tango. The third movement
Blues with Variations
follows without pause,
and furthermore is linked
structurally to the
previous movements, since
the chord sequence for
the blues (and subsequent
variations) is the same
one employed from the
very opening of the work.
—William
Averitt.
Orchestra - Grade 4 SKU: DS.SA8214 Composed by Richard Averill. Arranged ...(+)
Orchestra - Grade 4
SKU: DS.SA8214
Composed by Richard
Averill. Arranged by
Richard Averill. Large
Ensemble for Orchestra.
Traditional. Psalm 150
#SA8214. Published by
Psalm 150 (DS.SA8214).
SA(T)B choir, organ SKU: CA.9218600 In honorem Scti. Francisci Xaverii...(+)
SA(T)B choir, organ
SKU: CA.9218600
In honorem Scti.
Francisci Xaverii.
Composed by Josef Gruber.
Sacred vocal music, Mass,
latin. German title:
Missa Franciscii Xaverii
Op.165 5032101. Sacred
vocal music, Masses,
Latin. Full score. Op.
165. 16 pages. Carus
Verlag #CV 92.186/00.
Published by Carus Verlag
(CA.9218600).
ISBN
9790007127312. Key: D
major. Language:
Latin.
Double bass SKU: M7.VHR-3903 Composed by Simone Drebenstedt. Sheet music....(+)
Double bass
SKU:
M7.VHR-3903
Composed
by Simone Drebenstedt.
Sheet music. Student's
edition. 172 pages.
Holzschuh Musikverlag
#VHR 3903. Published by
Holzschuh Musikverlag
(M7.VHR-3903).
ISBN
9783940069818.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
The Song We Sing Chorale SATB SATB, Piano - Intermédiaire Walton Music
SATB choir, piano accompaniment, piano four-hands - Late intermediate SKU: GI...(+)
SATB choir, piano
accompaniment, piano
four-hands - Late
intermediate
SKU:
GI.WW1862
Let's
Move to the Sea, The Song
We Sing, Morning
Dance. Composed by
William Averitt. Cameron
LaBarr. Classical. 40
pages. Walton Music
#WW1862. Published by
Walton Music (GI.WW1862).
UPC: 785147036661.
English. Text by Robert
Bode.
The Song We
Sing sets three new poems
by Robert Bode for SATB
choir and piano
four-hands. Compelling
and incredibly unique,
William Averitt's
compositional voice
shines through in both
excitement and
beauty.
Choral SATB choir, piano SKU: CF.CM9713 Composed by Jacob Narverud. 16 pa...(+)
Choral SATB choir, piano
SKU: CF.CM9713
Composed by Jacob
Narverud. 16 pages.
Duration 4:01. Carl
Fischer Music #CM9713.
Published by Carl Fischer
Music (CF.CM9713).
ISBN 9781491160084.
UPC: 680160918683. Key: G
major. English. Robert
Bode. Original.
The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering support.
Performance Notes This
lighthearted piece is a
great way to bring
multiple choirs together
in harmony. It may be
sung by a single SATB
choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs: Rehearsal Letters
A to B: Elementary choir
only (two-part, Soprano,
Alto) Rehearsal Letter B:
add Middle Level Soprano,
Alto with Elementary
choir Rehearsal Letter C:
Middle Level choir only
Rehearsal Letter D: High
School choir only
Rehearsal Letter E to the
end: Everyone! Song of
the Sound: Running on the
beach, digging in the
sand, Seaweed in my toes,
bucket in my hand. When
I'm at the shore, way
above the rest, These are
all the things that I
love the best. Skipping
like a stone on the
water, diving deep in the
silvery foam, Swimming
far where the land cannot
hold us, where the
lighthouse calls us home.
