| The Real Book - Volume I Instruments en Mib Hal Leonard
(E-Flat Instruments, Mini Edition). Composed by Various. For E-flat Instruments....(+)
(E-Flat Instruments, Mini
Edition). Composed by
Various. For E-flat
Instruments. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume 1: Sixth Edition (C Instruments Play-Along Edition) Instruments en Do [Partition + Accès audio] Hal Leonard
C Instruments Play-Along Edition. Composed by Various. Real Book Play- Along. ...(+)
C Instruments Play-Along
Edition. Composed by
Various. Real Book Play-
Along. Softcover Audio
Online. 464 pages.
Published
by Hal Leonard
$79.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Reharmonized Real Book - Volume 1: C Instruments Instruments en Do [Fake Book] Hal Leonard
Arranged by Jack Grassel. Composed by Various. Arranged by Jack Grassel. Fake ...(+)
Arranged by Jack Grassel.
Composed by Various.
Arranged
by Jack Grassel. Fake
Book.
Jazz. Softcover. 456
pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On the Beaten Path Metal Batterie [Partition + CD] Alfred Publishing
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich La...(+)
(The Drummerâ??s Guide
to the Genre and the
Legends Who Defined It).
By Rich Lackowski. For
Drumset.
Artist/Personality;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Metal;
Rock. Book and CD. 104
pages. Published by
Alfred Music Publishing
$20.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Volume 33 - Wayne Shorter Instruments Sib, Mib, Do et Bass clef [Livre + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
Volume 33 - Wayne Shorter by Wayne Shorter. Edited by Jamey Aebersold. For any...(+)
Volume 33 - Wayne Shorter
by Wayne Shorter. Edited
by Jamey Aebersold. For
any C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. A collection of
Wayne Shorter's most
famous songs..
Intermediate, advanced.
Book and 2 CDs. 92 pages.
Published by Jamey
Aebersold Jazz
(1)$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The New Real Book - Vol. 3 Instruments en Do [Fake Book] - Intermédiaire Sher Music Company
By Various. The Most Useful New Real Book yet!. Motown/Pop /Jazz. Fake Book. 430...(+)
By Various. The Most
Useful New Real Book
yet!. Motown/Pop /Jazz.
Fake Book. 430 pages.
Published by Sher Music
Company.
(1)$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Black Is the Color Variations Orchestre à Cordes Subito Music
String Orchestra SKU: SU.27120171 For String Orchestra. Composed b...(+)
String Orchestra SKU:
SU.27120171 For
String Orchestra.
Composed by Peter Scott
Lewis. Set of Parts.
Subito Music Corporation
#27120171. Published by
Subito Music Corporation
(SU.27120171).
Set of
Parts.Black Is the Color
Variations is based on
the classic
American/Scottish folk
song, discovered and then
developed by John Jacob
Niles. My first version
of the melody and
variations were completed
on January 23, 1989, in
San Francisco, and is
scored for string
quartet. On May 25, 2013,
I also created a version
for string orchestra.
It’s dedicated to
the memory of the
remarkable American folk
and blues singer, Odetta,
who was a family friend
and who sang for us when
I was young. —PL
Also available: FULL
SCORE (Cat#27120170)
String Orchestra
Duration: 4' Composed:
1989 Published by: Lapis
Island Press. $50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Black Is the Color Variations Orchestre à Cordes [Conducteur] Subito Music
String Orchestra SKU: SU.27120170 For String Orchestra. Composed b...(+)
String Orchestra SKU:
SU.27120170 For
String Orchestra.
Composed by Peter Scott
Lewis. Full Score. Subito
Music Corporation
#27120170. Published by
Subito Music Corporation
(SU.27120170).
Score
only.Black Is the Color
Variations is based on
the classic
American/Scottish folk
song, discovered and then
developed by John Jacob
Niles. My first version
of the melody and
variations were completed
on January 23, 1989, in
San Francisco, and is
scored for string
quartet. On May 25, 2013,
I also created a version
for string orchestra.
It’s dedicated to
the memory of the
remarkable American folk
and blues singer, Odetta,
who was a family friend
and who sang for us when
I was young. —PL
Also available: SET OF
PARTS string count
6-5-4-3-2 (Cat#27120171)
String Orchestra
Duration: 4' Composed:
1989 Published by: Lapis
Island Press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Black Is the Color Variations Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Subito Music
String Quartet SKU: SU.27120030 For String Quartet. Composed by Pe...(+)
String Quartet SKU:
SU.27120030 For
String Quartet.
Composed by Peter Scott
Lewis. Score & Parts.
Subito Music Corporation
#27120030. Published by
Subito Music Corporation
(SU.27120030).
A set of
passionate variations on
this classic American
folk song by John Jacab
Niles. Dedicated to
Odetta, an old family
friend. String Quartet
Duration: 4' Composed:
1989 Published by: Lapis
Island Press. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Petites Pieces Pour Voyager (12) - Short Travel Pieces Flûte traversière et Piano [Conducteur] Lemoine, Henry
Flute and piano - Level 2-3 SKU: LM.28452 Composed by Jacques Riou. Class...(+)
Flute and piano - Level
2-3 SKU: LM.28452
Composed by Jacques Riou.
