Par BELLINATI PAULO. Paulo Bellinati est reconnu comme l'un des meilleurs guitaristes contemporaines du Brésil. Il offre à son public un programme varié de pièces originales rythmique et harmonique sophistiqués plus bon goût arrangements de mélodies folkloriques brésiliens. Inspiré par la tradition riche du Brésil de formes de danse et de rythmes, Bellinati a appliqué des concepts compositionnels modernes et harmonies pour créer un répertoire excitant, vraiment unique. Dans cette Mel Bay artiste série Bellinati, effectue dix compositions originales exquises : Aristocratica, Alvoroco, Sapeca de Choro, Rosto Collado, Um Amor de Valsa, Emboscada, Zenit, Sai do Chao, Pulo do Gato et Jongo. / Brazilian - Concert/Documentary / Accessoire / Guitare Classique

Maracatu for Drumset and Percussion explores the traditional Brazilian rhythms of the Maracatu de Baque Virado.Author Scott Kettner explores every aspect of this dynamic genre, including instruments of Maracatu de Baque Virado, changing traditions of maracatu, traditional and contemporary maracatu manifestations, drumset applications, New Orleans mambo, and more.After graduating from New York's New School University, Kettner moved to Brazil to learn more about maracatu. With this book, he shares an accessible and pragmatic approach to learning and understanding the instruments and basic rhythms of Maracatu de Baque Virado and how to apply these rhythms to drumset. / Batterie

The choro, like bossa nova or the samba, is among the most popular of Brazilian musical styles. This book guides you, step by step, towards your own interpretation of, and improvisation on traditional choro melodies. All pieces are notated for C, B flat, E flat and bass instruments. / Tout Instrument

Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Par VAN DER ROOST JAN. This major concert work cosists o five movements. 1st movement: La Laguna del ShimbeSituated high up in the Andes mountains in Northern Peru are the Huaringas, a group of lagoons in isolated and mysterious surroundings. The water has healing powersand for centuries traditional healers have settled there in small villages. From far the sick come to the Huaringas to be treated in nightly rituals, in which the hallucinating juice of the San Pedro cactus gives the prophet a look inside hispatient. The biggest lagoon is the “Laguna del Shimbe”, one of the countless wells of the immense Amazon stream. 2nd movement: Los AguarunasFurther downstream in Northern Peru we come across the rain tribe of Los Aguarunas. It’s a proud, beautiful andindependent race, which has never succumbed to domination, not even from the Incas. They live from everything the forest has to offer: fish, fruit, plants, . . . . They also grow some crops and live as semi-nomads. They take their fate into their ownhands and after having made contact with modern civilisation, they have integrated new elements into their lives without betraying their own ways. 3rd movement: MekaronMekaron is an Indian word meaning “picture”, “soul”, “essence”. The Indians are theorigina inhabitants of the Amazon region. They either live in one place as a group or move around a large region. They all have their own political system, their own language and an intense social life. At the same time they are master of music andmedicine. “Everywhere the white man goes, he leaves a wilderness behind him”, wrote the North American Indian leader Seatl in 1885. As a result of these contacts with the whites, the disruption of most Indian societies began. (In this century alone, 80 tribes have vanished completely). 4th movement: KêêtuajêThis is the name of the initiating ceremony of the Krahô tribe in the Brazilian state of Goias, in which young boys and girls enter adult life. They are cleansed with water, painted with redpaint and covered with feathers, after which the ritual dance holds the entire tribe spell-bound. 5th movement: Paulino FaiakanIn 1988 the Indian chiefs Faiakan and Raoni Kaiapo came to Europe to protest against the building of the Altamira dam inBrazil. As a result of the dam the Indians would be driven from their traditional land and enormous artificial would be created. The project was supported financially by, amongst others, the European Community. In February 1989 the Indian tribesaround Altamira held a protest march for the first time in their history together. Amongst other things they paid tribute tot Chico Mendez, who, murdered in 1988, was the leader of the rubber syndicate and a fierce opponent of the destruction of theBrazilian rain forest. Brazilian and world opinion was awakened. The building of the dam was -albeit temporarily - stopped. / Niveau : 6 / Répertoire / Fanfare

This new addition to the Complete Piano Player series adds a Latin flavour to the popular tutor method with 16 Latin-American and Brazilian favourites complete with chord symbols, fingering and lyrics.If you want to learn to play Tangos, Salsas and Bossa Novas, this is the place to start. Featuring many well-known and fun-to-play songs like La Bamba by Los Lobos and the classic La Cucaracha, this songbook takes the characteristic style and rhythms of Latin music and turns them into easy-to-play arrangements.The Complete Piano Player: Latin is based on the bestselling method by Kenneth Baker that continues to teach many people the basics of playing the Piano. The sheet music contained in this collection provides accurate transcriptions of songs such as Mambo #5, as well as helpful fingering and chord symbols that will be familiar to those who have used the Complete Piano Player series before.If you've worked through the tutorial method, or you are just looking to inject a fusion of exciting rhythm and spicy style into your Piano playing, our Complete Piano Player: Latin sheet music is the most comprehensive way to put such a varied selection of Latin classics at your fingertips. / Piano

