By Louis Antoine Travenol. Edited by Jean Saint-Arroman. For Violin and continuo...(+)
By Louis Antoine
Travenol. Edited by Jean
Saint-Arroman. For Violin
and continuo. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. 64 pages.
Published by Anne Fuzeau
Productions - France
SKU: HL.1335413 For SATB, 5 Percussion and Piano. Composed by Step...(+)
SKU: HL.1335413
For SATB, 5 Percussion
and Piano. Composed
by Stephen Chatman. E.B.
Marks. Softcover.
Duration 600 seconds.
Edward B. Marks Music
#MP094004. Published by
Edward B. Marks Music
(HL.1335413).
ISBN
9798350113815. UPC:
196288187646.
Premi
ere: March 1980,
Vancouver, UBC Singers,
James Schell, director,
(Stephen Chatman,
conductor of premiere).
Hear this work in its
entirety and explore more
of Stephen Chatman's
music at the Canadian
Music Centre.
By Louis de Caix d'Hervelois (1670-1760) and Louis de Caix D'Hervelois. Edited b...(+)
By Louis de Caix
d'Hervelois (1670-1760)
and Louis de Caix
D'Hervelois. Edited by
Philippe Lescat, Jean
Saint-Arroman. For Flute,
Continuo. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Chamber
Music. 44 pages.
Published by Anne Fuzeau
Productions - France
By Louis de Caix d'Hervelois (1670-1760) and Louis de Caix D'Hervelois. Edited b...(+)
By Louis de Caix
d'Hervelois (1670-1760)
and Louis de Caix
D'Hervelois. Edited by
Philippe Lescat, Jean
Saint-Arroman. For Flute,
Continuo. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Chamber
Music. 40 pages.
Published by Anne Fuzeau
Productions - France
By Johann Christoph Friederich Bach. For Flute and harpsichord, Violin and harps...(+)
By Johann Christoph
Friederich Bach. For
Flute and harpsichord,
Violin and harpsichord,
Harpsichord and violin.
This edition: Facsimile.
Collection FacsiMusic.
Score. 28 pages.
Published by Anne Fuzeau
Productions - France
By Michel Blavet (1700-1768). Edited by Jean Saint-Arroman, Philippe Lescat. Flu...(+)
By Michel Blavet
(1700-1768). Edited by
Jean Saint-Arroman,
Philippe Lescat. Flute
and continuo. For Flute,
Continuo. Facsimiles. La
Musique Francaise
Classique de 1650 a 1800.
Grade 0. 67 pages.
Published by Anne Fuzeau
Productions - France
By Michel Blavet (1700-1768). Edited by Philippe Lescat, Jean Saint-Arroman. For...(+)
By Michel Blavet
(1700-1768). Edited by
Philippe Lescat, Jean
Saint-Arroman. For Flute,
Continuo. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Chamber
Music. Score. 80 pages.
Published by Anne Fuzeau
Productions - France
Composed by Sebastien de
Brossard. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Sacred. Published by Anne
Fuzeau Productions -
France (FZ.2573).
ISBN
9790230625739. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Sebastien de Brossard
is part of our French
classical music
collection. Edition :
Paris, C. Ballard, 1702.
In his table of contents
the composer states that
the first six motets may
be sung by either a
soprano or a tenor.
Preface by: Philippe
Lescat: Italian
terminology,Jean
Saint-Arroman: the
figures of the continuo
bass. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Inguimbertine Library of
Carpentras (Vaucluse -
France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Continuo SKU: FZ.5996 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5996
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5996).
ISBN
9790230659963. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
ANONYME - CAMPION
Francois - DORNEL Antoine
- FORQUERAY Antoine -
GERVAIS Laurent - GOUDAT
- GUILLEMAIN
Louis-Gabriel - MONNIER
Le Cadet - MONTECLAIR
Michel Pignolet de -
PINGRE Alexandre-Gui -
RAMEAU Jean-Philippe -
SERRE DE RIEUX Jean -
TELEMANN Georg Philipp -
TRAVENOL Louis Antoine.
Table of contents: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: -
Sainte-Genevieve Library
of Paris (France). -
Municipal Library of
Bordeaux (France). -
Zentralbibliothek of
Zurich (Switzerland). -
National Library of Paris
(France). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
British Library of London
(England). - Yale
University, Music Library
of New Haven (USA). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the continuo.
