Viola (solos: SAT - choir: SATB - 0.2.0.0 - 0.0.corn.3.0 - str - bc)

SKU: BR.OB-4523-19

Quinquagesima Sunday [Estomihi]. Composed by Johann Sebastian Bach. Stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 4 pages. Duration 17'. Breitkopf and Haertel #OB 4523-19. Published by Breitkopf and Haertel (BR.OB-4523-19).

ISBN 9790004313244. 10 x 12.5 inches.

SATB vocal soli, SATB choir, [trumpet], oboe, 2 violins, viola, basso continuo - Level 3

SKU: CA.3118511

Cantata for the 4th Sunday after Trinity (Weimar version). Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Barmherziges Herze. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1715. BWV 185. 4 pages. Duration 16 minutes. Carus Verlag #CV 31.185/11. Published by Carus Verlag (CA.3118511).

ISBN 9790007050603. Key: F sharp minor. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Score available separately - see item CA.3118500.

Early Version. By Johann Sebastian Bach. Edited by Glockner, Andreas. Arranged by Focke, Martin. For Mixed Choir (SATB), Organ, Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). BWV 244b. Published by Baerenreiter-Ausgaben (German import). (BA5099 90)

Chorus (with soloists) and piano (solos: ATB - choir: SATB - 0.0.0.0. - 0.1.0.0. - str - bc)

SKU: BR.EB-7090

25th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Bernhard Todt. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 16 pages. Duration 15'. Breitkopf and Haertel #EB 7090. Published by Breitkopf and Haertel (BR.EB-7090).

ISBN 9790004172445. 7.5 x 10.5 inches. German.

(str,vn solo)

SKU: TM.06428SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A1244. Published by Lucks Music Library (TM.06428SC).

Key of C, sol in set.

Flute and voice

SKU: CA.1124400

Composed by Various. Edited by Peter Thalheimer, Klaus Hofmann. Music for solo voice and flute. Music for solo voice and flute. Collection. 36 pages. Carus Verlag #CV 11.244/00. Published by Carus Verlag (CA.1124400).

ISBN 9790007164805.

Orig inal compositions for mezzo-soprano or alto, 2 to 3 recorders and basso continuo. Volume 11 of the series Flauto e voce presents sacred arias by J. S. Bach (from BWV 161) and M. Rohde. It also contains secular arias by Johann Sigismund Kusser and Henry Purcell as well as the first printed edition of the operatic scene L'usignol che si lagna by Johann Hugo von Wilderer.

Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #BESTPIA1. Published by Paul Beuscher (LM.BESTPIA1).

Piano

SKU: BT.PBBESTPIA1

Composed by Alexandre Sorel. Classical. Score with CD. Composed 2014. 111 pages. Paul Beuscher #PBBESTPIA1. Published by Paul Beuscher (BT.PBBESTPIA1).

ISBN 9782824400433.

HAEN DEL : Rigaudon - GRIEG : Arietta, extr. des Pièces lyriques Op.12 - MOZART : Valse favorite KV606 - Mc DOWELL : Pour une rose sauvage, extr. des Woodland Sketches - MA KAPAR : Berceuse - GLINKA : Polka - COUPERIN : L'Epineuse, extr. du VIe Ordre - BACH : Musette en ré majeur BWV anh.126 - ANONYME : Marche du Petit Livre d'Anna Magdalena Bach - FUCHS : Douce Consolation Op.47 n°11 - SCHUMANN : Premier Chagrin, extr. de l'Album pour la jeunesse Op.68 - GURLITT : Petites Fleurs Op.205 - SPINDLER : Chanson sans paroles - HUMMEL : Ecossaise Op.52 n°5 - MOUSSORGSKI : Une larme - CHOPIN : Mazurka Op.67 n°2 - SCHUBERT : Valse n°6 Op.18 D145 - BEETHOVEN : Bagatelle Op.119 n°1 - SATIE :Gymnopédie n°1 - MENDELSSOHN : Chant du gondolier Op.30 n°6 - BACH : Invention 2 voix n°4 BWV 775 - FAURE : Pièce brève Op.84 n°5 - MOZART : Fantaisie en ré mineur K.397 - CHOPIN : Prélude Op.28 n°6 - DEBUSSY : Doctor Gradus ad Parnassum, extr. des Children's Corner - SCRIABINE : Prélude Op.22 n°3 - SCHUMANN : L'Enfant s'endort, extr. des Scènes d'enfants Op.15 - LISZT : Consolation n°3 - DEBUSSY : Première Arabesque - BACH : Concerto italien BWV971, 2e mouvement.

Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3

SKU: CA.3120800

Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Carus digital: Extra digital products. Full Score. Composed 1713. BWV 208. 80 pages. Duration 38 minutes. Published by Carus Verlag (CA.3120800).

ISBN 9790007244538. German/English. Text: Franck, Salomo.

A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.

As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion.

Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3

SKU: CA.3120803

Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Vocal score. Composed 1713. BWV 208. 56 pages. Duration 38 minutes. Carus Verlag #3120800. Published by Carus Verlag (CA.3120803).

ISBN 9790007244545. German/English. Text: Franck, Salomo.

A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.

As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion.

Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3

SKU: CA.3120805

Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Choral Score. Composed 1713. BWV 208. 8 pages. Duration 38 minutes. Carus Verlag #3120800. Published by Carus Verlag (CA.3120805).

ISBN 9790007244552. German/English. Text: Franck, Salomo.

A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.

As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion.

Soli SSTB, Chor SS(A)TB, 2 Blf, 2 Ob, Taille (Sinfonia: 3 Ob), Fg, 2 Cor, 2 Vl, Va, Vne, Bc - Level 3

SKU: CA.3120848

Hunting Cantata. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Single Part, harpsichord. Composed 1713. BWV 208. 32 pages. Duration 38 minutes. Carus Verlag #3120800. Published by Carus Verlag (CA.3120848).

ISBN 9790007244569. German/English. Text: Franck, Salomo.

A joyful dispute of the gods is how Johann Sebastian Bach's librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weissenfels, now generally known as the Hunting Cantata BWV 208. The work was probably first performed with the composer present on 23 February 1713, Duke Christian's 31st birthday. On that occasion the choir may have numbered just four soloists, but it can of course be larger. Bach also went on to perform this colorful and varied work, comprising 15 short movements, several times.

As the cantata begins with a recitative, there is an opportunity to precede it with an instrumental movement. A suitable piece is the opening movement of the 1st Brandenburg Concerto BWV 1046 with its hunting horn sounds, which Bach also used later in other works such as the church cantata BWV 52. The edition includes this movement from BWV 1046a (the oldest version) as a performance suggestion.

SKU: CA.2440010

Texheft. Composed by Johann Sebastian Bach. Church year: Christmas. Textheft Zu Bachs Weihnachtsoratorium Faksimile. Sacred, Use during church year: Christmas. Facsimile. Composed 1844. BWV. 30 pages. Carus Verlag #CV 24.400/10. Published by Carus Verlag (CA.2440010).

ISBN 9790007101732. Language: German.

Score available separately - see item CA.2440000.

Orchestra Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 Vl, Va, Bc

SKU: CA.3117407

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Study score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/07. Published by Carus Verlag (CA.3117407).

ISBN 9790007244996. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

Coro SATB, 2 Blfl f1, 2 Vga, Bc

SKU: CA.3110604

Composed by Johann Sebastian Bach. Edited by Peter Thalheimer. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. XL in large print. Sacred vocal music, Cantatas, Mourning, death. Vocal score. Composed 1707/1708. BWV 106. 32 pages. Duration 23 minutes. Carus Verlag #CV 31.106/04. Published by Carus Verlag (CA.3110604).

ISBN 9790007244620. Key: F major. Language: German/English.

