7 Solos in Romantic Styles for Intermediate Pianists. By Robert D. Vandall. For Piano. Piano Collection. Celebrated Lyrical Solos. Level: Intermediate. Book. 24 pages. Published by Alfred Publishing.

7 Solos in Romantic Styles for Early Intermediate Pianists. By Robert D. Vandall. For Piano. Piano Collection. Celebrated Lyrical Solos. Level: Early Intermediate. Book. 24 pages. Published by Alfred Publishing.

By Kenneth Udy. For organ. Organ Music. Published by MorningStar Music Publishers.

By Douglas E. Wagner. For handbells (3-5 octaves). Concert, General. Level 2. Sheet music. Published by Lorenz Publishing Company

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R0B. Published by The Frederick Harris Music Company

By Robert Sheldon. For Concert Band. Concert Band. Alfred Concert Band. Level: 4 (Medium Difficult) (grade 4). Conductor Score and Parts. 177 pages. Published by Alfred Publishing.

This joy. (No. 2 of Three Christmas Songs). By Bob Chilcott. For SS choir and piano/strings, harp, percussion (harp, 2 percussion (2 glockenspiels), strings). Upper Voices. Christmas, Choral Leaflet. Vocal score. 8 pages. Duration 3'. Published by Oxford University Press

Arranged by Desmond Ratcliffe / Bill Ramsey / O.H. Peasgood. For Organ. Music Sales America. Celebrations, Weddings. 48 pages. Music Sales #NOV010124. Published by Music Sales

Guitar

SKU: UT.CH-209

Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Collection. Ut Orpheus #CH 209. Published by Ut Orpheus (UT.CH-209).

ISBN 9790215322837. 9 x 12 inches.

Gian Paolo Luppi: Alcor
Marco Reghezza: Fuga Dodecatonale
Alessand ro Spazzoli: Sarabanda all'alba
Roberto Tagliamacco: Concerto per la notte di Corelli

In 2013, to celebrate the second centenary of the death of Arcangelo Corelli, I played in an official concert held in his memory in Fusignano, his hometown. Corelli did not write for the guitar, but a few of his compositions were transcribed by some contemporary guitarist and certainly his name has always been associated in the history of music with the theme of the very famous <> (although the origins of this theme go back a long way before Corelli). In the guitar repertoire, well-known cycles of variations on this theme exist. My long history of friendship and working together with important Italian composers has made it possible for me to build a concert program with some new guitar compositions dedicated to Corelli, to which others have been added. They are all together in this anthology, with the exceptions of Corelliana by Davide Anzaghi, Per Arcangelo by Gilberto Cappelli and Corelliana Seconda by Paolo Ugoletti, published separately.
The cover picture, specially created by Norma Lutzemberger for this publication, celebrates this meeting between the modern guitar and Arcangelo Corelli.
(Piero Bonaguri)

Chamber Music Solo Organ

SKU: PR.113400470

Composed by Adolphus Hailstork. Sws. Theodore Presser Company #113-40047. Published by Theodore Presser Company (PR.113400470).

ISBN 9781491136416. UPC: 680160689095. Key: Eb major.

A CHRISTMAS VIGIL is the second of two Hailstork organ works composed as variations on the British hymn tune Dundee. The present work begins with a carillon-like ostinato on the hymn’s opening phrase, which returns joyously toward the end of the composition. While the hymn itself is not specific to Nativity, the composer gave this work a Christmas title due to its bell-like cheer.
A CHRISTMAS VIGIL is based on a larger single-movement piece written for the First Presbyterian Church of Virginia Beach, Virginia. That earlier work, A Dundee Fantasy, was commissioned to celebrate the 100th anniversary of the church. That major concert piece, based on the hymn tune Dundee, was premiered by Alan Morrison.Several small units left over from drafts of A Dundee Fantasee suggested Christmas to me because of the carillon-style ostinato at the beginning that returns grandly at the end. The joyous momentum throughout the whole composition makes this vigil suitable for a Christmas Season concert.

(Technique and Artistry, Book 1). By Nancy Faber and Randall Faber. For Piano. Faber Piano Adventures®. Methods. SMP Level 1 (Elementary). Softcover. 64 pages. Faber Music #FF1420. Published by Faber Music

By Gilbert M. Martin. For organ. Sacred. Sacred organ. Published by Lorenz Publishing Company. (70/1572L)
Level: 3-staff.

By James Mansfield. Organ. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company.

(The Young Band Music of James Swearingen). Walking Frog Records CD. Play Along. Audio CD. Composed 2002. Published by C.L. Barnhouse

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55

Composed by Paul Lansky. Set of Score and Parts. 8+8+8+8+8+32 pages. Duration 17:55. Carl Fischer Music #MXE55. Published by Carl Fischer Music (CF.MXE55).

ISBN 9781491153864. UPC: 680160911363.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello

SKU: CF.MXE55F

Composed by Paul Lansky. Full score. 32 pages. Duration 17:55. Carl Fischer Music #MXE55F. Published by Carl Fischer Music (CF.MXE55F).

ISBN 9781491153895. UPC: 680160911394.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

Paul Lansky

Frame 1 100

Minuetto (Post-Classical, c. 1810) 352

Frame 2 125

Angst (Post-Romantic, c. 1910) 353

Frame 3 122

Dance (Post-Modern, c. 2010) 535

Frame 4 050

Total Duration 1755

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

aPaul Lansky

Frame 1 1a00a

Minuetto (Post-Classical, c. 1810) 3a52a

Frame 2 1a25a

Angst (Post-Romantic, c. 1910) 3a53a

Frame 3 1a22a

Dance (Post-Modern, c. 2010) 5a35a

Frame 4 0a50a

Total Duration 17a55a

.

Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround.

The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.

--Paul Lansky

Frame 1 1'00

Minuetto (Post-Classical, c. 1810) 3'52

Frame 2 1'25

Angst (Post-Romantic, c. 1910) 3'53

Frame 3 1'22

Dance (Post-Modern, c. 2010) 5'35

Frame 4 0'50'

Total Duration 17'55

.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames' comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00 Minuetto (Post-Classical, c. 1810) 3'52 Frame 2 1'25 Angst (Post-Romantic, c. 1910) 3'53 Frame 3 1'22 Dance (Post-Modern, c. 2010) 5'35 Frame 4 0'50' Total Duration 17'55.
Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.

String Quartet

SKU: HL.50600643

Score and Parts. Composed by Nathaniel Stookey. String Ensemble. Classical. Softcover, Score and Parts. 72 pages. Associated Music Publishers, Inc #AMP8308. Published by Associated Music Publishers, Inc (HL.50600643).

ISBN 9781495071034. UPC: 888680633202. 9x12 inches.

String Quartet No. 1 was inspired by The Lindsays, who gave its first British performances and helped in the preparation of this edition. The work was commissioned by WUNC-FM, with funds from the North Carolina State Department of Cultural Resources, for the inaugural concert and broadcast of the WUNC Composers-in-Context Series. The premiere was given by The Ciompi Quartet at Hill Hall on the campus of the University of North Carolina at Chapel Hill on November 21, 1998. The work is dedicated, with gratitude and affection, to Ronnie and Susanne Birks, in celebration of their 20th anniversary of marriage.