Composed by
Patrick Glenn Harper.
Cps. Set of Score and
Parts.
8+8+4+8+8+8+4+4+4+4+4+4+4
+4+4+4+4+8+8+6+4+8+1+2+2+
2+4+8+4+32 pages.
Duration 5:22. Carl
Fischer Music #CPS261.
Published by Carl Fischer
Music (CF.CPS261).
ISBN 9781491161272.
UPC:
680160919864.
Sahar
a is an exciting
programmatic work for
concert band that
musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final destination.
Performance Notes You may
use a set of congas in
addition to or in lieu of
the dumbek part to bring
out that pitched drum
sound. At m. 4, emphasize
the accented quarter
notes in the horns and
euphonium. Measures
17-26, make sure that the
sixteenth note marimba
part is heard clearly. In
measures 48-92, this
entire middle section may
be played in a rubato
style at the director's
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm. 76-81.
Measures 109-112, make
sure to bring out the
trills in the Flute and
oboe parts and sustain
them all the way through
the measure with a
release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. Sahara is an
exciting programmatic
work for concert band
that musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final
destination.Performance
NotesYou may use a set of
congas in addition to or
in lieu of the dumbek
part to bring out that
pitched drum sound. At m.
4, emphasize the accented
quarter notes in the
horns and euphonium.
Measures 17-26, make sure
that the sixteenth note
marimba part is heard
clearly. In measures
48-92, this entire middle
section may be played in
a rubato style at the
director’s
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm.
76-81.Measures 109-112,
make sure to bring out
the trills in the Flute
and oboe parts and
sustain them all the way
through the measure with
a release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts.
Composed
by Patrick Glenn Harper.
Cps. Full score. 32
pages. Duration 5:22.
Carl Fischer Music
#CPS261F. Published by
Carl Fischer Music
(CF.CPS261F).
ISBN
9781491161715. UPC:
680160920402.
Sahar
a is an exciting
programmatic work for
concert band that
musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final destination.
Performance Notes You may
use a set of congas in
addition to or in lieu of
the dumbek part to bring
out that pitched drum
sound. At m. 4, emphasize
the accented quarter
notes in the horns and
euphonium. Measures
17-26, make sure that the
sixteenth note marimba
part is heard clearly. In
measures 48-92, this
entire middle section may
be played in a rubato
style at the director's
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm. 76-81.
Measures 109-112, make
sure to bring out the
trills in the Flute and
oboe parts and sustain
them all the way through
the measure with a
release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts. Sahara is an
exciting programmatic
work for concert band
that musically paints a
picture of a fantastical
desert crossing in three
contrasting sections. The
first section depicts a
large caravan moving
across the giant dunes.
The second section
describes a visit to a
palace in a mystical
oasis city. The third
section brings the piece
to an epic close as the
caravan outruns a
sandstorm to reach their
final
destination.Performance
NotesYou may use a set of
congas in addition to or
in lieu of the dumbek
part to bring out that
pitched drum sound. At m.
4, emphasize the accented
quarter notes in the
horns and euphonium.
Measures 17-26, make sure
that the sixteenth note
marimba part is heard
clearly. In measures
48-92, this entire middle
section may be played in
a rubato style at the
director’s
discretion to achieve
maximum musical
expression. Be sure to
emphasize the
crescendo-decrescendo
dynamics in this entire
section. In measures
56-61, be sure that the
syncopated flute and
clarinet parts are heard
clearly. and the flute
and oboe are heard as
well mm. 76-81. The
descending eighth notes
in the bass clarinet and
tuba part should be
brought out in mm.
76-81.Measures 109-112,
make sure to bring out
the trills in the Flute
and oboe parts and
sustain them all the way
through the measure with
a release immediately on
beat 1 of the following
measure. And finally, mm.
125-126, emphasize the F
Horn and Alto Saxophone
parts.
Composed
by Kelly Dugger. Full
score. 24 pages. Carl
Fischer Music #YPS240F.
Published by Carl Fischer
Music (CF.YPS240F).
ISBN 9781491159644.