The Actus tragicus or Gottes Zeit ist die allerbeste Zeit BWV 106 remains one of Bach's best-known and most admired works, one which continues to resonate to this day - a work of genius such as even great masters seldom achieve (Alfred Durr). The cantata is one of the earliest known vocal works by Johann Sebastian Bach. It was written during his time at Muhlhausen, probably in 1707, when Bach took up the position of organist at the Divi Blasii Church. A possible occasion for its composition may have been the funeral of the mayor of Muhlhausen, Adolph Strecker. The short, slow Sonatina with two recorders, two gambas and continuo gets the listener into the mood of the character of the cantata. This instrumental combination is unique in Bach's vocal output, but could derive from a central German tradition. This new edition is a critical-practical edition which combines both the latest discoveries in Bach research with a detailed Critical Report as well as addressing current questions on performance practice. Score available separately - see item CA.3110600.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2441100

Ascension oratorio. Composed by Johann Sebastian Bach. This edition: Paperbound. Oratorios. German title: Himmelfahrtoratorium Faksimile. Oratorios. Facsimile. Composed 1735. BWV 11. 40 pages. Duration 32 minutes. Carus Verlag #CV 24.411/00. Published by Carus Verlag (CA.2441100).

ISBN 9790007108953. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger.

Orchestra SATB vocal soli, SATB choir, 2 oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3103607

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1731. BWV 36. 52 pages. Duration 31 minutes. Carus Verlag #CV 31.036/07. Published by Carus Verlag (CA.3103607).

ISBN 9790007244910. Language: German/English.

Bac h's well-known church cantata Schwingt freudig euch empor BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be traced back to a secular birthday cantata from 1725. The text is now revised to render the events of Advent - the rejoicing of the opening chorus, the loving veneration and the warm-hearted welcome of the three solo arias retained from the original cantata now all apply to the Messiah, who, as once in Jerusalem, should find a place in the hearts of the faithful. However, their unmistakeable Advent character derives from the fact that Bach contrasts the four festive settings from the secular cantata with three strophes from Luther's Advent chorale, Nun komm, der Heiden Heiland, thus at the same time giving a voice to the Mystery of God made man. Score available separately - see item CA.3103600.

Orchestra Soli SATB, Coro SATB, 2 Obda, 2 Vl, Va, [Vcpic], Bc

SKU: CA.3113907

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Sven Hiemke. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, End of the church year, Trinity, Praise and thanks. Study score. Composed 1724. BWV 139. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.139/07. Published by Carus Verlag (CA.3113907).

ISBN 9790007244965. Language: German/English. Text: Rube, Johann Chr.

Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.

Orchestra Soli ATB, Coro SATB Ob, Obda, Cor, 2 Vl, Va, Bc

SKU: CA.3113607

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Trinity. Study score. Composed 1723. BWV 136. 36 pages. Duration 22 minutes. Carus Verlag #CV 31.136/07. Published by Carus Verlag (CA.3113607).

ISBN 9790007244958. Language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score available separately - see item CA.3113600.

Orchestra Soli SATB, Coro SATB, Ob/Obca, Clarino, 2 Vl, Va, Bc

SKU: CA.3116707

Cantata for the feast of John the Baptist. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Special days. Study score. Composed 1723. BWV 167. 32 pages. Duration 18 minutes. Carus Verlag #CV 31.167/07. Published by Carus Verlag (CA.3116707).

ISBN 9790007244972. Language: German/English.

The cantata Ihr Menschen, ruhmet Gottes Liebe (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was composed for the Feast of St John, and was performed for the first time on 24 June 1723 in Leipzig. This concise and lively cantata is scored for four vocal soloists and modest instrumental forces; only the final chorale Sei Lob und Preis mit Ehren is for all four vocal parts and the use of strings, with the soprano reinforced by a slide trumpet. The text is partly drawn verbatim from Zacharias's hymn of praise in St Luke's Gospel chapter 1. It praises God's grace and love, as fulfilled by his promise of salvation through Jesus for which John has prepared the way and the path. Score available separately - see item CA.3116700.

Soli STB, Fl, 2 Vl, Va, Bc

SKU: CA.3121103

Coffee cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Cantatas, Secular choral music. Vocal score. Composed 1734. BWV 211. Duration 27 minutes. Carus Verlag #CV 31.211/03. Published by Carus Verlag (CA.3121103).