Classical. Score.
Editions Henry Lemoine
#28452. Published by
Editions Henry Lemoine
(LM.28452). ISBN
9790230984522. Sur
un atoll perdu du
Pacifique Sud, l'eau
verte attirante du lagon
- Fete du Dragon a Lao
Cai, sur le fleuve Rouge,
Nord-Vietnam - Tribus
indiennes des grandes
plaines d'Amerique du
Nord - Al-Jumhuryah
Al-Lubnaniya... sur les
traces des anciens
Pheniciens - Sur les
hauts plateaux andins, la
piste des Incas - Reflets
de lune dans les yeux de
Yu, fille de Shangai -
Aux portes de l'Asie et
de l'Inde, l'Hindu Kush -
D'Asie Mineure en Grece
Antique... la mer Egee et
ses mythes - Equateur,
foret amazonienne,
Taruka, communaute Shuar
(piano Tacet) - Entre Nil
et mer Rouge, caravane
vers Al-Qahira - Afrique
de l'Est... en suivant
l'equateur vers le mont
Kenya - Des Alpes de
Transylvanie a la mer
Noire. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Spielt Zum Lied Prep Playing Scor Voix basse, Piano Schott
Low Voice and Piano SKU: HL.49005024 Lieder mit Instrumentalbegleitung...(+)
Low Voice and Piano
SKU: HL.49005024
Lieder mit
Instrumentalbegleitung
fur die Schule.
Arranged by Cesar
Bresgen, Friedrich Zipp,
Paul Nitsche, and Werner
Fussan. Edition Schott.
Classical. Score for
Voice and/or Instruments.
60 pages. Schott Music
#HL50499823. Published by
Schott Music
(HL.49005024). ISBN
9781495000713. UPC:
888680028183. Selec
ted Art Songs by
prominent American
composers in the G.
Schirmer and AMP catalog,
including songs by Samuel
Barber, John Duke, Lee
Hoiby, Charles Ives, John
Jacob Niles, William
Schuman, and
others. Selected art
songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Includes
worksfrom Ernst Bacon:
It's all I have to
bring * Samuel
Barber: The
Crucifixion; The Daisies;
Hey nonny no!; The Monk
and His Cat; Mother, I
cannot mind my wheel; A
Slumber Song of the
Madonna; Sure on this
shiningnight * Paul
Bowles: Cabin;
Heavenly Grass; Sugar in
the Cane * Theodore
Chanler: The Lamb *
Ernest Charles: When I
Have Sung My Songs *
John Duke: Loveliest
of Trees; Richard
Hageman: Do not go,
mylove * Lee Hoiby:
Where the Music Comes
From * Carles Ives:
In the mornin';
Serenity * Herbert
Kingsley: The Green
Dog * Charles
Naginski: The
Pasture * John Jacob
Niles: Black is
thecolor of my true
love's hair; Go 'way from
my window; The Lass from
the Low Countree *
Gladys Rich: American
Lullaby * William
Roy: This Little
Rose * John Sacco:
Brother Will, Brother
John *William
Schuman: Holiday
Song; Orpheus with his
lute.
Selected Art
Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. Selected
Art Songs by prominent
American composers in the
G. Schirmer and AMP
catalog, including songs
by Samuel Barber, John
Duke, Lee Hoiby, Charles
Ives, John Jacob Niles,
William Schuman, and
others. $20.99 - Voir plus => Acheter | | |
| Intimate Apparel Theodore Presser Co.
Opera Piano, solo Voices SKU: PR.411411630 Opera in Two Acts. Comp...(+)
Opera Piano, solo Voices
SKU: PR.411411630
Opera in Two Acts.
Composed by Ricky Ian
Gordon. Piano Reduction
Score. 438 pages.
Duration 2 minutes, 30
seconds. Theodore Presser
Company #411-41163.
Published by Theodore
Presser Company
(PR.411411630). ISBN
9781491137635. UPC:
680160691081. English.
Intimate Apparel by Lynn
Nottage. Originally
an award-winning play,
Lynn Nottage’s INTIMATE
APPAREL was inspired by
her great-grandmother’s
life in New York in the
early 20th century. The
Pulitzer-laureate also
created the libretto for
Ricky Ian Gordon’s
grand-yet-intimate opera
whose complete
instrumentation is two
pianos. The story follows
the life of a young,
single seamstress who has
recently emigrated from
Barbados, the fascinating
cast of characters in her
life, and her
socially-unacceptable
feelings of affection for
a Jewish fabric salesman.
The premiere production
of this 2½-hour drama
was televised nationally
from Lincoln Center on
PBS’s “Great
Performances.”. Inti
mate Apparel began with
an old photograph that I
found haphazardly wedged
between the pages of a
Family Circle magazine. I
was helping my
grandmother, who’d
developed debilitating
senile dementia, move
from her longtime home in
Crown Heights, Brooklyn.
