Composed by Bob Lipton. Edited by J. Cameron Law. For string orchestra. Grade 3. Score and set of parts. Duration 3 minutes, 45 seconds. Published by Grand Mesa Music

(Mixed Instruments/Woodwind And Brass). By Camille Saint-Saens (1835-1921). Mixed Instruments - Woodwind And Brass Ensemble. Southern Music. Grade 6. Southern Music Company #ST767. Published by Southern Music Company

For Him all Stars. (15 Carols for Upper Voices). For Upper voices (SSA) accompanied and a cappella (Ring the bells: 2 flutes, oboe (optional), 2 clarinets, bassoon (optional), 2 horns, trumpet, 2 trombones (optional), glockenspiel (optional), harp/piano (optional), strings; Love came down at Christmas: Strings Scots Nativity (brass): 2 trumpets, horn, t). Upper Voices. Christmas, Choral Collection. Vocal score. 88 pages. Published by Oxford University Press

A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chichester Composed by L. J. White Alleluia Composed by William Boyce Author Of Life Divine Composed by Cecilia Mcdowall Be Still For The Presence Of The Lord Composed by David Evans; Arranged by Richard Shephard Bread Of The World Composed by Scottish Traditional; Arranged by Alan Bullard Brightest And Best Composed by Malcolm Archer Christ Is The World's True Light Composed by W. K. Stanton Christ The Lord Is Risen Again Composed by Richard Shephard Christians Shout For Joy And Gladness Composed by Johann Sebastian Bach Come Down, O Love Divine Composed by Hilary Tadman-robins Plainsong: Creator Of The Stars Arranged by John Scott Drop, Drop Slow Tears Composed by Kerry Andrew Evening Service In C Composed by Frank Henry Shera Fairest Lord Jesus Composed by Martin How Gabriel To Mary Came Composed by 14th Century Irish; Arranged by Alan Bullard Give Thanks To God Composed by Botswanan Traditional; Arranged by Alan Bullard God Be In My Head Composed by Armstrong Gibbs God In Mine Eternity Composed by Alan Bullard God So Loved The World Composed by Alan Bullard God That Madest Earth And Heaven Composed by Welsh Traditional; Arranged by David Thorne Hail, Virgin Mary (Ave Maria) Composed by Franz Liszt Hark, The Glad Sound Composed by David Thorne Harvest Carol Composed by Ian Ray He Is Risen Composed by Cecil Cope Hide Not Thy Face Composed by Richard Farrant see all... Holy, Holy, Holy, Holy Is The Lord Composed by Franz Schubert; Arranged by Alan Bullard Holy, Holy, Holy! Lord God Almighty Composed by Alan Smith Hosanna To The Son Of David Composed by Georg Philipp Telemann Irish Blessing Composed by Bob Chilcott Jesu, Lamb Of God, Redeemer (Ave Verum Corpus) Composed by Edward Elgar Jesus Christ The Apple Tree Composed by English Traditional; Arranged by Alan Bullard Jubilate (Let Us Praise You) Composed by Wolfgang Amadeus Mozart Lamb Of God (Agnus Dei) Composed by Samuel Webbe Let All Mortal Flesh Keep Silence Composed by Stephen Cleobury Like The Murmur Of The Dove's Song Composed by Alan Smith Lord, In Thy Mercy Composed by Felix Bartholdy Mendelssohn Magnificat And Nunc Dimittis In C Composed by F. H. Shera Never Weather-beaten Sail Composed by Thomas Campion; Arranged by Alan Bullard Now The Green Blade Riseth Composed by French Traditional; Arranged by Alan Bullard O Breath Of Life Composed by English Traditional; Arranged by Alan Bullard O For A Closer Walk With God Composed by Charles Villiers Stanford O God Of Mercy Composed by Simon Lole O God, Your Goodness Composed by Ludwig Van Beethoven O Praise God In His Holiness Composed by John Weldon Panis Angelicus Composed by Cesar Auguste Franck Peace Between Nations Composed by Christopher Wiggins Pie Jesu Composed by Gabriel Faure Praise To The Trinity Composed by Hildegard Of Bingen Psalm 150 Composed by Bob Chilcott Rejoice In The Lord Always Composed by Christopher Wiggins Shout For Joy Composed by African Traditional; Arranged by Alan Bullard Star Of Wonder Composed by Alan Bullard The Eternal Gifts Of Christ The King Composed by Guidetti/henry G. Ley The Heavens Sing Praises To God Composed by Ludwig Van Beethoven The Lord Ascendeth Composed by Michael Praetorius The Lord Bless You And Keep You Composed by John Rutter The Lord's My Shepherd Composed by Bob Chilcott The Peace Of God Composed by Alan Bullard The True And Living Bread Composed by David Blackwell There Is No Rose Composed by Andrew Smith Thou Visitest The Earth Composed by Maurice Greene To Be A Pilgrim Composed by Nick Burt Were You There? Composed by American Spiritual; Arranged by Peter Hunt Where All Charity And Love Are (Ubi Caritas) Arranged by Alan Bullard Wondrous Cross Composed by Philip Wilby The Oxford Book of Flexible Anthems by Alan Bullard (1947-). For flexible instrumentation. Mixed Voices. Sacred. Paperback. 296 pages. Published by Oxford University Press

 Speaker, Solo Voices, Chorus, Flute (or piccolo or recorder), Tubular Bells, Handbells, Pedal Organ and Piano - Intermediate

SKU: FP.FSD03

Composed by Douglas Steele. Edited by John Turner. Sheet Music and Books. Song cycle by Douglas Steele for speaker, solo voices, chorus, flute or piccolo or recorder, tubular bells, handbells, organ pedal and piano. Classical. Choral score. Forsyths Publications #FSD03. Published by Forsyths Publications (FP.FSD03).

ISBN 9790570503827.

Stee le's superb song-cycle Autumn Sequence was written for the pupils of Stockport Grammar School, and is scored for speaker, solo voices, chorus, flute or piccolo or recorder, tubular bells, handbells, organ pedal and piano, being the rather idiosyncratic resources then available at the school. It was first performed on October 3rd 1969 in the schools Hallam Hall, where the composer had been responsible for the specification of the recently installed organ. Douglas Steele himself played the piano part in his own inimitable style extending and improvising the cadenzas between the movements. A recording is available on Campion Cameo 2040/1 featuring Richard Baker narrating and choirs from Carlisle Cathedral, with John Turner on recorder.

Autumn Sequence can be heard on the album Autumn Sequence: The Music of Douglas Steele and his circle.

Jazz Ensemble - Grade 4

SKU: KN.SJK2301

Composed by Cam McAllister. Jazz Summit Series Grade 4 & Up. Straight eighth. Score and Parts. Kendor Music Inc #SJK2301. Published by Kendor Music Inc (KN.SJK2301).

12 x 9 inches.

Your band (and audience) will love this intriguing new chart from Australian composer Cam McAllister. Beautiful and evocative this work, inspired by the music of Africa, moves through several extended passages that weave engaging melodic ideas and captivating harmony over a floating rhythm section feel.

Jazz Ensemble - Grade 4

SKU: KN.SJK2301FS

Composed by Cam McAllister. Jazz Summit Series Grade 4 & Up. Straight eighth. Score Only. Kendor Music Inc #SJK2301FS. Published by Kendor Music Inc (KN.SJK2301FS).

12 x 9 inches.

Your band (and audience) will love this intriguing new chart from Australian composer Cam McAllister. Beautiful and evocative this work, inspired by the music of Africa, moves through several extended passages that weave engaging melodic ideas and captivating harmony over a floating rhythm section feel.

SKU: HL.3725014

Canopus Drum Hardware. Hardware Connectors Fasteners. Hal Leonard #CHS-3HY. Published by Hal Leonard (HL.3725014).

UPC: 888938009964. 6.5x25.0x6.0 inches.

Innovative new leverage system provides more accurate motion and response. To provide smooth footwork, the drive mechanisms on hight-end models usually have a cam system or leverage system. However, with these regular systems players tend to notice a small discrepancy in depression depth in terms of how the actual pedal and the shaft rod react. Canopus has managed to solve the problem by adopting higher interlocking rate in their levering system. It allows players to have a much lighter and smoother and to feel subtle differences in footwork. Also, by adopting a jointed under plate, they have maintained stability whilst making it foldable. To provide smooth footwork, the drive mechanisms on high-end models usually have a cam system or leverage system.

(A Blockbuster Musical for Young Voices). By John Jacobson and Roger Emerson. For Choral (Performance/Accompanimen t CD). Expressive Art (Choral). 1 pages. Published by Hal Leonard

(A Blockbuster Musical for Young Voices). By John Jacobson and Roger Emerson. For Choral (Performance Kit with CD). Expressive Art (Choral). Published by Hal Leonard

Voice and Piano. By Giuseppe Verdi. Vocal Large Works. Size 9x10.5 inches. 84 pages. Published by Ricordi.

