Par BACH JOHANN SEBASTIAN / BOURIN ODILE (Arr.). Chorals de Johann Sebastian Bach choisis et adaptés pour 4 violoncelles par Odile Bourin. Dans ce second volume de Chorals de Bach pour 4 violoncelles, les premières voix explorent les 5e, 6e et 7e positions ainsi que la position du pouce - les autres, les positions intermédiaires. Dans chacun des Chorals, une des voix est plus simple permettant des ensembles d'âges variés et de niveaux différents. Les harmonies plus complexes que celles du 1er volume ont guidé notre choix. Nous espérons que les violoncellistes plus avancés de même que leurs professeurs auront plaisir à les découvrir et en feront leur miel. Nous proposons le Choral BWV 367 dans 2 tonalités - sol mineur et la mineur - qui correspondent à des niveaux différents. Les instrumentistes pourront apprécier les 2 couleurs musicales. On rapprochera utilement les chorals BWV 89 et 367 (cf BWV 21 et 270 du 1er volume) et BWV 126, 267 et 295. Odile Bourin/ Répertoire / 4 Violoncelles

Le turc pianiste et compositeur Fazil Say a partir de l'âge de six ans commencé chaque jour avec l'exécution d'un travail de clavier de Bach - ses programmes de concert incluent les nombreuses compositions originales et transcriptions. Ses propres transcriptions de piano de la w / Piano

Par BACH JOHANN SEBASTIAN. Paperback full score. The New Bach Edition (NBA) volume of J. S. Bach’s Mass in B Minor BWV 232 has been the definitive edition for generations of singers and musicians. However, the Bach Archive Leipzig, in conjunction with Bärenreiter, are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The Urtext performing edition is based on the first volume of the new 15 volume series New Bach Edition-Revised (NBA rev). / Messe / Répertoire / Vocal Solo, Choeur Mixte et Orchestre

Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach's Sonata BWV 527 for Soprano Recorder and Harpsichord./ Répertoire / Soprano Flûte à Bec et Clavecin

Extrait Toccata, Adagio et Fugue Bwv 564. Par BACH. Extrait Toccata, Adagio Et Fugue Bwv 564 / Niveau : 2ème Cycle / Répertoire / Piano

Choral Bwv 659 [Soprano, Alto, Tenor, Baryton]. Par BACH. Choral Bwv 659 [Soprano, Alto, Tenor, Baryton] / Niveau : Fin 2ème Cycle / Répertoire / 4 Saxophones

Gerlach, Reinhard (Arr.)Bwv 1032. Par BACH JOHANN SEBASTIAN. Langue : o Spr/ Répertoire / Flûte à Bec F1, Violon et Basse Continue

Kantate Zum Sonntag Septuagesimae. Par BACH JOHANN SEBASTIAN. Tonalité : h-Moll - Drinker, Henry (Trad. ) - BWV 144/ Répertoire / Solistes SAT, Choeur SATB, 2 Hautbois/Hautbois d'A

Kantate Zum 2. Sonntag Nach Trinitatis Bzw. Zum Reformationsfest. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 76/ Répertoire / Solistes SATB, Choeur SATB, Trompette, 2 Hautbois/