| 20 Traditional Wedding Solos for Cello or Bassoon
Violoncelle, Piano [Reduction] - Intermédiaire/avancé Last Resort Music Publishing
Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Rec...(+)
Edited by Jan Kelley.
Arranged by Daniel
Kelley. For Cello and
Piano. Solos. Recital,
Wedding. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
$24.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| MBGU Fingerstyle Curriculum - Best Traditional Folk Solos Guitare notes et tablatures [Partition + CD] - Intermédiaire Mel Bay
Compiled by William Gangel, edited by Steve Siktberg. For Guitar (Fingerpicking)...(+)
Compiled by William
Gangel, edited by Steve
Siktberg. For Guitar
(Fingerpicking). Solos.
MBGU. Acoustic Music.
Level: Intermediate.
Book/CD Set. Size
8.75x11.75. 96 pages.
Published by Mel Bay
Publications, Inc.
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Do Not Walk Alone Chorale SATB Beckenhorst Press
Composed by Elaine Hagenberg. Octavo. Beckenhorst Press #BP2212. Published by ...(+)
Composed by Elaine
Hagenberg.
Octavo. Beckenhorst Press
#BP2212. Published by
Beckenhorst Press
$2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Will Be a Child of Peace Chorale SSAA Beckenhorst Press
Composed by Elaine Hagenberg. Sacred. Octavo. Published by Beckenhorst Press (BP...(+)
Composed by Elaine
Hagenberg. Sacred.
Octavo. Published by
Beckenhorst Press
(BP.CU1050).
$2.15 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Suite bergamasque, CD 82 Piano seul Petrucci Library Press
Piano SKU: SA.41311 Composed by Claude Debussy. Suites, Original Works. R...(+)
Piano SKU:
SA.41311 Composed by
Claude Debussy. Suites,
Original Works. Reprint
Source: Edwardsville:
Petrucci Library Press,
2012. Impressionist,
French. Piano score.
Composed 1905. 24 pages.
Petrucci Library Press
#41311. Published by
Petrucci Library Press
(SA.41311). ISBN
9781608741311. 9.5 x 12.5
inches. This is a
new urtext score of
Debussy's masterwork
first published in 1905.
Unlike so many of the
on-demand scores now
available, this one comes
with all the pages and
the images have been
thoroughly checked to
make sure it is readable.
The score is beautifully
printed on large size (9
x 12) off-white stock
with a quality cover, all
saddle-stitched in the
traditional sheet music
binding. As with all PLP
scores a percentage of
each sale is donated to
the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library. $6.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jungfrun och bergakungen Chorale SATB Gehrmans Musikforlag
SATB choir SKU: GH.CG-3568 Composed by Selim Segerstam. Octavo. With Lang...(+)
SATB choir SKU:
GH.CG-3568 Composed
by Selim Segerstam.
Octavo. With Language:
Swedish. Gehrmans
Musikforlag #CG 3568.
Published by Gehrmans
Musikforlag (GH.CG-3568).
ISBN 9790070009584.
185 x 262 mm inches.
Text:
Traditional. $3.60 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| As the Rain Hides the Stars Chorale SATB SATB divisi Hinshaw Music Inc.
Composed by Elaine Hagenberg. Hinshaw Music. Octavo. 12 pages. Hinshaw Music ...(+)
Composed by Elaine
Hagenberg. Hinshaw Music.
Octavo. 12 pages. Hinshaw
Music Inc. #HMC2523.
Published by Hinshaw
Music
Inc.
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Il etait une bergere Piano seul - Facile EBR Editions Bourges
Performed by Various Artists. By Traditional. Arranged by Patrice Bourges. For p...(+)
Performed by Various
Artists. By Traditional.
Arranged by Patrice
Bourges. For piano with
lyrics. This edition:
Editions Bourges R.
Comptine. Comptine
(Counting Rhyme). Level:
3. Sheet music. Size 8.19
x 11.583. 2 pages.
Published by Editions
Bourges (French import).
$7.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Early Music for Recorder: (DeSmet) Flûte à Bec - Facile Music Sales
By Robin Desmet (Arranger). For Recorder, with chord symbols. Traditional. Shee...(+)
By Robin Desmet
(Arranger). For Recorder,
with chord symbols.
Traditional. Sheet Music.
32 pages. Published by
Music Sales.
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Traditional Fairground Suite Van Teeseling
Guitar SKU: VT.VT-410 Composed by Jan van den Langenberg. Solo. Van Teese...(+)
Guitar SKU:
VT.VT-410 Composed by
Jan van den Langenberg.
Solo. Van Teeseling #VT
410. Published by Van
Teeseling (VT.VT-410).
$16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| I Know Where I m Goin Chorale 3 parties SSA [Octavo] - Intermédiaire Santa Barbara Music Publishing
Arranged by Neil Ginsberg. For SSA. Choral music. Level: Medium. Published by Sa...(+)
Arranged by Neil
Ginsberg. For SSA. Choral
music. Level: Medium.
Published by Santa
Barbara Music Publishing.
