Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical. Set
of parts. 42 pages.
Duration 6'. Breitkopf
and Haertel #OB 5267-30.
Published by Breitkopf
and Haertel
(BR.OB-5267-30).
ISBN
9790004332153. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-19. Published by
Breitkopf and Haertel
(BR.OB-5267-19).
ISBN
9790004332139. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-16. Published by
Breitkopf and Haertel
(BR.OB-5267-16).
ISBN
9790004332122. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 8 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-15. Published by
Breitkopf and Haertel
(BR.OB-5267-15).
ISBN
9790004332115. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Basso (cello/double bass)
(2.2.2.2. - 2.2.0.0. -
timp - str)
SKU:
BR.OB-5267-26
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 4 pages. Duration
6'. Breitkopf and Haertel
#OB 5267-26. Published by
Breitkopf and Haertel
(BR.OB-5267-26).
ISBN
9790004332146. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Bastiaan Blomhert.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Classical. Full
score. 32 pages. Duration
6'. Breitkopf and Haertel
#PB 5267. Published by
Breitkopf and Haertel
(BR.PB-5267).
ISBN
9790004209936. 9 x 12
inches.
Bars
282-285 or not? To this
day, it has been
impossible to ascertain
exactly how Mozart wanted
to end his Overture for a
concert performance.
Bastiaan Blomhert's
source-critical new
edition, which makes use
for the first time of
authentic performance
material revised by
Mozart himself, gives the
conductor the freedom to
choose between the two
plausible alternatives.
Johann
André’ s
concert close, the
standard ending for
nearly two centuries,
went down in history as a
historically legitimated
version.
Glory to God Chorale 3 parties 3 parties Mixtes [Octavo] Heritage Music Press
Composed by George Frideric Handel (1685-1759). Arranged by Michael Ryan. Christ...(+)
Composed by George
Frideric Handel
(1685-1759). Arranged by
Michael Ryan. Christmas.
Octavo. Heritage Music
Press #15/3410H.
Published by Heritage
Music Press
(LO.15-3410H).
Brass Band and Horn Solo - Grade 3 SKU: BT.AMP-051-130 From Hymn of th...(+)
Brass Band and Horn Solo
- Grade 3
SKU:
BT.AMP-051-130
From Hymn of the
Highlands - Cornet
Solo. Composed by
Philip Sparke. Anglo
Music Midway Series.
Festive and Solemn Music.
Score Only. Composed
2002. Anglo Music Press
#AMP 051-130. Published
by Anglo Music Press
(BT.AMP-051-130).
The River
Alladale provides the
inspiration for this
lyrical piece which has a
lilting melody with an
unmistakeable Scottish
feel. The trio of Flugel
Horn, Tenor Horn and
Baritone provide a
wonderful sense of
flowing with the river
which, as the piece
progresses, broadens and
grows stronger as it
nears the outlet to the
sea by the Summer Isles.
Bring a touch of Scots
magic to your concert
with this delightful
piece.
Lairg Muir
ist ein von Heideland
umgebener Ort am See Loch
Shin in den schottischen
Highlands. Dieses Solo
für Cornet stammt aus
der Suite Hymn of the
Highlands, in welcher
Philip Sparke
eindrucksvolle
Landschaftsbilder
Schottlands zur
Präsentation
verschiedener Solisten
der Brass Band aneinander
gefügt hat.
Brass Band and Horn Solo - Grade 3 SKU: BT.AMP-051-030 Frm Hymn of the...(+)
Brass Band and Horn Solo
- Grade 3
SKU:
BT.AMP-051-030
Frm
Hymn of the Highlands -
Cornet Solo. Composed
by Philip Sparke. Anglo
Music Midway Series.
Festive and Solemn Music.
Set (Score & Parts).
Composed 2002. Anglo
Music Press #AMP 051-030.
Published by Anglo Music
Press (BT.AMP-051-030).
