SKU: HL.49015504

Edited by Frank Ziegler and Joachim Veit. This edition: Hardback/Hard Cover. Book. Edition Schott. Neue Aufsatze zu Leben und Werk Carl Maria von Webers. Classical. 475 pages. Schott Music #ED 8583. Published by Schott Music (HL.49015504).

ISBN 9783795703257. German.

Das Anliegen der Herausgeber, mit der Arbeit an der Carl-Maria-von-Weber-Gesa mtausgabe auch den naheren Umkreis des Komponisten zu beleuchten und so das gesamte Umfeld fruhromantischer Musik und Kunstanschauung in ein helleres Licht zu setzen, wird in diesem Band mit Beitragen aus germanistischer, musikwissenschaftlicher, musikpraktischer und psychologischer Sicht weitergefuhrt.Nach Aufsatzen zu E. T. A. Hoffmann und zur Musikanschauung des fruhen 19. Jahrhunderts folgen Beitrage, die unbekannte Dokumente aus Webers Umkreis erstmals prasentieren, danach werden editorische Fragen der Gesamtausgabe behandelt. Es folgen analytische Betrachtungen von Kompositionen sowie Beitrage zur Rezeption des Weberschen ouvres. Auffuhrungspraktische und musikpsychologische Studien runden diesen Teil ab. Der abschliessende Aufsatz zur Entwicklungsgeschichte des Klavierquartetts zeigt, welche neuen und interessanten Bezuge eine aus der Sicht des praktischen Musikers verfasste Musikhistorie offenlegen kann.

SKU: HL.49015451

This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 283 pages. Schott Music #ED 8207. Published by Schott Music (HL.49015451).

ISBN 9783795702809. German.

Mit diesem Band beginnt eine Carl Maria von Weber gewidmete Schriftenreihe, die das Erscheinen der Gesamtausgabe seiner Werke, Schriften, Briefe und Tagebucher begleitet. In loser Folge sind gesammelte Einzelstudien, aber auch Monographien erschienen, die sich mit Webers Schaffen und seinem naheren Umkreis beschaftigen. Die Weber-Philologie, deren praktische Ergebnisse sich unmittelbar in der Banden der Ausgabe niederschlagen, erhalt hier ein theoretisches Forum; aber auch die allgemein musikgeschichtliche Weber-Forschung findet hier ein Sprachrohr.Der erste Band der Weber-Studien ist ein Sammelband. Er enthalt in seinem ersten Teil Aufsatze zu Dokumenten seines Wirkens und zu einem Abschnitt seiner Biographie. Im zweiten Teil folgen Beitrage zu Webers Kirchenmusik, speziell zu seinen Messen. Der dritte Teil enthalt Studien zu Webers Opernschaffen und zu kleineren Vokalwerken. Der sich anschliessende Aufsatz beschaftigt sich mit der Instrumentalmusik. Die letzte Gruppe von Beitragen untersucht jeweils bestimmte Aspekte aus Webers Umfeld.

Piano Duet - Grade 4

SKU: HL.14035639

Composed by Carl Maria von Weber. Music Sales America. Opera or Operetta. Book [Softcover]. Composed 2002. 12 pages. Edition Wilhelm Hansen #WH04883. Published by Edition Wilhelm Hansen (HL.14035639).

ISBN 9788759854983. 8.25x11.75x0.086 inches. English.

Piano Duet arrangement of the main themes from Weber's final opera.

Voice Opera

SKU: HL.14035290

By Natalia MacFarren. By Carl Maria von Weber. Edited by Natalia MacFarren. Music Sales America. Classical. Part. 164 pages. Music Sales #NOV953909. Published by Music Sales (HL.14035290).

8.75x11.75x0.7 inches.

An Opera in 3 acts.

SKU: HL.49044482

Eine Biografie. Composed by Christoph Schwandt. This edition: hard-coverbinding with book jacket. Book. Edition Schott. Freischutz und Oberon sind die wohl bekanntesten Werke des Komponisten. Carl Maria von Weber war ausserdem als Dirigent, Opernmanager und Kritiker tatig. Nach mehreren Jahrzehnten liegt nun die erste umfassende Biografie vor. Sie zeichnet ein plastisches. Softcover. 608 pages. Schott Music #ED21540. Published by Schott Music (HL.49044482).

ISBN 9783795708207. 5.5x8.75x1.628 inches. German.

