By Ted Huggens. For Concert Band. Original Works Light Music Repertoire / Light Pieces / Slow Movements and Solemn Works / Novelties. Original Pieces. Grade 2. Score. Duration 5 minutes, 20 seconds. Published by Molenaar Edition . Score.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4

SKU: CF.SPS87

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2 +2+2+3+3+3+4+4+4+4+3+3+3+ 6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87).

ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

In the Heights * Breathe * Carnaval del Barrio. Composed by Lin-Manuel Miranda (1980-). Arranged by Lisa DeSpain. This edition: SoundTrax CD. Choral Octavo; Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Form: Medley. Broadway; Secular. CD. Alfred Music #00-48969. Published by Alfred Music

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

By Fred Bock. Fred Bock Publications. Size 9.3x12 inches. 147 pages. Published by Fred Bock Music Company.

For Male or Female Voice. Performed by Various Artists. Fast Track Music Instruction. Softcover with CD. Size 9x12 inches. 24 pages. Published by Hal Leonard.

By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Easy-Moderately Easy.

Choral (SATB)

SKU: HL.2050315

Praise Gathering Choral. Christmas. Softcover. 104 pages. PraiseGathering #A08467. Published by PraiseGathering (HL.2050315).

UPC: 797242409196. 6.75x10.5x0.439 inches.

“We celebrate that He has come. And if He came once, He will come again! These are the promises!”This four-part journey through the Advent season breathes new life into the ancient practice of the lighting of the candles on the Advent wreath. From the opening welcome which includes the wonderful classic worship chorus,Come, Messiah King to the final faith-filled prayer of “Let it be to me” this project beautifully expresses our longing for Messiah.Each week's Advent reading (scripted for 2 narrators) highlights the themes of hope, faith, joy, and peace.All you need: 1 scripture reader, 2 narrators, and your choir. There's something for each of the 4 Advent Sundays before Christmas.Book includes: Scripture readings Advent Readings 1 Classic Worship Chorus 4 SATB choir anthems Closing Prayers Production notes.

(Easy Reproducible Hymn Medleys for Prayer and Rejoicing). By Douglas E. Wagner. For handbells (2-3 octaves) / handchimes (2-3 octaves). Handbell collection. Level 1. Collection. Published by Lorenz Publishing Company

(Easy settings for Handbells or Handchimes (3 Octaves)). By Douglas E Wagner. For handbells (3 octaves) / handchimes (3 octaves). Level 2. Handbell collection

Praise & Worship Favorites for Big-Note Piano. Arranged by Carol Tornquist. Easy Piano (Features easy piano arrangements). Softcover. Size 9x12 inches. 72 pages. Published by Word Music.

Piano

SKU: BT.MUSAM92047

It's Easy To Play. Pop & Rock. Book Only. Wise Publications #MUSAM92047. Published by Wise Publications (BT.MUSAM92047).

ISBN 9780711941779.

Play ing some of the biggest pop hits of all time couldn't be easier with this selection of accessible and easy-to-read Piano arrangements.
What better way could there be for you to boost your Piano confidence andtechniquesthan by playing the songs you know and love! From sassy divas Christina Aguilera and Shania Twain to the rock n'roll stomp of Oasis and Franz Ferdinand, there's something to suit every elementary Piano or Keyboardplayer.

Composed by Robert Jackson. Arranged by Anna Laura Page. For 2-3 octave handbell choir. Pentecost, General. Level 1. Handbell score. 7 pages. Published by Chorister's Guild

Performed by Various. Songbook. Size 9x12 inches. 228 pages. Published by Word Music.

By Margaret R Tucker. For handbells (2-5 octaves) / handchimes (2-5 octaves). Advent, Christmas, Lent, Holy Week, Holy Communion, Thanksgiving, Palm Sunday, Eastertide, Pentecost, Epiphany, Sacred. Level: Level 1. Handbell collection. Published by Chorister's Guild.

By Linda Lamb. For handbells (3-5 octaves). General, Pentecost. Level: Level 2. Handbell sheet. Published by Lorenz Publishing Company. (20/1470L)

By Ruth Elaine Schram. For Piano. Lent, Easter, Pentecost, Sacred. Level: Level 2. Sacred piano. Published by Lorenz Publishing Company. (70/1642L)

Composed by Nancy Raabe. For 2-part mixed choir, keyboard. Published by Augsburg Fortress

By Linda Spevacek. For TB choir and piano. Concert, Multicultural. Octavo. Published by Heritage Music Press . Octavo. Concert, Multicultural.