(SBMP 285)
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Descants to Traditional Hymns [Vocal Score] Subito Music
(Thirty-Seven Soprano Descants). By Dan Locklair (1949-). For Soprano Solo. Chor...(+)
(Thirty-Seven Soprano
Descants). By Dan
Locklair (1949-). For
Soprano Solo. Choral
Score. Composed 2007-08.
Published by Subito Music
Corporation
$7.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Beethoven: Christus am Olberge Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Orchestra Solo STB, Coro SATB (auch Mannerchor TTTBB), 2 Fl, 2 Ob, 2 Clt, 2 Fg, ...(+)
Orchestra Solo STB, Coro
SATB (auch Mannerchor
TTTBB), 2 Fl, 2 Ob, 2
Clt, 2 Fg, 2 Cor, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Vc,
Cb SKU: CA.2302007
Composed by Ludwig van
Beethoven. Edited by
Clemens Harasim.
Innovative practice aids,
Sacred vocal music,
Oratorios. Study score.
Op. 85. Duration 54
minutes. Carus Verlag #CV
23.020/07. Published by
Carus Verlag
(CA.2302007). ISBN
M-007-24884-0.
German/English. Text:
Franz Xaver
Huber. In his
Passion oratorio Christus
am Olberge [The Mount of
Olives], Beethoven
succeeded firstly in
building on the 18th
century tradition, and
secondly in putting his
own personal stamp on the
nascent genre of
German-language oratorio
- the Vienna performances
of Haydn's Die Schopfung
and Die Jahreszeiten had
only taken place a few
years earlier. In
composing the work he
looked towards
contemporary opera, using
a text by an opera
librettist to depict in
music the dramatic
situation of the doubting
Jesus in the Garden of
Gethsemane and his
arrest. Yet we do not do
justice to Beethoven's
work if we simply regard
it as a successor work to
Graun's Der Tod Jesu or
even Bach's St Matthew
Passion. Beethoven's
Christus am Olberge is
characterized less by
religious devotion and
much more by the dramatic
realization of a specific
situation in the Passion
story in deeply-felt
musical scenes. With its
magnificent, almost
operatic music, this is a
different Passion
oratorio which is
definitely worth hearing
and experiencing - and in
this form it is without
doubt unique in the
history of
vocal-instrumental sacred
music. The edition
follows the first printed
edition in music and
text; differences in the
text in the libretto
originally set by
Beethoven are given as a
second text, and a
singable English
translation is underlaid.
Score available
separately - see item
CA.2302000. $37.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Mahler-interpretation Aspekte Schott
SKU: HL.49007092 Aspekte zum Werk und Wirken von Gustav Mahler. Co...(+)
SKU: HL.49007092
Aspekte zum Werk und
Wirken von Gustav
Mahler. Composed by
Rudi Stephan. Edited by
Rudolf Stephan. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 196
pages. Schott Music #ED
7260. Published by Schott
Music (HL.49007092).
ISBN 9783795717889.
German. Dieser Band
enthalt die (zum Teil
erheblich erweiterten)
Referate, die aus Anlass
des Internationalen
Gustav-Mahler-Symposiums
in Dusseldorf gehalten
wurden. Neben die
Ergrundung der
musikalischen Werke
Mahlers (und ihrer oft
verschlungenen
Entstehunsgeschichte)
tritt hier reprasentativ
die der Arbeit des
Dirigenten Mahler, seine
Tatigkeit als Bearbeiter
klassischer Werke. Diese
Bearbeitungen - Retouchen
sagte man damals -
dienten stets der
Interpretation: der
Verdeutlichung des
musikalischen Inhalts,
wie Mahler ihn erkannte.
Dem selben Ziel galten
auch die standigen
Anderungen der
Instrumentation eigener
Werke.Ein wesentlicher
Aspekt der
Mahlerforschung ist die
Aufarbeitung der
Geschichte der Rezeption
der Werke, ihrer Wirkung
und ihr sich wandelndes
Verstandnis. Besonders
gewichtig erscheinen die
Bemuhungen um die
Begrundung einer
verlasslichen
Interpretationsanalyse
als der Voraussetzung
einer angemessenen
Erkenntnis der wahren
Mahler-Tradition. $45.95 - Voir plus => Acheter | | |
| Die Meistersinger von Nurnberg Orchestre [Conducteur d'étude / Miniature] Eulenburg
Introduction to Act 3. By Richard Wagner. (Study Score). Schott. 8 pages. Publi...(+)
Introduction to Act 3. By
Richard Wagner. (Study
Score). Schott. 8 pages.
Published by Eulenburg.
$11.99 - Voir plus => Acheter | | |
| Berlioz L'enfance Du Christ Op Eulenburg
Soloists (MezTBarB), choir and orchestra (STP) SKU: HL.49034080 Composed ...(+)
Soloists (MezTBarB),
choir and orchestra (STP)
SKU: HL.49034080
Composed by Hector
Berlioz. Edited by Roger
Fiske. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Study Score. Op.
25. 270 pages. Eulenburg
Edition #ETP 1092.
Published by Eulenburg
Edition (HL.49034080).
ISBN 9783795767495.
5.25x7.5x0.667 inches.
German - English -
French. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $31.95 - Voir plus => Acheter | | |
| Hear, O Israel Chorale SATB SATB, Clavier Schirmer
Composed by Rex Isenberg. E.C. Schirmer Publishing #8866. Published by E.C. S...(+)
Composed by Rex Isenberg.
E.C. Schirmer Publishing
#8866. Published by E.C.
Schirmer Publishing
$2.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bmmg Vol. 31 Schott
SKU: HL.49007906 Symphonie - Kirchenmusik - Melodrama. Composed by...(+)
SKU: HL.49007906
Symphonie -
Kirchenmusik -
Melodrama. Composed
by Christine
Heyter-Rauland and
Christoph Hellmut
Mahling. Edited by
Christine Heyter-Rauland
and Christoph Hellmut
Mahling. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 314 pages.
Schott Music #ED 8309.
Published by Schott Music
(HL.49007906). ISBN
9783795713331.
German. Im Fruhjahr
1987 hat ein Kolloquium
zu Fragen der
deutsch-tschechischen
Musikbeziehungen,
veranstaltet von der
Arbeitsgemeinschaft fur
Mittelrheinische
Musikgeschichte e.V., von
der Mozartgemeinde
Kurpfalz und vom
Musikwissenschaftlichen
Institut der Johannes
Gutenberg-Universitat
Mainz, in Mannheim
stattgefunden. Die auf
dieser Tagung gehaltenen
Referate lieferten
Beitrage zu dem
Generalthema allgemein,
aber auch speziell zu den
Gattungen Symphonie,
Kirchenmusik und
Melodrama. Die
vorliegende Publikation
fasst diese
Untersuchungen zusammen
und versucht auf diese
Weise, einen weiteren
Beitrag zur Geschichte
der Musikverbindungen
zwischen Mannheim und den
Gebieten Bohmens und
Mahrens beizusteuern. $51.00 - Voir plus => Acheter | | |
| Symphony No. 8 in B minor, D. 759 Unfinished Orchestre Symphonique [Conducteur d'étude / Miniature] Eulenburg
By Franz Schubert. Arranged by Teresa Reichenberger. (Study Score). Schott. Siz...(+)
By Franz Schubert.
Arranged by Teresa
Reichenberger. (Study
Score). Schott. Size
5.25x7.5 inches. 108
pages. Published by
Eulenburg Germany
(Schott).
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rococo Variations Sikorski
(Violoncello and Wind Quintet Score and Parts). By Peter Ilyich Tchaikovsky (184...(+)
(Violoncello and Wind
Quintet Score and Parts).
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by David
Stromberg. For Cello,
Woodwind Quintet (Score
and Parts). Ensemble.
Book only. Sikorski
#SIK1736. Published by
Sikorski
$52.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up, Shepherd! Carl Fischer
Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2 SKU: CF.CM9634 Com...(+)
Choral Bass 1, Bass 2,
baritone voice tenor 1,
tenor 2 SKU:
CF.CM9634 Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual. Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 5 Variations Piano seul Breitkopf & Härtel
Piano SKU: BR.EB-9420 Based upon a Theme by Franz Schubert. Compos...(+)
Piano SKU:
BR.EB-9420 Based
upon a Theme by Franz
Schubert. Composed by
Helmut Lachenmann. Solo
instruments; stapled.
Edition Breitkopf. World
premiere: Stuttgart,
1957. Variations; Music
post-1945; New music
(post-2000). Score.
Composed 1956. 12 pages.
Duration 7'. Breitkopf
and Haertel #EB 9420.
Published by Breitkopf
and Haertel (BR.EB-9420).
ISBN 9790004188972. 9
x 12 inches. Obwohl
die Variationen
vorwiegend von rationalen
Kompositionsmitteln in
Anlehnung an
Reihentechniken
Schonbergs und des spaten
Strawinsky gepragt sind,
ist in ihnen das
spielerische
musikantische Element und
der tanzerische
Charakter, wenn auch
immer wieder anders
gebrochen, erhalten
geblieben. (Helmut
Lachenmann, 1985) Das
burgerliche Denken ist
gekennzeichnet durch ein
hochentwickeltes System
von
Verdrangungsmechanismen,
welche die Isolation,
Entfremdung, Angst und
Sprachlosigkeit des
Individuums uberspielen
sollen. Unser
Kulturbetrieb ist ein
wesentlicher Teil dieses
Verdrangungssystems. In
diesem Sinn hat er die
Tradition in Beschlag
genommen: die Illusion
einer in Wirklichkeit
langst verlorenen
gemeinsamen
Verstandigungsbasis
bewahrt er durch die
Konservierung und
Fetischisierung
historischer asthetischer
Kategorien und daran
gebundener
Wertvorstellungen; als
Synonym fur tabuisierte
Konvention bildet
Tradition heute einen
verraterischen Teil
dieser unserer
Wirklichkeit. Die Funf
Variationen uber ein
Thema von Franz Schubert
sind 1956, also noch vor
meinem Studium bei Nono,
entstanden. In ihnen ist
jener oben ausgefuhrte
gesellschafts- und
kulturbetriebskritische
Ansatz noch kaum
erkennbar, eher keimhaft
verborgen. Ich mag das
Stuck so, wie einer
vielleicht Souvenirs aus
seiner Jugend mag. Es ist
