Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello
SKU:
BA.BA10936
Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936).
ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie.
Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Piano SKU: ST.H480 Composed by Frank Bridge. Piano & keyboard music. No. ...(+)
Piano
SKU: ST.H480
Composed by Frank Bridge.
Piano & keyboard music.
No. 1 in A minor. No. 2
in F sharp minor. Score.
Stainer & Bell Ltd.
#H480. Published by
Stainer & Bell Ltd.
(ST.H480).
ISBN
9790220223846.
Time
d to exploit the
centenary of his best
pupil, Benjamin Britten,
Frank Bridge's reissued
Capriccios for Piano
Nos.1 and 2 of 1905
come up fresh as paint:
Stainer & Bell's
front cover alone -
reproducing Panini's
elaborate 1758 painting
Capriccio of
Rome - is worth long
study.
No 1
sounds like Moszkowski;
No 2 (a better piece) is
more typical, recalling
Bridge's own
Rosemary and
The Sea, and
contains some chords
silently depressed and
exposed by
re-pedalling.
***** Showy and
effective, and most
recommendable.
Composed by Theobald Boehm (1794-1881). Edited by Trevor Wye. Chester Woodwind S...(+)
Composed by Theobald
Boehm (1794-1881). Edited
by Trevor Wye. Chester
Woodwind Series. Exam
Material. Book Only.
Composed 1989. 44 pages.
Chester Music
#MUSCH55209. Published by
Chester Music
SKU: HL.49007521 Zur Musik in Geschichte, Erziehung und Kulturpolitik<...(+)
SKU: HL.49007521
Zur Musik in
Geschichte, Erziehung und
Kulturpolitik.
Composed by Andreas
Eckhardt. Edited by
Andreas Eckhardt and
Rudolf Stephan. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Classical. 140
pages. Schott Music #ED
7787. Published by Schott
Music (HL.49007521).
ISBN 9783795702120.
German.
Vorwort -
Anfange der europaischen
Musik. Erste
Niederschriften zu einer
Musikgeschichte Europas -
Agogik als Mittel
musiksprachlicher
Darstellung. Uber ein
Kapitel aus Carl Czernys
Vortragslehre -
Abstraktion und Archaik:
Die Kategorie des
Spatwerks - Uber das
deutsche Musiktheater im
20. Jahrhundert unter
besonderer
Berucksichtigung von B.A.
Zimmermanns Oper Die
Soldaten - Mischgemuss
1630. Spurensuche bei
Friedrich Spee - Zum
Gesprach zwischen
Musikwissenschaft und
Musikpadagogik - Gedanken
beim Komponieren.
Passacaglien,
Inventionen, Capriccios -
Warum hat Heinrich
Bessler das 20.
Jahrhundert nicht
erwahnt? Horer, Musiker
und Musikpadagogik
zwischen Museum,
Experiment und Tapete -
Musikleben. Zur
Geschichte und
Definitionsproblematik
eines Begriffs -
Aushalten oder
raushalten? Wie Staat und
Kunst miteinander umgehen
konnen - Erfahrungen mit
Johann Sebastian Bach -
Richard Jacoby:
Lebenslauf und Werdegang,
Veroffentlichungen.
Rondo capriccioso, Op. 14 (Revised Edition). By Felix Bartholdy Mendelssohn (180...(+)
Rondo capriccioso, Op. 14
(Revised Edition). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Ullrich
Scheideler. Henle Music
Folios. Book only. 24
pages. G. Henle #HN919.
Published by G. Henle (
Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) <...(+)
Violin and 1 other inst.
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.EB-11238
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Solo instruments;
stapled. Edition
Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Piano reduction. 44
pages. Duration 9'.
Breitkopf and Haertel #EB
11238. Published by
Breitkopf and Haertel
(BR.EB-11238).
ISBN
9790201812380. 9.5 x 12
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 4
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-27. Published by
Breitkopf and Haertel
(BR.OB-15155-27).
ISBN
9790004344972. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-23. Published by
Breitkopf and Haertel
(BR.OB-15155-23).
ISBN
9790004344965. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-15. Published by
Breitkopf and Haertel
(BR.OB-15155-15).