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.6222
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222).
ISBN
9790230662222. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo.
2 flutes and continuo or 2 violins and continuo SKU: FZ.50163 Composed by...(+)
2 flutes and continuo or
2 violins and continuo
SKU: FZ.50163
Composed by Andre Cheron.
This edition: Facsimile.
Collection FacsiMusic.
Trio Sonatas. Score.
Published by Anne Fuzeau
Productions - France
(FZ.50163).
ISBN
9790049501637. 21.00 x
29.70 cm
inches.
This
facsimile of an original
by Andre Cheron is part
of our Facsimusic
collection. Trio sonatas
for two flutes with
continuo bass - Opus I.
Ces sonates peuvent se
jouer aussi avec des
violons et des hautbois -
Premier Oeuvre. Edition :
Paris, Boivin, 1727.
These trio sonatas are
among the finest of all
those published during
the first half of the
XVIIIth century. These
trio sonatas may be
played using 2 flutes, or
2 oboes, or 2 violins and
continuo bass.
Performance with oboe,
violin and organ continuo
sounds particularly well.
Publication in separate
parts: premier dessus -
second dessus - continuo
bass. At the end of the
continuo part the
avertissement pour le
chiffre gives the meaning
of the figures used.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Solo alto flute SKU: P2.10031 Composed by Ellen Lindquist. Solo music, 20...(+)
Solo alto flute
SKU:
P2.10031
Composed by
Ellen Lindquist. Solo
music, 20th century.
Published by Potenza
Music (P2.10031).
Nakoda is named
for the alpha female of
the Peter Lougheed wolf
pack, who was
killed--legally--by a
hunter in Kananaskis
country (near Banff,
Alberta, Canada) on
September 22, 2000. While
wolves and other large
predators essential to
the ecological balance of
the region are protected
within the boundaries of
Banff National Park (as
well as other nearby
protected areas), it is
sadly still legal to hunt
them outside of Park
boundaries. Nakoda,
herself named for the
Nakoda First Nations
tribe of the Bow Valley
(among many other areas),
was first collared in
1996 with a transceiver
that allowed wildlife
ecologists to obtain
valuable data on the
pack's wide-ranging
movements over the course
of the year. (This kind
of data can be used to
help create laws that
protect wolves and
preserve critical
habitat.) Nakoda is
dedicated to the
conservation of large
predators everywhere--in
particular the wolves of
the Canadian and American
Rockies.
Compose
d while in residence at
Canada's Banff Centre for
the Arts for flutist Erin
Lesser, Nakoda uses
several extended flute
techniques, including
percussive sounds, pitch
bending, and singing into
the instrument. Many
thanks to Erin Lesser for
her willingness to share
the secrets of the alto
flute's soundworld.
Various instruments and continuo (Instrumental ensemble) SKU: FZ.50500 Co...(+)
Various instruments and
continuo (Instrumental
ensemble)
SKU:
FZ.50500
Composed by
Jacques Christophe
Naudot. Edited by Les
Etudiants du
C.E.F.E.D.E.M - Ile de
France. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.50500).
ISBN
9790049505000. 21.00 x
29.70 cm
inches.
This
facsimile of an original
by Jacques Christophe
Naudot is part of our
French classical music
collection. Oeuvre XI.
Edition : L'Auteur,
Boivin, Le Clerc, s. d.
(= c. 1737). These were
the first flute concertos
to be published in
France. A particular
advantage of this fine
music of Italian
inspiration is that it
requires only seven
musicians. The solo flute
has a true soloist part.
The first violin part is
also interesting.
Presentation by Mi-Sung
Kim and Emilie Stahl
(CeFEdeM ile-de-France) :
Vie et oeuvre de Naudot.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Nationale Library of
Paris (France). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
2 violins and continuo SKU: FZ.2078 Venitia, 1699. Composed by Ant...(+)
2 violins and continuo
SKU: FZ.2078
Venitia, 1699.
Composed by Antonio
Caldara. Edited by Brian
W. Pritchard. This
edition: Facsimile.
Collection Dominantes.
Score. Published by Anne
Fuzeau Productions -
France (FZ.2078).
ISBN
9790230620789. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Antonio Caldara is
part of our Dominantes
collection. Edition :
Venise, G. Sala, 1699.
Presentation by Brian W.
Pritchard :
Bibliographical notice
Caldara's instrumental
music - Performance
(notation and
conventions,
modifications and
additions) - critical
commentary. The preface
gives all the information
necessary for
performance, particulary
where the continuo
instruments concerned.
Publication in separated
part : Violino primo
Violino secondo Tiorba o
violone Basso continuo.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the Museo
Bibliografico Musicale of
Bologna (Italy). Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Composed
by Antonio Vivaldi.
Edited by Bettina
Schwemer. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. RV 531.
Baerenreiter Verlag
#BA10946_00. Published by
Baerenreiter Verlag
(BA.BA10946).
ISBN
9790006569748. 31 x 24.3
cm inches. Key: G minor.
Preface: Schwemer,
Bettina.
Throughout
his life, Antonio Vivaldi
wrote almost thirty
instrumental works that
use the cello as a solo
instrument. Vivaldi knew
how to tailor his music
to the cello and in doing
so, helped to establish
this still young
instrument in the music
of that time.
The
Concerto RV 531 is the
only double concerto in
Vivaldi’s uvre for
two solo violoncellos.
The two solo parts take
centre stage with
virtuosic passages but
lie on the instrument so
well that they can be
comfortably mastered by
advanced
students.
The
edition is based on the
careful evaluation of
Vivaldi’s
autograph score which is
the main source and
several inconsistencies
found in previous
editions have been
clarified. At the same
time the edition allows
for a flexible
realisation of this
concerto: it can be
performed by a full tutti
orchestra or by one
performer per part. The
cello part in the basso
continuo group can be
played by orchestral
cellists or by the
soloists.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Voice (soprano, countertenor, tenor) SKU: FZ.565 Composed by Andre Campra...(+)
Voice (soprano,
countertenor, tenor)
SKU: FZ.565
Composed by Andre Campra.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Sacred. Score. Published
by Anne Fuzeau
Productions - France
(FZ.565).
ISBN
9790230605656. 22.00 x
31.00 cm
inches.
This
facsimile of an original
by Andre Campra is part
of our French Classical
Music from 1650 to 1800
collection. Song music
sheets: Motets for I, II,
III voices with continuo
Book I of Andre Campra.
Edition: Paris, C.
Ballard, 1699 (2e
edition). Preface
by: Philippe Lescat:
bibliographical notice of
Andre CampraJean
Saint-Arroman:
ornamentation -
accidentals - continuo
bass - inegalites -
terminology - temperament
- style of writing.
Song music sheets in
facsimile of a copy in
the Inguimbertine Library
of Carpentras (Vaucluse -
France). The French
Classical Music from 1650
to 1800 collection
includes approximately
200 sheets music for
soloists or chamber music
ensembles, plus a
collection of major
motets and another
collection of operas. The
French Classical Music
from 1650 to 1800
collection is supervised
by the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Anne Fuzeau
Classique propose period
copies of classical sheet
music.
Viola da gamba and continuo SKU: FZ.5968 Composed by Louis de Caix d'Herv...(+)
Viola da gamba and
continuo
SKU:
FZ.5968
Composed by
Louis de Caix d'Hervelois
and Louis de Caix
d'Hervelois. Edited by
Jean Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5968).
ISBN
9790230659680. 23.50 x
31.50 cm
inches.
This
facsimile of an original
by Louis de Caix
d'Hervelois is part of
our French classical
music collection. Edition
: Paris, l'Auteur,
Foucault, 1719. Preface
by Jean Saint-Arroman:
the titles of the pieces.
Two separate instrumental
parts for the viol and
the continuo. One of the
classics of the viola da
gamba repertoire. The
pieces, of varying length
and difficulty, are
suitable for both
students and
professionals.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Cello and continuo SKU: FZ.5254 Composed by Antonio Vivaldi. Edited by Ph...(+)
Cello and continuo
SKU: FZ.5254
Composed by Antonio
Vivaldi. Edited by
Philippe Muller. This
edition: Facsimile.
Collection Dominantes.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5254).
ISBN
9790230652544. 24.00 x
33.00 cm
inches.
This
facsimile of an original
and the manuscript by
Antonio Vivaldi is part
of our Dominantes
collection. VI sonatas
for cello solo col basso
- Edition: Paris, Leclerc
le cadet, Le Clerc,
Boivin, (undated: 1740).
[Sonatas for cello and
continuo] - Edition:
Manuscript probably used
for the 1740 Parisian
edition. [Two sonatas for
cello and continuo] -
Edition: Manuscripts from
the library of Count
Schornborn. [Three
sonatas for cello and
continuo] - Edition:
Manuscript held in the
Naples Conservatory
Library. Anonymous
manuscript from the
library of Count
Schornborn, bound
together with two sonatas
by Vivaldi. Presentation
by Philippe Muller:
Foreword (the various
sources) - Problems of
authenticity - Vivaldi's
sonatas. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Library
of the Conservatory of
Naples (Italy). - a
private collection. Anne
Fuzeau Classique propose
period copies of
classical music
scores.
Soprano voice and continuo, Male alto/Low soprano voice and continuo, Bass voice...(+)
Soprano voice and
continuo, Male alto/Low
soprano voice and
continuo, Bass voice and
continuo
SKU:
FZ.5751
Ca 1706 -
Ca 1709. Composed by
George Frideric Handel.
Edited by Philippe
Lescat. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5751).
ISBN
9790230657518. 24.00 x
32.00 cm
inches.
This
facsimile of the
manuscript by Georg
Friedrich Haendel is part
of our Dominantes
collection. Presentation
by Philippe Lescat: Georg
Friedrich Handel's
Italian sojourn -
bibliography -
comprehension of the
score - corrections and
suggestions - restoration
- index. Cantatas for
solo voice and continuo
bass. Autograph
manuscript. Manuscript R.
M. 20. d. 11. The
manuscript R. M. 20. d.
12 is published by Fuzeau
under the reference 5799.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Soprano voice and continuo, Male alto/Low soprano voice and continuo SKU: FZ....(+)
Soprano voice and
continuo, Male alto/Low
soprano voice and
continuo
SKU:
FZ.5799
Ca. 1706 -
Ca. 1727. Composed by
George Frideric Handel.
Edited by Philippe
Lescat. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5799).
ISBN
9790230657990. 24.00 x
32.00 cm
inches.
This
facsimile of the
manuscript by Georg
Friedrich Haendel is part
of our Dominantes
collection. Facsimile
edition in six volumes of
the holographs of
Handel's Italian
cantatas. This
publication at last makes
these very fine works
available to all.
Presentation by Philippe
Lescat: Comprehension of
the score - corrections
and suggestions - the
revisions of the cantatas
- restoration - index to
this volume. Cantatas for
solo voice and continuo.
Facsimile of Handel's
autograph manuscript.
Volume II. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Continuo SKU: FZ.5994 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5994
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5994).
ISBN
9790230659949. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
Anonyme - BARTOLOTTI
Angelo Michele - BOYVIN
Jacques - BUTERNE
Jean-Baptiste - CARRE
Antoine Sieur de La
Grange - CHARPENTIER
Marc-Antoine - CHAUMONT
Lambert - D'ANGLEBERT
Jean-Henry - DE LA BARRE
Michel - DELAIR Denis -
FLEURY Nicolas - MARAIS
Marin - NIVERS Guillaume
Gabriel - PERRINE -
SAINT-LAMBERT Michel de.
Table of contents: Fleury
Nicolas: Methode pour
apprendre facilement -
1660. Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). -
Sainte-Genevieve Library
of Paris (France). -
Nederlands Muziek
Instituut of The Hague
(Netherlands). - Royal
Conservatory Library of
Liege (Belgium). -
Municipal Library of
Bordeaux (France). -
Municipal Library of
Grenoble (France). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the continuo.
Continuo SKU: FZ.5997 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5997
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5997).
ISBN
9790230659970. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
ALEMBERT Jean Le Rond d'
- BLAINVILLE Charles
Henri de - CORRETTE
Michel - DUBUGRARRE -
GEMINIANI Francesco
Saverio - LAPORTE Claude
de. Table of contents:
Alembert Jean Le Rond d'
: Elemens de musique -
1752. Blainville Charles
Henri de : Essay sur un
troisieme mode - 1751.
Corrette Michel : Le
maitre de Clavecin -
1753. Laporte Claude de :
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio : L'art de bien
accompagner - 1754.
Dubugrarre : Methode plus
courte et plus facile -
1754. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the continuo.