vorwiegend von rationalen
Prinzipien in Anlehnung
an Motivtechniken
Schonbergs und des spaten
Strawinsky gepragt, und
doch ist das
musikantische Element und
der tanzerische
Charakter, wenn auch
immer anders gebrochen,
erhalten geblieben. Noch
nicht ausgepragt ist
hierin der Widerstand
gegen Tradition, insofern
deren Kategorien als
herrschende Konventionen
jenen zuvor erwahnten
burgerlichen
Verdrangungsmechanismen
unterstellt sind. Helmut
Lachenmann (aus:
Programmheft Tage der
Neuen Musik, Wurzburg
1989) CDs: Roland Keller
CD col legno 429 356-2
Lars Vogt CD EMI
567-754446-2 Susanne
Kessel (piano) CD Arte
Nova 74321 75498 2
Herbert Schuch (piano)
(Mitschnitt des
Preistragerkonzerts des
Klavier-Festivals Ruhr
vom 27. Mai 2006 in
Dusseldorf)
Intitiativkreis
Ruhrgebiet in
Zusammenarbeit mit der
Zeitschrift FonoForum und
WDR3 (Beilage FonoForum
August 2006) Herbert
Schuch (piano) CD Oehms
Classics, OC 593 CD Oehms
Classics, OC 012 (8
CDs)
World
premiere: Stuttgart,
1957. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Violin Concerto Orchestre, Violon [Conducteur d'étude / Miniature] Eulenburg
Orchestra; Violin (Study Score) SKU: HL.49046240 Violin and Orchestra ...(+)
Orchestra; Violin (Study
Score) SKU:
HL.49046240 Violin
and Orchestra Study
Score. Composed by
Alban Berg. Edited by
Douglas Jarman. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed 1935.
92 pages. Duration 1740
seconds. Eulenburg
Edition #ETP1906.
Published by Eulenburg
Edition (HL.49046240).
ISBN 9783795714536.
UPC: 888680964696.
6.0x9.0x0.237
inches. The violin
concerto from 1935 is
probably the best-known
and most frequently
performed instrumental
work by Alban Berg.
Written on behalf of the
violinist Louis Krasner,
it is his last completed
composition. Krasner
played the solo part at
the world premiere at the
Palau de la Música
Catalana in Barcelona on
19 April 1936 after
Berg's death. The concert
is dedicated to
“The Memory of an
Angel.†Berg
processed the death of
18-year-old Manon
Gropius, who had
contracted polio, and his
daughter Alma
Mahler-Werfel's marriage
to architect Walter
Gropius. His intention
was “to translate
the traits of the young
girl into musical
charactersâ€. With
more than 1,200 titles
from orchestral and
choral literature,
chamber music and music
theater, Edition
Eulenburg is the largest
score series in the
world. It covers a large
part of music history
from the baroque to
classical modernism and
looks back on a long
tradition. $22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scarborough Fair - Intermédiaire Excelcia Music Publishing
Jazz Band Jazz Band - intermediate SKU: XC.ZJE2101FS Composed by Traditio...(+)
Jazz Band Jazz Band -
intermediate SKU:
XC.ZJE2101FS Composed
by Traditional English.
Arranged by Kris Berg.
Up-tempo Swing, Concert,
Festival. Jazz Zenith.
Up-tempo Swing, Concert,
Festival. Score. Excelcia
Music Publishing
#ZJE2101FS. Published by
Excelcia Music Publishing
(XC.ZJE2101FS). UPC:
812598037913. 9 x 12
inches. Written for
the wonderful saxophonist
Chris Vadala, arranger
Kris Berg has fashioned a
contemporary sounding
chart in D minor that
moves from a loose, open
swing to a straight-ahead
swing groove. Terrific
development of melodic
material from the tune is
paired with a recurring
triplet figure that ties
the chart together. Solo
space for Tenor Saxophone
and Trumpet (with Harmon
mute) is included. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scarborough Fair - Intermédiaire Excelcia Music Publishing
Jazz Band Jazz Band - intermediate SKU: XC.ZJE2101 Composed by Traditiona...(+)
Jazz Band Jazz Band -
intermediate SKU:
XC.ZJE2101 Composed
by Traditional English.
Arranged by Kris Berg.
Up-tempo Swing, Concert,
Festival. Jazz Zenith.
Up-tempo Swing, Concert,
Festival. Set of parts.
Excelcia Music Publishing
#ZJE2101. Published by
Excelcia Music Publishing
(XC.ZJE2101). UPC:
812598038132. 9 x 12
inches. Written for
the wonderful saxophonist
Chris Vadala, arranger
Kris Berg has fashioned a
contemporary sounding
chart in D minor that
moves from a loose, open
swing to a straight-ahead
swing groove. Terrific
development of melodic
material from the tune is
paired with a recurring
triplet figure that ties
the chart together. Solo
space for Tenor Saxophone
and Trumpet (with Harmon
mute) is included. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| NUN Breitkopf & Härtel
(solos: fl,tbne - TTTTBBBB - 3(3picc).4.3.0.dble bsn. - 4.3.0.2. - timp.perc(3) ...(+)
(solos: fl,tbne -
TTTTBBBB -
3(3picc).4.3.0.dble bsn.