Flying free above the
marshes, soaring high
above the sea, Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing shore:
Where the gentle breezes
whisper and the mighty
breakers roar. We will
look to the shining
ocean, to the East, where
the new day dawned: We
will sing a song of the
edge of the world and the
waiting sky beyond. -Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019) About
the Composer: Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.com YouTube
& Spotify:
@jacobnarverud. The
piece was commissioned by
Kevin Scully, Director of
Creative Arts, for the
Port Washington School
District, New York, with
special thanks to the Ed
Foundation and HEARTS for
their unwavering
support.Performance
NotesThis lighthearted
piece is a great way to
bring multiple choirs
together in harmony. It
may be sung by a single
SATB choir, though it is
intended to be performed
by multiple choirs of
varying age levels. Song
of the Sound was written
for an all-district
feeder festival piece for
combined elementary,
middle level, and high
school choirs. Here is a
suggested outline for
combining multiple
choirs:Rehearsal Letters
AÂ to B: Elementary
choir only (two-part,
Soprano, Alto)Rehearsal
Letter B: add Middle
Level Soprano, Alto with
Elementary choirRehearsal
Letter C: Middle
Level choir onlyRehearsal
Letter D: High School
choir onlyRehearsal
Letter E to the end:
Everyone!Song of the
Sound:Running on the
beach, digging in the
sand,Seaweed in my toes,
bucket in my hand.When
I'm at the shore, way
above the rest,These are
all the things that I
love the
best. Skipping like a
stone on the water,
diving deep in the
silvery foam,Swimming far
where the land cannot
hold us, where the
lighthouse calls us
home.Flying free above
the marshes, soaring high
above the sea,Where the
tern and cormorant and
plover call to lands we
cannot see.Come let us go
to the water, let us go
to the singing
shore:Where the gentle
breezes whisper and the
mighty breakers roar.We
will look to the shining
ocean, to the East, where
the new day dawned:We
will sing a song of the
edge of the world and the
waiting sky beyond.-Poem
by Robert Bode (Hope
Springs Retreat Center,
Ohio. August 2019)About
the Composer:Jacob
Narverud (b. 1986) is an
American composer,
arranger, and conductor.
Dr. Narverud is an active
guest Conductor/Clinician
for Choral Festivals and
All-State Choirs across
the country and is the
Founder/Artistic Director
of the Tallgrass Chamber
Choir, a professional
ensemble comprised of
musicians from across the
Great Plains. As a
sought-after composer,
Narverud has been
commissioned to write new
works for a variety of
choral ensembles and
organizations. Many of
his Editors' Choirs
compositions are
publisher Best Sellers
and are performed
worldwide by choirs of
all levels. Website:
www.jnarverud.comÂ
YouTube & Spotify:
@jacobnarverud.
Continuo SKU: FZ.5997 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5997
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5997).
ISBN
9790230659970. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
ALEMBERT Jean Le Rond d'
- BLAINVILLE Charles
Henri de - CORRETTE
Michel - DUBUGRARRE -
GEMINIANI Francesco
Saverio - LAPORTE Claude
de. Table of contents:
Alembert Jean Le Rond d'
: Elemens de musique -
1752. Blainville Charles
Henri de : Essay sur un
troisieme mode - 1751.
Corrette Michel : Le
maitre de Clavecin -
1753. Laporte Claude de :
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio : L'art de bien
accompagner - 1754.
Dubugrarre : Methode plus
courte et plus facile -
1754. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the continuo.
Violin, viola and cello SKU: M7.VHR-3902 (Violine, Viola, Cello). ...(+)
Violin, viola and cello
SKU: M7.VHR-3902
(Violine, Viola,
Cello). Composed by
Simone Drebenstedt. Sheet
music. Student's edition.
172 pages. Holzschuh
Musikverlag #VHR 3902.
Published by Holzschuh
Musikverlag
(M7.VHR-3902).
ISBN
9783940069801.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
Guitar SKU: BT.MUSMS0253 Method. Book with CD. Composed 2018. Play Music ...(+)
Guitar
SKU:
BT.MUSMS0253
Method.
Book with CD. Composed
2018. Play Music Spain
#MUSMS0253. Published by
Play Music Spain
(BT.MUSMS0253).
Spanish.
