Flexible Wind Quintet and Percussion - early intermediate SKU: BT.1055-03-070...(+)
Flexible Wind Quintet and
Percussion - early
intermediate
SKU:
BT.1055-03-070-MS
Composed by C. Carson
Parks. Arranged by Peter
Kleine Schaars. Music
Box. Set (Score & Parts).
Composed 2003. Music
Sales #1055-03-070 MS.
Published by Music Sales
(BT.1055-03-070-MS).
ISBN
9789043138727.
In
the sixties Frank and
Nancy Sinatra had a huge
hit with this
delightfully titled song.
More recently it has been
in the charts again with
a version by Robbie
Williams and Nicole
Kidman. This arrangement
for flexible
woodwind/brass ensemble
will prove a most popular
concert item.
Al
in de jaren zestig
scoorden Frank en Nancy
Sinatra er een hit mee,
maar velen kennen het
tijdloze nummer
Somethin’
Stupid in vertolking
van Robbie Williams en
Nicole Kidman. Roland
Kernen maakte een
arrangement waarmee
uzeker voor de dag kunt
komen bij het
eerstvolgende
concert!
Bereits
in den 60er-Jahren des
letzten Jahrhunderts
landeten Frank und Nancy
Sinatra einen Hit mit
diesem Titel.
Somethin’
Stupid ist einer der
wenigen Songs, die das
schnelllebige
Pop-Business überleben
werden. Es ist deshalb
kein Wunder, dass dieser
Titel auch mit Robbie
Williams und Nicole
Kidman wieder ein Nr.
1-Hit wurde.
Nel 1960,
Frank e Nancy Sinatra
conoscono un immenso
successo con la canzone
Somethin’
Stupid, un duo con
delicati accenti cha-cha.
Recentemente,
l’interpretazione
di Robbie Williams e
Nicole Kidman conquista
le hit-parades di tutto
il mondo.
Oboe, bassoon and piano - difficult SKU: HL.49016219 Composed by Benjamin...(+)
Oboe, bassoon and piano -
difficult
SKU:
HL.49016219
Composed
by Benjamin Schweitzer.
This edition: Saddle
stitching. Sheet music.
Misc. Score (also
performance score).
Composed 2006. 73 pages.
Duration 10'. Schott
Music #ED 20121.
Published by Schott Music
(HL.49016219).
ISBN
9790001146449. UPC:
884088202538.
9.0x12.0x0.195
inches.
The
chiaroscuro-technique
developed by painters of
the Italian renaissance
served to intensify
contrasts and effects of
optical depth. In
Klar/Obskur, I tried to
transfer the general idea
of this technique on the
rather unusual
instrumentation of two
double-reed woodwinds and
piano. On the one hand, a
clear, well articulated
playing is characteristic
for these instruments, on
the other hand, they have
an often underestimated
potential of 'twilight':
air-sounds and fragile,
shady colours have a
especially attractive
when being produced by
double-reed instruments
(which are often, and
superficially regarded as
being less capable of
differentiated sounds
than flute or clarinet).
The piano, too, has a
broad bandwidth of
possibilities between
percussive and delicate
playing to complement the
woodwinds which, in
return, can absorb and
continue the fading piano
sounds.The beginning
introduces the two
contrasting elements that
form the basic material
for the piece: a clear,
sharp chord, followed by
fragile, dim sounds. The
changes between these
elements as well as their
combination and
amalgamation produce an
enormous spectrum of
colours and gesture.
After this 'motto-like'
opening follow four quite
clearly separated short
sections, each of them
being characterised by a
well-defined texture: a
partly almost
imperceptible air-sound
passage, a short sequence
of microintervallic
notes, a burst of
virtuosity and a recourse
to the fragile sounds of
the beginning.The second,
longer main part consists
of three sections merging
subtly into each other: a
short unisono-passage,
marked elastic [federnd],
is being dissolved into
its basic elements; from
these remainders, a
confrontation of low,
'arcane' bassoon and
piano sounds and a
strongly ornamented
melodic line of the oboe
emerges, leading to a
short but powerful
climax. The piece is
concluded by an extended,
relaxed epilogue,
containing a short piano
solo and a duet of oboe
and bassoon and, finally,
a quotation of the
'elastic' character of
the middle
section.Benjamin
Schweitzer.
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9144).
Bassoon SKU: GI.G-J184 Bassoon. Composed by Christopher D. Azzara....(+)
Bassoon
SKU:
GI.G-J184
Bassoon. Composed
by Christopher D. Azzara.
Edited by Christopher D.
Azzara. Band Method. Jump
Right In. Music
Education. Method book.
20 pages. GIA
Publications #J184.
Published by GIA
Publications (GI.G-J184).
English.
Composi
tions and arrangements
for winds and percussion
with optional
improvisation! Twelve
selections for concert
band in one book.
Highlights include:
• Optional
improvisation sections in
each selection •
Grade levels II–IV
• Full score with
complete instrumentation
• Music for all
ages and for all seasons
• Recordings (CD or
cassette) available,
performed by
instrumentalists from the
Eastman School of Music
• Playable with
minimal to full
instrumentation Part
books (specify instrument
and catalog
number below): Flute
(J179) - Oboe (J180) -
Clarinet I (J181) -
Clarinet II (J182) - Bass
Clarinet (J183) - Bassoon
(J184) - Alto Saxophone
(J185) - Tenor Saxophone
(J186) - Baritone
Saxophone (J187) -
Trumpet I (J188) -
Trumpet II (J189) - Horn
(J190) - Trombone I
(J191) - Trombone II
(J192) - Baritone BC
(J193) - Baritone TC
(J194) - Tuba (J195) -
Bells/Xylophone/Piano
(J196) - Percussion
(J197) -Â
Demonstration compact
disc (J198CD).