- 4.3.0.2. - timp.perc(3)
- hp.e-guit - str:
16.8.8.8.8.) SKU:
BR.PB-5420 Composed
by Helmut Lachenmann.
Softbound.
Partitur-Bibliothek
(Score Library). Music
post-1945; New music
(post-2000). Study Score.
Composed 1997-1999/2003.
Duration 38'. Breitkopf
and Haertel #PB 5420.
Published by Breitkopf
and Haertel (BR.PB-5420).
ISBN 9790004211830. 9
x 12
inches. Vielleicht
so etwas wie ein
,,Parergon zu meiner
Madchen-Oper Zwei
Klangquellen - unter
ambivalenten Aspekten
zugleich homogen und
heterogen, nicht so ohne
weiteres zusammenpassend:
- Posaune und
Flote/Bassflote - (mit
Resonanzen aus zwei
Konzertflugeln), 8
Mannerstimmen - alle
erzeugen Tone, und Luft,
Zweiklange, Vibrationen,
Schwebungen, Rattern,
Konsonanzen. Und rattern
und sprechen - und
japsen, Orchester mit 4
Oboen, 3 Floten, 3
Klarinetten, zwei
Kontrafagotten
(unterbeschaftigt), 4
Horner, drei Trompeten,
keinen Posaunen, 2 Tuben,
die in der Tiefe rappeln,
zwei Klavieren,
Gitarre-Harfe, Streicher
(,,Perforateure), 3
Schlagzeuger, rappeln
(Fellwirbel), - und
schwingen China-Becken
durch die Luft, dampfen
aus und vorzeitig ab
(,,japsen) und: halten
aus. Musik zum Aushalten,
ist nicht zum Aushalten.
Ein Orchester mit vielen
Unisono-Quellen Es ist
immer wieder auf andere
Weise - jedes Mal das
gleiche: Musik, nicht als
Text, nicht als
diskursiver Verlauf, gar
als klingendes Drama, -
eher eine Art kunstliches
und als Produkt einer
komplexen Spekulation
zugleich transzendentes
Natur-Schauspiel, als
,,reine Prasenz - (Das
sind allerdings
Wort-Hulsen, die schlecht
an das erinnern, was sie
nicht mehr zu nennen, zu
fassen wagen bzw.
imstande sind. Begriffe,
die es abzurufen und
zugleich im Blick auf die
Sache selbst
auszustreichen gilt.):
Sie zu beschworen, ohne
dabei in schlecht
besinnliche ,,meditative
Idyllen, bzw. idyllische
Standards zu verfallen,
gehort zu meinen
zentralen Utopien - Ihre
Wunschbarkeit/Stringenz/e
xistentielle
Notwendigkeit, ,,Wahrheit
ist hienieden nicht zu
trennen von ihrer
Unmoglichkeit, wegen der
Standardisiertheit aller
Mittel, auf der ihre
Verwirklichung, ihre
Anpeilung, ihre
Ins-Werk-Setzung
verwiesen ist. Aber:
alles soll/wird in dieser
wie auch immer
vermittelten Prasenz
beruhrt, erlost, befreit
sein. Kann man
Erfahrungen, deren
Unmoglichkeit, deren
Verschuttetheit man sich
bewusst macht, vermitteln
durch den Kampf gegen
diese Unmoglichkeiten,
Verschuttetheiten (=
Unfreiheiten)??? Wer bin
ich? Was ist das: das
ich, das solche Suche,
solches Abenteuer,
solchen Kampf gegen die
Materie auf sich nimmt??
Das ,,Ich ist kein Ding,
sondern ein Ort (Kitaro
Nishida - aber ich bin
kein Buddhist, und auch
kein Zen-Monch, sondern
ein Anfanger in allem,
auch im Komponieren des
jeweilig konzipierten
Stucks.) Das Wasser
wascht das Wasser nicht -
das Feuer verbrennt das
Feuer nicht - der Schmerz
selbst tut nicht weh. Der
Genuss geniesst nicht.
Das Horen hort nicht, das
Leben lebt nicht - und so
lebt es. Das Ich ist
nicht das ich. Musik ist
nicht Musik, ist
Nicht-Musik: die einzige
Musik, die den Namen in
seiner emphatischen
Bedeutung verdient. Musik
sei Nicht Musik??
Sondern?? Ja - sondern.
Komponieren heisst:
sondern. Utopien
kompositorisch zu
beschworen, bedeutete fur
meinen Mechanismus stets:
ihre Verschuttetheit. Und
das was - nicht zufallig
- sie verschuttet hat.
