Concert Band and Brass Quartet - Grade 5 SKU: BT.DHP-1094490-010 Les T...(+)
Concert Band and Brass
Quartet - Grade 5
SKU:
BT.DHP-1094490-010
Les Trois
Mousquetaires.
Composed by Maxime Aulio.
Solo Spectrum. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094490-010. Published by
De Haske Publications
(BT.DHP-1094490-010).
9x12 inches.
English-German-French-Dut
ch.
Les Trois
Mousquetaires (The
Three Musketeers) was
commissioned by the
Miraphone company for the
Miraphone Tuba Quartett
and the Musique des
Gardiens de la Paix
(Paris, France). It was
premièred in
Guebwiller (France), on
28 June 2003 by its
dedicatees.Even if you
have never read a line of
the mythical novel The
Three Musketeers
(1844) by Alexandre
Dumas, father, you will
at least have heard of
the “four
invinciblesâ€; four
extraordinary names -
D’Artagnan, Athos,
Porthos, and Aramis - and
one unique motto
“All for one, and
one for all.†The
musical texture of Les
Trois Mousquetaires
is focused on specific
elements of a
character’s
personality rather thanon
its influence on the
book's plot. Maxime Aulio
has largely turned his
attention on
D’Artagnan, the
sensitive, romantic and
perfect gentleman who is
easily charmed by women
such as the gentle
Constance Bonacieux and
the perfidious Milady de
Winter whose beguiling
beauty seduced him. The
first movement -
D’Artagnan
- is true to the
character of the young
provincial noble of the
Gascony region: heroic
and enthusiastic in all
circumstances. The second
movement entitled
Constance
Bonacieux, is
romantic, delicate and
passionate. The third and
last movement is as
duplicitous as the
bewitching femme fatale
its reveals: Milady de
Winter.
Les Trois
Mousquetaires (Die
drei Musketiere) wurde
von der Firma Miraphone
für das Miraphone Tuba
Quartett und die Musique
des Gardiens de la Paix
(Musik der Friedensgarde)
in Paris in Auftrag
gegeben. Von diesen
Ensembles wurde das
Stück am 28. Juni 2003
im französischen
Guebwiller
uraufgeführt.Auch wer
nie eine Zeile des
geheimnisvollen Romans
Die drei
Musketiere (1844) von
Alexandre Dumas, Vater,
gelesen hat, hat doch
zumindest schon von den
vier Unbesiegbaren“
gehört - von den vier
außergewöhnlichen
Namen D’Artagnan,
Athos, Portos und Aramis
und von ihrem
einzigartigen Motto Alle
für einen und einer
für alle“. Die
musikalische Struktur von
Les
TroisMousquetaires
konzentriert sich mehr
auf besondere
Charakterzüge einer
Person, denn auf deren
Einfluss auf die Handlung
des Buches. Maxime
richtete sein
Hauptaugenmerk auf
D’Artagnan, den
sensiblen, romantischen
und perfekten Gentleman,
der sich leicht von
Frauen bezaubern
lässt, wie zum
Beispiel der
liebreizenden Constance
Bonacieux und der
perfiden Lady de Winter,
deren betörende
Schönheit ihn
verführt. Der erste
Satz -
D’Artagnan
- hält sich eng an den
Charakter des jungen
Landadligen aus der
Gascogne, der sich unter
allen Umständen als
heroisch und
enthusiastisch erweist.
Der zweite Satz mit dem
Titel Constance
Bonacieux ist
romantisch, zart und
leidenschaftlich. Der
dritte und letzte Satz
ist so doppelzüngig
wie die bezaubernde Femme
fatale Milady de
Winter.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-23. Published by
Breitkopf and Haertel
(BR.OB-15155-23).
ISBN
9790004344965. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-15. Published by
Breitkopf and Haertel
(BR.OB-15155-15).
ISBN
9790004344934. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-19. Published by
Breitkopf and Haertel
(BR.OB-15155-19).
ISBN
9790004344958. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Choir Secular SKU: AP.48991 From the motion picture Hocus Pocus...(+)
Choir Secular
SKU:
AP.48991
From the
motion picture Hocus
Pocus. Composed
by Jay Hawkins. Arranged
by Jacob Narverud. This
edition: SoundTrax CD.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Halloween;
Movie; Secular. CD.
Alfred Music #00-48991.
Published by Alfred Music
(AP.48991).
