By Alexander Borodin (1833-1887). Arranged by Jack Bullock. Concert Band. Concert Band; Part(s); Score. Belwin Young Band. Form: Ballade; Transcription. Masterwork Arrangement; Romantic. Grade 2. 210 pages. Published by Belwin Publishing

Composed by Alexander Borodin (1833-1887). Set of performance parts for 2 violins, viola and cello. With standard notation. Composed 1881. 49 pages. Published by International Music Co.

Composed by Alexander Borodin (1833-1887). Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2519).

Composed by Alexander Borodin (1833-1887). Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2520).

Composed by Alexander Borodin (1833-1887). Arranged by Ralph Sauer. Romantic Russian. Solo part and piano accompaniment. Published by Cherry Classics (CY.CC2631).

Transcribed by Felix Blumenfeld, composed by Alexander Borodin (1833-1887). For piano. Format: piano solo book. With standard notation. Romantic Period. 27 pages. 9x12 inches. Published by Belaieff Verlag.

Composed by Alexander Borodin (1833-1887). Arranged by Andrew H. Dabczynski. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 3. 62 pages. Published by Highland/Etling

Transcribed by Theodore Jadoul, composed by Alexander Borodin (1833-1887). For piano. Format: piano solo book. With standard notation. Romantic Period. 11 pages. 9x12 inches. Published by Belaieff Verlag.

Composed by Alexander Borodin (1833-1887). Arranged by Andrew H. Dabczynski. Orchestra. Masterworks; Score; String Orchestra. Highland String Orchestra. Form: Transcription. Masterwork Arrangement; Romantic. Grade 3. 12 pages. Published by Highland/Etling

Composed by Alexander Borodin (1833-1887), edited by David Curran. For cello solo and piano accompaniment. Format: instrumental solo book. With solo part, standard notation and piano accompaniment. Romantic Period. 11 pages. 9x12 inches. Published by C.F. Peters.

By Alexander Borodin. Arranged by Bob Chilcott. For SATB Choir and Piano or Guitar. BC97. Published by Oxford University Press.

(20 Original Works with a CD of Performances). By Various. Edited by Nils Franke. Piano Collection. Book with CD. 64 pages. Schott Music #ED12914. Published by Schott Music

Intermediate Piano Book. YPL. Studies, Exercises. Book. Yamaha Music Media #GTP01101286. Published by Yamaha Music Media

Set of Parts. By Various. Arranged by John Kember. Schott. Size 9x12 inches. 44 pages. Published by Schott.

55 Selections from Symphonies, Ballets, Operas & Piano Literature for Piano Solo. Arranged by Blake Neely, Richard Walters. World's Greatest Classical Music. Size 9x12 inches. 240 pages. Published by Hal Leonard.

102 Selections from Symphonies, Ballets, Operas, and Piano Literature for Piano Solo. By Various. World's Greatest Classical Music. Size 9x12 inches. 256 pages. Published by Hal Leonard.

Trombone and Piano - advanced

SKU: CY.CC2518

Composed by Alexander Borodin. Arranged by Ralph Sauer. Romantic Russian. Solo part and piano score. Published by Cherry Classics (CY.CC2518).

The Petite Suite, published in 1885, is Borodin's major work for the Piano and originally comprised of seven movements. Mr. Sauer's arrangement incorporates three of them: Intermezzo, Reverie and Serenade. The Petite Suite was dedicated to the Belgian Countess Louise de Mercy-Argenteau, who was a supporter of Borodin and his music. After Borodin's death in 1887, Glazunov orchestrated the Suite.

The music has that Eastern flavor so indicative of Borodin's melodies, mysterious, lyrical and subtle. Advanced performers will enjoy this work which has been so beautifully arranged by Mr. Sauer.

Orchestra string orchestra

SKU: AP.36-A597301

Composed by Alexander Borodin. Arranged by Lucas Drew. Performance Music Ensemble; String Orchestra. Edwin F. Kalmus. Form: Transcription. Romantic. Score. LudwigMasters Publications #36-A597301. Published by LudwigMasters Publications (AP.36-A597301).

UPC: 660355054716. English.

Alexander Borodin's (1834-1887) STRING QUARTET No. 2 was composed during the summer of 1881, possibly at the country home of his composer friend, Nikolay Lodizhensky, and was dedicated to Borodin's wife, Katharina.  The third movement is the popular "Nocturne".  The integrity of the phrasing and articulation of the urtext edition has been respected in this string orchestra version, arranged by Lucas Drew.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra string orchestra

SKU: AP.36-A597302

Composed by Alexander Borodin. Arranged by Lucas Drew. Performance Music Ensemble; String Orchestra. Edwin F. Kalmus. Form: Transcription. Masterwork Arrangement; Romantic. Score and Part(s). LudwigMasters Publications #36-A597302. Published by LudwigMasters Publications (AP.36-A597302).

