(from the Operetta Giuditta). By Franz Lehar (1870-1948). Arranged by Jos Dobbelstein. For Soprano voice solo and concert band. Grade 3. Full score. Duration 4:30

Handbells Handchimes, Percussion - Level 3

SKU: HP.2987

Composed by Sandra Eithun. Original, Festival, Advent, General Worship, Hope. Handbell score. 8 pages. Hope Publishing Company #2987. Published by Hope Publishing Company (HP.2987).

Original Composition Inspired by the ocean shores of Italy, The Waiting captures the longing of loved ones separated by life's circumstances. The hauntingly beautiful melody is bittersweet, and then hopeful. The use of optional percussion adds to the nautical feel.

Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 4 pages. Published by Editions Bourges (French import).

Voice

SKU: AP.12-0571542417

The Lyrics of Scott Hutchison. Composed by Scott Hutchinson. Artist/Personality; Collections; Lyric Collection. 20th Century; Rock. Book. Faber Music #12-0571542417. Published by Faber Music (AP.12-0571542417).

ISBN 9780571542413. English.

The Work is a book of lyrics and illustrations by the late Scott Hutchison, lyricist, vocalist and songwriter of Frightened Rabbit. This paperback follows the sold-out limited hardback edition and presents the band's complete lyrics (including B-sides and rarities) with handwritten excerpts by Scott, alongside his illustrations. The book is meant both as a celebration of and tribute to Scott's unbridled creativity. It aims to fulfill his wishes by being the book that he wanted to create and had spoken of creating before his death.

Readers are advised that The Work includes content about topics that some may find upsetting, including references to suicide.

Se eing this book come to life has been something of a bittersweet experience. Reading the lyrics without music really brings home the stark reality of what Scott was going through and at the same time highlights the talent of someone who I consider to be one of the best songwriters in the world. This would've been a different release had Scott been involved but we all felt it was important that his lyrics be celebrated and given the spotlight they deserve. As Scott has said, these words were always meant to be accompanied by music, but the impact of digesting them without is no less great. Pick up this book of words, hold it, share it and immerse yourself in the world Scott created by opening not only his heart but his whole soul to the world. Grant Hutchison (Scott's brother and drummer of Frightened Rabbit)

Composed by Ellen Gilson Voth. Secular. Published by Galaxy Music Corporation (EC.1.3379).

Tenebrae factae sunt. By Francis Poulenc. (SATB). Choral. Size 7x10.5 inches. 8 pages. Published by Salabert.

By Carrie Lane Gruselle. Music by Carrie Lane Gruselle. For String Orchestra. String Orchestra. String Orchestra. Latin. Level: 3 (grade 3). Conductor Score and Parts. Published by Alfred Publishing.

By John G. Mortimer. For 4 Euphoniums. Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 4196)

Concert Band (Score)

SKU: HL.4002119

Full Score. Composed by Steven Bryant. Steve Bryant. 22 pages. Published by Hal Leonard (HL.4002119).

UPC: 073999263251. 11x17 inches.

This large-scale three-movement work, commissioned by Ray Cramer and the Indiana University Wind Ensemble, embodies the transformation of silence into sound. The opening movement is sparse, utilizing mallet percussion, harp, and piano to create a floating sense of timelessness. Featuring extensive solo flute, this floating texture gradually builds over several minutes, ultimately launching itself into a grandiose, warm, harmonically consonant blanket of sound. The second movement continues the focus on solo flute, and again opens slowly, gradually gaining momentum, but at a faster pace than in the first movement. The music spirals upward and outward, but instead of reaching a plateau, winds itself out and comes to a grinding halt in the upper range of the ensemble. Five brief, solemn chords conclude the movement, which immediately erupts into Movement III, music of unceasing, unsettling, motion, propelled by a driving ostinato which is repeatedly interrupted by bittersweet moments of lyricism, all the while pushing toward an unforgiving climax. The movements may also be performed separately. There is no explicit narrative to the piece, though many particular elements do have personal quasi-biographical significance. Ultimately, this is music of both personal and musical transformation.

