Swingin' at the Riverside Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Curnow Music
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches.
Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti!
Piano SKU: BR.BG-590 Composed by Gunther (Hrsg.) Becker. Edited by Gunthe...(+)
Piano
SKU:
BR.BG-590
Composed by
Gunther (Hrsg.) Becker.
Edited by Gunther Becker.
Solo instruments. Edition
Gerig. Music post-1945.
Score. 20 pages.
Breitkopf and Haertel #BG
590. Published by
Breitkopf and Haertel
(BR.BG-590).
ISBN
9790004130834. 9 x 12
inches.
These two
books of piano pieces
arranged in progressive
order of difficulty are
the first collection to
give a representative
survey of contemporary
Greek music. No
pretensions of
completeness are being
made. The piece by
Skalkottas is the only
one that has been
published before, and I
am indebted to the
Universal Edition,
Vienna, for their kind
permission to republish
it.The younger generation
of Greek composers have
turned away from their
national folklore, which
is in evidence in just a
few works only as a
latent force. Some of the
composers were introduced
to modern techniques by
the outstanding teacher
Jannis A. Papaioannou and
have gone abroad to
complete their knowledge
of the latest methods and
to integrate them into
their personal style.
Older composers like
Poniridy and
Konstantinidis are
represented by works of
artfully stylized folk
music.I should like to
acknowledge the advice
and help given to me by
my friend and colleague
Jannis A. Papaioannou, as
well as to the American
Director of the
Gennadeios Library,
Francis R. Walton, for
generously providing the
manuscript of the piece
by Mitropoulos. (Gunther
Becker).
Piano SKU: BR.BG-591 Composed by Gunther (Hrsg.) Becker. Edited by Gunthe...(+)
Piano
SKU:
BR.BG-591
Composed by
Gunther (Hrsg.) Becker.
Edited by Gunther Becker.
Solo instruments;
Softcover. Edition Gerig.
Music post-1945. Score.
24 pages. Breitkopf and
Haertel #BG 591.
Published by Breitkopf
and Haertel (BR.BG-591).
ISBN 9790004130841. 9
x 12 inches.
These
two books of piano pieces
arranged in progressive
order of difficulty are
the first collection to
give a representative
survey of contemporary
Greek music. No
pretensions of
completeness are being
made. The piece by
Skalkottas is the only
one that has been
published before, and I
am indebted to the
Universal Edition,
Vienna, for their kind
permission to republish
it.The younger generation
of Greek composers have
turned away from their
national folklore, which
is in evidence in just a
few works only as a
latent force. Some of the
composers were introduced
to modern techniques by
the outstanding teacher
Jannis A. Papaioannou and
have gone abroad to
complete their knowledge
of the latest methods and
to integrate them into
their personal style.
Older composers like
Poniridy and
Konstantinidis are
represented by works of
artfully stylized folk
music.I should like to
acknowledge the advice
and help given to me by
my friend and colleague
Jannis A. Papaioannou, as
well as to the American
Director of the
Gennadeios Library,
Francis R. Walton, for
generously providing the
manuscript of the piece
by Mitropoulos. (Gunther
Becker).
Organ, Soprano, Organ Accompaniment, Ensemble, SATB SKU: HL.14035061 Comp...(+)
Organ, Soprano, Organ
Accompaniment, Ensemble,
SATB
SKU:
HL.14035061
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 74 pages. Music
Sales #KP00036. Published
by Music Sales
(HL.14035061).
ISBN
9788759862353.
English-Danish.
Win
ter Cantata /
Vinterkantate (1976) by
Per Norgard for a
variable ensemble of
soloist, mixed choir and
instruments (minimum:
vocalist and organ).
Programme Note: When in
1975 I had finished
composing my 3rd Symphony
(begun in 1973), I wrote
three simple melodies for
two psalm texts by Ole
Sarvig: The Year and
Choral Hymn. These three
tunes were derived from
the same material as the
second movement of the
3rd Symphony and could be
harmonized together in
several different tempo
relationships at the same
time - like fractals -
which inspired me to
write several choral and
instrumental works in the
following decade based on
these melodies: Frost
Psalm, Winter Cantata,
Winter Hymn, Cantica and
others. One of these
'Sarvig melodies' is now
included in the new
Danish Hymnbook, under
the title Aret(The Year).
Ole Sarvig's poem Aret
(The Year) is Danish,
perhaps Scandinavian in
character, but its
symbolic atmosphere is
global (now snow is
covering the whole
earth). The basic
composition of this
cantata - based on
Sarvig's many verses -
was done by letting
soloist, choir and
instruments change in
feelings and moods: from
the almost silent,
inward-looking beginning
(I: Chorale dolorosa) to
a dancelike and happy
optimism (II: A heaven
germ on winged foot
thrust deep into the
earth its root), followed
by nightmarish tone rows
as the year-wheel of
fortune is turning (III:
Sacrifice - The Year) and
the temptations of the
snake (IV: In Paradiso) -
to the allegorical fights
between egoism and
altruism (V:The Cycle -
Autumn. Purgatory) before
the waiting for a
disaster- atmosphere at
the end of this choral
Odysse. Winter Cantata
was from the beginning
(1976) designed as an
open work, to be arranged
by different combinations
of soloists, choir and
(different) instruments.