UPC:
680160918232.
An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners.
Composed by
Kelly Dugger. Set of
Score and Parts.
24+8+8+4+8+8+4+4+6+4+4+4+
8+8+8+6+6+6+4+6+2+4+6
pages. Duration 5
minutes, 20 seconds. Carl
Fischer Music #YPS240.
Published by Carl Fischer
Music (CF.YPS240).
ISBN 9781491159637.
UPC:
680160918225.
An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners.
Tuba & euphonium - Grade 1 SKU: RM.COIT04597 Composed by Francis Coiteux....(+)
Tuba & euphonium - Grade
1
SKU:
RM.COIT04597
Composed
by Francis Coiteux. Tuba
and piano. Instrumental
music. Duration 3
minutes, 30 seconds.
Editions Robert Martin
#COIT04597. Published by
Editions Robert Martin
(RM.COIT04597).
Composed by Aem Gretry.
Arranged by Francoise
Maciocchi. Plectrum
orchetra. Orchestra. Full
set. Editions Robert
Martin #GRET03173-BA.
Published by Editions
Robert Martin
(RM.GRET03173-BA).
A Western Suite Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000331-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000331-140
Composed by Andreas
Ludwig Schulte. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000331-140. Published by
Gobelin Music
Publications
(BT.GOB-000331-140).
A Western
Suite paints the
musical picture of a
group of gold diggers and
adventurers in the Wild
West! Opening with an
optimistic march,
followed by wistful
sounds around the
campfire, A Western Suite
sees an exciting rodeo
take place before the
main theme brings the
piece to an end. Bring
the atmosphere of the
Wild West onto the
concert stage!
Raak in de ban
van het Wilde Westen!
Andreas Ludwig Schulte
weet de sfeer van deze
contreien op een uiterst
treffende wijze te
schetsen. Laat u
meeslepen in het grote
avontuur van de goud- en
gelukzoekers. Euforie in
het eerste deel!Een
vlotte mars verklankt de
opgewektheid en het
optimisme. Maar bij het
kampvuur komen de
pioniers tot rust. Een
weemoedige melodie
verwoordt gevoelens van
romantiek en heimwee,
maar ook van
hoop.Ontspanning vinden
ze bij eenrodeofeest, dat
in het derde deel
muzikaal wordt verklankt.
Flashback van het begin
volgen, waarna de
compositie waardig
afsluit.
Die
Western Suite
zeichnet ein
musikalisches Bild einer
Karawane von Goldsuchern
und Glücksrittern: Die
Reise beginnt mit einem
Optimismus versprühenden
Marsch, gefolgt von
wehmütigen Klängen am
abendlichen Lagerfeuer.
Am nächsten Tag findet
ein schwungvolles Rodeo
statt, bevor das
Eingangsthema die Reise
und die Komposition zu
ihrem Ende führt.
Bringen Sie den Wilden
Westen auf die
Konzertbühne!
L’oeuvre
Western Suite dresse
en musique, le portrait
d’une caravane de
chercheurs d’or et
autres aventuriers. Le
voyage commence dans une
ambiance optimiste, qui
se traduit par une
pétillante marche. En
soirée, la mélancolie
s’installe autour du
feu de camp, des sons
lugubres s’échappent
des instruments. Le
lendemain est organisé
un rodéo, festivité et
excitation sont abordées
par de riches lignes
mélodiques, avant de
réinterpréter le thème
initial en final. Avec
Western Suite, laissez
entrer l’ouest
américain dans votre
salle de concert
!
Il brano A
Western Suite traduce
in musica le avventure di
un gruppo di cercatori
d’oro e di altri
avventurieri. Il viaggio
inizia in un’atmosfera
piena di ottimismo, che
si riflette in una briosa
marcia. In serata, la
malinconia regna intorno
al fuoco; gli strumenti
emettono suoni quasi
lugubri. L’indomani,
gli avventurieri
organizzano un rodeo,
l’eccitazione per
l’evento è affidata a
ricche melodie, che
anticipano la
riesposizione del tema
iniziale.
