/ Flûte Traversière (Ou Hautbois Ou Violon), Viole De Gambe (Basson Et Violoncelle) Et Basse Continue / Partition

/ Flûte Traversières (Hautbois, Violon), Hautbois (Violon), Violoncelle (Basson) Et Basse Continue

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

Chorale Cantata for mixed Chrous, two Violins, two Violas, Bassoon and Basso continuo. Par PACHELBEL JOHANN. / Répertoire / 4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas

For Treble Recorder Or Flûte, Bassoon Or Cello And Basso Continuo. Par VIVALDI ANTONIO. / Répertoire / Flûte à Bec Alto ou Flûte Traversière), Basson ou

Follow-up to Anselma's New Bassoon Method, Book 1.Brings aspiring bassonists from Adam and Eve to Mozart. In this second book, we are already a bit closer to Mozart than to the apple tree - o)Completely revised and happily optimized edition, fully packed with great bassoon pieces.- Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience.- lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears- pitch range book 2: Bb - g1 (chromatically)- original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn- traditional pieces and entertaining music are combined for enjoyment and variety- in many duets both parts can be mastered by the student- chapters with rhythm only exercises for gettin' the groove- chapters with study pieces to apply and train newly introduced notes and rhythms- chapters with sight reading tests to see what sticksHumorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle? for a special contemporary look and artwork.A bassoon method that makes progress easy and learning fun and effortlessly. It helps you making learning fun and effective. For a colorful learning experience that builds naturally a strong foundation and makes you fall in love with music making. The new standard method! / Basson

Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Advent & Christmas - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popular to the present day. These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for High Voice and cantatas for Medium Voice. Each series spreads the works over three volumes accompanied by separate parts forsolo instrument and continuo. The cantatas follow the order of the liturgical year, beginning with the Christmas season and continuing with Easter and Trinity. Being practically minded, Telemann arranged the ambitus of the Vocal parts so that the cantatas for medium voice are ‘also suitable for an ordinary alto or bass’. Similarly, the solo instruments are suitable for Violin, Oboe, Recorder or Flute. - Interesting solo cantatas for use in church services. - Urtext from the Telemann Edition. - Separate parts for instrument and continuo./ Répertoire / Voix Hautes