UPC: 660355003684. English.

Alexander Borodin's (1834-1887) STRING QUARTET No. 2 was composed during the summer of 1881, possibly at the country home of his composer friend, Nikolay Lodizhensky, and was dedicated to Borodin's wife, Katharina.  The third movement is the popular "Nocturne".  The integrity of the phrasing and articulation of the urtext edition has been respected in this string orchestra version, arranged by Lucas Drew.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 4

SKU: CF.CAS63

From Novelettes, Op. 15. Composed by Alexander Glazunov. Arranged by Deborah Baker Monday. SWS FS. Concert String Orchestra. Set of Score and Parts. With Standard notation. 24+24+6+15+15+10+16 pages. Carl Fischer Music #CAS63. Published by Carl Fischer Music (CF.CAS63).

ISBN 9780825889387. UPC: 798408089382. 8.5 x 11 inches. Key: D major.

Originally written for string quartet, this fantastic characteristic piece from Glazunov is a welcome addition to the string orchestra repertoire, as arranged by Deborah Baker Monday. Well-suited for the more advanced ensemble, it contains excellent musical opportunities and the chance to play the music of a prominent Russian composer. Deborah's setting stays very true to the original, but enhances it for use by the full ensemble. Alert your contest/festival music committee to this worthy new piece for high school string orchestras.
Alexander Glazunov (1865–1936) lived during a very transitional period of Russian music history, active as a composer, conductor, and teacher. He was a part of the Romantic school of Russian music following in the tradition of Tchaikovsky, like his fellow composers Borodin and Rimsky-Korsakov.During his years at the conservatory he instructed many students who chose to pursue the modern trends set forth by Debussy. Stravinsky, Shostakovich, and even Prokofiev took instruction from Glazunov. Although they considered him old-fashioned, he was remembered as a stabilizing influence during transitional times.Glazunov’s music stayed within the category of Russian Romanticsm: nationalistic with classical formality. His list of works includes numerous symphonies, concertos, piano and vocal works, and chamber works including seven string quartets.Op. 15 was first given the title “Suite” (a collection of dances), and after a friend’s recommendation he changed the name to “Novelettes”. The five movements are of contrasting style, but beautifully reminiscent of their particular themes:I. Alla SpagnuolaII. OrientaleIII. Interludium in modo anticoIV. ValseV. All’ UnghereseThis movement is very well adaptable for string orchestra. The original string quartet moodis light, using harmonics and pizzicato, but there are forceful sections which allow for strong sectional playing (especially with the cello and bass orchestral sound). There is very much interesting melodic material offered for all instruments which lends itself to a fantastic string orchestra arrangement. Conductors will find material in all sections which provide greatopportunities for rehearsal.The form is a large ABA with a D.C. al fine, but the sections are not square by any means.There is lots of energy and momentum in the material of both sections, as well as a modalcharacter which gives the music an exotic sound. Bowing patterns abound in all sections formore great teaching opportunities.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Clarinet and Piano

SKU: ST.C143

Composed by Alexander Glazunov. Wind & brass music. Clifton Edition #C143. Published by Clifton Edition (ST.C143).

ISBN 9790570811434.

Alex ander Konstantinovich Glazunov (1865-1936) trained under Rimsky- Korsakov and became the most illustrious Russian composer and conductor immediately succeeding Tchaikovsky. Glazunov’s close affinity with the Saint Petersburg Conservatory, of which institution he would later become Director for more than two decades, placed him ideally to assist in the Institute’s transition to the Petrograd Conservatory in the immediate wake of the Bolshevik Revolution of 1917. For the last six years of his life, Glazunov left the USSR, feeling hemmed in by propagandist restrictions and at the same time out of kilter with the Modernist movement.

He lived in exile for a time, touring the USA, before eventually settling in Paris, though his stoical brand of Russian Romanticism never waned. Despite being partly remembered for having taught Shostakovich, Glazunov was never known as a revolutionary composer, more inclined to align himself with 19th century ideologies than with the thrusting new compositional paths forged by Prokofiev and others. Indeed, the nationalistic movement so successfully espoused by Balakirev found a new energy in Glazunov’s hands, and he discovered an opulence of scale which leaned more in the direction of Borodin.

There can be no doubting Glazunov’s technical mastery, which successfully drew together contrapuntal, lyrical and virtuosic skills, and which were admired by the likes of Liszt. Glazunov steered a steady course at a time when it was most sorely needed; one need only hear the marvellous Violin Concerto in A minor to experience the full power and authority of his writing, though he possessed an enviable touch with more intimate forms too, such as those readily to be heard in these three charming Miniatures Op.42, originally composed for piano.
Clarinet and Piano
Transcribed by M ark Tanner
Grades 6 & 7 (Trinity Grades 6 & 7 syllabuses)
Former Spartan Press Cat. No.: SP1360.