Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Published by Hal Leonard

Chamber Music Piano, Viola

SKU: PR.114417880

Composed by Behzad Ranjbaran. This edition: Piano Reduction with Solo Part. Sws. Contemporary. Set of Score and Parts. With Standard notation. Composed 2014. 38+40+12+20 pages. Duration 25 minutes. Theodore Presser Company #114-41788. Published by Theodore Presser Company (PR.114417880).

ISBN 9781491131664. UPC: 680160637089. 9x12 inches.

Commissione d by the Santa Rosa Symphony for Paul Silverthorne, principal violist of the London Symphony, the character of this grand three-movement work may best be described in the composer’s own words: “If I had to describe the character of each instrument in the orchestra, I would consider the viola to be the voice of wisdom, moderation, and prudence. However I find there is much flair and brilliance hidden beneath the surface. In my viola concerto I aimed to explore these contrasts: beauty and sweetness; agitation and angst; brilliance and virtuosity.”.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 5

SKU: CF.SPS89F

Composed by Nicholas Costanza. Sws. Sps. Full score. 32 pages. Duration 3 minutes, 52 seconds. Carl Fischer Music #SPS89F. Published by Carl Fischer Music (CF.SPS89F).

ISBN 9781491156490. UPC: 680160915033. 9 x 12 inches.

Program Notes This composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface. Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water. Performance Notes Ideally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range. Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments. The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.              .
Program NotesThis composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface.Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water.Performance NotesIdeally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range.Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments.The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.    � � Â Â .

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piccolo and more. - Grade 5

SKU: CF.SPS89

Composed by Nicholas Costanza. Folio. Sps. Set of Score and Parts. 2+8+8+4+4+8+8+8+4+4+4+4+4 +4+4+8+8+8+4+4+4+4+6+6+6+ 6+4+8+4+2+1+2+2+32 pages. Duration 3 minutes, 52 seconds. Carl Fischer Music #SPS89. Published by Carl Fischer Music (CF.SPS89).

ISBN 9781491156483. UPC: 680160915026. 9 x 12 inches.

Program Notes This composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface. Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water. Performance Notes Ideally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range. Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments. The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.              .
Program NotesThis composition for wind ensemble is partially inspired by my home town of Sebastian, specifically its location on the east coast of the state of Florida. My childhood included many quick trips to both the nearby Indian River and the beaches on the coast, so swimming and the water were integral parts of my experience growing up. This work is my musical expression of diving underwater and getting swept up by a fast current and discovering wonders beneath the surface.Dive! has two central components: a constant, driving eighth-note pulse and a main theme which is fragmented and passed around at first, but then is presented completely by the low reeds around a minute and a half into the piece. The steady eighth-note pulse reflects the swift current that a diver might follow, while the main theme represents all the wonders that might be hidden under the water.Performance NotesIdeally, the Trombone 3 part should be played on a Bass Trombone. However, if one is not available there are cues for notes that are beneath a tenor trombone's range.Make sure the vibraphone is heard clearly throughout the piece, as this particular sound is very important to the overall color of this piece. The Percussion 5 part requires two performers as some of the hits happen too quickly for one player to switch between instruments.The most important component of this work is the steady eighth-note pulse, and this pulse never changes even though the meter changes frequently to odd or uncommon time signatures; if the eighth notes remain constant and driving, the meter changes will not pose much of a problem.    � � Â Â .

(Authentic Guitar TAB). For Guitar. This edition: Authentic Guitar TAB. Artist/Personality; Authentic Guitar TAB; Book; Guitar Personality; Guitar TAB. Rock. 128 pages. Published by Alfred Music Publishing

Concert Band - Grade 2

SKU: PE.TSGB035

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble; Single Titles. Score and Part(s). Edition Peters #98-TSGB035. Published by Edition Peters (PE.TSGB035).

UPC: 038081593401.

What lurking beneath the frozen surface!? Only one way to find out. Tyler S. Grant's Under the Ice is a thrilling programmatic adventure of monster and myth! Beginning with a mysterious introduction to the timid tundra, the music depicts shadows beneath the ice surface. The audience will feel the ice break beneath their feet, followed by an adrenaline-filled chase scene to outrun the monster's attack. Programmatic writing at its finest! (4:00)

Original Item#: TSG-B035.

Concert Band - Grade 2

SKU: PE.TSGB035S

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble; Single Titles. Score. Edition Peters #98-TSGB035S. Published by Edition Peters (PE.TSGB035S).

UPC: 038081593418.

What lurking beneath the frozen surface!? Only one way to find out. Tyler S. Grant's Under the Ice is a thrilling programmatic adventure of monster and myth! Beginning with a mysterious introduction to the timid tundra, the music depicts shadows beneath the ice surface. The audience will feel the ice break beneath their feet, followed by an adrenaline-filled chase scene to outrun the monster's attack. Programmatic writing at its finest! (4:00)

Original Item#: TSG-B035S.

SKU: GI.G-CD-861

Sacred. CD. GIA Publications #861. Published by GIA Publications (GI.G-CD-861).

UPC: 785147086123.

Coura ge Can Cry is an album about victory over adversity. It glories in the triumph of the human spirit as the ghosts of fear are laid to rest. These are songs that will prompt you to rediscover the courage that lies beneath the surface of your soul. You will be inspired by the lives of many who dared to give a voice to those who have none. An ancient French writer, Blaise Paschal, who wrote, “We should always keep something beautiful in our hearts,” was the inspiration for many of the texts. These songs are meant to awaken hope and a new awareness of all that lies beneath and within, and they will help you realize that courage can cry louder than any fear or fault.

For Orchestra and Prerecorded Soundscape. Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Duration 630 seconds. Published by Activist Music

By Larry Christensen. For SATB, Solo Voice with Piano. Choral. Baptism, Discipleship, Spiritual, General. Medium. Published by MorningStar Music Publishers

By Tennessee Tech Tuba Ensemble. By Various. For tuba ensemble. Mark Records. Audio CD. Published by Mark Custom Music

2 guitars - easy

SKU: DZ.DZ-3807

Composed by Fernando Sor. Arranged by Eddie Healy. Score (2). Les Productions d'OZ #DZ 3807. Published by Les Productions d'OZ (DZ.DZ-3807).

ISBN 9782897957247.

Piano

SKU: BT.EMBZ1764

Composed by Bela Bartok. Book Only. Composed 1954. 4 pages. Editio Musica Budapest #EMBZ1764. Published by Editio Musica Budapest (BT.EMBZ1764).

English-German-Hungari an.

'In August [Bartók] heard the fifty-year-old Áron Balogh playing the peasant flute in Gyergyóteker patak in Cs k district. He arranged three songs under the title From Gyergyó, for tilinkó [peasant flute] and piano, and the piano transcription of this occasional composition presented to Stefi Geyer as 'Three Hungarian Folksongs from the Cs k District'. In all three versions Bartók retained the rich ornamentation of the flute version, and added a modal accompaniment to the melodies in a church mode. After the first two rubato melodies, notated in alternating time signatures, he concluded with a melody in strict 'giusto' rhythm. It is in this latter that the pentatonic skeletonbeneath the diatonic surface can best be felt. Bartók notated the pentatonic vocal version of this melody on this same field trip, and arranged it in the series 'Eight Hungarian Folksongs'.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).