NO TE: This work is available as a rental item directly from the composer. For details, e-mail rental@stevenbryant.com. The score is also available separately for purchase from Hal Leonard.

(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Pop/Rock. Easy Piano. 200 pages. Published by Alfred Music

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6405S

Score Only. Composed by Chris Thomas. Series; String Orchestra. FJH String Orchestra. Multicultural. Score. Duration 3:45. The FJH Music Company Inc #98-ST6405S. Published by The FJH Music Company Inc (FJ.ST6405S).

English.

This emotional and dramatic work will be the perfect adagio for your next concert program. Inspired by a bittersweet scene in Italy, this music features rich legato bowings, lyrical melodies, and romantic chromaticism that will transport your audience to another world. Prepare to free your melodramatic side, and feel the melancholy rainfall in Vernazza.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Choral TTBB choir, piano

SKU: CF.CM9635

Composed by Victor Johnson. Fold. Performance Score. 12 pages. Duration 3 minutes, 19 seconds. Carl Fischer Music #CM9635. Published by Carl Fischer Music (CF.CM9635).

ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).

Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).
About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.” The singer should make a motion as if they have a paintbrush in their hand and “paint” the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.

By John G. Mortimer. For 4 Clarinets. Swiss import. Level: Grade 3. Sheet Music and Play-Along CD. Published by Editions Marc Reift. (EMR 5579)

By John G. Mortimer. For 4 Trombones. Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 4087)

(score). Ensemble Collection. Size 9x12 inches. 52 pages. Published by Hal Leonard.

Chamber Music Piano

SKU: PR.140401330

Composed by R. Nathaniel Dett. Edited by Lara Downes. 32 pages. Duration 18 minutes. Theodore Presser Company #140-40133. Published by Theodore Presser Company (PR.140401330).

ISBN 9781491134412. UPC: 680160684939.

Natha niel Dett was among America’s leading composers in the early 20th century, and MAGNOLIA SUITE is a beautiful example of his rich, hybrid style. Deeply inspired by the music and mission of Samuel Coleridge-Taylor, Dett’s piano music springs from the late Romantic traditions of florid texture and embellishment, along with programmatic titles and raw emotion. It is notable for melody writing inspired by and paraphrasing African-American song. The 18-minute MAGNOLIA SUITE contains five movements, any of which may also be performed separately. This edition by Lara Downes provides a clean, new engraving that corrects the many errors and unclear indications appearing in the historical printing.
Robert Nathaniel Dett was born in a place that was built on freedom. The little village of Drummondville, Ontario was founded by enslaved Africans – Dett’s ancestors among them – who traveled the Underground Railroad out of the American South into Canada. Their journey brought them to a safe haven, a place where fortunes and futures could be transformed in the span of one generation, to lives full of new possibilities. You could call it “the place where the rainbow ends,” which is the title of the last movement of Dett’s Magnolia Suite.When Dett wrote these pieces, he was a young teacher at Lane College in Tennessee, a historically Black college that had been founded in 1882, the year of his birth. A place built on freedom, with the purpose of educating newly-emancipated slaves – a place designed to nurture the blossoming of ideas, the vibrant flowering of minds set free. This music is inspired by the gorgeous splendor of the magnolia blooms on that college campus, and also by the shared histories, experiences, and aspirations of the community that Dett found there.These five pieces pay affectionate tribute to lineage and legacy. They express gratitude for the bittersweet beauties of the present; nostalgia for the past (a bit romanticized, as the past always is); and an effervescent optimism for the future that awaits us in the place where the rainbow ends.

Composed by Lorenz Hart, music by Richard Rodgers. Arranged by Jeffrey E. Turner. Orchestra. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Broadway. Grade 3. 64 pages. Published by Alfred Music