ISBN
9790004344934. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-19. Published by
Breitkopf and Haertel
(BR.OB-15155-19).
ISBN
9790004344958. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Study score (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SKU: BR.PB-...(+)
Study score (solo: vl -
2.2.2.2 - 2.2(or
2corn).0.0 - timp - str)
SKU:
BR.PB-15159-07
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Study
Score. 40 pages. Duration
9'. Breitkopf and Haertel
#PB 15159-07. Published
by Breitkopf and Haertel
(BR.PB-15159-07).
ISBN
9790004215647. 6.5 x 9
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str) SK...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
2.2(or 2corn).0.0 - timp
- str)
SKU:
BR.PB-15155
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic; Late-romantic.
Full score. 40 pages.
Duration 9'. Breitkopf
and Haertel #PB 15155.
Published by Breitkopf
and Haertel
(BR.PB-15155).
ISBN
9790004215609. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Score and Parts SKU: HL.322832 For 2 Violins, Viola, 2 Cellos, & 1 Pia...(+)
Score and Parts
SKU:
HL.322832
For 2
Violins, Viola, 2 Cellos,
& 1 Piano/4 Hands Score
and Parts. Composed
by Miguel Del Aguila.
Peermusic Classical.
Classical. Softcover. 28
pages. Duration 840
seconds. Peermusic
Classical #70272-794.
Published by Peermusic
Classical (HL.322832).
ISBN 9781540070012.
UPC: 888680976644.
8.5x11.0x0.203
inches.
Program
Notes: Charango
Capriccioso for piano and
string quartet was
written in 2016. It is
based on a previous
version of the work which
was commissioned by the
Austin Chamber Music
Center, where it was
premiered on July 11,
2006 by Cuarteto
Latinoamericano, Felicity
Coltman, Heather Coltman
and Margaret Coltman. The
previous version is
scored for piano 4-hands,
string quartet and a
second cello. As with
many of my works,
Charango Capriccioso
reflects on South America
and its history. The work
opens with a mysterious
theme, which - in an
enigmatic tongue - seems
to invite us to a remote
place high in the Andes.
The piano and later the
solo viola take us to a
quiet beautiful landscape
where soon the solo viola
meditates about the sad
events that took place
there starting with the
Spanish conquest. A
charango (suggested by
the piano) introduces an
Andean-inspired upbeat
theme which gains
momentum after dancing
through shifting rhythms
and colorful
orchestrations. At this
point, the engimatic
theme returns with a new,
almost disturbing
character. Before the
dance flies out of
control, the solo cello
reappears with the
meditative theme as
distant bells (played by
the piano) restore the
peace. Miguel del
Aguila.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Part. 8
pages. Duration 9'.
Breitkopf and Haertel #OB
15155-16. Published by
Breitkopf and Haertel
(BR.OB-15155-16).
ISBN
9790004344941. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Urtext. Composed
by Camille Saint-Saens.
Edited by Peter Jost.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
In Cooperation with G.
Henle Verlag
Solo
concerto; Romantic;
Late-romantic. Set of
parts. 50 pages. Duration
9'. Breitkopf and Haertel
#OB 15155-30. Published
by Breitkopf and Haertel
(BR.OB-15155-30).
ISBN
9790004344989. 10 x 12.5
inches.
Many
well-known violinists
such as the dedicatee
Pablo de Sarasate,
together later with
Eugene Ysaye and Jacques
Thibaud, included in
their repertoires Camille
Saint-Saens' concert
piece composed in 1863.
Even today, concert life
is hard to imagine
without the Introduction
et Rondo capriccioso. The
highly virtuosic work
already inspired critics
and audiences during the
composer's lifetime;
reported about the
premiere in 1867 was: The
Introduction and the
Rondo capriccioso for the
same instrument are both
original and charming,
and Maestro Sarasate, who
was in his element here,
admirably made the most
of it. And a few years
later, a music critic
described the work as a
kind of fantasy waltz in
the Spanish style and
with a most bewitching
effect. After the first
performances in 1867,
despite success, the
work's score and
orchestral parts had
little chance of
publication due to
concert companies'
reluctance. In 1869 the
Paris publishing house G.