ISBN M-007-24484-2. German/English.

In 1729 Bach took over the running of the Collegium musicum in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann's coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach's famous Coffee Cantata. The cantata is only superficially about daughter Liesgen's addiction to coffee, in fact it is really about her strict father Schlend rian's educational efforts, which ultimately remain ineffective - but only in Bach's cantata. In Picander's printed libretto it seems as if Schlendrian might prevail, and only in Bach's cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach's experiences as a father have come into play here?

Soli STB, Fl, 2 Vl, Va, Bc

SKU: CA.3121100

Coffee cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Cantatas, Secular choral music. Full Score. Composed 1734. BWV 211. Duration 27 minutes. Carus Verlag #CV 31.211/00. Published by Carus Verlag (CA.3121100).

ISBN M-007-24483-5. German/English.

In 1729 Bach took over the running of the Collegium musicum in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann's coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach's famous Coffee Cantata. The cantata is only superficially about daughter Liesgen's addiction to coffee, in fact it is really about her strict father Schlend rian's educational efforts, which ultimately remain ineffective - but only in Bach's cantata. In Picander's printed libretto it seems as if Schlendrian might prevail, and only in Bach's cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach's experiences as a father have come into play here?

Soli STB, Fl, 2 Vl, Va, Bc

SKU: CA.3121148

Coffee cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Harpsichord. Cantatas, Secular choral music. Single Part, Cembalo. Composed 1734. BWV 211. Duration 27 minutes. Carus Verlag #CV 31.211/48. Published by Carus Verlag (CA.3121148).

ISBN M-007-24486-6. German/English.

In 1729 Bach took over the running of the Collegium musicum in Leipzig, founded by Telemann, and continued the tradition of giving concerts at least once a week with this ensemble in Zimmermann's coffee house or, in the summer, in the coffee garden there. The compositions which were probably composed for performance there include Bach's famous Coffee Cantata. The cantata is only superficially about daughter Liesgen's addiction to coffee, in fact it is really about her strict father Schlend rian's educational efforts, which ultimately remain ineffective - but only in Bach's cantata. In Picander's printed libretto it seems as if Schlendrian might prevail, and only in Bach's cantata, which includes two movements setting additional text, is there a twist to the contrary. Might Bach's experiences as a father have come into play here?

Orchestra Soli ATB, Coro SATB, 2 Fl, 2 Ob, 3 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.3103407

Cantata for the 1st day of Pentecost. Composed by Johann Sebastian Bach. Edited by Paul Horn, Felix Loy. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Wedding. Study score. Composed 1745. BWV 34. 60 pages. Duration 21 minutes. Carus Verlag #CV 31.034/07. Published by Carus Verlag (CA.3103407).

ISBN 9790007242244. Key: D major. Language: German/English.

The marriage cantata (BWV 34a) on which this work is based was composed in 1726. This parody was composed in the first half of the 1740's. Score available separately - see item CA.3103400.

Soli STB (SB/TB/SATB), Coro SATB, Ob, Fg, 3 Tr, 4 Timp, 2 Vl, Va, Bc, [4 Trb] - Level 3

SKU: CA.3102104

Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stuttgart Urtext Edition: Bach vocal. XL in large print. Sacred vocal music, Cantatas. Vocal score. Composed 1713. BWV 21. 56 pages. Duration 45 minutes. Carus Verlag #CV 31.021/04. Published by Carus Verlag (CA.3102104).

ISBN 9790007244637. Key: C dorian / c major. Language: German/English.

The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.

SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, trumpet, 2 violins, viola, basso continuo

SKU: CA.3102449

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ein ungefarbt Gemute. Sacred vocal music, Trinity. Single Part, Organ. Composed 1723. BWV 24. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.024/49. Published by Carus Verlag (CA.3102449).

ISBN 9790007205188. Language: German/English.

Sco re and part available separately - see item CA.3102400.