The River
Alladale provides the
inspiration for this
lyrical piece which has a
lilting melody with an
unmistakeable Scottish
feel. The trio of Flugel
Horn, Tenor Horn and
Baritone provide a
wonderful sense of
flowing with the river
which, as the piece
progresses, broadens and
grows stronger as it
nears the outlet to the
sea by the Summer Isles.
Bring a touch of Scots
magic to your concert
with this delightful
piece.
Lairg Muir
ist ein von Heideland
umgebener Ort am See Loch
Shin in den schottischen
Highlands. Dieses Solo
für Cornet stammt aus
der Suite Hymn of the
Highlands, in welcher
Philip Sparke
eindrucksvolle
Landschaftsbilder
Schottlands zur
Präsentation
verschiedener Solisten
der Brass Band aneinander
gefügt hat.
SKU: HL.465793 Chauvet Lighting. Lighting. Hal Leonard #COLORBANDPIXMILS....(+)
SKU: HL.465793
Chauvet Lighting.
Lighting. Hal Leonard
#COLORBANDPIXMILS.
Published by Hal Leonard
(HL.465793).
UPC:
781462223793.
10.0x35.25x11.0
inches.
Add the
power of a full-size
linear wash light with 10
tri-color (RGB) LEDs,
sweeping movement and
staggering array of
control options and you
get COLORband Pix-M ILS,
a fixture that will light
up any event and ignite
it with energy! This
moving strip light
creates dynamic sweeping
effects and functions as
a pixel mapping effect,
blinder or wall-washer.
You can also just angle
the light where it's
needed using the built-in
motors. But the true
excitement comes when you
create eye-catching
animations and video
effects with individual
LED control. Controlling
this powerhouse couldn't
be easier or more
convenient. It has a
built-in RF receiver for
wireless control using
the RFC or RFC-XL
optional remotes, ILS
compatibility for use in
the ILS ecosystem, and
D-Fi USB compatibility
for wireless master/slave
or DMX control. Even DMX
connection options are
flexible with onboard 3
and 5-pin DMX
connectors.
Giant Steps for Guitar Guitare notes et tablatures [Partition + Accès audio] Hal Leonard
A Six-Stringer's Guide to Mastering Coltrane's Epic. By John Coltrane. Guitar Ed...(+)
A Six-Stringer's Guide to
Mastering Coltrane's
Epic. By John Coltrane.
Guitar Educational. Jazz
Instruction. Softcover
Audio Online. With guitar
tablature. 72 pages.
Published by Hal Leonard
2. To My Girls Chorale 3 parties SSA A Cappella Treble Clef Music Press
SSA, a cappella SKU: SU.80300152 For SSA, a cappella. Composed by ...(+)
SSA, a cappella
SKU:
SU.80300152
For
SSA, a cappella.
Composed by Gwyneth W.
Walker. Vocal/Choral,
Secular Choral. A
cappella. Choral Octavo.
Treble Clef Music Press
#80300152. Published by
Treble Clef Music Press
(SU.80300152).
I command you
to be good runners, the
poet tells her four
graceful, nearly grown
daughters. Reflective
homophonic sections tell
the mother's hopes. They
alternate with ostinato
patterns of simmering
energy, reflecting the
dancing excitement of
four girls ready to burst
forth, out into the
world. 7 pages; duration:
2:30 min.; range: f to g;
difficulty: medium. SSA,
a cappella Published by:
Treble Clef Music Minimum
order quantity: 8
copies.
Composed
by Thomas Gabriel. This
edition: Paperbound.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Full score.
Composed 2005. 36 pages.
Duration 60 minutes.
Carus Verlag #CV
19.054/00. Published by
Carus Verlag
(CA.1905400).
ISBN
9790007140120. Language:
German.
The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60
minutes.
Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Choir part.
Composed 2005. 8 pages.
Duration 60 minutes.
Carus Verlag #CV
19.054/04. Published by
Carus Verlag
(CA.1905404).
ISBN
9790007192624. Language:
German.
The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score and part available
separately - see item
CA.1905400.
Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Choral
Score. Composed 2005. 20
pages. Duration 60
minutes. Carus Verlag #CV
19.054/05. Published by
Carus Verlag
(CA.1905405).
ISBN
9790007161293. Language:
German.
The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score available
separately - see item
CA.1905400.
Composed
by Thomas Gabriel.
Contemporary Choir Music.
German title: Der
Kreuzweg (+ Cd). Sacred
vocal music, Lent and
Passiontide. Set of
Orchestra Parts. Composed
2005. 22 pages. Duration
60 minutes. Carus Verlag
#CV 19.054/19. Published
by Carus Verlag
(CA.1905419).
ISBN
9790007141110. Language:
German.
The
Stations of the Cross are
a centuries-old element
in worship services which
are firmly anchored in
the visual arts. There is
hardly a Catholic church
which does not include a
representation of the via
dolorosa in its interior
design. Thus it is all
the more astonishing that
this subject is not
nearly so widely
portrayed in music. Franz
Liszt (Via crucis) and
Marcel Dupre, with his
ingenious improvisation
which later became a
composition, are
practically the only
representatives of this
genre of composition in
music history. The
present work for a
cappella choir, three
dancers, timpani,
baritone and soprano
soloists, oboe and organ
offers a new approach to
the literary model of the
Stations of the Cross.
The emphasis rests with
the choir, which is
responsible for six
Stations of the Cross.
Here, in part, the
stations are assigned
associative text from
poetry (e.g., Christian
Morgenstern and
Michelangelo). Three
dancers dance the three
Stations of falling in a
setting filled with black
light, accompanied by a
speech motet provided on
CD. The organ appears in
a solo capacity and as an
accompaniment to the solo
singers. The timpani
announce the horror of
death by crucifixion.
Together this
collage-like work forms a
magnificent whole. The
duration is 60 minutes.
Score and parts available
separately - see item
CA.1905400.
By Burton Lane, lyrics by E.Y. Harburg. For Piano/Vocal/Chords. This edition: Pi...(+)
By Burton Lane, lyrics by
E.Y. Harburg. For
Piano/Vocal/Chords. This
edition:
Piano/Vocal/Chords. Shows
& Movies. Broadway. Book.
48 pages. Published by
Alfred Music Publishing
God Is Our Refuge Chorale SATB - Débutant MorningStar Music Publishers
SATB choir, solo voice, keyboard - Beginning SKU: MN.50-2511 Composed by ...(+)
SATB choir, solo voice,
keyboard - Beginning
SKU: MN.50-2511
Composed by Claude L.
Bass and Randy Edwards.
Youth Cue Series. Year C
Pentecost15; Year C
Reformation; Year A
Reformation Sunday.
Reformation, 21st
Century. Octavo.
MorningStar Music
Publishers #50-2511.
Published by MorningStar
Music Publishers
(MN.50-2511).
UPC:
688670525117. Scripture:
Psalms 46.
Written
in the immediate days
following the World Trade
Center disaster, this
Psalm 46- based anthem
highlights the power and
providence of God. Though
towers fall in the heart
of the city, the Lord is
always near provides
current and timeless
imagery of the power,
love, and faithfulness of
God. The music is strong
and most powerfully
communicated with an
excellent baritone
soloist and full
orchestra.
Concert Band (Score) - Grade 4 SKU: HL.44013331 Concert Band Full Scor...(+)
Concert Band (Score) -
Grade 4
SKU:
HL.44013331
Concert Band Full
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover. 41
pages. Duration 410
seconds. Anglo Music
Press #AMP419140.
Published by Anglo Music
Press (HL.44013331).
UPC:
888680922924.
Prelu
de to a Pageant was
commissioned by Woodley
Concert Band to celebrate
their 40th anniversary in
2014. Celebratory in
nature, Prelude to a
Pageant includes a famous
musical link to The
Reading Rota (Sumer is
icumen in), a manuscript
dating from around 1240,
discovered nearby Reading
Abbey. This lively tune
appears early in the
work, after an arresting,
rhythmic opening and
expressive slower
section, and also forms
the final climax.
