By Anton Bruckner. Edited by Kreuels, Matthias. Hymn settings, Masses, Latin, Mass Sections, Motets, Psalms, Latin; Choral Collections, Mixed Choir, Choral Collections, Men's Choir, Music for Casuals; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Tantum ergo, Mourning, Death; Use during church year: Advent, Special Days, Lent and Passiontide, Ho

(LN)

SKU: HL.49020856

Aufsatze und Vortrage 1918 bis 1954. Composed by Jean-Pierre Rampal. This edition: Hardback/Hard Cover. Book. Edition Schott. 276 pages. Schott Music #ATL 6199. Published by Schott Music (HL.49020856).

ISBN 9783254001993. German.

Das kunstlerische Wirken des Komponisten und Dirigenten Wilhelm Furtwangler war ein Leben lang begleitet von dem Bemuhen, sich daruber auch theoretisch Rechenschaft zu geben. Zahlreiche Aufzeichnungen belegen das. So spannt sich ein weiter Bogen uber diese Aufsatze und Vortrage aus den Jahren 1918 bis 1954. Der Reichtum der Themen, die Allgemeingultigkeit der Problemstellung, die Gedanken und Auffassungen sind aus der Schule des Lebens selbst, aus der unmittelbaren Erfahrung von Werk und Publikum erwachsen. Furtwangler setzt sich in diesen Arbeiten mit grundsatzlichen Fragen, so u.a. der Werktreue, der Programmgestaltung, der kunstlerischen Verantwortung, der modernen Musik, auseinander und entwickelt seine Gedanken uber Bach, Beethoven, Brahms, Bruckner, Wagner, Hindemith, Strawinsky und andere Komponisten.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790109

Composed by Anton Bruckner. Edited by Uwe Wolf. Set of Orchestra Parts. WAB 29. Duration 31 minutes. Carus Verlag #2790109. Published by Carus Verlag (CA.2790109).

ISBN 9790007303976. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and parts available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790113

Composed by Anton Bruckner. Edited by Uwe Wolf. Single Part, viola. WAB 29. Duration 31 minutes. Carus Verlag #2790113. Published by Carus Verlag (CA.2790113).

ISBN 9790007304003. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and part available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790103

Composed by Anton Bruckner. Edited by Uwe Wolf. Vocal score. WAB 29. Duration 31 minutes. Carus Verlag #2790103. Published by Carus Verlag (CA.2790103).

ISBN 9790007293840. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?

With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024!

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790112

Composed by Anton Bruckner. Edited by Uwe Wolf. WAB 29. Duration 31 minutes. Carus Verlag #2790112. Published by Carus Verlag (CA.2790112).

ISBN 9790007303990. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and part available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790111

Composed by Anton Bruckner. WAB 29. Duration 31 minutes. Carus Verlag #2790111. Published by Carus Verlag (CA.2790111).

ISBN 9790007303983. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and part available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790114

Composed by Anton Bruckner. Edited by Uwe Wolf. WAB 29. Duration 31 minutes. Carus Verlag #2790114. Published by Carus Verlag (CA.2790114).

ISBN 9790007304010. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and part available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790119

Composed by Anton Bruckner. Edited by Uwe Wolf. Set of Orchestra Parts. WAB 29. Duration 31 minutes. Carus Verlag #2790119. Published by Carus Verlag (CA.2790119).

ISBN 9790007304027. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and parts available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790100

Composed by Anton Bruckner. Edited by Uwe Wolf. Carus digital: Extra digital products. Full Score. WAB 29. Duration 31 minutes. Carus Verlag #2790100. Published by Carus Verlag (CA.2790100).

ISBN 9790007293611. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?

With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024!

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790105

Composed by Anton Bruckner. Edited by Uwe Wolf. Choral Score. WAB 29. Duration 31 minutes. Carus Verlag #2790105. Published by Carus Verlag (CA.2790105).

ISBN 9790007293994. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score available separately - see item CA.2790100.

Orchestra solo voices, SATB chorus, 2 Ob, 2 Fg, [2 Cor], 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.2790149

Composed by Anton Bruckner. Edited by Uwe Wolf. WAB 29. Duration 31 minutes. Carus Verlag #2790149. Published by Carus Verlag (CA.2790149).

ISBN 9790007304034. Key: B flat major. Latin.