(A Musical Caper About Finding a Place to Belong!). By John Jacobson and Mac Huff. For Choral (Performance Kit with CD). Expressive Art (Choral). 128 pages. Published by Hal Leonard

A Musical Caper About Finding a Place to Belong!. Composed by John Jacobson and Mac Huff. Expressive Art (Choral). Published by Hal Leonard (HL.117732).

Composed by Wes Cameron. For SATB choir with optional 8 handbells (part included). Palm Sunday, Introits, Voices with Bells. Octavo. Published by Hope Publishing Company

By Various. Piano/Vocal/Guitar Songbook. Softcover. 100 pages. Published by Hal Leonard

(for Trumpet, Violin I, Violin II, Viola, Violoncello, Double Bass). Composed by Camille Saint-Sa�«ns. Edited by Peter Jost. For Mixed Ensemble (Parts). Henle Music Folios. Softcover. G. Henle #HN584. Published by G. Henle

Composed by Camille Saint- Saens (1835-1921). Edited by Celine Dreze. This edition: urtext edition. Stapled. Barenreiter Urtext. Transcription for Violin and Piano by the Composer. Performance score, Part (1). Opus 40. Baerenreiter Verlag #BA10941. Published by Baerenreiter Verlag

Recorder, orchestra (solo: rec - 1(picc).1.cor ang.0.2. - 2.1.1.0. - timp.perc(2) - hp.guit ad lib. - str)

SKU: BR.PB-4891-07

Auf der Suche nach der verlorenen Zeit. Composed by Jurg Baur. Softbound. Partitur-Bibliothek (Score Library).

World premiere: Essen, May 4, 1975

Solo concerto; Music post-1945. Study Score. Composed 1975. 80 pages. Duration 17'. Breitkopf and Haertel #PB 4891-07. Published by Breitkopf and Haertel (BR.PB-4891-07).

ISBN 9790004206874. 6.5 x 9 inches.

Das Concerto da camera will weder eine barockisierende noch avantgardistische Musik fur die Blockflote sein - sondern ein instrumentgerechtes, abwechslungsreiches, temperamentvolles Stuck. Der Solopart (im Wechsel von Alt- und Piccolo-Flote) ist virtuos und ausdrucksstark zugleich angelegt, unter Berucksichtigung der in den letzten Jahren fur die Blockflote speziell entwickelten Techniken (uberblasene Akkorde, Flackergerausche, Fingervibrato etc.). Die relativ umfangreiche Orchesterbesetzung (funf Holz-, vier Blechblaser, Harfe, Schlagwerk, Streicher) soll farbige Kontraste schaffen und verschiedene Strukturen verdeutlichen. Im ersten Satz, einem knappen ,,Preludio bringt das Solo-Instrument verfremdete Zitate aus dem langsamen Satz eines Telemann-Konzertes (a-moll) uber Klangflachen von Streichern und Blasern. Zweiter Satz: Ein mehrteiliges, rhapsodisches Allegro, bei dem der Part der Blockflote von Repetitionsfiguren bestimmt wird. Das Orchester setzt mosaikahnliche kurze dodekaphonische und serielle Klanggruppen und -blocke dagegen. Im ruhigeren Zwischenteil korrespondiert die Solostimme mit dichtem polyphon gefuhrten Streicherensemble. Der langsame Satz , Mittelpunkt des ganzen Konzerts, entwickelt sich als weit ausgesponnene Fantasie und kristallisiert sich um die einzelnen Zeilen der alten Liedweise ,,Innsbruck, ich muss dich lassen - ,,auf der Suche nach der verlorenen Zeit. Ein rhythmisch eigenwilliges zwolftoniges Bass-Ostinato beherrscht das Finale, greift allmahlich in steter Steigerung auf alle Stimmen uber und ubertont schliesslich den Solopart. Nach kurzer Klimax kehrt das Thema nach und nach in die Bassregister zuruck, wahrend das Solo-Instrument mit virtuosen Spielfiguren dominiert. Eine Fanfare und eine im Unisono aus der Hohe herabschiessende Figur leiten diesen letzten Satz ein, erscheinen in der Mitte und am Ende, ehe eine humorvolle Stretta das Werk beschliesst. Das ,,Concerto da camera ist an kein festes Kompositionsprinzip gebunden; es konfrontiert den relativ zarten Klang der Blockflote mit den verschiedenen lautstarkeren Orchestergruppen und zeigt in diesem Spannungsfeld die Moglichkeiten und Grenzen des Soloinstruments auf.(Jurg Baur)Bibliography:Schneid er, Michael: Verschmitzt Jurg Baur und die Blockflote, in: Tibia 38 (2013), S. 418-431.Wallerang, Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