Oder zu verschutten
droht, in den Griff zu
nehmen.Helmut Lachenmann
(Skizze)Mitten in meiner
Oper Das Madchen mit den
Schwefelholzern - nach
Hans Christian Andersen
-, die im winterlichen
eiskalten Kopenhagen
spielt, gibt es einen
Sprung in die mediterrane
Vulkanlandschaft
Suditaliens, wo - nach
einem Text von Leonardo
Da Vinci - ,,die
Schwefelfeuer den grossen
Berg offnen, um Steine
und Erde samt den
heraustretenden und
herausgespieenen Flammen
durch die Luft zu
schleudern, und im
Ausbruch ,,jedes
Hindernis verjagen, das
sich ihrem ungestumen
Wuten entgegenstellt.
Leonardo sieht in diesem
Naturvorgang eine
Metapher fur die Unruhe
des menschlichen Herzens
bei der Suche nach
Erkenntnis. Er beschreibt
eine Wanderung durch die
schattigen Klippen
hindurch bis vor den
Eingang einer grossen
Hohle, vor welcher der
Erzahlende ,,im Gefuhl
der Unwissenheit eine
Zeitlang verharrt: ,,Ich
hockte mit gekrummtem
Rucken, die mude Hand
aufs Knie gestutzt,
beschattete ich mit der
Rechten die gesenkten und
geschlossenen Wimpern: -
und n u n -, da ich mich
mehrmals hin und her
beugte, um in die Hohle
hineinzublicken, verbot
mir das die grosse
Dunkelheit, die darin
herrschte. Als ich aber
eine Zeitlang verharrt
hatte, erwachten in mir
zwei Gefuhle: Furcht und
Verlangen - Furcht vor
der drohenden Dunkelheit
der Hohle, Verlangen
aber, mit eigenen Augen
zu sehen, was an
Wunderbarem darin sein
mochte. Diesem ,,n u n
ist meine Komposition
gewidmet: Sie - ahnlich
wie auf andere Weise mein
Klavierkonzert Ausklang -
ist sozusagen ,,meine
Alpensymphonie. Anders
als bei Strauss
allerdings beschwort sie
Energien und Eruptionen
in einer Klanglandschaft
weitab von jeglicher
musiksprachlichen
Geborgenheit. Wahrend im
Strauss'schen Meisterwerk
der Wanderer aus
stimmungsvollem
b-moll-Morgennebel
aufbricht - allerdings
erst den in A-Dur
strahlenden Sonnenaufgang
abwartet ... - und in
frohlichem Es-Dur
lossturmend auf tonal
gesicherten Wegen zum
majestatischen
C-dur-Gipfel glucklich
hinaufgelangt - den er
allerdings bei
hereinbrechendem Unwetter
eilends verlasst, um ins
schutzende Tal
hinabzufluchten -,
verharrt der Wanderer
Leonardos in NUN in
unwirtlicher Hohe vor
jener Furcht und
Verlangen erregenden
Hohle. Meine Musik,
sozusagen als brodelnder
Krater beginnend,
verwandelt sich in eine
Sequenz von Rufen, deren
Widerhall die ,,drohende
Finsternis zu
durchdringen und
auszuloten versucht, und
sie mundet - auf dem
Umweg uber eine Art
,,Tanz auf dem Vulkan der
beiden Solo-Instrumente -
in eine instrumental
paraphrasierte
Sprech-Landschaft, als ob
das Zischen und Fauchen,
nichts weiter wiedergabe
als die erweiterten
Konsonanten eines
gesprochenen imaginaren
Textes. Dieser
schliesslich - als
Botschaft des im
Ungeborgenen nach
Erkenntnis Suchenden -
konkretisiert sich zu
jenem abgrundigen Satz
des japanischen
Philosophen und Grunders
der ,,Kyoto-Schule,
Kitaro Nishida: ,,Das Ich
ist kein Ding, sondern
ein Ort. Die Beziehung
meines Werks zur
Strauss'schen
Alpensymphonie - der
Komponist wollte sie
ursprunglich nennen ,,der
Antichrist - ist in ihrer
antipodischen
Gegensatzlichkeit
evident. Es ist eine
machtvolle, letztlich
aber gutige, dem Menschen
zugewandte, idyllische
Natur, die bei Strauss
beschworen wird, und den
nachtlich in die
hausliche Behaglichkeit
Heimkehrenden erfullt
Ehrfurcht und
Dankbarkeit: es ist ein
,,glaubiger Antichrist,
und die Pastorale
Beethovens lasst grussen.
Wie alles von Strauss war
es ein - s e i n -
letzter (oder vorletzter
...) Blick auf ein
zerfallendes Paradies
(1915 geschrieben ...).
Heute ist vielleicht
jedes Werk, welches sich
den innovativen Anspruch
von musikalischer
Tradition zu Eigen
gemacht hat und im 21.
Jahrhundert den
Musikbegriff jenseits
tonaler
Sprachvertrautheit in
ungesichertem
Klang-Terrain neu zu
bestimmen sucht - eine
Art Bergbesteigung in
weglosem Gelande, und
wenn schon nicht eine
,,Alpensymphonie, so doch
eine Gratwanderung:
abenteuerlich -
verlockend - nicht
ungefahrlich: ,,non hay
caminos .... Helmut
Lachenmann (Februar
2003)CDs: Gaby Pas-Van
Riet (flute), Michael
Svoboda (trombone), Neue
Vocalsolisten Stuttgart,
WDR Sinfonieorchester
Koln, cond. Jonathan Nott
CD KAIROS
0012142KAIDietmar Wiesner
(flute), Uwe Dierksen
(trombone), SCHOLA
Heidelberg, Ensemble
Modern Orchestra, cond.