'Freischutz ' and 'Oberon' are the words that come to the minds of many music-loving people when thinking of the composer Carl Maria von Weber, and perhaps even his brilliant piano work 'Die Aufforderung zum Tanz'. However, there also are four other operas, two symphonies, numerous instrumental concertos, overtures, stage works, and many more.Carl Maria von Weber was also an important conductor and opera manager as well as a brilliant critic, and he even planned a great artist novel parts of which are still extant. His writings on art and even cultural and educational policy, however, were often removed from their context later and interpreted in biased ways. The result was an image of Weber that is still present today, albeit influenced by the zeitgeist of the late 19th century, although this musician died in London in 1826 already.This first comprehensive biography after several decades now presents a vivid image of Weber as contemporary of Beethoven in an epoch of political and social unrest from a present-day perspective. The only biography of current interest Composer, critic, author Weber's time from a present-day perspective.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

(P+KRB)

SKU: HL.49042459

Composed by Carl Maria von Weber. Edited by Andreas Fukerider and Claudia Theis. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 274 pages. Schott Music #WGA1061. Published by Schott Music (HL.49042459).

ISBN 9783795794682. 8.75x12.25x1.022 inches.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

Orchestra

SKU: HL.48187644

Composed by Maria Von Weber. Leduc. Classical. Softcover. Heugel & Cie #HE31438. Published by Heugel & Cie (HL.48187644).

UPC: 888680845223. 5.5x7.5x0.151 inches.

Carl Maria von Weber: Ouverture de 'Oberon' (PH38) (Orchestra).

For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. With additional Horn part in E und F. Classical. Softcover Piano Reduction. 44 pages. G. Henle #HN1179. Published by G. Henle

Variationen zu Opernarien von Rossini, Bellini, Paisiello, Weber und eine Mozart-Bearbeitung. Edited by Weinzierl, Elisabeth;W0chter, Edmund. For Flute (2). A due. Playing Score. Published by Baerenreiter-Ausgaben (German import).

By Carlo Maria von Weber. Arranged by Carl Burchard. For violin, cello and piano duet. Facsimile Editions - Strings and Piano. Quartets. Romantic

SKU: KU.TBA-165

Composed by Carl Maria von Weber. Edited by Irene Alberti. DIN-A5. Staple Bound. Libretto. 28 pages. Edition Kunzelmann #TBA-165. Published by Edition Kunzelmann (KU.TBA-165).

German.

Flute (Flute)

SKU: HL.50584322

Composed by Carl Maria von Weber. Salabert. Score Only. Composed 2002. Editions Salabert #SLB3394. Published by Editions Salabert (HL.50584322).

Overture. By Carl Maria von Weber. (Study Score). Schott. Size 5.25x7.5 inches. 36 pages. Published by Eulenburg.

By Carl Maria von Weber. For orchestra. Breitkopf Full Scores. 20 pages. Published by Breitkopf and Haertel (German import).

Concert band - Grade 3

SKU: RM.WEBE00296-BA

Composed by Carl Maria von Weber. Arranged by Pierre Dupont. Classical music. Orchestra. Full set. Editions Robert Martin #WEBE00296-BA. Published by Editions Robert Martin (RM.WEBE00296-BA).

ISBN 9790231002966.

By Carl Maria von Weber. For orchestra. This edition: Violin 2. Breitkopf Orchestral Library. 4 pages. Published by Breitkopf and Haertel (German import).

Piano - difficult

SKU: HL.49008623

Overture. Composed by Carl Maria von Weber. Arranged by Richard Kleinmichel. This edition: Saddle stitching. Sheet music. Einzelausgaben (Single Sheets). Classical. 12 pages. Schott Music #ED0 1776. Published by Schott Music (HL.49008623).

ISBN 9790001087810. UPC: 884088098148. 9.0x12.0x0.027 inches.

Concert band - Grade 3

SKU: RM.WEBE00296-CO

Composed by Carl Maria von Weber. Arranged by Pierre Dupont. Classical music. Orchestra. Conductor's score. Editions Robert Martin #WEBE00296-CO. Published by Editions Robert Martin (RM.WEBE00296-CO).

Wind set. Composed by Carl Maria von Weber (1786-1826). Orchester-Bibliothek (Orchestral Library). Romantic. Wind set. 38 pages. Published by Breitkopf and Haertel (BR.OB-4732-30).

Composed by Carl Maria von Weber (1786-1826). Edited by Richard W. Sargeant Jr. Overture, Opera, Original Works. Reprint Source: Edwardsville: Serenissima Music, Inc., 2015. Plate 41649. Romantic, German. Study score (paperback). Composed 1826. 48 pages. Duration 9 minutes. Published by Serenissima (SA.41649).

By Carl Maria von Weber. For orchestra. This edition: Violin 1. Breitkopf Orchestral Library. 4 pages. Published by Breitkopf and Haertel (German import).