Performed by Simon And Garfunkel. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Folk rock and pop rock. 187 pages. 9x12 inches. Published by Paul Simon.

Performed by Paul Simon. Songbook for voice, piano and guitar chords. 248 pages. Published by Music Sales.

Paul Simon. By Paul Simon. Arranged by Vasco Hexel. For Keyboard. Easiest Keyboard Collection. Rock: Folk Rock, Rock: Pop Rock. Artist songbook. Published by Music Sales.

Performed by Simon and Garfunkel. For voice, piano and guitar chords. Format: piano/vocal/chords single. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Folk Rock and Pop Rock. 79 pages. 9x12 inches. Published by Paul Simon.

15 Greatest Songs. By Paul Simon and Art Garfunkel. By Paul Simon, Art Garfunkel, and Simon And Garfunkel. Piano Solo Personality. Pop and Rock. Book Only. Paul Simon Music #MUSPS11726. Published by Paul Simon Music

Cello and Piano

SKU: HL.14006097

Composed by Per Norgard. Music Sales America. Classical. Book and Part(s). Music Sales #KP00873. Published by Music Sales (HL.14006097).

ISBN 9788759872222. Danish.

Programme Note CANTICA for cello and piano (1977)When in 1975 I had finished composing my Symphony no. 3 (begun in 1973), I wrote three simple melodies for two psalm texts by Ole Sarvig: The Year and Choral Hymn. These three tunes were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships, like proportional canons. For this reason they inspired me to write several choral and instrumental works in the following decade: Frost Psalm, Winter Cantata, the tuba octet Now all the earth is white with snow, Canticles (and others).Cantica, meaning song or singing, was composed (forthe Danish musicians Hans Erik Dechert og Kjeld Hansen) as a instrumental little brother the long, polyphonic choral pieces. As in these the canonical melodies in Cantica drift from foreground to background, from cello to piano. The melodies are simple, diatonic and in traditional rhythms and the surface of the music in a way traditional. The intention of the composer with this easily understood expression is to lead the listeners ears to the many internal, proportional developments. The story is in a way hidden between the lines. In the myriads of rhythmic and tempo relations the Golden Mean (near to 2:3:5:8: et cetera) plays an important role, like in nature. Among the experiences giving by this natural phenomenon are - perhaps - the musical points to be found (?).Per Norgard(1997).