Markus
StenzEMCD-004Bibliography
:Hidalgo, Manuel: Mozart
in Lachenmann, in: auf
(-) und zuhoren. 14
essayistische Reflexionen
uber die Musik und die
Person Helmut
Lachenmanns, hrsg. von
Hans-Peter Jahn, Hofheim:
Wolke 2005, pp.
35-46.Hiekel, Jorn Peter:
Interkulturalitat als
existentielle Erfahrung.
Asiatische Perspektiven
in Helmut Lachenmanns
Asthetik, in:
Nachgedachte Musik.
Studien zum Werk von
Helmut Lachenmann, hrsg.
von Jorn Peter Hiekel und
Siegfried Mauser,
Saarbrucken: Pfau 2005,
pp. 62-84.Kaltenecker,
Martin: Was nun? Die
Musik Helmut Lachenmanns
als Beispiel, in: Der
Atem des Wanderers. Der
Komponist Helmut
Lachenmann, hrsg. von
Hans-Klaus Jungheinrich,
Mainz: Schott 2006, pp.
113-128.Maier, Birgit;
Britz, Vanessa; Arnold,
Miriam: Helmut
Lachenmann: NUN, in:
Flote aktuell (2003),
Heft 4, pp. 20-24.Pas-Van
Riet, Gaby: On NUN, in:
Helmut Lachenmann Inward
Beauty, hrsg. von Dan
Albertson, Contemporary
Music Review 23 (2004),
Heft 3/4, p.
165f.Svoboda, Mike: NUN
An Inside View, in:
Helmut Lachenmann Inward
Beauty, hrsg. von Dan
Albertson, Contemporary
Music Review 23 (2004),
Heft 3/4, pp.
161-164.Wellmer,
Albrecht: Helmut
Lachenmann: Die Befreiung
des Klangs in der
konstruktivistischen
Tradition der
europaischen Moderne, in:
ders., Versuch uber Musik
und Sprache, Munchen:
Hanser 2009, pp.
270-299.Utz, Christian:
Paradoxien musikalischer
Temporalitat. Die
Konstruktion von
Klanggegenwart im
Spatwerk Bernd Alois
Zimmermanns im Kontext
der Prasenzasthetik bei
Giacinto Scelsi, Gyorgy
Ligeti, Morton Feldman
und Helmut Lachenmann,
in: Die Musikforschung 68
(2015), pp.
22-52.
World
premiere: Cologne (Musik
der Zeit), October 20,
1999 World premiere of
the revised version:
Berlin, Konzerthaus,
January 17, 2003. $102.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| In The Bleak Midwinter Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with ...(+)
Jazz Ensemble standard
Jazz ensemble (Kendor
Konvertible for 9-17
players) with opt. flute,
clarinet, F horn, tuba
and vibes - Grade 2
SKU: KN.60340
Composed by Traditional.
Arranged by Kris Berg.
Jazz Gateway. (Kendor
Konvertible for 9-17
players). Bossa Nova.
Score and parts. Kendor
Music Inc #60340.
Published by Kendor Music
Inc (KN.60340). UPC:
822795603408. Perfe
ct for developing groups,
the chart starts with a
traditional chorale, and
then morphs into a clever
re-harmonization of the
classic carol while
embracing the bossa nova
style. The open solo
section (written or ad
lib) can be played by any
soloist, with solo sheets
provided in all keys
along with scales to
assist students in
improvisation. Featuring
Kendor Konvertible
scoring for 9-17 players,
each set includes a
guitar chord chart by Jim
Greeson and optional
flute, clarinet, horn in
F, tuba and vibes parts.
Duration 3:30. Available
in SmartMusic. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nordanvind Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade
4.5 SKU: CF.SPS71
Composed by Carl
Strommen. Set of Score
and Parts. With Standard
notation.
2+16+4+8+8+8+4+4+2+4+4+4+
4+6+6+6+4+4+4+4+6+6+6+6+4
+8+3+2+12+2+4+28 pages.
Duration 6 minutes, 26
seconds. Carl Fischer
Music #SPS71. Published
by Carl Fischer Music
(CF.SPS71). ISBN
9781491143544. UPC:
680160901043. Key: G
minor. Nordanvind
is a tour de force
symphonic rhapsody that
is built on three
Scandinavian folk songs.