Composed by Aem Gretry.
Arranged by Francoise
Maciocchi. Plectrum
orchetra. Orchestra.
Conductor's score.
Editions Robert Martin
#GRET03173-CO. Published
by Editions Robert Martin
(RM.GRET03173-CO).
(fur Cello und Klavier) Composed by Antoni Cofalik, Romuald Twardoski. Score; Si...(+)
(fur Cello und Klavier)
Composed by Antoni
Cofalik, Romuald
Twardoski. Score; Single
Part for cello and piano.
Easy cello pieces with
piano accompaniment;
teaches technical skills
in a spirit of fun;
Imaginative melodies;
Colorful illustrations.
Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006531639.
Piano (Piano) SKU: HL.50582596 Estrait De L'Operette En Trois Actes Co...(+)
Piano (Piano)
SKU:
HL.50582596
Estrait De L'Operette
En Trois Actes Comte
Obligado. Composed by
Raoul Moretti. Salabert.
Score Only. Composed
2002. Editions Salabert
#SLB682. Published by
Editions Salabert
(HL.50582596).
A Western Suite Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000331-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 2
SKU:
BT.GOB-000331-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 7 pages.
Gobelin Music
Publications #GOB
000331-010. Published by
Gobelin Music
Publications
(BT.GOB-000331-010).
A Western
Suite paints the
musical picture of a
group of gold diggers and
adventurers in the Wild
West! Opening with an
optimistic march,
followed by wistful
sounds around the
campfire, A Western Suite
sees an exciting rodeo
take place before the
main theme brings the
piece to an end. Bring
the atmosphere of the
Wild West onto the
concert stage!
Raak in de ban
van het Wilde Westen!
Andreas Ludwig Schulte
weet de sfeer van deze
contreien op een uiterst
treffende wijze te
schetsen. Laat u
meeslepen in het grote
avontuur van de goud- en
gelukzoekers. Euforie in
het eerste deel!Een
vlotte mars verklankt de
opgewektheid en het
optimisme. Maar bij het
kampvuur komen de
pioniers tot rust. Een
weemoedige melodie
verwoordt gevoelens van
romantiek en heimwee,
maar ook van
hoop.Ontspanning vinden
ze bij eenrodeofeest, dat
in het derde deel
muzikaal wordt verklankt.
Flashback van het begin
volgen, waarna de
compositie waardig
afsluit.
Die
Western Suite
zeichnet ein
musikalisches Bild einer
Karawane von Goldsuchern
und Glücksrittern: Die
Reise beginnt mit einem
Optimismus versprühenden
Marsch, gefolgt von
wehmütigen Klängen am
abendlichen Lagerfeuer.
Am nächsten Tag findet
ein schwungvolles Rodeo
statt, bevor das
Eingangsthema die Reise
und die Komposition zu
ihrem Ende führt.
Bringen Sie den Wilden
Westen auf die
Konzertbühne!
L’oeuvre
Western Suite dresse
en musique, le portrait
d’une caravane de
chercheurs d’or et
autres aventuriers. Le
voyage commence dans une
ambiance optimiste, qui
se traduit par une
pétillante marche. En
soirée, la mélancolie
s’installe autour du
feu de camp, des sons
lugubres s’échappent
des instruments. Le
lendemain est organisé
un rodéo, festivité et
excitation sont abordées
par de riches lignes
mélodiques, avant de
réinterpréter le thème
initial en final. Avec
Western Suite, laissez
entrer l’ouest
américain dans votre
salle de concert
!
Il brano A
Western Suite traduce
in musica le avventure di
un gruppo di cercatori
d’oro e di altri
avventurieri. Il viaggio
inizia in un’atmosfera
piena di ottimismo, che
si riflette in una briosa
marcia. In serata, la
malinconia regna intorno
al fuoco; gli strumenti
emettono suoni quasi
lugubri. L’indomani,
gli avventurieri
organizzano un rodeo,
l’eccitazione per
l’evento è affidata a
ricche melodie, che
anticipano la
riesposizione del tema
iniziale.