In the midst of a pile of
weathered magazines I
discovered a black and
white passport photograph
of my grandmother Waple
and her younger sister
Eurita sitting on their
mother’s lap. It was
the first time I’d ever
seen an image of my
great-grandmother Ethel,
a striking woman with
high West African
cheekbones and a gentle
intensity. She had been a
seamstress from Barbados,
who at the age of 18
arrived alone in New York
City at the dawn of the
Twentieth Century. The
image invited a thousand
questions, none that
could be answered by the
living, and it led me on
a journey to piece
together the history of
my great-grandmother
Ethel, a woman who was
basically a stranger to
me. The only clue that I
had about Ethel, was a
story that my grandmother
had once told me about
her mother corresponding
with a man laboring on
the Panama Canal, who
would eventually become
her husband. I was
fascinated by this story,
which served as the
inspiration for INTIMATE
APPAREL.As I began my
research for INTIMATE
APPAREL at the New York
Public Library, I
discovered that lives of
Black working women in
the early 1900s were
woefully absent from the
archive. So, I found
myself perusing help
wanted listings, boarding
house and clothing
advertisements, looking
for any sign of women
like my great-grandmother
on the printed page. As I
was doing so, I began to
find the characters that
would populate the world
of INTIMATE APPAREL;
Esther the lonely
seamstress, Mrs. Dickson
the proprietress of the
boardinghouse for Black
women, Mr. Marks the
Jewish fabric salesman on
the Lower Eastside, Mrs.
Van Buren the wealthy
white socialite on the
Upper Eastside, Mayme the
sex worker in the
tenderloin, and George
the laborer toiling on
the Panama Canal. As I
was conjuring the
characters, I realized
that I was interested in
the unexpected
intersections between
class, race, and gender
at the turn of the
Twentieth Century, and
what happens when people
across cultural and
economic divides are
thrust into spaces of
intimacy.INTIMATE APPAREL
began its life as a
popular play, but it was
the brilliant composer
Ricky Ian Gordon who
invited me to consider
adapting it into an
opera. He saw something
epic and expansive in the
life of Esther that he
felt demanded to be sung,
and with his loving
guidance I was able to
write my first libretto.
It took me several tries
to figure out how to
wrestle my play into a
form that was new to me.
As a playwright, I kept
wanting to maintain
absolute control of the
narrative. But, it was
Ricky’s words that
freed me creatively to
find my way into the
libretto. He said,
“You’re not trusting
my music as a narrative
tool; I can say “I love
you” without any words,
with just music. So,
allow me to be your
collaborator on the
storytelling.” And once
he said that, we found
INTIMATE APPAREL the
opera together. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Golden Encyclopedia Of Folk Music Piano, Voix [Partition] Hal Leonard
For voice and piano. Format: piano/vocal/chords songbook. With vocal melody, pia...(+)
For voice and piano.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names, basic guitar
chords chart (diagrams),
illustrations and
introductory text. Folk.
352 pages. 9x12 inches.
Published by Hal Leonard.
(2)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Backpackers Songbook Ligne De Mélodie, Paroles et Accords [Partition] Centerstream
Compiled by Ron Middlebrook. For voice and guitar or banjo. Format: guitar/vocal...(+)
Compiled by Ron
Middlebrook. For voice
and guitar or banjo.
Format: guitar/vocal
songbook (no tablature -
lyrics and chords only).
With lyrics, chord names,
guitar chord chart, banjo
chord chart and
illustrations. Folk. 108
pages. 6x9 inches.
Published by Centerstream
Publications.
(6)$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 28 American Art Songs Voix basse, Piano Schirmer
(Low Voice and Piano). Composed by Various. For Low Voice, Piano Accompaniment. ...(+)
(Low Voice and Piano).
Composed by Various. For
Low Voice, Piano
Accompaniment. Vocal.
Softcover. 96 pages. G.
Schirmer #ED4600.
Published by G. Schirmer
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 15 More American Art Songs Voix haute [Partition + CD] Schirmer
(High Voice With a CD of Piano Accompaniments). By Various. For High Voice. Voca...(+)
(High Voice With a CD of
Piano Accompaniments). By
Various. For High Voice.
Vocal Solo. Softcover
with CD. 56 pages.
Published by G. Schirmer
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bock's Best - Volume 5 Piano seul - Intermédiaire Fred Bock Music Company
Arranged by Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 145 pages. Pu...(+)
Arranged by Fred Bock.
Fred Bock Publications.
Size 9.3x12 inches. 145
pages. Published by Fred
Bock Music Company.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 15 More American Art Songs Voix basse, Piano [Partition + CD] Schirmer
(Low Voice With a CD of Piano Accompaniments). By Various. For Low Voice. Vocal ...(+)
(Low Voice With a CD of
Piano Accompaniments). By
Various. For Low Voice.
Vocal Solo. Softcover
with CD. 56 pages.
Published by G. Schirmer
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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