Done with great taste, in a perfectly simple and straightforward manner, Liszt's piano transcriptions of Bach's organ music became the classic models for all future works in this genre. Includes 6 Organ Preludes and Fugues (BWV 543-548) and the world-famous Fantasia and Fugue in G minor (BWV 542).

Arrangeur: Franz Liszt. Par LISZT FRANZ. Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542). Franz Liszt's transcriptions of other composers' music are as highly regarded as his original piano works. First acquainted with Bach through his piano studies, Liszt further explored the earlier composer's works in his career as a virtuoso performer. His piano interpretations of Bach's Organ Music are executed in a simple and straightforward manner, and they rapidly became the classic models for all future works in this genre. This compilation features Six Organ Preludes and Fugues (BWV 543-548) and the Fantasia and Fugue in G Minor (BWV 542)./ Répertoire / Piano

Over 20 of the composer's best-loved, most often performed compositions, including the Toccata and Fugue in D minor, BWV 565. Passacaglia and Fugue in C minor, BWV 582. the Fugue in B minor on a theme of Corelli, BWV 579, and many more. Content :
Fantasia and Fugue in C Minor, BWV 537
Toccata and Fugue in D Minor ( Dorian ), BWV 538
Toccata and Fugue in F Major, BWV 540
Fantasia and Fugue in G Minor, BWV 542
Fantasia and Fugue in C Minor, BWV 562 (fugue incomplete)
Fantasia with Imitation in B Minor, BWV 563
Toccata, Adagio and Fugue in C Major, BWV 564
Toccata and Fugue in D Minor, BWV 565
Prelude and Fugue in E Major, BWV 566
Prelude in G Major, BWV 568
Prelude in A Minor, BWV 569
Fantasia in C Major, BWV 570
Fantasia in G Major, BWV 572
Fantasia in C Major, BWV 573 (incomplete)
Fugue in C Minor on a Theme of Legrenzi, BWV 574
Variant, BWV 574a
Fugue in C Minor, BWV 575
Fugue in G Minor, BWV 578
Fugue in B Minor on a Theme of Corelli, BWV 579
Passacaglia and Fugue in C Minor, BWV 582

La partition 6 Sonates Et Partitas Volume 1/Flute A Bec Alto Bwv 1001-1003-1005 a été composée pour Flûte à bec Alto. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Flûte A Bec Alto / Partition

Kantate Zum 2. Ostertag. Par BACH JOHANN SEBASTIAN. Kubik, Reinhold (Arr. ) - Lunn, Jean (Trad. ) - BWV 6/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Hautbois D

Kantate Zum 22. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 89/ Répertoire / Solistes SAB, Choeur SATB, Cor, 2 Hautbois, Instru

Kantate Zum Ratswechsel In Mühlhausen. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 71/ Répertoire / Solistes SATB, Choeur SATB, 3 Trompettes, Timbales

Kantate Zum 26. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : C-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 70/ Répertoire / Solistes SATB, Choeur SATB, Trompette, Hautbois, I

Kantate Zum 2. Ostertag. Par BACH JOHANN SEBASTIAN. Kubik, Reinhold (Arr. ) - Lunn, Jean (Trad. ) - BWV 6/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, Hautbois D

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Klengel, Julius/ Répertoire / Violoncelle et Piano ou Clavecin

Edition no.: BA 10143-90ISMN: 9790006542413Editor: Glöckner, AndreasArranger: Köhs, AndreasLanguage(s) of work: German, EnglishLanguage(s) of text: German, EnglishProduct format: Piano reduction, Urtext editionBinding: StapledPages / Format: IV, 23 S. - 27,0 x 19,0 cm Little is known about the genesis of ?Lobe den Herrn, meine Seele? BWV 143.A transcription from the 19th century was for a long time considered the only source; the musical text of the ?New Bach Edition? was based on this material. Recently however a copy of the score from 1762 has become available. It offers a more reliable musical text, rendering a complete revision of the cantata necessary.On the basis of this new source, the work is presented here as part of the ?New Bach Edition ? Revised? in what is presumably its original form in C major with three trumpets. This orchestration is more typical of Bach?s writing than the version for three horns in the surviving B-flat major version.- Revised Urtext edition of the Weimar Cantata- Based on the ?New Bach Edition ? Revised?- Idiomatic piano reduction

Kantate Zum 16. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : E-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 8/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè