(Artistic Settings of Selections from the Masterful Oratorio by George Frideric Handel). By George Frideric Handel (1685-1759). Arranged by Jan Sanborn. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Baroque; Christmas; Sacred; Winter. Advanced. 32 pages. Published by Alfred Music Publishing

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein. Cantatas, Christmas. Vocal score. Language: German/English. Composed 1724. BWV 122. 20 pages. Duration 16 minutes. Published by Carus Verlag

SKU: HL.14017367

Laererhaefte. Composed by Thorstein Thomsen. Music Sales America. Studies & Exercises. Book [Softcover]. Composed 2005. Edition Wilhelm Hansen #WH30215. Published by Edition Wilhelm Hansen (HL.14017367).

ISBN 9788759807217. Danish.

Laererhaeft eEn lille julemusical for de mindste klasser - med hjaelp fra fem voksne eller store born.

(Cantata for the Sunday after Christmas). Composed by Johann Sebastian Bach (1685-1750). Edited by Christiane Hausmann. Arranged by Paul Horn. For SATB vocal soli, 3 recorders, 2 oboes, english horn, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein. Cantatas, Christmas. Organ part. Language: German/English. Composed 1724. BWV 122. 12 pages. Duration 16 minutes. Published by Carus Verlag

Chamber Music Bassoon(s)

SKU: CF.WF223

Method and Studies. Composed by Ludwik Milde Julius Weissenborn. Edited by Frank Morelli. Book. 296 pages. Carl Fischer Music #WF223. Published by Carl Fischer Music (CF.WF223).

ISBN 9781491153963. UPC: 680160911462.

For the first time, Weissenborn's Method and both volumes of his Opus 8 Studies are presented in one spiral-bound book, revised and expanded by noted bassoonist and teacher Frank Morelli. This edition includes Ludwig Milde's Scale and Chord Studies, a new and innovative Study Key, and additional lessons that introduce all notes beyond high Bb to high E. The book offers comprehensive, basic, and advanced pedagogical instruction from Julius Weissenborn as well as Frank Morelli through various studies, methods, and techniques. With thirty-six newly added duets based upon popular themes and many important orchestral bassoon solos, fingering charts, and a revised and expanded glossary, this is a truly complete landmark volume.

Chamber Music Bassoon(s)

SKU: CF.WF223SB

Method and Studies. Composed by Ludwik Milde Julius Weissenborn. Edited by Frank Morelli. Spiral. Book. 296 pages. Carl Fischer Music #WF223SB. Published by Carl Fischer Music (CF.WF223SB).

ISBN 9781491156803. UPC: 680160915347. 9 x 12 inches.

For the first time, Weissenborn's Method and both volumes of his Opus 8 Studies are presented in one spiral-bound book, revised and expanded by noted bassoonist and teacher Frank Morelli. This edition includes Ludwig Milde's Scale and Chord Studies, a new and innovative Study Key, and additional lessons that introduce all notes beyond high Bb to high E. The book offers comprehensive, basic, and advanced pedagogical instruction from Julius Weissenborn as well as Frank Morelli through various studies, methods, and techniques. With thirty-six newly added duets based upon popular themes and many important orchestral bassoon solos, fingering charts, and a revised and expanded glossary, this is a truly complete landmark volume.

Guitar

SKU: M7.DUX-900

Arranged by Werner Reif. Sheet music. 44 pages. Edition Dux Verlag #DUX 900. Published by Edition Dux Verlag (M7.DUX-900).

ISBN 9783868490114.

Mit Werken von John Dowland, Robert Johnson, Thomas Robinson, Francis Cutting, Francis Pilkington und Anthony Holborne.

Composed by Dietrich Buxtehude (1637-1707). Edited by Gunter Graulich. Arranged by Paul Horn. For SATB choir, 3 violins, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Das neugeborne Kindelein 13. Cantatas, Christmas. Full score. Language: German/English. BuxWV 13. 28 pages. Duration 8 minutes. Published by Carus Verlag

Volume 103 - David Sanborn by David Sanborn. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Intermediate, advanced. Book and CD. 64 pages. Published by Jamey Aebersold jazz

By Bizet/Borne. Arranged by Iwan Roth,Raymond Meylan. For saxophone, piano. Alto Saxophone and Piano. Published by Edition Kunzelmann.

By Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, And John Dowland. Arranged by Andrew Dabczynski. Music by Antony Holborne, William Brade, Claude Gervaise, Thomas Ravenscroft, and John Dowland / arr. Andrew Dabczynski. For String Orchestra. String Orchestra. String Explorer. Level: 2 (grade 2). Conductor Score and Parts. Published by Alfred Publishing.

Choir

SKU: CA.260200

Composed by Various. Edited by Johannes Tusch, Erzbistum Paderborn. This edition: Paperbound. Hymns by Martin Luther: Mitten wir im Leben sind; Choral collections for men's choir. Paderborner Mannerchorbuch. Sacred vocal music, Motets, Psalms, German, Whole church year / Omni tempore. Choir Book. Carus Verlag #CV 02.602/00. Published by Carus Verlag (CA.260200).

ISBN 9790007137243.

A many-faceted cross section of interesting works for men's choir from the Romantic era. - Contains works by Cornelius, Bortnjanskij, Faure, Hauptmann, Hiller, Spohr, Mendelssohn Bartholdy, Loewe, Rinck etc., many of whom in world's premiere editions. - This valuable, representative collection of works will enable choirs to rediscover pieces for performance which today are scarcely known. - The works range from easy to mid-level difficulty. - Genuine rarities: the collection contains music and texts of the highest quality which are no longer accessible in other editions. - In addition to choruses for three voices modeled on the works of the classic era (e.g., Spohr, Klein and Rinck), there are also easy to perform compositions scored for large ensembles.

Voice

SKU: HL.14022962

Arranged by Ulla Hjorth Nielsen. Music Sales America. TV-Film-Musical-Show. Book [Softcover]. Composed 2005. 213 pages. Edition Wilhelm Hansen #WH30515. Published by Edition Wilhelm Hansen (HL.14022962).

ISBN 9788759810941.

Tune s from the movie - Musical, melodrama, farce and comedy - well known film genres have through the last 70 years produced film songs, that deserve to be remembered, played and sung. Many of which have become beloved evergreens. Toner fra filmen contains 100 songs that explain why. Tunes from the movie - Toner fra filmen is the first Danish song book, that concentrates on songs written directly to the film medium - from 1932 until 2002. From swing music to a sailor's waltz, from rock'n'roll to rap music, and the publication contains 100 compositions and lyrics and with that the answer to why a specific film song book is relevant. The answer is quality and diversity.Toner fra filmen is a song book that is supposed to strengthen the joy of singing and the memory of everyone interested in songs and films. Predictable catchy tunes by eg. Sven Gyldmark standing side by side with surprises that have almost been forgotten by most but deserve a renaissance. Toner fra filmen is released now as the quality in the national film production makes people walk away from the television and into the darkness of the movie theatre to laugh and cry. Back at the television screen we enjoy the old Danish movies that make us wish to refresh the film songs. Most of us seldomly remember more than the refrain, and then the need to look at the score arises. The songs chosen to Toner fra filmen has of course been an integrated part of the movies' set up, but they can manage on their own. There are a lot of love songs, but there are also songs for every taste and temperament, nice as well as sexy, short, long, poetic etc etc. The book makes you want to sing and play and is at the same time a piece of Danish cultural history.

Parts Only. Performed by Empire Brass. By Anthony Holborne. Arranged by Empire Brass. Brass Ensemble. Size 8.5x11 inches. 20 pages. Published by G. Schirmer, Inc.

Performed by David Sanborn. Instrumental solo songbook for alto saxophone solo. With chord names, introductory text and discography. Series: Hal Leonard Artist Transcriptions. 76 pages. Published by Hal Leonard.

Arr. Fred Bock/Jan Sanborn for 4-hand duet. Arranged by Jan Sanborn, Fred Bock. Fred Bock Publications. Size 9x12 inches. 8 pages. Published by Fred Bock Music Company.

By John Ylvisaker; Lloyd Larson. For SATB choir and piano. All Saints Day, Baptism, Dedication, General, Sacred. Sacred Anthem

(The Jan Sanborn Signature Series). By Helen Lemmel. Arranged by Jan Sanborn. SATB. Fred Bock Publications. Sacred. Softcover. 8 pages

Edited by Steven Osborne. Classical. Textbook. Trinity College London #TCL024091. Published by Trinity College London

Composed by Mark Siebert. A mainly homophonic setting of the text Vere languores ( Surely he hath borne our infirmities ) which uses a variety of dynamics to portray the drama of the lyrics. This is an effective contemporary addition to any SATB choir's Holy Week repertoire! Lent, Triduum. Published by CanticaNOVA Publications (C5.5026).

By John Purifoy. SATB, piano. Sacred. Cantata. Published by Lorenz Publishing Company.

Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice

SKU: CF.CM9743IN

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN).

ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the seven  stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral SATB Choir, Bass Guitar, Percussion, Piano

SKU: CF.CM9743

Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743).

ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the seven  stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2

SKU: CF.CM9742

Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742).

ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.

This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version.  The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ.  Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego.  Four for the four that stood at the door:  Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways?  Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sev enfold spirit of God or  the seven early  Christian churches  or the seven  stars in the right hand of Ch rist mentioned in  the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven.  Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!

Choir

SKU: GI.G-5907

Composed by Francis Patrick O'brien. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany, Baptism of the Lord. Sacred. Collection. GIA Publications #5907. Published by GIA Publications (GI.G-5907).

English.

Among the many liturgical composers who have shared their talents with us over the past few decades, Fran O'Brien consistently captures the wants, needs, and capacity of the Sunday morning choir beautifully! The Word Is Born is a marvelous collection of Christmas offerings, with ideal pieces for children's choir, ensemble, and of course, adult choir. Song after song is highly useable during the season, from Advent through the Baptism of the Lord. Filled with tastefully crafted and highly singable music for all types of choirs, The Word Is Born is sure to become a Christmas standard for years to come. Includes one of each of following octavos: Wood of the Cradle - All the Ends of the Earth - Epiphany Carol - God of Surprises - God’s Beloved One - God’s Delight at Bethlehem - Hodie Christus natus est - Journey On - Nova, Nova - Of Woman Born - Song of the Baptist - Song of the Innocents - The Word Is Born - Today Is Born Our Savior - ’Twas in the Noon of Wintertime - Welcome All .

By Robert Sund. For SATB choir and piano/orchestra ([2.2.2.2-0.0.0.0], glockenspiel, strings). Mixed Voices. Christmas Choral Leaflet. Vocal score. 8 pages. Duration 3'

SAB chorus and piano - Medium-easy

SKU: JK.01718

Composed by David R. Naylor. Choral SAB, Difficulty Easy Medium, Piano Choir, Seasonal Music Christmas, Christmas, Jesus Christ - Birth. Christian, Inspirational. Duration 5:00. Jackman Music Corporation #01718. Published by Jackman Music Corporation (JK.01718).

Luke 2.

Quiet, lyrical Christmas carol for piano accompaniment and three-part voicing, testifying that nature solemnly adds its declaration that Christ was born in Bethlehem.

Compose r: David R. Naylor
Lyricist: David R. Naylor
Difficulty: Medium-easy
Performance time: 5:00
Reference: Luke 2.