Pour Sextuor ou Septuor de Trompettes. Composed by Andre Telman. Set (Score & Parts). Editions Da Camera #RMDC00330. Published by Editions Da Camera

Recorder and piano (solo: rec - 1(picc).1.cor ang.0.2. - 2.1.1.0. - timp.perc(2) - hp.guit ad lib. - str)

SKU: BR.EB-6762

Auf der Suche nach der verlorenen Zeit. Composed by Jurg Baur. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Essen, May 4, 1975

Solo concerto; Music post-1945. Piano reduction. Composed 1975. 28 pages. Duration 17'. Breitkopf and Haertel #EB 6762. Published by Breitkopf and Haertel (BR.EB-6762).

ISBN 9790004169636. 9 x 12 inches.

Das Concerto da camera will weder eine barockisierende noch avantgardistische Musik fur die Blockflote sein - sondern ein instrumentgerechtes, abwechslungsreiches, temperamentvolles Stuck. Der Solopart (im Wechsel von Alt- und Piccolo-Flote) ist virtuos und ausdrucksstark zugleich angelegt, unter Berucksichtigung der in den letzten Jahren fur die Blockflote speziell entwickelten Techniken (uberblasene Akkorde, Flackergerausche, Fingervibrato etc.). Die relativ umfangreiche Orchesterbesetzung (funf Holz-, vier Blechblaser, Harfe, Schlagwerk, Streicher) soll farbige Kontraste schaffen und verschiedene Strukturen verdeutlichen. Im ersten Satz, einem knappen ,,Preludio bringt das Solo-Instrument verfremdete Zitate aus dem langsamen Satz eines Telemann-Konzertes (a-moll) uber Klangflachen von Streichern und Blasern. Zweiter Satz: Ein mehrteiliges, rhapsodisches Allegro, bei dem der Part der Blockflote von Repetitionsfiguren bestimmt wird. Das Orchester setzt mosaikahnliche kurze dodekaphonische und serielle Klanggruppen und -blocke dagegen. Im ruhigeren Zwischenteil korrespondiert die Solostimme mit dichtem polyphon gefuhrten Streicherensemble. Der langsame Satz , Mittelpunkt des ganzen Konzerts, entwickelt sich als weit ausgesponnene Fantasie und kristallisiert sich um die einzelnen Zeilen der alten Liedweise ,,Innsbruck, ich muss dich lassen - ,,auf der Suche nach der verlorenen Zeit. Ein rhythmisch eigenwilliges zwolftoniges Bass-Ostinato beherrscht das Finale, greift allmahlich in steter Steigerung auf alle Stimmen uber und ubertont schliesslich den Solopart. Nach kurzer Klimax kehrt das Thema nach und nach in die Bassregister zuruck, wahrend das Solo-Instrument mit virtuosen Spielfiguren dominiert. Eine Fanfare und eine im Unisono aus der Hohe herabschiessende Figur leiten diesen letzten Satz ein, erscheinen in der Mitte und am Ende, ehe eine humorvolle Stretta das Werk beschliesst. Das ,,Concerto da camera ist an kein festes Kompositionsprinzip gebunden; es konfrontiert den relativ zarten Klang der Blockflote mit den verschiedenen lautstarkeren Orchestergruppen und zeigt in diesem Spannungsfeld die Moglichkeiten und Grenzen des Soloinstruments auf. (Jurg Baur) Bibliography: Schneider , Michael: Verschmitzt Jurg Baur und die Blockflote, in: Tibia 38 (2013), S. 418-431. Wallerang , Lars: Die Orchesterwerke Jurg Baurs als Dialog zwischen Tradition und Moderne, Koln: Dohr 2003.

World premiere: Essen, May 4, 1975.

By Cameron F. LaBarr. For SATB choir (a cappella) (with optional percussion). We Sing the World Round Series. Sacred Anthem. Octavo. 8 pages. Published by Chorister's Guild

Composed by Cameron Wilson. Edited by Laura Barron. With Standard notation. Falls House Press #FP-WB1. Published by Falls House Press (PR.FH0129).

Composed by Cameron Pearce. Brass, Repertoire, Collections. Modern Etudes for Solo Trumpet. Softcover Book and CD. Sher Music Company #9781883217945. Published by Sher Music Company