Hartmann merely published
an arrangement for violin
and piano produced by the
composer's friend Georges
Bizet. The orchestral
score and parts were
first published after the
Paris publishing house
Durand had acquired
publication rights in
1875. The present edition
published in
collaboration with the G.
Henle Verlag is the first
critical edition of the
work.
Flute - late intermediate SKU: BT.DHP-1053833-401 For flute and piano<...(+)
Flute - late intermediate
SKU:
BT.DHP-1053833-401
For flute and
piano. Composed by
Kees Schoonenbeek. De
Haske Instrumental
Series. Solo & Concerto.
Book Only. Composed 2005.
36 pages. De Haske
Publications #DHP
1053833-401. Published by
De Haske Publications
(BT.DHP-1053833-401).
ISBN 9789043122375.
English-German-French-Dut
ch.
Concerto
Capriccioso begins with a
short, fanfare-like
introduction, after which
the soloist explores the
field with a short
“solo
rubatoâ€. Movement 2
begins in a dreamy 5/4
time, followed by a
second theme, which is
composed as a dialogue..
The third movement is a
broad dialogue between
the soloist and the
accompaniment. This
musical game between the
soloist and accompaniment
will captivate and
delight your audience
every time. Also
available for flute and
concert band.
Het
werk begint met een korte
fanfareachtige
introductie, waarna de
solist het terrein
verkent met een korte
‘solo
rubato’. Hierna
begint het echte
‘concertato’
. De begeleiding
antwoordt en
becommentarieert met
tussenpozen. De
introductieduikt weer op,
waarna dezelfde opzet nog
eens volgt.Deel twee
begint in een dromerige
5/4 maat, gevolgd door
een tweede thema, dat als
een dialoog wordt
uitgewerkt. Het derde
deel is een brede dialoog
tussen solist en
begeleiding.De opnieuw
fanfareachtige inleiding
komt steeds als een
refrein terug tussen de
tarantella-achtige
solopassages.Concerto
Capriccioso is een
boeiend muzikaal spel van
solist en begeleiding.
Ook leverbaar voor
fluiten
harmonieorkest.
Da
s Werk beginnt mit einer
kurzen,
fanfareähnlichen
Einleitung. Dann beginnt
das eigentliche
concertato“. In
Intervallen antwortet und
kommentiert die
Begleitung. Der zweite
Satz beginnt in einem
verträumten 5/4-Takt,
gefolgt von einem zweiten
Thema, welches als Dialog
komponiert wurde. Der
dritte Satz ist ein
breiter Dialog zwischen
dem Solisten und der
Begleitung. Das
musikalische Spiel
zwischen Solist und
Begleitung wird Ihr
Publikum immer wieder
aufs Neue begeistern.
Ebenfalls erhältlich
für Flöte und
Blasorchester.
Questo concerto
inizia con una breve
introduzione simile ad
una fanfara. Inizia
quindi il vero
“concertatoâ€
con uno sviluppo di
passaggi soli in
intervalli diversi tra
loro. Il secondo
movimento apre in un 5/4
sognante, seguito da un
secondo tema, composto
come dialogo, e una
variazione
dell’introduzione.
Il terzo movimento è
un dialogo più ampio
tra
l’accompagnamento
e l’assolo simile
ad una tarantella che non
mancher di entusiasmare
il pubblico. Disponibile
anche per flauto e
banda.
(for Violin and Piano Critical Urtext Edition Heifetz Collection). Composed by C...(+)
(for Violin and Piano
Critical Urtext Edition
Heifetz Collection).
Composed by Camille
Saint-Saens (1835-1921).
For Violin, Piano
Accompaniment. LKM Music.
Softcover. 20 pages.
Lauren Keiser Music
Publishing #S511021.
Published by Lauren
Keiser Music Publishing
For Violin. Contains a printed score and a compact disc featuring both concerti ...(+)
For Violin. Contains a
printed score and a
compact disc featuring
both concerti in
split-channel stereo with
the violinist on the
right channel; then again
in a stereo accompaniment
version minus the solo
violin part. Published by
Music Minus One.