Anyone who is familiar with Bruckner’s symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly evident in a work by Bruckner? And yet, isn’t it also possible to hear much of Bruckner’s later style?With this edition, the earliest of Bruckner’s orchestral masses is now available as an Urtext edition. It reflects the latest scholarly research, and the complete performance material is available on sale. Compared with Bruckner’s late masses, the demands on chorus and soloists are considerably less. The horns play in just two movements and can be replaced by trombones. This rarely performed work offers many choirs an exciting alternative to the better-known masses – not only for the Bruckner anniversary in 2024! Score and part available separately - see item CA.2790100.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741014

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Single Part, violoncello/double bass. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741014).

ISBN 9790007297312. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741011

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Single Part, violin 1. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741011).

ISBN 9790007297282. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741019

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Set of Orchestra Parts. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741019).

ISBN 9790007297329. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741003

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Vocal score. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741003).

ISBN 9790007254797. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741013

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Single Part, viola. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741013).

ISBN 9790007297305. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741000

Composed by Anton Bruckner. Edited by Uwe Wolf. Carus digital: Extra digital products. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Full Score. Composed 1892. WAB 38. Duration 9 minutes. Published by Carus Verlag (CA.2741000).

ISBN 9790007254780. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741012

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Single Part, violin 2. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741012).

ISBN 9790007297299. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741005

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Choral Score. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741005).

ISBN 9790007254803. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Orchestra soprano voice solo, SATB chorus (divisi), orchestra - Level 4

SKU: CA.2741009

Composed by Anton Bruckner. Edited by Uwe Wolf. Bruckner, Anton: Psalm 150: Halleluja! Lobet den Herrn in seinem Heiligtum. Set of Orchestra Parts. Composed 1892. WAB 38. Duration 9 minutes. Carus Verlag #2741000. Published by Carus Verlag (CA.2741009).

ISBN 9790007297275. Key: C major. German/English.

Bru ckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn - firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732049

Composed by Anton Bruckner. Edited by Anselm Eber. Organ. Sacred vocal music, Masses, Latin, Requiem. Single Part, Organ. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/49. Published by Carus Verlag (CA.2732049).

ISBN 9790007245306. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732011

Composed by Anton Bruckner. Edited by Anselm Eber. Violin 1. Sacred vocal music, Masses, Latin, Requiem. Single Part, Violin 1. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/11. Published by Carus Verlag (CA.2732011).

ISBN 9790007245559. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258101

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Conductor Score. Critical Editions. Score. LudwigMasters Publications #36-A258101. Published by LudwigMasters Publications (AP.36-A258101).

ISBN 9798892701853. UPC: 659359980039. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum): Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. The organ ad libitum is absent from the Haas edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732012

Composed by Anton Bruckner. Edited by Anselm Eber. Violin 2. Sacred vocal music, Masses, Latin, Requiem. Single Part, Violin 2. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/12. Published by Carus Verlag (CA.2732012).

ISBN 9790007245566. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. *Organ ad limitum absent from Haas edition

SKU: AP.36-A258195

Arranged by Anton Bruckner and ed./arr. by Robert Maria Haas. Mass, Orchestra Accompaniment, Tenor Part. Critical Editions. Part(s). LudwigMasters Publications #36-A258195. Published by LudwigMasters Publications (AP.36-A258195).

ISBN 9798892701884. UPC: 659359625268. English.

Anton Bruckner (1824-1896) completed the 1st version of his Mass No. 3 in F minor in 1863, as Otto Kitzler was introducing him to the music of Richard Wagner, the composer he would emulate for the rest of his life. John Herbeck, who conducted the initial rehearsals for its premiere at the Augustinerkirch on June 16, 1872, warmly declared that it stood beside Beethoven's Missa Solemnis in greatness. Bruckner, often self-critical as a composer, went on to revise the work no less than four times until it was finally published it in 1894. More often heard today in the concert hall than in the church, the sprawling, hour-long work is admired today for its powerful directness. This critical edition was created in 1944 for the Bruckner Gesamtausgabe by Robert Maria Haas.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732019

Composed by Anton Bruckner. Edited by Anselm Eber. Complete orchestral parts. Sacred vocal music, Masses, Latin, Requiem. Set of Orchestra Parts. WAB 39. Duration 38 minutes. Carus Verlag #CV 27.320/19. Published by Carus Verlag (CA.2732019).

ISBN 9790007245603. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and parts available separately - see item CA.2732000.