Viola da gamba and continuo SKU: FZ.5867 Composed by Louis de Caix d'Herv...(+)
Viola da gamba and
continuo
SKU:
FZ.5867
Composed by
Louis de Caix d'Hervelois
and Louis de Caix
d'Hervelois. Edited by
Jean Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5867).
ISBN
9790049058674. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Louis de Caix
d'Hervelois is part of
our French classical
music collection. Edition
: Paris, l'Auteur,
Foucault, c. 1715.
Preface by Jean
Saint-Arroman: the titles
of the pieces. Two
separate instrumental
parts for the viol and
continuo. A high quality
work, not too demanding
technically. Liebaux's
engraving is perfectly
legible. The preface
contains definitions of
the titles.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
By Marin Marais. Edited by Jean Saint-Arroman, Philippe Lescat. Instrument(s) an...(+)
By Marin Marais. Edited
by Jean Saint-Arroman,
Philippe Lescat.
Instrument(s) and
continuo (2 treble
instruments and
continuo). For Flute,
Recorder, Violin, Oboe,
Viol (treble viol).
Facsimiles. La Musique
Francaise Classique de
1650 a 1800. Level: Grade
0. 364 pages. Published
by Editions Fuzeau
Classique - France
(French import).
Violin and continuo SKU: FZ.1011 Composed by Louis Gabriel Guillemain. Ed...(+)
Violin and continuo
SKU: FZ.1011
Composed by Louis Gabriel
Guillemain. Edited by
Philippe Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Chamber Music. Published
by Anne Fuzeau
Productions - France
(FZ.1011).
ISBN
9790230610117. 22.50 x
31.50 cm
inches.
This
facsimile of an original
by Louis-Gabriel
Guillemain is part of our
French classical music
collection. Guillemain -
First book of sonatas for
violin with continuo bass
- Violin. Editeur :
Paris, Louis, Nouvelle
Edition ca 1739-1740. The
facsimile reproduces the
second edition, revised
and corrected by the
composer. Preface by:
Philippe Lescat:
catalogue of the works of
L. G. Guillemain,Jean
Saint-Arroman: tempo
terminology.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the
Municipal Library of Lyon
(France).
Violin and continuo SKU: FZ.50527 Composed by Simon Le Duc. Edited by Dep...(+)
Violin and continuo
SKU: FZ.50527
Composed by Simon Le Duc.
Edited by Department De
Musique Ancienne Du
C.N.S.M De Paris. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Score. Published by Anne
Fuzeau Productions -
France (FZ.50527).
ISBN 9790049505277.
22.00 x 30.00 cm
inches.
This
facsimile of an original
by Simon Le Duc is part
of our French classical
music collection. Second
livre de sonates pour le
violon (avec basse
continue) - Oeuvre IV.
Edition : Paris, Le Duc,
s. d. (=c. 1771).
Presentation: Saskia
Salembier - Departement
de musique ancienne
Conservatoire National
Superieur de Musique et
de Danse de Paris. This
book contains some of the
most beautiful sonatas
for violin and continuo
from the end of the
XVIIIth century. All
violinists should be
familiar with them. In
addition, they are
excellent for the study
of late XVIIIth century
ornamentation. Quality
engraving, very legible.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Continuo SKU: FZ.5999 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5999
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5999).
ISBN
9790230659994. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
ANONYME - BEMETZRIEDER
Antoine - CORRETTE Michel
- FROESTLER B. - GOURNAY
B. C. - LANGLE
Honore-Francois-Marie -
RODOLPHE Jean-Joseph -
ROUSSIER Pierre-Joseph.
Table of contents:
Roussier Pierre-Joseph:
L'harmonie pratique -
1775. Corrette Michel:
Prototipes contenant des
lecons d'accompagnement -
1775. Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Municipal Library of
Grenoble (France). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the continuo.
Continuo SKU: FZ.5995 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.5995
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5995).
ISBN
9790230659956. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
CAMPION Francois -
CAMPION Thomas - CHERON
Andre - CLERAMBAULT
Nicolas - COUPERIN
Francois - DANDRIEU
Jean-Francois - DELAIR
Denis - LECLAIR
Jean-Marie - RAMEAU
Jean-Philippe. Table of
contents: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Conservatory
Library of Dijon
(France). - Nederlands
Muziek Instituut of The
Hague (Netherlands). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the continuo.