Trio Capriccioso Piano Trio: piano, violon, violoncelle - Intermédiaire Alfred Publishing
(For Violin, Viola, and Piano). Composed by Tom Gerou. For Violin, Viola and Pia...(+)
(For Violin, Viola, and
Piano). Composed by Tom
Gerou. For Violin, Viola
and Piano. Book; Piano
Supplemental; Piano with
Other Instrument; Trio.
Light Concert; Recital.
Late Intermediate. 28
pages. Published by
Alfred Music
For Violin (&
Viola). Composed by
Susan Kander. Strings,
Violin, Strings, Viola.
Study Score. Composed
2002. Duration 18'.
Notevole Music Publishing
#90900120. Published by
Notevole Music Publishing
(SU.90900120).
By Mendelssohn F. Edited by Kullak. For piano. Capriccio,Op.5; Character Pieces,...(+)
By Mendelssohn F. Edited
by Kullak. For piano.
Capriccio,Op.5; Character
Pieces,Op.7; Rondo
Capriccioso,Op.14;
Fantasies,Op.16;
Caprices,Op.33; Pieces
for Children,Op.72;
Andante Cantabile e
Presto Agitato. Published
by C.F. Peters.
Piano Solo. By Felix Mendelssohn. Arranged by Alfred Cortot. (Piano). Piano Lar...(+)
Piano Solo. By Felix
Mendelssohn. Arranged by
Alfred Cortot. (Piano).
Piano Large Works
(Arranged for piano).
Book only. Size
8.25x11.75 inches. 14
pages. Published by
Salabert.
Composed by Camille Saint- Saens (1835-1921). Arranged by Jasmine Choi. Set o...(+)
Composed by Camille
Saint-
Saens (1835-1921).
Arranged by
Jasmine Choi. Set of
Score and
Parts. Duration 8
minutes.
Theodore Presser Company
#114-
41934. Published by
Theodore
Presser Company
Concerto Capriccioso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 4 SKU: BT.DHP-1053846-010 (+)
Concert Band/Harmonie and
Flute Solo - Grade 4
SKU:
BT.DHP-1053846-010
For Flute and Concert
Band. Composed by
Kees Schoonenbeek.
Soloworks. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053846-010. Published by
De Haske Publications
(BT.DHP-1053846-010).
English-German-French-
Dutch.
Concerto
Cappricioso begins with a
short fanfare-like
opening. It?s three
movements then develop
with exciting dialogues
between the soloist and
the main concert band,
which both answers and
accompanies the soloist,
in addition to adding
their own new material.
The musical game between
the solis and
accompaniment will
captivate and delight
your audience every time.
Concerto
Capriccioso begint
met een fanfareachtige
introductie, waarna een
korte ‘solo
rubato’ volgt. Dan
begint het echte
‘concertato’
. De begeleiding
antwoordt en
becommentarieert met
tussenpozen. De
introductie duikt weerop,
waarna dezelfde opzet nog
eens volgt. Deel twee
presenteert een tweede
thema, als een dialoog
uitgewerkt. Het
beginthema keert terug,
maar met een anders
opgezette begeleiding.
Het derde deel is een
brede dialoog tussen
solisten begeleiding. De
opnieuw fanfareachtige
inleiding komt steeds als
een refrein terug tussen
de tarantella-achtige
solopassages. Het spel
tussen de solist en de
begeleiding blijft steeds
boeiend.
Concer
to Cappricioso
beginnt mit einer kurzen
fanfareähnlichen
Einleitung. Dann
entwickeln sich drei
Sätze voll von
spannenden Dialogen
zwischen dem Solisten und
dem übrigen
Blasorchester, das mal
kommentierend, mal
antwortend und mal
begleitend agiert. Das
musikalische Spiel
zwischen Solist und
Begleitung wird Ihr
Publikum immer wieder
aufs Neue begeistern.
La breve
introduzione prepara
l’entrata del
solista che esplora il
tessuto musicale
attraverso un assolo
eseguito rubato. La
musica adotta in seguito
la forma del concertato.
L’accompagnamento
svela le sue risposte e
commenta il soggetto con
intervalli. Il secondo
movimento è una dolce
fantasia, mentre il terzo
sviluppa un dialogo tra
il solista e
l’accompagnamento.
Il gioco musicale si
dimostra per il pubblico
particolarmente piacevole
e accattivante.