Nuestro
método se dirige a
todos los que desean
aprender a leer las notas
en el pentagrama, en
clave de Sol, para
encontrarlas
instantáneamente
en el mástil de la
guitarra. A lo largo de
nuestras páginas y
de forma muy progresiva
Ud aprenderá
primero a situar las
notas que se encuentran
en las líneas del
pentagrama, en las
interlíneas y en
las líneas
suplementarias.
Añadiendo las
alteraciones,
cubrirá la primera
postura en su conjunto.
Podrá pasar
entonces a la segunda
postura y a la tercera y
así dominar los
doces primeros trastes de
la guitarra. Un trabajo
específico de
lalectura con las
alteraciones a la clave
le pondrá entonces
en situación real
de lectura de una
partitura. Y por
último, un trabajo
cuerda por cuerda le
brindará la
posibilidad de ir un poco
más lejos en el
mástil de la
guitarra, lo que
resultará
útil en el toque
en solo. Todos los
ejercicios, sin ninguna
excepción
están a su
disposición en el
CD MP3 incluido en el
método, o sea
cerca de 250 grabaciones
en total que le
permitirán
averiguar si ha acertado
en su trabajo y lo
harán más
divertido.
Stage Works SKU: UT.NAP-11R Composed by Saverio Mercadante. Edited by Eli...(+)
Stage Works
SKU:
UT.NAP-11R
Composed
by Saverio Mercadante.
Edited by Elisabetta
Pasquini and Enrico
Lombardi. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Vocal Score. Ut Orpheus
#NAP 11R. Published by Ut
Orpheus (UT.NAP-11R).
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts).
Over Jordan Chorale SATB SATB, Piano - Intermédiaire Walton Music
SATB choir, piano accompaniment, four-hand piano - Intermediate SKU: GI.WW166...(+)
SATB choir, piano
accompaniment, four-hand
piano - Intermediate
SKU: GI.WW1669
Composed by Various folk
songs and hymns. Arranged
by William Averitt.
Cameron LaBarr.
Classical. Vocal score.
48 pages. Walton Music
#WW1669. Published by
Walton Music (GI.WW1669).
UPC: 785147008361.
English. Text Source:
Traditional American
Songs and
Hymns.
The
brilliant William Averitt
has put his dynamic spin
on four American folk
songs and hymns in this
multi-movement work.
Challenging but
achievable vocal lines
are paired with truly
unique and masterful
four-hand piano writing.
A great chance for your
audience and singers to
experience these
well-loved songs in a
completely new way.
Cameron LaBarr Choral
Series. 1. Wayfaring
Stranger 2. When I Can
Read My Title Clear 3.
Let Me Go 4. The Promised
Land.
Violin, viola, cello and double bass SKU: M7.VHR-3901 Composed by Simone ...(+)
Violin, viola, cello and
double bass
SKU:
M7.VHR-3901
Composed
by Simone Drebenstedt.
Sheet music. Teacher's
edition. 176 pages.
Holzschuh Musikverlag
#VHR 3901. Published by
Holzschuh Musikverlag
(M7.VHR-3901).
ISBN
9783940069795.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Stage Works SKU: UT.NAP-11 Composed by Saverio Mercadante. Edited by Elis...(+)
Stage Works
SKU:
UT.NAP-11
Composed by
Saverio Mercadante.
Edited by Elisabetta
Pasquini. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Score. 916 (2 volumes)
pages. Ut Orpheus #NAP
11. Published by Ut
Orpheus (UT.NAP-11).
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts).
SATB choir, piano accompaniment, four-hand piano - Advanced SKU: GI.WW1747(+)
SATB choir, piano
accompaniment, four-hand
piano - Advanced
SKU:
GI.WW1747
Composed by
William Averitt. Concert.
Cameron LaBarr.
Classical. Octavo. 40
pages. Walton Music
#WW1747. Published by
Walton Music (GI.WW1747).
UPC: 785147017769.
English. Text by Robert
Bode.
Whisper of
the Dance was written as
a response to William
Averitt's choral song
cycle, Deepness of the
Blue. The deeply artistic
poetry by Robert Bode is
an homage to the great
Langston Hughes. For
four-hand piano and mixed
voices, this is an
advanced work for
collegiate, community,
and professional choirs.
