These nine well-known pieces composed especially for Clarinet make an ideal introduction to playing more advanced solos. Each piece reveals something about the clarinet's capabilities as a solo instrument and there are selected background notes about some of the music featured, plus pictures and a brief introduction to the clarinet's history and development - an ideal book for any aspiring Clarinet soloist! / Clarinette

With his clarinet quintet, begun in 1915, Reger was remembering his role models Mozart and Brahms, whose works in this genre he particularly admired. This melancholic quintet that is worked through in a strictly motivic way was to be Reger's last opus. Shortly after he had sent it to his publisher, he died of heart attack in May 1916. The quintet was to become his swan song, first performed at a memorial for the composer on 6 November 1916. Almost one hundred years later, we are now publishing it for the first time in an Urtext edition, edited by the Reger scholar Michael Kube. / Quintette De Clarinettes

Par SPOHR LOUIS. Clarinet part in Bb / Scheideler, Ullrich / Répertoire / Clarinette en Sib et Piano

Clarinet and Piano. Par SCHUMANN ROBERT. On a peine à croire dans quel environnement ces «Soiréestücke» (c’est le titre initial) ont vu le jour: en 1849, Dresde est affectée par de graves troubles politiques, qui contraignent finalement Schumann et Clara à se réfugier à la campagne. Rien de tout cela ne transparaît dans la musique, le caractère idyllique de ces trois mouvements évoquant plutôt l’aspiration à l’harmonie et à la paix de la vie privée. Les Fantasiestücke sont écrits à l’origine pour la clarinette, mais la première édition est accompagnée, au choix, de parties de violon et de violoncelle. Nous avons soumis nos éditions à une révision critique approfondie et adjoint des commentaires détaillés. ? / Partition brochée / Date parution : 1905-06-10/ Répertoire / Clarinette et Piano

This is an updated edition of Francis Poulenc's 1962 work Sonata For Clarinet And Piano, edited by Millan Sachania. Featuring the full score and separate Clarinet part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks.Originally completed in 1962, Poulenc tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, published just a year later. A number of revisions have taken place, but this, expertly edited by Millan Sachania, aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc's intentions.This new edition includes accidentals that may have been intended by Poulenc within square brackets, as well as cautionary accidentals and the deletion of redundant accidentals. Other amendments like the redistribution of notes between the Piano staves, extending slurs so as to incorporate second or final tied notes, in contrast to the previous edition. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended.What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned clarinettist Joy Farrall and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the clarinettist in your very own performance. This is a unique opportunity for clarinettists to learn from an authoritative score, and play along to a special backing track, with a work that's one of the finest for the instrument ever composed.For clarinettist fans of Francis Poulenc, lovers of Les Six, or just players with a proclivity for beautiful music, this edition of Sonata For Clarinet And Piano has been a long-time coming, and now it's available in this unique edition with accompanying download card. / Clarinette Et Piano

Robert Schumann wrote his Fantasy Pieces for clarinet and piano in the course of two days in February 1849. Only a few days later they were premiered by Clara Schumann and the Dresden clarinetist Johann Gottlieb Kotte. Initially choosing the title Soirée Pieces for his works, Schumann finally decided to have them published as Fantasy Pieces, thereby emphasizing their poetical aspects. These connotations are also at the centre of clarinetist Elisabeth Eichenberg's notes on interpretation with special reference to the contemporary aesthetics of the clarinet sound. The edition is based on the first edition published in 1849 and also incorporates subsequent corrections in Schumann's personal copy. The compositional manuscript that has survived served as an important corrective. Besides the original clarinet part in A the edition also includes a transposed part for the B clarinet in order to make these standard works of the Romantic clarinet repertoire available to a wider circle of the clarinet community. / Clarinette Et Piano

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet?s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music?, BA 9600

Debussy's Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece. - First Urtext edition of the orchestral version - First scholarly-critical edition of a pioneering work for clarinet - Trilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng) / Clarinette Et Piano

Arranger: Rae James Some of Edvard Grieg's most beautiful melodies have been transcribed here for clarinet and arranged into comfortable 'clarinet-friendly' keys allowing the performer to play with confidence. James Rae has selected a mixture of well-known and less well-known pieces which include: Piano Concerto in A minor Op. 16 (2 nd movement), Wedding Day at Troldhaugen, In the Hall of the Mountain King and more. All are very suitable for developing clarinettists at middle-grade technical levels. Piano Concerto in A minor, Op. 16 ' Klavierkonzert a-Moll op. 16 Wedding Day at Troldhaugen ' Hochzeitstag auf Troldhaugen I Wandered One Lovely Summer Evening A Swan Anitra's Dance ' Anitras Tanz Autumn Thoughts In the Hall of the Mountain King ' In der Halle des Bergkönigs Norwegian Dance, Op. 35 ' Norwegischer Tanz The First Primrose Solveig's Song ' Solveigs Lied

con accompagnamenti pianistici di | with piano accompaniments by Daniele Rossi. Par . A collection of studies for clarinet by Cavallini, Klosè, Magnani, Marasco and Stark with piano accompaniments composed by Daniele Rossi to provide the clarinetist with a more conscious and attentive interpretation. The pieces are ordered according to a criterion of progressive technical difficulty. / Date parution : 2023-07-31/ Etude / Clarinette et Piano

The Most Beautiful Meldoies In Easy To Intermediate-Level Arrangements. Par BRAHMS JOHANNES. James Rae has selected a variety of pieces from Brahms's orchestral and song repertoire and transcribed them for clarinettists in their earlier years of tuition through to more advanced levels. From Cradle Song through to Hungarian Dance No. 5, this album will be a treasure trove for developing players. - Arrangements for clarinet and piano of some of Brahms's most beautiful melodies - The pieces are of moderate length and suitable for players at elementary to more advanced levels - Ideal performance pieces and for extending the repertoire / Niveau : Facile / Répertoire / Clarinette et Piano

This collection of pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes 23 well-known and popular themes by the great composers of this era, along with several short solo studies.The pieces selected have been arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course, they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano