Orchestra Orchestra SKU: PR.11641145S Composed by Lowell Liebermann. Stud...(+)
Orchestra Orchestra
SKU: PR.11641145S
Composed by Lowell
Liebermann. Study Score.
80 pages. Duration 20
minutes. Theodore Presser
Company #116-41145S.
Published by Theodore
Presser Company
(PR.11641145S).
ISBN
9781491136553. UPC:
680160689408.
The
Concerto for Piccolo and
Orchestra Op.50 was
commissioned by Jan
Gippo, principal Piccolo
of the St. Louis
Symphony, who gave the
premiere of the work on
August 18th, 1996, in New
York City with the New
Jersey Symphony Orchestra
conducted by Glenn
Cortese. The occasion was
the annual convention of
the National Flute
Association, who
sponsored the
commission.Jan Gippo had
enthusiastically pursued
the idea of commissioning
a Piccolo concerto from
me ever since he played
orchestral Piccolo in the
premiere of my Concerto
for Flute with James
Galway and the St. Louis
Symphony. Won over by his
enthusiasm, I agreed to
write this work for an
instrument which has had
virtually no concerto
repertoire since the
baroque era. In doing so
I was eager to stress the
lyrical and expressive
qualities of an
instrument which is too
often stereotyped as
being useful for only
brilliant and ornamental
flourishes.The work falls
into three movements
which are united by
thematic and motivic
materials, significant
among which is a twelve
note row which forms the
basis of the second
movement’s
variations. The final
movement, which puts the
seriousness of the first
tow movements aside for
an unbridled romp, makes
use of three explicit
musical quotations at
strategic structural
moments, one of which is
an implicit homage to
Shostakovich, who quoted
from the same work in his
own second Violin
Concerto.Orchestration of
the Concerto was
completed at the
Loew’s Hotel in
Monte Carlo, where I was
situated for the
rehearsal period of my
opera The Picture of
Dorian Gray.The Concerto
for Piccolo and Orchestra
has been recorded for
release on the BMG label
by James Galway with the
London Mozart Players
conducted by the
composer.
Score
and Parts. Composed
by Niels Marthinsen.
Music Sales America.
Classical, Contemporary.
Softcover. Composed 2012.
Edition Wilhelm Hansen
#WH31620. Published by
Edition Wilhelm Hansen
(HL.14042113).
ISBN
9788759826058.
International (more than
one language).
THE
DREAMERS for horn, violin
and piano is the sixth of
a series of seven
compositions named after
Karen Blixen's collection
of short stories Seven
Gothic Tales. My musical
gothic tales are written
for very different
ensembles - THE SUPPER AT
ELSINORE is a saxophone
quartet, THE OLD
CHEVALIER is for bass
trombone and piano, THE
MONKEY is a chamber
orchestra work - but they
all share musical
material in a criss-cross
of contextual references
reminiscent of Blixen's
narrative complexity:
Themes and motivs from
one piece appear in
others in new and
surprising shapes and
combinations. Karen
Blixen's THE DREAMERS has
the most complex
narrative structure of
all her seven gothic
tales.The story is made
up of three tales with
different narrators, but
with the same principal
caracter in various
disguises, all three
imbedded within a fourth
tale that serves as a
framework for the entire
short story. The main
story line unravels the
life of a famous opera
diva who looses her voice
during a terrible fire.
Before this her life was
perpetual bliss, and the
tragedy drives her into
assuming different
personality guises in
order to escape reality.
Toward the end she is
confronted with her true
identity, and dies. THE
DREAMERS isn't 'about'
anything. The music is
inspired by the artistic
content of Blixen's short
story - it's
emotionalism, dramatic
construction, atmosphere,
period and settings - but
unfolds in time and
musical space in ways
that are completely
independent of the
story's narrative
progression... except one
might say that the three
players try their best to
either catch or escape
each other, and that when
they finally meet, it
happens abruptly, even
tragically - and only
barely provides a little
consolation. Duration:
approximately 15
minutes.
Woodwinds SKU: BR.OB-5560-30 Urtext. Composed by George Frideric H...(+)
Woodwinds
SKU:
BR.OB-5560-30
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Set of parts.
134 pages. Duration 120'.
Breitkopf and Haertel #OB
5560-30. Published by
Breitkopf and Haertel
(BR.OB-5560-30).
ISBN
9790004344163. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Basso (cello/double bass) SKU: BR.OB-5560-26 Urtext. Composed by G...(+)
Basso (cello/double bass)
SKU: BR.OB-5560-26
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 60 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-26.
Published by Breitkopf
and Haertel
(BR.OB-5560-26).
ISBN
9790004344156. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Chorus (with soloists) and orchestra SKU: BR.PB-5560 Urtext. Compo...(+)
Chorus (with soloists)
and orchestra
SKU:
BR.PB-5560
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Full score. 292
pages. Duration 120'.
Breitkopf and Haertel #PB
5560. Published by
Breitkopf and Haertel
(BR.PB-5560).
ISBN
9790004213704. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ).
Violin 2 SKU: BR.OB-5560-16 Urtext. Composed by George Frideric Ha...(+)
Violin 2
SKU:
BR.OB-5560-16
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 64 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-16.
Published by Breitkopf
and Haertel
(BR.OB-5560-16).
ISBN
9790004344132. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Basso continuo SKU: BR.OB-5560-11 Urtext. Composed by George Fride...(+)
Basso continuo
SKU:
BR.OB-5560-11
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 96 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-11.
Published by Breitkopf
and Haertel
(BR.OB-5560-11).
ISBN
9790004344118. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Viola SKU: BR.OB-5560-19 Urtext. Composed by George Frideric Hande...(+)
Viola
SKU:
BR.OB-5560-19
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 60 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-19.
Published by Breitkopf
and Haertel
(BR.OB-5560-19).
ISBN
9790004344149. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Violin 1 SKU: BR.OB-5560-15 Urtext. Composed by George Frideric Ha...(+)
Violin 1
SKU:
BR.OB-5560-15
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 64 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-15.
Published by Breitkopf
and Haertel
(BR.OB-5560-15).
ISBN
9790004344125. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
SAB choir, keyboard accompaniment, guitar - Early intermediate SKU: GI.G-7020...(+)
SAB choir, keyboard
accompaniment, guitar -
Early intermediate
SKU: GI.G-7020
Composed by Pablo Sosa.
Arranged by Homero R.
Perera. Oramos cantando
series. Sacred. Octavo.
With guitar chord names.
12 pages. GIA
Publications #7020.
Published by GIA
Publications (GI.G-7020).
UPC: 785147702009.
English, Spanish.
Translation: Mary Louise
Bringle. Text by Juan
Damián.
The
milonga is a song-dance
developed around 1870 by
the cultures co-existing
in Buenos Aires at the
time. This piece, with a
Mary Louise Bringle
translation, explores the
mystery of God: “I
think I know, but barely
grasp it . . .†and
calls for greater faith.
The music is slow,
rhythmic, richly
harmonic, and
mesmerizing.
Children's Choir; Unison with optional 2-part and 3-part choir SKU: LP.765762...(+)
Children's Choir; Unison
with optional 2-part and
3-part choir
SKU:
LP.765762091122
A
Kids' Musical about
Storing Up Treasures in
Heaven. Composed by
Jeff Smith & C. Barny
Robertson. Choral.
Multicultural and Sacred.
Stereo CD. Published by
Lillenas Publishing
Company
(LP.765762091122).
UPC:
765762091122.
Jeff
Smith's children's
musical, Pirates of the I
Don't Care-ibbean, is
sure to be a big hit
especially if your kids
love the hilarious silly
songs from VeggieTales,
the Pirates of the
Caribbean Disney movies
and Pirates Who Don't Do
Anything: A VeggieTales
Movie. The musical will
reach not only kids, but
your congregation with a
great message of the
Gospel. The story is set
inside Pirate Park, home
of the Plattsburg Pirates
(not to be confused with
the Pittsburgh Pirates,
Jeff's favorite baseball
team!). It is a pirate
night at the stadium and
families are in the
bleachers dressed as
pirates to support their
woefully bad team.
Similar to Dorothy
traveling back to the
Land of Oz, the story
starts with a dream
sequence where a young
fan named Andy gets hit
in the head with a
baseball and travels to a
fantastical island in the
Caribbean called Johnny
Bay. As the story
unfolds, you learn that
the pirates don't
remember anything about
their past or how they
came to Johnny Bay. All
they know is that they
are required to guard the
captain's treasure from
anyone who may want to
steal it away. Creator
Jeff Smith wants kids to
learn that, You are not
created to be on a
deserted island, guarding
someone else's treasure.
Your real treasure is in
heaven, not on earth.
Avarice is a tool of the
enemy to keep you from
becoming all God created
you to be on earth. In
the story, Andy exposes
the lies of the evil
captain and helps the
pirates assume their
rightful place on the
sea. During a time when
pirate movies are
popular, this musical
will connect with kids as
well as adults and draw
them in to something that
is both fun and
spiritually
educational.
Professio
nal quality recording
useful as an aid for
choir members learning
the music, or for
personal enjoyment and
meditation times.
(Performance demo - not
an accompaniment
CD.).
Children's Choir; Unison with optional 2-part and 3-part choir SKU: LP.765762...(+)
Children's Choir; Unison
with optional 2-part and
3-part choir
SKU:
LP.765762091429
A
Kids' Musical about
Storing Up Treasures in
Heaven. Composed by
Jeff Smith & C. Barny
Robertson. Musical.
Multicultural and Sacred.
Stereo accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762091429).
UPC:
765762091429.
Jeff
Smith's children's
musical, Pirates of the I
Don't Care-ibbean, is
sure to be a big hit
especially if your kids
love the hilarious silly
songs from VeggieTales,
the Pirates of the
Caribbean Disney movies
and Pirates Who Don't Do
Anything: A VeggieTales
Movie. The musical will
reach not only kids, but
your congregation with a
great message of the
Gospel. The story is set
inside Pirate Park, home
of the Plattsburg Pirates
(not to be confused with
the Pittsburgh Pirates,
Jeff's favorite baseball
team!). It is a pirate
night at the stadium and
families are in the
bleachers dressed as
pirates to support their
woefully bad team.
Similar to Dorothy
traveling back to the
Land of Oz, the story
starts with a dream
sequence where a young
fan named Andy gets hit
in the head with a
baseball and travels to a
fantastical island in the
Caribbean called Johnny
Bay. As the story
unfolds, you learn that
the pirates don't
remember anything about
their past or how they
came to Johnny Bay. All
they know is that they
are required to guard the
captain's treasure from
anyone who may want to
steal it away. Creator
Jeff Smith wants kids to
learn that, You are not
created to be on a
deserted island, guarding
someone else's treasure.
Your real treasure is in
heaven, not on earth.
Avarice is a tool of the
enemy to keep you from
becoming all God created
you to be on earth. In
the story, Andy exposes
the lies of the evil
captain and helps the
pirates assume their
rightful place on the
sea. During a time when
pirate movies are
popular, this musical
will connect with kids as
well as adults and draw
them in to something that
is both fun and
spiritually
educational.
Stereo
accompaniment trax for
performance use. High
quality orchestral
performance and
recording. Note - does
not include rehearsal
(internal) CD points.
Children's Choir; Unison with optional 2-part and 3-part choir SKU: LP.765762...(+)
Children's Choir; Unison
with optional 2-part and
3-part choir
SKU:
LP.765762148208
A
Kids' Musical about
Storing Up Treasures in
Heaven. Composed by
Jeff Smith & C. Barny
Robertson. This edition:
Loose-Leaf. Musical.
Multicultural and Sacred.
Bulletin blanks.
Published by Lillenas
Publishing Company
(LP.765762148208).
UPC:
765762148208.
Jeff
Smith's children's
musical, Pirates of the I
Don't Care-ibbean, is
sure to be a big hit
especially if your kids
love the hilarious silly
songs from VeggieTales,
the Pirates of the
Caribbean Disney movies
and Pirates Who Don't Do
Anything: A VeggieTales
Movie. The musical will
reach not only kids, but
your congregation with a
great message of the
Gospel. The story is set
inside Pirate Park, home
of the Plattsburg Pirates
(not to be confused with
the Pittsburgh Pirates,
Jeff's favorite baseball
team!). It is a pirate
night at the stadium and
families are in the
bleachers dressed as
pirates to support their
woefully bad team.
Similar to Dorothy
traveling back to the
Land of Oz, the story
starts with a dream
sequence where a young
fan named Andy gets hit
in the head with a
baseball and travels to a
fantastical island in the
Caribbean called Johnny
Bay. As the story
unfolds, you learn that
the pirates don't
remember anything about
their past or how they
came to Johnny Bay. All
they know is that they
are required to guard the
captain's treasure from
anyone who may want to
steal it away. Creator
Jeff Smith wants kids to
learn that, You are not
created to be on a
deserted island, guarding
someone else's treasure.
Your real treasure is in
heaven, not on earth.
Avarice is a tool of the
enemy to keep you from
becoming all God created
you to be on earth. In
the story, Andy exposes
the lies of the evil
captain and helps the
pirates assume their
rightful place on the
sea. During a time when
pirate movies are
popular, this musical
will connect with kids as
well as adults and draw
them in to something that
is both fun and
spiritually
educational.
Package
of one hundred service
folders (bulletins.) 5
1/2 x 8 1/2 when folded.
Packaged unfolded for
easy printing. Front
cover features artwork
found on choral book
cover. Insides and back
are blank.
Children's Choir; Unison with optional 2-part and 3-part choir SKU: LP.765762...(+)
Children's Choir; Unison
with optional 2-part and
3-part choir
SKU:
LP.765762002937
A
Kids' Musical about
Storing Up Treasures in
Heaven. Composed by
Jeff Smith & C. Barny
Robertson. Musical.
Multicultural and Sacred.
Demonstration DVD.
Published by Lillenas
Publishing Company
(LP.765762002937).
UPC:
765762002937.
Jeff
Smith's children's
musical, Pirates of the I
Don't Care-ibbean, is
sure to be a big hit
especially if your kids
love the hilarious silly
songs from VeggieTales,
the Pirates of the
Caribbean Disney movies
and Pirates Who Don't Do
Anything: A VeggieTales
Movie. The musical will
reach not only kids, but
your congregation with a
great message of the
Gospel. The story is set
inside Pirate Park, home
of the Plattsburg Pirates
(not to be confused with
the Pittsburgh Pirates,
Jeff's favorite baseball
team!). It is a pirate
night at the stadium and
families are in the
bleachers dressed as
pirates to support their
woefully bad team.
Similar to Dorothy
traveling back to the
Land of Oz, the story
starts with a dream
sequence where a young
fan named Andy gets hit
in the head with a
baseball and travels to a
fantastical island in the
Caribbean called Johnny
Bay. As the story
unfolds, you learn that
the pirates don't
remember anything about
their past or how they
came to Johnny Bay. All
they know is that they
are required to guard the
captain's treasure from
anyone who may want to
steal it away. Creator
Jeff Smith wants kids to
learn that, You are not
created to be on a
deserted island, guarding
someone else's treasure.
Your real treasure is in
heaven, not on earth.
Avarice is a tool of the
enemy to keep you from
becoming all God created
you to be on earth. In
the story, Andy exposes
the lies of the evil
captain and helps the
pirates assume their
rightful place on the
sea. During a time when
pirate movies are
popular, this musical
will connect with kids as
well as adults and draw
them in to something that
is both fun and
spiritually
educational.
The DVD
includes: Production
Video (complete with
drama and music scenes,
choreography helps, set
and prop descriptions) *
Production Notes
including direction on
costuming, staging, and
props.
Oboe and Orchestra SKU: HL.14028041 Composed by Poul Ruders. Music Sales ...(+)
Oboe and Orchestra
SKU: HL.14028041
Composed by Poul Ruders.
Music Sales America.
Classical. Score.
Composed 2002. 76 pages.
Edition Wilhelm Hansen
#WH30497. Published by
Edition Wilhelm Hansen
(HL.14028041).
ISBN
9788759810682.
12.0x16.5x0.533
inches.
The Small
concerto for solo oboe
and chamber orchestra was
commissioned by The Royal
Library of Copenhagen for
the inauguration of a
concert hall located at
the new library annex,
the so-called Black
Diamond, September 1999.
The work as such focuses
more on the contemplative
and sonorously introvert,
rather than more
virtuosity; it is in four
movements, what could be
called four little
tone-poems on (and
inspired by) the names of
the four moon craters
known as: Lake of Dream -
Ocean of Storms - Sea of
Tranquillity - Lake of
Death, four enigmatic and
deeply fascinating
ancient conceptions of
the landscape on this our
closest, but at the same
time most legendary and
myth-shrouded celestial
body. The work was
composed in 1998 for
Athelas-Sinfonietta
Copenhagen and Swedish
obo virtuoso Helen
Jahren. The work was
dedicated to Helen
Jahren.
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1753S Score Only. C...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1753S
Score
Only. Composed by
William Owens. Concert
Band. FJH Developing
Band. Programmatic.
Score. Duration 2:00. The
FJH Music Company Inc
#98-B1753S. Published by
The FJH Music Company Inc
(FJ.B1753S).
English.
Take
flight into mythology
with this enchanting
piece named for the
legendary winged
messenger himself!
Beginning slowly and
magically, the music
suddenly becomes
sprightly and playful.
Your students and
audiences will quickly
take to this one -
engaging and
enchanting!
Concert Band Concert Band - Grade 1.5 SKU: FJ.B1753 Composed by William O...(+)
Concert Band Concert Band
- Grade 1.5
SKU:
FJ.B1753
Composed by
William Owens. Concert
Band. FJH Developing
Band. Programmatic. Score
and Part(s). Duration
2:00. The FJH Music
Company Inc #98-B1753.
Published by The FJH
Music Company Inc
(FJ.B1753).
UPC:
241444391754.
English.
Take
flight into mythology
with this enchanting
piece named for the
legendary winged
messenger himself!
Beginning slowly and
magically, the music
suddenly becomes
sprightly and playful.
Your students and
audiences will quickly
take to this one -
engaging and
enchanting!
Composed by
Marty Haugen. Lent, Lent
5 B, Holy Week.
Celebration Series.
Sacred. Octavo. With
guitar chord names. 8
pages. GIA Publications
#9016. Published by GIA
Publications (GI.G-9016).
UPC: 785147901600.
English. Text Source:
Inspired by John 12. Text
by Marty Haugen.
Scripture: John
12:24–26.
He
re is a setting of the
paschal mystery drawn
from John 12:24 in a
relaxed, ballad-like
style. The verses recall
a number of the “I
AM†statements of
Jesus in John’s
gospel as well as scenes
from Lenten pericopes
during Year A.
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8881
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 120
pages. Breitkopf and
Haertel #EB 8881.
Published by Breitkopf
and Haertel (BR.EB-8881).
ISBN 9790004184714. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8880
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8880.
Published by Breitkopf
and Haertel (BR.EB-8880).
ISBN 9790004184707. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Guitar SKU: GI.G-4005G Composed by Bob Moore. This edition: Guitar editio...(+)
Guitar
SKU:
GI.G-4005G
Composed
by Bob Moore. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 24
pages. GIA Publications
#4005G. Published by GIA
Publications
(GI.G-4005G).
This is the
guitar version. There's a
style here for everyone:
robust metrical hymns
like When the Lord in
Glory Comes, the lyrical
Joyful Is the Dark, Come
to Me O Weary Traveller
with a beautiful early
American flavor, and the
classically influenced
Jesus on the Mountain
Peak. In addition to
Bob's original texts,
works by Timothy
Dudley-Smith, Brian Wren,
and Sylvia Dunstan are
also included. CONTENTS:
LIVING WATERS (G-3630)
• ENTER IN (G-3837)
• THE WORD IS IN
YOUR HEART (G-3838)
• WHEN THE LORD
IN GLORY COMES (G-3841)
• JOYFUL IS THE
DARK (G-3845) • GOD
BE IN MY HEAD (G-3854)
• PSALM 103: OUR
GOD IS RICH IN LOVE
(G-3858) • ALL WHO
HUNGER (G-3859)
• COME TO ME, O
WEARY TRAVELER (G-3860)
• WE GATHER IN
WORSHIP (G-3861) •
WE ARE A CHOSEN PEOPLE
(G-3875)Â .