Score and Parts Concert Band (Score & Parts) SKU: HL.44013330 Concert ...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.44013330
Concert Band Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical. Softcover.
Duration 410 seconds.
Anglo Music Press
#AMP419010. Published by
Anglo Music Press
(HL.44013330).
Prelude to a
Pageant was commissioned
by Woodley Concert Band
to celebrate their 40th
anniversary in 2014.
Celebratory in nature,
Prelude to a Pageant
includes a famous musical
link to The Reading Rota
(Sumer is icumen in), a
manuscript dating from
around 1240, discovered
nearby Reading Abbey.
This lively tune appears
early in the work, after
an arresting, rhythmic
opening and expressive
slower section, and also
forms the final
climax.
Piano Solo SKU: IG.PFF211 Composed by Kenneth Piotrowski. Score and Parts...(+)
Piano Solo
SKU:
IG.PFF211
Composed by
Kenneth Piotrowski. Score
and Parts. Imagine Music
Publishing #PFF211.
Published by Imagine
Music Publishing
(IG.PFF211).
9 x 12
inches.
I was asked
awhile ago to write a
composition that not only
laid well under the hands
but was also of
intermediate/advanced
student level difficulty
and suitable for concert
performances. My initial
thought was,
'impossible.' However,
after careful
consideration, I finally
decided that it could be
done.
Very few
teachers and performers
of keyboard instruments
realize that C major is
the most difficult key to
play. In fact, the more
of the five 'black' keys
employed, the easier the
composition. This is due
to the natural position
of the hand and length of
the fingers. In the end,
the key of E-flat major
with its relative minor
of C-minor was chosen
with a brief foray into
the realm of E-flat
minor. The end result was
this effervescent and
intoxicating waltz.
Once mastered,
this composition nearly
plays itself and can then
be utilized as a
show-stopping encore.
Composed by Huckeby.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR334). Extra full
score. Composed 2005.
Duration 5 minutes, 57
seconds. Opus III Wind
Orchestra Publications
#012-3434-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3434-01).
A dynamic new
programmatic work which
depicts events and scenes
from the history and
folklore of Annandale,
Minnesota. Events
depicted include the
Great Train Wreck of 1922
and a visit to Al
Capone's hideout on
nearby Bungalow Island.
The music features solos
for horn and trumpet and
every section of the band
get lots of chances to
shine. There are many
percussion parts which
will keep even the
largest percussion
section interested and
involved. An impressive
composition that is a
terrific choice for any
concert or contest
performance.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Huckeby.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR334). Oversized,
spiral-bound score.
Composed 2005. Duration 5
minutes, 57 seconds. Opus
III Wind Orchestra
Publications
#012-3434-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3434-75).
A dynamic new
programmatic work which
depicts events and scenes
from the history and
folklore of Annandale,
Minnesota. Events
depicted include the
Great Train Wreck of 1922
and a visit to Al
Capone's hideout on
nearby Bungalow Island.
The music features solos
for horn and trumpet and
every section of the band
get lots of chances to
shine. There are many
percussion parts which
will keep even the
largest percussion
section interested and
involved. An impressive
composition that is a
terrific choice for any
concert or contest
performance.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
2 trumpets, timpani, piano SKU: KU.GM-281 Composed by Christoph Graupner....(+)
2 trumpets, timpani,
piano
SKU:
KU.GM-281
Composed by
Christoph Graupner.
Edited by Arnold Mehl.
Arranged by Arnold Mehl.
Bach format (230 x 302).
Staple Bound. Piano
reduction, solo parts. 30
pages. Edition Kunzelmann
#GM-281. Published by
Edition Kunzelmann
(KU.GM-281).
Key: D
major.
Christoph
Graupner was born on
January 13, 1683, in
Hartmanndorf near
Kirchberg, Saxony. He
died on March 10. 1760,
in Darmstadt.