Incredibly effective and
will make a great
closer.
Violin, Continuo SKU: FZ.790 Composed by Francesco Saverio Geminiani. Edi...(+)
Violin, Continuo
SKU:
FZ.790
Composed by
Francesco Saverio
Geminiani. Edited by
Nicolas Fromageot. This
edition: Facsimile.
Collection Dominantes.
Chamber Music. Score.
Published by Anne Fuzeau
Productions - France
(FZ.790).
ISBN
9790230607902. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Francesco Saverio
Geminiani is part of our
Dominantes collection.
Edition de 1739, Londres,
1739. Edition de 1716,
Londres, 1716. This
second edition was
revised by the composer,
and his ornamentation has
been completed and
explained. The original
1716 edition is
reproduced as an
appendix. Presentation by
Nicolas Fromageot :
Bibliography of opus I
Differences between the
editions (1716, 1739)
Figuring of the continuo
bass Hints on performance
Notation. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Discovery Level 2. Composed by Bjorn Yttling, Brent Kutzle, John Eriksson, Pet...(+)
Discovery Level 2.
Composed by
Bjorn Yttling, Brent
Kutzle,
John Eriksson, Peter
Moren,
Ryan Tedder, and Tyler
Spry.
Arranged by Roger
Emerson.
Discovery Choral. Movies,
Pop,
Rock. Octavo. Duration
140
seconds. Published by Hal
Leonard
Organ SKU: SU.80101345 For Organ. Composed by Emma Lou Diemer. Key...(+)
Organ
SKU:
SU.80101345
For
Organ. Composed by
Emma Lou Diemer.
Keyboard, Organ. Score.
Zimbel Press #80101345.
Published by Zimbel Press
(SU.80101345).
Organ Duration:
7' Composed: 2013
Published by: Zimbel
Press A three movement
work suitable for recital
or service use. The first
movement is a bright and
vibrant march, marked
unwavering. In Air, a
lyrical melody is
presented over a lush
accompaniment. The final
Toccata abounds with
energetic syncopations
and cross-rhythms,
bringing the work to an
affirmative
conclusion.
Argentinischer
Bauerntanz. Composed
by Francesco Roca
Traveria and Walter
Porschmann. Sheet music.
Salon orchestra
supplement (add. parts
for large orchestra). 30
pages. MDS (Music
Distribution Services)
#AV 5828-31. Published by
MDS (Music Distribution
Services)
(M7.AV-5828-31).
Composed by William Averitt. Secular, Advent, Christmas, Christmas-Sacred, C...(+)
Composed by William
Averitt.
Secular, Advent,
Christmas,
Christmas-Sacred,
Christmas-
Secular/Holiday. Score.
E.C.
Schirmer Publishing
#8946.
Published by E.C.
Schirmer
Publishing
Discovery Level 2. Composed by Bjorn Yttling, Brent Kutzle, John Eriksson, P...(+)
Discovery Level 2.
Composed by
Bjorn Yttling, Brent
Kutzle,
John Eriksson, Peter
Moren,
Ryan Tedder, and Tyler
Spry.
Arranged by Roger
Emerson.
Discovery Choral. Movies,
Pop,
Rock. Octavo. Duration
140
seconds. Published by Hal
Leonard
Flute and piano (2. flute or violin ad lib.) SKU: PR.ZM31150 Composed by ...(+)
Flute and piano (2. flute
or violin ad lib.)
SKU: PR.ZM31150
Composed by Saverio
Mercadante. Floete
romantisch virtuos. With
Standard notation. 20
pages. Zimmermann
#ZM31150. Published by
Zimmermann (PR.ZM31150).
150 Rounds for Singing and Teaching by Edward Bolkavec and Judith Johnson. For C...(+)
150 Rounds for Singing
and Teaching by Edward
Bolkavec and Judith
Johnson. For Choral,
Voice (COLLECTION). BH
Kodaly. 104 pages. Boosey
and Hawkes #M051808601.
Published by Boosey and
Hawkes