The printed version by
Per Norgard and Ivan
hansen for soloist, mixed
choir and instruments
(obo, violin, trombone,
vibraphone/percussion and
organ) is from 1990. The
work is available in both
the (original) Danish
version (Vinterkantate)
and an English version
(Winter Cantata),
translated by Helen and
Ole Sarvig. (Per
Norgard).
(arranged for percussion ensemble). Composed by Antonio Carlos Jobim. Arranged b...(+)
(arranged for percussion
ensemble). Composed by
Antonio Carlos Jobim.
Arranged by Murray
Gusseck. For Percussion
Ensemble (8 players).
Percussion Ensembles.
Medium. 12 pages.
Duration 3 minutes.
Published by Tapspace
Publications
Conductor's Score & Instrument Parts - Level 3 SKU: HP.2954P Arranged by ...(+)
Conductor's Score &
Instrument Parts - Level
3
SKU: HP.2954P
Arranged by Michael J.
Glasgow. Handbell Parts.
Hope Publishing Company
#2954P. Published by Hope
Publishing Company
(HP.2954P).
UPC:
763628229542.
Based
on hymns by Freeman Lewis
& Daniel Teasley.
Commissioned for the 2020
Handbell Musicians of
America Area 5 Spring
Festival in Louisville,
Kentucky, this piece
starts open and stately
before launching with
rhythmic energy into a
Bluegrass-infused
toe-tapper. It
brilliantly pairs the
Freeman Lewis hymn tune
BOURBON (I Take My Refuge
in the Lord) with a
Daniel Teasley hymn of
similar assurance. Marts,
mallets, plucks,
ring-touches and more are
sure to excite your
concert audiences and
congregations alike; and
the optional band
(fiddle, tambourine,
bass, and
guitar/mandolin/banjo)
may be added in any
combination for extra
charm!.
Chorus (with soloists) and piano (Soli: SSSMezMezATTTTBarBarBB - choir: SSAATTBB...(+)
Chorus (with soloists)
and piano (Soli:
SSSMezMezATTTTBarBarBB -
choir: SSAATTBB and child
ch - picc.2.2(cor
ang).2.B-clar.2 - 4.2.3.1
- timp.perc - hp - pno -
str - stage music: child
trp and child dr)
SKU:
BR.BES-3074
The
Queen of Spades - Opera
in 3 Acts. Composed
by Pjotr Iljitsch
Tschaikowsky. Choir;
Softcover. Bessel,
London. Opera; Music
theatre; Romantic.
Piano/Vocal Score. 10
pages. Duration 150'.
Breitkopf and Haertel
#BES 3074. Published by
Breitkopf and Haertel
(BR.BES-3074).
ISBN
9790004610008. 11.5 x 8.5
inches. Russian / French
/ German /
English.
Duration:
full eveningText by
Modest Tchaikovsky after
Alexander Puschkins
NovelTranslation: German
(W. Ebermann/M. Koerth
and collaboration by H.
Seeger); (R. Lauckner)
Place and time:
Petersburg, End of the
18th CenturyCharacters:
Hermann (tenor) - Count
Tomskij (baritone) -
Prince Jeletzkij
(baritone) -Czekalinskij
(tenor) - Ssurin (bass) -
Tschaplitzkij (tenor) -
Narumoff (bass) - The
Counts Wife
(mezzo-soprano) - Lisa
(soprano) - Pauline
(alto) - Governess
(mezzo-soprano) - Mascha
(soprano) - A Steward
(tenor) Characters of the
intermezzo: ChloE
(soprano) - Daphnis
(Pauline) (alto) - Plutus
(Count Tomskij)
(baritone) By the time
Tchaikovsky began writing
Pique Dame, he had
already composed eight
operas and had very well
developed ideas about the
drama and aesthetics of
the genre. Gustav Mahler,
who judged Pique Dame to
be Tchaikovskys most
mature and artistically
solid musical work, is
certainly not alone with
his opinion. A confession
made by Tchaikovsky a few
months before his death
show to want extent the
composer, after an
initial period of
hesitation, was possessed
by his work on this
opera: I composed it with
uncommon passion and
enthusiasm, suffered from
everything that happens
in it and related to it
with every fibre in my
body (it went so far that
I even feared the
apparition of the ghost
for a while). Now I hope
that all my enthusiasm,
excitement and devotion
will find an echo in the
hearts of receptive
listeners.