Tango tenor for tenor and piano. Composed by Carlos Gardel. With Standard notation. Universal Edition #UE037219. Published by Universal Edition

By Carlos Gardel. For Violin, Viola, Cello. 4 pages (score) / 3 parts, 1 page each. String trio by Birtel Vol. 7. Score and Parts

Composed by Carlos Gardel. Arranged by Diego Collatti. For 2 guitars. World Music. Full Score - Study. 20 pages. Published by Universal Edition

Alto saxophone and piano

SKU: VD.ED17614

Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Classical. Score, solo part. 6 S. Part. + 1 S. Stimme pages. Verlag Dohr #ED17614. Published by Verlag Dohr (VD.ED17614).

ISBN 9790202036143. 12 x 9 inches.

Viola and piano

SKU: VD.ED17609

Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Classical. Score, solo part. 6 S. Part. + 1 S. Stimme pages. Verlag Dohr #ED17609. Published by Verlag Dohr (VD.ED17609).

ISBN 9790202036099. 12 x 9 inches.

Oboe und Klavier

SKU: VD.ED17612

Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Classical. Score, solo part. 6 S. Part. + 1 S. Stimme pages. Verlag Dohr #ED17612. Published by Verlag Dohr (VD.ED17612).

ISBN 9790202036129. 12 x 9 inches.

(Tango (eingerichtet fur Streichtrio)). By Carlos Gardel. For Violin, Viola, Cello. String trio by Birtel Vol. 14. Score and Parts. Published by Verlag Dohr

Cello and piano

SKU: M7.DUX-957

12 Tangos For Cello & Piano. Composed by Chris Gall. Sheet music. Score and part. 68 pages. Edition Dux Verlag #DUX 957. Published by Edition Dux Verlag (M7.DUX-957).

ISBN 9783868492972.

TANG O - das ist das Album des World Music Ensembles Quadro Nuevo, das nach einer 'Buenos-Aires-Expedition' zusammen mit dem Pianisten Chris Gall veröffentlicht wurde. TANGO FOR TWO - das ist die daraus entstandene Sammlung von 12 Tangos für die spannende 'Duo-Besetzung'. Neben Eigenkompositionen wurden unter anderem Stücke von Ángel Villoldo (El Choclo), Carlos Gardel (Por una cabeza, El día que me quieras) und Astor Piazzolla (Libertango, Oblivion) für das Duospiel arrangiert. Die Reihe ist erhältlich für Tenorsaxophon, Altsaxophon, Klarinette, Trompete, Flöte, Violine und Violoncello, wahlweise in der Besetzung Solo + Piano oder Solo mit CD. Die CD beinhaltet alle 12 Titel als Play-along- und Duo-Versionen. Die Arrangements von Mulo Francel und Chris Gall liegen im mittleren Schwierigkeitsgrad. Der Ausgabe liegt ein 36-seitiger Einleger mit der Violoncellostimme bei.

Trumpet and piano

SKU: M7.DOHR-17617

Tango. Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Sheet music. Score and part. 6 pages. MDS (Music Distribution Services) #DOHR 17617. Published by MDS (Music Distribution Services) (M7.DOHR-17617).

ISBN 9790202036174.

Composed by Carlos Gardel. Arranged by Luc Levesque. Score and parts. Les Productions d'OZ #DZ 4145. Published by Les Productions d'OZ

(20 Easy Pieces from 3 Centuries). By Various. Edited by Konrad Ragossnig. Guitar. Softcover. 72 pages. Schott Music #ED20886. Published by Schott Music

By Carlos Gardel. Arranged by Javier Zentner. For Solo Tenor, Choir SSAATBarB. Score. Language: Spanish. 8 pages. Published by Carus Verlag (German import).

By Carlos Gardel. For String quartet, Double bass ad lib.. 6 pages (score) / 5 parts, 1 page each. Der musikalische Salon Vol. 51. Score and Parts

Kleines Orchester

SKU: VD.ED20178

Composed by Carlos Gardel. Arranged by Wolfgang Birtel. Classical. Score. 17 S. pages. Verlag Dohr #ED20178. Published by Verlag Dohr (VD.ED20178).

ISBN 9790202041789. 12 x 9 inches.

SKU: GI.G-10126FS

Full Score Only. Composed by Christopher Selby. This edition: Full Score edition. Music Education. Full score edition. 8 pages. GIA Publications #10126FS. Published by GIA Publications (GI.G-10126FS).

UPC: 785147012696.

Full Score Only Por Una Cabeza is a popular tango that originally appeared as a song, written in 1935 by composer Carlos Gardel, with lyrics by Alfredo Le Pera. The title is translated as “by a head,” which is a Spanish horse-racing phrase referring to a horse that only narrowly wins a race by the length of its head. Notably, the tango has appeared in a number of films, including Steven Spielberg’s Schindler’s List. Christopher Selby’s arrangement of this charming tune for string orchestra will be an instant hit with conductors and players alike. It begins with a simple and flirtatious theme in G major that is repeatedly interrupted by a strong and passionate theme in the parallel minor. Its immediately likable melody and straightforward construction make it the perfect intermediate selection for exploring a number of musical and technical elements, including dynamic contrast, major and minor tonalities, arco and pizzicato technique, varied articulation, and musical form.

Chamber Music Piano

SKU: PR.110418380

Composed by Carlos Gardels. Full score. 12 pages. Duration 8 minutes, 40 seconds. Theodore Presser Company #110-41838. Published by Theodore Presser Company (PR.110418380).

ISBN 9781491135334. UPC: 680160687497.

THREE FANTASIES is a fantastical escape from reality. The first fantasy (“Prelude”) features a luscious and expressive melody accompanied by dark, romantic harmonies. The following fantasy (“Cosmic Lullaby”) begins and ends in a serene and introspective manner, with a tumultuous and harmonically rich middle section. To end the set, “Intermezzo” provides reflection and a lively resolution. Gardels’ profound lyricism and masterful piano writing make this set enjoyable for any pianist to perform at home or in the concert hall.
The three fantasies here were written during the height of the 2020-21 Coronavirus lockdowns – a time everyone will forever recall as a period of the world standing still and experiencing new degrees of isolation, inactivity, and apprehension.A fantasy is a genre to which a composer can turn as a respite from the constraints of form, tradition, and expectation. What the genre may lack in structure and design it makes up for with spontaneity, capriciousness, and improvisatory musical gesture.I hope performers feel free to take a similarly “fantastical” approach to the interpretation of these works, seeing the score and notation as a point of departure rather than arrival, and proceed with unabashed freedom of spirit in their playing.