Grade 2

SKU: CL.024-4887-00

Composed by J. McBride. Young Concert Band. Rising Band Series for Developing Bands! Score and set of parts. Composed 2020. Duration 2 minutes, 37 seconds. C.L. Barnhouse #024-4887-00. Published by C.L. Barnhouse (CL.024-4887-00).

Audiences will marvel at this commanding setting of the traditional carol, Fantasia on O Holy Night. Preserving the familiar melody throughout, original countermelodies breathe new life into this beloved holiday carol. Interwoven melodies and countermelodies present playable and unique musical moments that each section of your band will enjoy. From the powerful opening chords, to the flowing statement of the carol, through to the rousing and forceful conclusion, this piece will be a memorable and original addition to any holiday concert. Exceptional!

Grade 2

SKU: CL.024-4887-01

Composed by J. McBride. Young Concert Band. Extra full score. C.L. Barnhouse #024-4887-01. Published by C.L. Barnhouse (CL.024-4887-01).

Audiences will marvel at this commanding setting of the traditional carol, Fantasia on O Holy Night. Preserving the familiar melody throughout, original countermelodies breathe new life into this beloved holiday carol. Interwoven melodies and countermelodies present playable and unique musical moments that each section of your band will enjoy. From the powerful opening chords, to the flowing statement of the carol, through to the rousing and forceful conclusion, this piece will be a memorable and original addition to any holiday concert. Exceptional!

Choral (ChoirTrax CD)

SKU: HL.280083

Arranged by John Leavitt. Sacred Choral. A Cappella, Easter, General Worship, Lent, Sacred. CD. Duration 195 seconds. Published by Hal Leonard (HL.280083).

UPC: 888680780494. 5.0x5.0x0.184 inches. Exodus 33:22, Hebrews 10:19-21, Isaiah 40:31, Psalm 31, Zechariah 1:3.

A well-known spiritual breathes with beauty in this stellar new adaptation. Expressive harmonies characterized by a distinctive falling bass line give the song a smooth sonic ambience so that the richness of the choir can be fully explored. Tone painting on oo supports a solo moment and introduces a compelling new texture. A true tapestry of praise! Score and Parts (vn 1-2, va, vc) available as a digital download.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani and more. - Grade 1.5

SKU: CF.FPS161

Composed by Joseph Benjamin Earp. Fps. Set of Score and Parts. 16+2+8+8+4+4+10+4+4+4+4+6 +6+6+4+6+1+2+1+2+2+1+16 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #FPS161. Published by Carl Fischer Music (CF.FPS161).

ISBN 9781491161425. UPC: 680160920013.

PROGR AM NOTES Santa's Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas. NOTES TO CONDUCTOR The duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work should be felt in two even though it is marked in common time. Be sure not to breathe after any crescendo throughout the work. Measure 73 through measure 75 should give focus to the tenor voices. The last three quarter notes of the piece should be emphasized a little heavier with some space.
PROGRAM NOTESSanta’s Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas.NOTES TO CONDUCTORThe duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work should be felt in two even though it is marked in common time.Be sure not to breathe after any crescendo throughout the work.Measure 73 through measure 75 should give focus to the tenor voices.The last three quarter notes of the piece should be emphasized a little heavier with some space.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani and more. - Grade 1.5

SKU: CF.FPS161F

Composed by Joseph Benjamin Earp. Fps. Full score. 16 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #FPS161F. Published by Carl Fischer Music (CF.FPS161F).

ISBN 9781491161784. UPC: 680160920471.

PROGR AM NOTES Santa's Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas. NOTES TO CONDUCTOR The duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work should be felt in two even though it is marked in common time. Be sure not to breathe after any crescendo throughout the work. Measure 73 through measure 75 should give focus to the tenor voices. The last three quarter notes of the piece should be emphasized a little heavier with some space.
PROGRAM NOTESSanta’s Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas.NOTES TO CONDUCTORThe duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work should be felt in two even though it is marked in common time.Be sure not to breathe after any crescendo throughout the work.Measure 73 through measure 75 should give focus to the tenor voices.The last three quarter notes of the piece should be emphasized a little heavier with some space.