UPC:
038081563152.
English.
This
bewitching bit of '90s
nostalgia will charm your
audience in October or on
any pops program.
Originally written by
Screamin' Jay Hawkins in
1956, this song is
included on Rolling Stone
magazine's list of The
500 Greatest Songs of All
Time. And who can forget
Bette Midler's
show-stopping rendition
in the cult classic film
Hocus Pocus? Conjure up
some costumes and
choreography to brew a
spellbinding performance.
Don't miss the incredible
SoundTrax and SoundPax
instrumentation.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
By Amy Appleby. For Piano and Voice, with Guitar chord symbols. Irish, Folk, Cel...(+)
By Amy Appleby. For Piano
and Voice, with Guitar
chord symbols. Irish,
Folk, Celtic. Level:
Intermediate to Advanced.
Sheet Music. Published by
Wise Publications.
10 Bewitching Piano Solos for Recitals. Composed by Various. Willis. Recital...(+)
10 Bewitching Piano Solos
for
Recitals. Composed by
Various. Willis. Recital,
Solos. Softcover. 32
pages.
Duration 240 seconds.
Published by Willis Music
The Tide Chorale 3 parties SSA, Piano Oxford University Press
SSA choir and piano SKU: OU.9780193561366 Composed by Jenny Mahler. Songb...(+)
SSA choir and piano
SKU:
OU.9780193561366
Composed by Jenny Mahler.
Songbird. Octavo. 16
pages. Duration 2.5'.
Oxford University Press
#9780193561366. Published
by Oxford University
Press (OU.9780193561366).
ISBN 9780193561366. 10
x 7 inches.
For SSA
and piano In this
captivating piece Mahler
explores feelings of
doubt and insecurity,
employing the compelling
metaphor of the tide and
searching for existential
meaning. Bewitching piano
cascades and rolling
broken chords accompany
addictive melodies, with
strong choral harmonies
providing a supportive
anchor to the more
soloistic verses.
Study score (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SKU: BR.PB-...(+)
Study score (solo: vl -
2.2.2.2 - 2.2(or
2corn).0.0 - timp - str)
SKU:
BR.PB-15159-07
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Study
Score. 40 pages. Duration
9'. Breitkopf and Haertel
#PB 15159-07. Published
by Breitkopf and Haertel
(BR.PB-15159-07).
ISBN
9790004215647. 6.5 x 9
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-16. Published by
Breitkopf and Haertel
(BR.OB-15155-16).
ISBN
9790004344941. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
SKU: GI.G-CD-W109 Composed by Ola Gjeilo. Ola Gjeilo. Classical. CD. GIA ...(+)
SKU: GI.G-CD-W109
Composed by Ola Gjeilo.
Ola Gjeilo. Classical.
CD. GIA Publications
#W109. Published by GIA
Publications
(GI.G-CD-W109).
UPC:
028947886891.
Ola
Gjeilo, a rising composer
in the world of choral
music, debuts his first
recording on the Decca
label. His music has an
ethereal and bewitching
sound that will captivate
and transport you to a
heavenly place. He draws
on influences from his
Nordic background to
conjure modern choral
music of exceptional
beauty. Radiant vocal
textures are enhanced by
transcendental
instrumental
additions, a twinkling
piano performed by Ola
himself, captivating
strings, and exquisite
acoustic guitar. Gjeilo
has evolved a musical
style which is at once
contemporary and
familiar. His
concentrated harmonies
and rich textures
combined with graceful,
engaging melodies contain
echoes of Morten
Lauridsen and Eric
Whitacre. Ola describes
his music as a lyrical
mix of improvisation and
classical and it has
often been describe it as
cinematic, evocative, and
lush. Track Listing: Ubi
Caritas The Spheres The
Ground Sanctus (London)
The Crossing Northern
Lights The Lake Isle
Serenity (O Magnum
Mysterium) Tundra
Reflections Sacred
Heart.
Choir Secular (Women's Choir) SKU: AP.48990 From the motion picture (+)
Choir Secular (Women's
Choir)
SKU:
AP.48990
From the
motion picture Hocus
Pocus. Composed
by Jay Hawkins. Arranged
by Jacob Narverud.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Halloween;
Movie; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-48990.
Published by Alfred Music
(AP.48990).
UPC:
038081563145.
English.