Par HALLAR LARRY. A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation. A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standard notation. A compilation of pieces composed and performed by some of France's most famous musette musicians, including Jo Private and Tony Murena. Included are tangos, paso dobles, mazurkas, sambas, polkas and gypsy music, with a generous collection of traditional French musette waltzes as well. All are arranged for the piano accordion in standardnotation. / Niveau : Intermédiaire / Musique traditionnelle / Recueil / Accordéon

Par HUDSON ROBERT. This book was written in the same format as the established favourite '30 Modern Studies' by Rob Hudson for Trumpet. Again, the studies in this book are designed to provide trumpet players with a wide variety of technical and musical challenges, progressively arranged from beginner to advanced levels. Each study forms a complete musical statement, encompassing classical music, jazz, funk, and other traditional and popular world musical styles. These studies are suitable for examination purposes and also make attractive performance pieces./ Etude / Trompette

Learn how to play Latin jazz Piano based on traditional Latin music from Cuba and Brazil. Latin Jazz Piano addresses the three roles that the jazz pianist typically plays: as a member of an accompanying rhythm section, as a lead instrument within an ensemble and as a solo instrument. The CD features many examples in the book and combo tracks with which to play along.The book is divided into three sections. The first covers Afro-Cuban (Afro-Caribbean) jazz, the second section deals with Brazilian influenced jazz - Bossa Nova and Samba, and the third contains lead sheets of the tunes and instructions for the play-along CD.The Afro-Cuban section contains a chapter on some basic concepts of traditional Afro-Cuban music, including the clave, tumbao, and montuno. Also, there is a chapter on typical piano voicing used in Afro-Cuban music Latin jazz in general.Next is a chapter on typical comping patterns used in various Afro-Cuban styles such as Mambo, Cha-cha, etc. The last chapter in this section features tunes written in these various styles and arranged for lead instrument, piano and bass, piano lead, and piano solo. The next section on Brazilian-related jazz begins with a chapter on the many varied rhythms typically used in comping for Bossa Novas and Sambas, and concludes with a chapter featuring tunes arranged in the same ways as the first section.The third section contains lead sheets of all the tunes so the reader can play and improvise on them along with the accompanying CD. The reader is encouraged to continually change the way he or she plays these tunes and apply the principles found in this book to other tunes in the Latin jazz repertoire. / Piano

5 Jazzy Pieces. Par SCHOENMEHL MIKE. Une région pleine de diversité culturelle ' était le slogan pour le festival d'été 2003 Land de Rhénanie-Palatinat et le Quintette de cuivres Brass splendide demandé Mike Schönmehl d'interpréter ce thème dans la musique. Il en est résulté en cinq rencontres avec les différentes traditions culturelles, affichant des influences tangentielles et qui se recoupent de partout dans le monde. Mike Schönmehl a combiné des éléments de la musique du Japon, Turquie, Espagne, Canada et le Brésil avec son style musical jazzy de créer une pièce très originale de musique de chambre. Pour aller avec cette composition, l'artiste de Dodow a peint cinq tableaux qu'il décrit comme 'images nés de partitions musicales'./ Répertoire / 2 Trompettes en Sib, Cor en Fa, Trombone et Tuba

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques

Jean Kleeb is known for his highly sensitive and stylistically solid jazz piano arrangements of familiar tunes and even classical works.This new selection is based on sharply contrasting pieces that he has transformed into appealing jazz numbers. Among them are 'El pueblo unido? (Sergio Ortega), 'Jamaica farewell? (traditional), 'Passacaglia Jazz? (Jean Kleeb), an English and a German folk song and a new Brahms arrangement.- Includes many well-known melodies- Typical jazz performance techniques- Contrasting styles are presentedThe authorJean Kleeb is a Brazilian pianist, choral conductor and arranger who lives in Germany. His concerts and workshops provide an exciting insight into his skills and knowledge. / Piano

Par CABANILLES JUAN BAUTISTA. Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managed to reach a large audience outside the Iberian peninsula, although he is often called 'a musician of European stature”. The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end, all available sources in the libraries of Astorga, Barcelona, San Lorenzo de el Escoreal, Felanitx/Mallorca, Jaca and Montserrat have been examined and newly evaluated. If Cabanilles's oeuvre consists primarily of tientos, organ hymns and versets, the third and final volume contains three versos, three pasacalles, two galliards, two toccatas and such special forms as Paseos de tercer tono, Diferencias de Folías and a Jácara. „This is an excellent resource for organists interested in exploring this satisfying repertoire.' (Brian E. Harlow, Journal of the Association of Anglican Musicians 1/2018)/ Répertoire / Orgue