Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violoncello. Secular
choral music. Single
Part, Cello. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/14. Published by
Carus Verlag
(CA.1039514).
ISBN
9790007245368. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke. 1x
10.395/21 flute 1, 1x
10.395/22 flute 2, 1x
10.395/23 oboe 1, 1x
10.395/24 oboe 2, 1x
10.395/25 clarinet 1, 1x
10.395/26 clarinet 2, 1x
10.395/27 bassoon 1, 1x
10.395/28 bassoon 2, 1x
10.395/31 horn 1, 1x
10.395/32 horn 2, 1x
10.395/33 horn 3, 1x
10.39. Harmony parts.
Secular choral music. Set
of Orchestra Parts. Op.
112. Duration 8 minutes.
Carus Verlag #CV
10.395/09. Published by
Carus Verlag
(CA.1039509).
ISBN
9790007245320. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Choral Score. Op. 112. 8
pages. Duration 8
minutes. Carus Verlag #CV
10.395/05. Published by
Carus Verlag
(CA.1039505).
ISBN
9790007188139. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 2. Secular choral
music. Single Part,
Violin 2. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/12. Published by
Carus Verlag
(CA.1039512).
ISBN
9790007245344. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Violin 1. Secular choral
music. Single Part,
Violin 1. Op. 112. 4
pages. Duration 8
minutes. Carus Verlag #CV
10.395/11. Published by
Carus Verlag
(CA.1039511).
ISBN
9790007245337. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Full score. Op. 112. 44
pages. Duration 8
minutes. Carus Verlag #CV
10.395/00. Published by
Carus Verlag
(CA.1039500).
ISBN
9790007188115. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and
corrected.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Double bass. Secular
choral music. Single
Part, Double Bass. Op.
112. 4 pages. Duration 8
minutes. Carus Verlag #CV
10.395/15. Published by
Carus Verlag
(CA.1039515).
ISBN
9790007245375. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Secular choral music.
Vocal score. Op. 112. 20
pages. Duration 8
minutes. Carus Verlag #CV
10.395/03. Published by
Carus Verlag
(CA.1039503).
ISBN
9790007188122. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Complete orchestral
parts. Secular choral
music. Set of Orchestra
Parts. Op. 112. Duration
8 minutes. Carus Verlag
#CV 10.395/19. Published
by Carus Verlag
(CA.1039519).
ISBN
9790007245382. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and parts available
separately - see item
CA.1039500.
Composed
by Ludwig van Beethoven.
Edited by Sven Hiemke.
Viola. Secular choral
music. Single Part,
Viola. Op. 112. 4 pages.
Duration 8 minutes. Carus
Verlag #CV 10.395/13.
Published by Carus Verlag
(CA.1039513).
ISBN
9790007245351. Language:
German.
Beethoven's
Meeres Stille und
Gluckliche Fahrt (Calm
Sea and Prosperous
Voyage) op. 112 for
four-part mixed chorus
and symphony orchestra -
his setting of a pair of
poems by Johann Wolfgang
von Goethe - defies
straightforward
categorization, but can
best be described as a
choral ode. Beethoven in
fact never voyaged by
sea, but his composition,
premiered in 1815,
continues to surprise
even today. He depicted
in music the smooth
surface of the motionless
water and the oppressive
calm, which meant nothing
other than being
becalmed, a delayed
voyage, and short rations
in the era of sailing,
with the same intensity
as a freshening
increasing wind, with
which Aeolus, the God of
the winds, ultimately
enabled the longed-for
prosperous voyage to take
place. The composed
calmness of the
motionless sea is
conveyed in the low
register used throughout,
in which the chorus sings
the first poem
accompanied by washes of
pianissimo sounds on the
strings. There is a
surprising moment with
the musical portrayal of
the ungeheuere Weite
(immense breadth), at
which the
vocal-instrumental
writing suddenly
crescendos to forte and
unfolds into a texture of
over five octaves. By
contrast Gluckliche Fahrt
is written in
restlessly-compiled
meters, whose musical
setting in flowing
movement with diatonic
scale passages evokes
happy excitement and
confidence. The work was
dedicated to Johann
Wolfgang von Goethe, whom
Beethoven greatly admired
throughout his life. The
work has now been
published in a new
critical edition based on
the first printed edition
and the performance score
which Beethoven himself
checked and corrected.
Score and part available
separately - see item
CA.1039500.
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-27.
Published by Breitkopf
and Haertel
(BR.OB-14670-27).
ISBN
9790004337967. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-23.
Published by Breitkopf
and Haertel
(BR.OB-14670-23).
ISBN
9790004337950. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-16.
Published by Breitkopf
and Haertel
(BR.OB-14670-16).
ISBN
9790004337936. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-19.
Published by Breitkopf
and Haertel
(BR.OB-14670-19).
ISBN
9790004337943. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Chorus (with soloists) and orchestra (choir: SATB - 2.2.2.2. - 4.2.0.0. - timp -...(+)
Chorus (with soloists)
and orchestra (choir:
SATB - 2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.CHB-14670-02
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Classical period. Choral
score. 12 pages. Duration
10'. Breitkopf and
Haertel #ChB 14670-02.