Composer Carl Strommen
has composed these
Viking-influenced
melodies into a concert
setting that brings out
all of the history of the
Scandinavian people. The
piece is at times bold
and aggressive, at other
times beautiful. Carl
employs all of the
instrumental colors of
the concert band to
create a new work for
more advanced
ensembles. Modern
Scandinavians are
descendants of the
Vikings, an adventuresome
people who were known for
their love of the sea,
their naval prowess, and
as fierce fighters . The
Scandinavian Vikings were
warriors from Denmark,
Norway, and Sweden who
traded, raided and
settled in various parts
of Europe, Russia, the
North Atlantic islands,
and the northeastern
coast of North America
.Starting around 1850,
over one million Swedes
left their homeland for
the United States in
search of religious
freedom and open farm
land . Augustana College
was founded in 1860 by
graduates of Swedish
universities and is
located on the
Mississippi River in Rock
Island, Illinois . Home
of the
“Vikings,â€
Augustana College is the
oldest Swedish- American
institution of higher
learning in the United
States . This powerful
and lively piece takes
inspiration from Swedish
history and from Swedish
folk songs and hymns
.Havsdrake (Dragon of the
Sea)The Nordanvind or
“North Windâ€
blows a cold wind during
a journey of a group of
courageous Viking rowers
. The
“Dragon-shipâ€
or long ships designed
for raiding and war was a
sophisticated, fast ship
able to navigate in very
shallow water . To
musically portray these
magnificent seafaring
vessels, the director is
encouraged to use an
Ocean Drum (or a rain
stick) during the
introduction . Wind
players may consider
blowing air through their
instruments to suggest
the North wind . Adding
men’s voices to
accompany the haunting
low brass and percussive
“rowerâ€
sounds can be helpful in
creating the dark and
ominous portrayal of
Viking adventurers
.Slangpolska efter Byss -
KalleIn Sweden, a
“polska†is a
partner dance where the
dancers spin each other
(släng in Swedish
“to sling or
tossâ€) .
Slangpolska efter Byss -
Kalle is attributed to
Byss-Kalle, who was a
notable Swedish folk
musician, specifically a
nyckelharpa player .
Slangpolska efter Byss -
Kalle is a traditional
“polskaâ€
dance song most often
played on the Nyckelharpa
or keyed fiddle and is
commonly heard in pubs
and at festive events
throughout Sweden .
Approximately 10,000
nyckelharpa players live
in Sweden today, and the
Swedish and the American
Nyckelharpa Associations
are dedicated to this
Swedish National
instrument . The director
is encouraged to share
video and audio examples
of the nyckelharpa
playing the original
Slangpolska efter Byss -
Kalle .Tryggare Kan Ingen
Vara (Children of the
Heavenly Father)Tryggare
Kan Ingen Vara Is a
traditional Swedish
melody, possibly of
German roots, and was
believed to be arranged
as a hymn by the Swedish
hymn writer, Karolina
Wilhelmina Sandell-Berg
(1832–1903) . As a
daughter of a Swedish
Lutheran minister, she
began writing poems as a
teenager and is said to
have written over 1,700
different texts . There
are two different
accounts as to the
inspiration for this hymn
. The first story is that
Lina (as she was called)
wrote the hymn to honor
her father and to say
thank you to him for
raising her and
protecting her . A second
belief is of her
witnessing the tragic
death of her father . She
and her father were on a
boat, when a wave threw
her father overboard . It
was said that the
profound effect of
watching her father drown
is what caused Lina to
write the text to this
hymn . Although this is a
treasured song to people
of Swedish descent
everywhere, it speaks to
all people about a father
tending and nourishing
his children, and
protecting them from evil
.SPS71FThe Augustana
College Concert
BandFounded in 1874, the
Augustana Band program is
one of the oldest
continuously active
collegiate band programs
in the country . The
Concert Band is one of
two bands on campus and
was formed more than
thirty years ago . The
Concert Band attracts
students of every skill
level and from a wide
variety of majors .
Students in the ensemble
play a large part in
choosing their music for
performance, which
include works from the
standard repertoire,
orchestral
transcriptions, and the
latest compositions from
leading composers .Rick
Jaeschke began his
musical career as a
clarinet player in the
1st US Army Band . He
received a Bachelor of
Music degree from
Susquehanna University, a
Masters of Music from
James Madison University,
and a doctorate from
Columbia University in
New York . He was also
fortunate to study
conducting with Donald
Hunsburger and with
Frederick Fennell .Dr .
Jaeschke taught band and
choir at Great Mills High
School in Southern
Maryland, and for fifteen
years, he was the
district Music Supervisor
in Armonk, New York,
where he taught high
school concert and jazz
bands, beginning band,
and music technology .
During that time, the
music program flourished,
and the high school band
consistently received
Gold Medals in the New
York State Festivals, as
well as in national, and
international festivals .
As a clarinet and
saxophone player, Dr .
Jaeschke performed in the
New York metropolitan
area with the Rockland
Symphony Orchestra, the
Putnam Symphony
Orchestra, Fine Arts
Symphony Orchestra, and
served as the concert
master for the Hudson
Valley Wind Symphony .For
several years, Dr .
Jaeschke served as the
Fine Arts Coordinator for
the District 204 schools
in Naperville, IL, a
district selected as One
of the Best 100 Schools
in America for Music .
Currently, Dr . Jaeschke
is an Associate Professor
at Augustana College
where he teaches music
and music education
courses, and directs the
Concert Band . He has
served on various
educational boards, is a
National edTPA scorer,
and has presented at
state, national and
international music
conferences . He lives
with his family in
Bettendorf Iowa, and
enjoys any opportunity to
explore the open water in
his sea kayak . $125.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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