Suite in Season Flûte, Basson et Piano [Partition] Alfred Publishing
(For Flute, Bassoon, and Piano). By Melody Bober. For Flute, Bassoon & Piano...(+)
(For Flute, Bassoon, and
Piano). By Melody Bober.
For
Flute, Bassoon & Piano.
Book;
Piano Supplemental; Piano
with
Other Instrument; Trio.
Form:
Suite. 56 pages.
Published by
Alfred Music Publishing
Bassoon & Piano SKU: SU.90440050 For Bassoon & Piano. Composed by ...(+)
Bassoon & Piano
SKU:
SU.90440050
For
Bassoon & Piano.
Composed by Victoria
Bond. Woodwinds, Bassoon.
Score & Parts. Composed
1995. Duration 5'. Subito
Music Corporation
#90440050. Published by
Subito Music Corporation
(SU.90440050).
Soprano, SATB
Chorus, 7 Percussion
Duration: 21' Composed:
1978 Published by: Subito
Music Publishing.
Bassoon SKU: GI.G-M502 Composed by James Froseth. Band Method. Do It! Mus...(+)
Bassoon
SKU:
GI.G-M502
Composed by
James Froseth. Band
Method. Do It! Music
Education. Book. 48
pages. GIA Publications
#M502. Published by GIA
Publications (GI.G-M502).
ISBN 9781579992279.
English.
Now
available on SmartMusic!
The Bassoon book and
audio recordings (see
below) from the Do It!
Play in Band series by
James O. Froseth
includes: Modeling by
Richard Beene (Colburn
School Conservatory of
Music). Professional
studio backgrounds
capture the rich
diversity of American
music culture with a
repertoire of American,
Latin American, African,
European, and Far Eastern
styles. Music of other
times, including
12th-century conductus,
15th-century Dance of the
Bouffons, 16th-century
French branle, 18th- and
19th-century folk songs
and dances, 1940s and
'50s jazz, blues, and
rock-and-roll. The
repertoire and recorded
contexts are motivating,
informative, and entirely
musical. Every song
includes text, providing
information about
phrasing, rhythm, style,
affect, emotion, history,
and culture. A unique
Rhythmic Pattern
Dictionary allows
students to look it up
and listen up. An
individualized format
allows students to
progress at different
rates with a theme and
variation format. Ear
training and
improvisation are
integral parts of the
lesson format. Artist
performers set musical
standards in sound with
more than 80 great
performances for every
instrument! Performers
include: Michael Henoch,
Oboe (Chicago Symphony
Orchestra), Randall
Hawes, Jeffrey Zook,
Sharon Sparrow, Kevin
Good (Detroit Symphony
Orchestra), Albert
Blaser, Clarinet
(Cleveland State
University), Brian
Bowman,
Euphonium/Baritone
(Duquesne University),
Timothy McAllister (Crane
School of Music, SUNY at
Potsdam), Steve Houghton,
Percussion (LA percussion
recording artist and
clinician), Donald Sinta,
Richard Beene, Bryan
Kennedy, Debra Chodacki,
Fritz Kaenzig, Tuba
(University of Michigan),
Kristin Beene (Toledo
Symphony Orchestra), and
Jean Moorehead Libs,
Trumpet (Plymouth
Symphony Orchestra).
Download the audio
recordings at:
giamusic.com/doit2media.<
/p>
Macarella Basson, Piano (duo) - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 Bassoon 1 Piano - Grade 3 SKU: FL.FX074...(+)
Chamber Music & Piano
Accompaniment 1 Bassoon 1
Piano - Grade 3
SKU:
FL.FX074330
Composed
by Jean-Michel Maury.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074330.
Published by FLEX
Editions (FL.FX074330).
A catchy piece
that can be played for an
exam (from 5 years of
practice), audition or
concert. With an
accompaniment by
percussions (optional)
for the Latin touch! ;
Instruments: 1 Bassoon 1
Piano; Difficuly Level:
Grade 3; Duration: 3 mn
10 s; Musical Style:
Classical, Educational;
Category: Original
Composition; Composer:
Jean-Michel MAURY.
Flute, Bassoon & Piano SKU: SU.29000240 For Flute, Bassoon & Piano...(+)
Flute, Bassoon & Piano
SKU: SU.29000240
For Flute, Bassoon &
Piano. Composed by
Chick Corea. Chamber
Music, Mixed Ensemble.
Score & Parts. Subito
Music Corporation
#29000240. Published by
Subito Music Corporation
(SU.29000240).
Trio for
Flute, Bassoon &
Piano is the first
of Chick Corea’s
chamber music
compositions. The piece
was based in his piano
improvisations but with
this unusual
instrumentation. The Trio
was recorded in 1968 with
the composer as pianist
joined by flutist Hubert
Laws and bassoonist Karl
Porter. One curious
feature is the muting of
the piano strings while
playing the keyboard to
produce a percussive
sound. Total performance
time is about 5 minutes.
Flute, Bassoon & Piano
Duration: 5' Composed:
1972 Published by:
Crystal Silence
Music.