Published by Breitkopf
and Haertel
(BR.CHB-14670-02).
ISBN 9790004412466.
7.5 x 10.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Ludwig van
Beethoven. Edited by
Armin Raab. Stapled.
Orchester-Bibliothek
(Orchestral Library). The
study score
(Studien-Edition) is
available at G. Henle
Verlag. Classical period.
Part. 4 pages. Duration
10'. Breitkopf and
Haertel #OB 14670-15.
Published by Breitkopf
and Haertel
(BR.OB-14670-15).
ISBN
9790004337929. 10 x 12.5
inches.
In his op.
112 Beethoven sets the
two poems by Johann
Wolfgang von Goethe
Meeresstille (Calm Sea)
and Gluckliche Fahrt
(Prosperous Voyage).
Several sketches reveal
that Beethoven had
already begun to take an
interest in the poems by
the end of 1814. The
composer conducted the
premiere at a benefit
concert for the Viennese
Citizens' Hospital Fund
in 1815. As the
publication of this work
was long in coming, the
dedicatee Goethe received
a copy of the score only
in May 1822. A few months
later Beethoven inquired
of him: [...] how lovely
would it be to know, if I
appropriately united my
harmonies with yours.
Also enlightenment on
what is to be seen as
truth, would be dearly
appreciated, as I love
the latter above all, and
never shall be said:
Veritas odium parit.The
old but commendable
Breitkopf material has
now been definitively
replaced by the new
edition based on the
Complete
Beethoven-Edition, save
for the tried and true
piano reduction by Carl
Reinecke, which boasts
more than simply
historical merits. Its
existence is assured by
the revised and
simplified form in which
it appears in the new
piano reduction. It will
no doubt long continue
being a much appreciated
aid at choral rehearsals.
In the piano vocal score
the articulation and
dynamics were adapted to
the music text of the
Complete Edition.The sun
recently began shining
from a cloudless sky on
Beethoven's Meeres Stille
und Gluckliche Fahrt
(Calm Sea and Prosperous
Voyage) after the
publication of the piano
reduction and choral
score which signalize the
completion of the
performance material
based on the new
Beethoven Complete
Edition. (Singende
Kirche).
Choir SKU: WD.080689274084 Composed by Cliff Duren. Arranged by Cliff Dur...(+)
Choir
SKU:
WD.080689274084
Composed by Cliff Duren.
Arranged by Cliff Duren.
Choral. Sacred Anthem,
Christmas. Orchestration.
Word Music #080689274084.
Published by Word Music
(WD.080689274084).
UPC:
080689274084.
This
artfully-crafted piece
speaks as a universal
reminder that through His
advent here, Jesus is the
light of our lives.
Because of the birth of
our King and Savior, we
no longer need to walk in
darkness. Instead, Jesus
lights our path and
blesses us through His
redeeming grace and
steadfast love. With this
knowledge, we are granted
peace... all is calm, all
is bright.
Silent Night.
Composed by Franz Xaver
Gruber. Arranged by Katie
O'Hara LaBrie. Series;
String Orchestra. FJH
Developing Strings.
Holiday Pops. Score. The
FJH Music Company Inc
#98-ST6504S. Published by
The FJH Music Company Inc
(FJ.ST6504S).
English.
Lush
and rich harmonies
surround this inventive
arrangement of Silent
Night that offers a
wonderful opportunity to
focus on phrasing and
balance. Each section is
featured through
interwoven melodies and
changing time signatures
in the contrasting calm
and bright sections. A
mature sounding work for
intermediate players, and
a sure way to enhance the
quality of your winter
program.
Score and Parts Organ; Trumpet (Score & Parts) SKU: HL.14005400 For 2 ...(+)
Score and Parts Organ;
Trumpet (Score & Parts)
SKU: HL.14005400
For 2 Trumpets in C
and Organ - Score and
Parts. Composed by
Geoffrey Burgon. Music
Sales America. Classical.
Softcover. Composed 2002.
14 pages. Chester Music
#CH63338. Published by
Chester Music
(HL.14005400).
8.25x11.75
inches.
Geoffre
y Burgon's
Trumpets
is a work for two
Trumpets and Organ,
originally forming part
of the ballet 'The Calm',
written for The London
Contemporary Dance
Theatre and premiering in
1974. Thisarrangement of
Trumpets
was made by the
composer. This is
the score and
parts.
By Elizabeth W. Greenleaf. For Piano. Composers In Focus. This original collecti...(+)
By Elizabeth W.
Greenleaf. For Piano.
Composers In Focus. This
original collection of
eight charming songs
portrays a myriad of
delightful childhood
scenes. Students will
especially love the
accessibility of these
five-finger melodies.
Wonderful teacher duets
are provided to encourage
inspired, ensemble
playing. Contents
include: The Donkey;
Tubas on Parade; The Cold
North Wind; Gentle Rain;
Square Dance Tune;
Drifting on a Calm River;
Ring the Town Bells;
Maple Leaves in the Wind.
Level: Early Elementary.
Book. Published by The
FJH Music Company, Inc.
By Paul Cook, Jack Bullock, Lew Davison, and Jerry Burns. By Paul Cook, Jack Bul...(+)
By Paul Cook, Jack
Bullock, Lew Davison, and
Jerry Burns. By Paul
Cook, Jack Bullock, Lew
Davison, and Jerry Burns.
For Concert Band. Concert
Band. Belwin Very
Beginning Band. Level:
Very Easy (grade 1/2).
Conductor Score, Parts
and CD. 344 pages.
Duration 3:34. Published
by Alfred Publishing.
All is NOT Calm Orchestre d'harmonie [Conducteur] - Débutant MakeMusic
Concert Band - Grade 1 SKU: AP.51018S (A Not-So-Silent Night). Com...(+)
Concert Band - Grade 1
SKU: AP.51018S
(A Not-So-Silent
Night). Composed by
Arranged by Katie O'Hara
LaBrie. Concert Band;
Performance Music
Ensemble; Single Titles.
MakeMusic Developing
Band. Christmas; Holiday
Pops. Score. Duration
1:45. MakeMusic
#00-51018S. Published by
MakeMusic (AP.51018S).
ISBN 9781470667917.
UPC: 038081586793.
English.
Imagine
the sweet sounds of
Silent Night lulling you
to sleep when the
next-door neighbors start
blasting various holiday
carols at full volume!
All is NOT Calm, arranged
by Katie O'Hara LaBrie,
is a musical battle
between woodwinds, brass,
and percussion that
features snippets of
various holiday
favorites. This is sure
to engage your students
as they explore dynamics
in a fun and creative
way. (1:45).
SATB chorus, keyboard - Easy SKU: AU.978-1-5064-8489-1 Composed by Thomas...(+)
SATB chorus, keyboard -
Easy
SKU:
AU.978-1-5064-8489-1
Composed by Thomas
Pavlechko. Augsburg
Choral Hymn Series.
Church. Octavo. Augsburg
Fortress
#978-1-5064-8489-1.
Published by Augsburg
Fortress
(AU.978-1-5064-8489-1).
ISBN 9781506484891. 7
x 10.25
inches.
Thom
Pavlechko groups three of
his new hymns into a
creative and flexible
collection for choir,
congregation, keyboard,
and instruments. These
short hymns can be
repeated several times
with voices and
instruments gradually
added with each
repetition. Hymns include
Calm to the Waves (ELW),
In the Peace of God Find
Rest (ACS), and Seek
First God's
Kingdom._x000D_.
Soprano voice and piano SKU: HL.49002302 Composed by Priaulx Rainier. Thi...(+)
Soprano voice and piano
SKU: HL.49002302
Composed by Priaulx
Rainier. This edition:
Folding. Sheet music.
Edition Schott.
Classical. Composed 1937.
8 pages. Schott Music #ED
10181. Published by
Schott Music
(HL.49002302).
ISBN
9790220101397.
9.25x12.0x0.04 inches.
English.
A Bird You
will never rise up again
* For a Fountain O
wanderer rest your tired
limbs * A Dolphin No more
exulting in the calm
sea.
Silent Night.
Composed by Franz Xaver
Gruber. Arranged by Katie
O'Hara LaBrie. Series;
String Orchestra. FJH
Developing Strings.
Christmas; Holiday Pops.
Score and Part(s). The
FJH Music Company Inc
#98-ST6504. Published by
The FJH Music Company Inc
(FJ.ST6504).
UPC:
241444416358.
English.
Lush and
rich harmonies surround
this inventive
arrangement of Silent
Night that offers a
wonderful opportunity to
focus on phrasing and
balance. Each section is
featured through
interwoven melodies and
changing time signatures
in the contrasting calm
and bright sections. A
mature sounding work for
intermediate players, and
a sure way to enhance the
quality of your winter
program.
Concert Band - Grade 1 SKU: AP.51018 (A Not-So-Silent Night). Comp...(+)
Concert Band - Grade 1
SKU: AP.51018
(A Not-So-Silent
Night). Composed by
Arranged by Katie O'Hara
LaBrie. Concert Band;
Performance Music
Ensemble; Single Titles.
MakeMusic Developing
Band. Christmas; Holiday
Pops. Score and Part(s).
Duration 1:45. MakeMusic
#00-51018. Published by
MakeMusic (AP.51018).
ISBN 9781470667900.
UPC: 038081586786.
English.
Imagine
the sweet sounds of
Silent Night lulling you
to sleep when the
next-door neighbors start
blasting various holiday
carols at full volume!
All is NOT Calm, arranged
by Katie O'Hara LaBrie,
is a musical battle
between woodwinds, brass,
and percussion that
features snippets of
various holiday
favorites. This is sure
to engage your students
as they explore dynamics
in a fun and creative
way. (1:45).