| Breathing with Beethoven Chorale [Octavo] Heritage Music Press
By Phyllis Wolfe White. 3-part mixed. Octavo. Published by Heritage Music Press....(+)
By Phyllis Wolfe White.
3-part mixed. Octavo.
Published by Heritage
Music Press.
$2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Breathing with Beethoven Chorale Unison Unison [Octavo] Heritage Music Press
By Phyllis Wolfe White. For unison voices. Sing Out Series. Novelty. Octavo. Pub...(+)
By Phyllis Wolfe White.
For unison voices. Sing
Out Series. Novelty.
Octavo. Published by
Heritage Music Press.
(15/1338H)
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ludwig van Beethoven : Adelaide Op. 46 Voix haute, Piano G. Henle
(Original Key for High Voice and Piano). By Ludwig van Beethoven (1770-1827). Ed...(+)
(Original Key for High
Voice and Piano). By
Ludwig van Beethoven
(1770-1827). Edited by
Helga Lühning. For
Vocal. Henle Music
Folios. Softcover. G.
Henle #HN1043. Published
by G. Henle
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| HMP CD Trak Pak 24 Fall 1997 2-part Chorale Heritage Music Press
For performance/accompaniment CD. Octavo. Published by Heritage Music Press. (99...(+)
For
performance/accompaniment
CD. Octavo. Published by
Heritage Music Press.
(99/1109H)
$44.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| HMP CD Accompaniment Trak 4 Fall 97 Jr High [CD d'accompagnement] Heritage Music Press
Accompaniment CD. Heritage Music Press #99/1108H. Published by Heritage Music Pr...(+)
Accompaniment CD.
Heritage Music Press
#99/1108H. Published by
Heritage Music Press
$44.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Oxford Book Of Flexible Anthems
Chorale SATB [Vocal Score] Hildegard
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Barenreiter
Solo voices, SATB chorus, orchestra (Soprano solo (2), Tenor solo, Mixed choir (...(+)
Solo voices, SATB chorus,
orchestra (Soprano solo
(2), Tenor solo, Mixed
choir (SATB), Orchestra)
SKU: BA.BA09092
A Symphony-Cantata
after Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 52,
MWV A 18. Baerenreiter
Verlag #BA09092_00.
Published by Baerenreiter
Verlag (BA.BA09092).
ISBN 9790006565795. 31
x 24.3 cm inches. Text
Language: German,
English. Preface: John
Michael Cooper. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles
Henry. Mendelssohn
€™s contemporaries
frequently mentioned his
“Hymn of
Praise†in the same
breath as
Beethoven’s Ninth
– and often enough
viewed it as an
imitation. Mendelssohn
authority John Michael
Cooper, in his extensive
Introduction to this new
Urtext edition, shows
that the comparison is
completely unfounded:
with this work
Mendelssohn created a new
genre to which he gave
the name
“symphony-cantataâ
€. Later he added a
secular counterpart with
“Die Erste
Walpurgisnachtâ€.
Drawing on all
relevant sources, Cooper
provides a detailed
account of the genesis
and structure of this
monumental work. Rounding
off his scholarly
performing edition are
notes on the
work’s
performance, e.g. tempo,
articulation and
dynamics.
For the
first time the piano
reduction includes
Mendelssohn’s
authorised version of the
“Sinfoniaâ€,
based on the first
edition of No. 1 for
piano solo.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$131.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Little Ultimate Broadway Fake Book - 4th Edition Fake Book [Fake Book] - Intermédiaire Hal Leonard
Fake Book (Includes melody line and chords). Size 6.7x10.5 inches. 640 pages. Pu...(+)
Fake Book (Includes
melody line and chords).
Size 6.7x10.5 inches. 640
pages. Published by Hal
Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Broadway Fake Book - 4th Edition
Fake Book [Fake Book] Hal Leonard
Fake Book (Includes melody line and chords). Size 9x12 inches. 640 pages. Publis...(+)
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 640
pages. Published by Hal
Leonard.
(5)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Premier Solos Concertos Classiques - Concerto No. 7, Solo No. 1 Violon et Piano Leduc, Alphonse
Violin (violin/piano) SKU: HL.48180642 For Violin and Piano. Compo...(+)
Violin (violin/piano)
SKU: HL.48180642
For Violin and
Piano. Composed by
Pierre Rode. Leduc.
Classical. Softcover.
Alphonse Leduc #AL18427.
Published by Alphonse
Leduc (HL.48180642).
Part of the
collection Concertos
Cassiques, 7th Concerto -
1st Solo is a piece for
violin and piano by
Pierre Rode with an
arrangement by Georges
Catherine. Relatively
difficult, it features
the score and the Violin
part. Really melodious,
it includes numerous
trills, harmonies,
accidentals, acciaturas
and some indications of
the positions and
techniques to use. The
breathings are also
indicated. It is a really
nice work to play in
recitals and can also be
used for contests. Pierre
Rode (1774-1830) was a
French violinist and
musician who composed
numerous romantic
concertos for Violin and
Piano. He was the violin
soloist to Napoleon and
was dedicated a violin
sonata (Op.96) by
Beethoven. $13.30 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Worlds Greatest Wedding Music
Piano seul [Partition] - Facile Alfred Publishing
50 of the Most Requested Wedding Pieces. Arranged by Dan Fox. For Piano. This ed...(+)
50 of the Most Requested
Wedding Pieces. Arranged
by Dan Fox. For Piano.
This edition: Easy Piano.
Piano Collection. Worlds
Greatest. Love. Book. 144
pages. Published by
Alfred Publishing.
Level: Easy Piano.
(1)$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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