This
bewitching bit of '90s
nostalgia will charm your
audience in October or on
any pops program.
Originally written by
Screamin' Jay Hawkins in
1956, this song is
included on Rolling Stone
magazine's list of The
500 Greatest Songs of All
Time. And who can forget
Bette Midler's
show-stopping rendition
in the cult classic film
Hocus Pocus? Conjure up
some costumes and
choreography to brew a
spellbinding performance.
Don't miss the incredible
SoundTrax and SoundPax
instrumentation. Download
PartTrax MP3s for all the
audio you need to
rehearse and perform the
SATB and SSA voicings.
Each PartTrax package
includes full
performance,
accompaniment only, and
part-predominant mixes
for every voice part.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular (SATB choir) SKU: AP.48988 From the motion picture Ho...(+)
Choir Secular (SATB
choir)
SKU:
AP.48988
From the
motion picture Hocus
Pocus. Composed
by Jay Hawkins. Arranged
by Jacob Narverud.
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Halloween;
Movie; Secular. Choral
Octavo. 16 pages. Alfred
Music #00-48988.
Published by Alfred Music
(AP.48988).
UPC:
038081563121.
English.
This
bewitching bit of '90s
nostalgia will charm your
audience in October or on
any pops program.
Originally written by
Screamin' Jay Hawkins in
1956, this song is
included on Rolling Stone
magazine's list of The
500 Greatest Songs of All
Time. And who can forget
Bette Midler's
show-stopping rendition
in the cult classic film
Hocus Pocus? Conjure up
some costumes and
choreography to brew a
spellbinding performance.
Don't miss the incredible
SoundTrax and SoundPax
instrumentation. Download
PartTrax MP3s for all the
audio you need to
rehearse and perform the
SATB and SSA voicings.
Each PartTrax package
includes full
performance,
accompaniment only, and
part-predominant mixes
for every voice part.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Flute and Piano. Composed by Igor Stravinsky (1882-1971). Arranged by Kyle M...(+)
Flute and Piano. Composed
by
Igor Stravinsky
(1882-1971).
Arranged by Kyle MacLeod.
Woodwind. Softcover. 42
pages. Schott Music
#FTR234.
Published by Schott Music
Grade 5 SKU: CL.LDP-7017-00 Of Love and Beauty. Composed by Forte....(+)
Grade 5
SKU:
CL.LDP-7017-00
Of
Love and Beauty.
Composed by Forte.
Concert Band. Score and
set of parts. Composed
2002. Daehn Publications
#LDP-7017-00. Published
by Daehn Publications
(CL.LDP-7017-00).
A striking
musical picture of the
Goddess of Love; her
birth from the foam of
the sea, her
other-worldly beauty, and
her bewitching power over
mortal men. From:
Olympus: Four
Mythological Legends.
Splendid!
By Sarah Quartel. For SSAA choir and percussion. Upper Voices. Songbird. Secular...(+)
By Sarah Quartel. For
SSAA choir and
percussion. Upper Voices.
Songbird. Secular, Choral
Leaflet. Vocal score. 16
pages. Duration 4'.
Published by Oxford
University Press
Choir Secular SKU: AP.48992 From the motion picture Hocus Pocus...(+)
Choir Secular
SKU:
AP.48992
From the
motion picture Hocus
Pocus. Composed
by Jay Hawkins. Arranged
by Jacob Narverud. This
edition: SoundTrax CD.
Choral Octavo;
Performance Music
Ensemble; Single Titles.
Alfred Pop Choral Series.
Classic Pop; Halloween;
Movie; Secular. Part(s).
Alfred Music #00-48992.
Published by Alfred Music
(AP.48992).
UPC:
038081563169.
English.
This
bewitching bit of '90s
nostalgia will charm your
audience in October or on
any pops program.
Originally written by
Screamin' Jay Hawkins in
1956, this song is
included on Rolling Stone
magazine's list of The
500 Greatest Songs of All
Time. And who can forget
Bette Midler's
show-stopping rendition
in the cult classic film
Hocus Pocus? Conjure up
some costumes and
choreography to brew a
spellbinding performance.
Don't miss the incredible
SoundTrax and SoundPax
instrumentation. Download
PartTrax MP3s for all the
audio you need to
rehearse and perform the
SATB and SSA voicings.
Each PartTrax package
includes full
performance,
accompaniment only, and
part-predominant mixes
for every voice part.
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.