Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Congas, Crash Cymbals, Cymbal, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba and more. - Grade 3

SKU: CF.CPS213

Composed by Bill Calhoun. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+4+6+8+2+4+2+ 10+20+28 pages. Duration 3 minutes, 31 seconds. Carl Fischer Music #CPS213. Published by Carl Fischer Music (CF.CPS213).

ISBN 9781491152393. UPC: 680160909896.

Alcaz ar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  Alcaza r should prove to be a favorite of your student musicians as well as your audiences.  This is the perfect vehicle for concert and contest performance.
Alcazar  is a concert band work commissioned by the Cortland High School Concert Band, Richard B. Eleck, conductor, of the Cortland Enlarged City School District, Cortland, N.Y.  Premiered on June 1, 2017, Alcazar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  This opening theme then moves to a secondary theme largely in 5/4, first presented in the woodwinds, followed by a tutti section finishing with a punctuated conclusion to this Allegro.  The clarinets then take us into a melodic Andante middle section, using quarter-note triplets as its rhythmic motive. As this builds to a climax, we are moved into a return to the 5/4 Allegro heard earlier in the piece. As it seems to come to an end, a sudden use of the alternating 4/4, 6/8 earlier motive returns and takes us through an extended ending with a dynamic conclusion. Alcazar should prove to be a favorite of your student musicians as well as your audiences. This is the perfect vehicle for concert and contest performance.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Congas, Crash Cymbals, Cymbal, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba and more. - Grade 3

SKU: CF.CPS213F

Composed by Bill Calhoun. Concert Band (CPS). Full score. With Standard notation. 28 pages. Carl Fischer Music #CPS213F. Published by Carl Fischer Music (CF.CPS213F).

ISBN 9781491153079. UPC: 680160910571.

Alcaz ar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  Alcaza r should prove to be a favorite of your student musicians as well as your audiences.  This is the perfect vehicle for concert and contest performance.
Alcazar  is a concert band work commissioned by the Cortland High School Concert Band, Richard B. Eleck, conductor, of the Cortland Enlarged City School District, Cortland, N.Y.  Premiered on June 1, 2017, Alcazar is a dynamic piece with a definite Spanish flair.  Using changing meters and syncopated rhythms in its Allegro introduction, the piece continues this vitality into its main theme alternating between 4/4 and 6/8 time signatures.  This opening theme then moves to a secondary theme largely in 5/4, first presented in the woodwinds, followed by a tutti section finishing with a punctuated conclusion to this Allegro.  The clarinets then take us into a melodic Andante middle section, using quarter-note triplets as its rhythmic motive. As this builds to a climax, we are moved into a return to the 5/4 Allegro heard earlier in the piece. As it seems to come to an end, a sudden use of the alternating 4/4, 6/8 earlier motive returns and takes us through an extended ending with a dynamic conclusion. Alcazar should prove to be a favorite of your student musicians as well as your audiences. This is the perfect vehicle for concert and contest performance.

Flute (Flute)

SKU: HL.48189506

Composed by Sophie Lacaze. Leduc. Softcover. Alphonse Leduc #NT14451Z. Published by Alphonse Leduc (HL.48189506).

Lacaze Rimbaud Voyelles Sur Un Poeme D'arthur Rimbaud Flute Solo Book.

Clarinet

SKU: HL.48189776

Composed by Sophie Lacaze. Leduc. Softcover. 7 pages. Alphonse Leduc #NT21340Y. Published by Alphonse Leduc (HL.48189776).

UPC: 888680832995. 8.5x12.0x0.085 inches.

Lacaze Sons Jeux Clarinet & Piano Book.

Flute

SKU: HL.48189750

Composed by Sophie Lacaze. Leduc. Softcover. Alphonse Leduc #NT21061Y. Published by Alphonse Leduc (HL.48189750).

UPC: 888680991067. 9x12 inches.

Lacaze And Then There Was The Sun In The Sky Flute Ens & Did Sc/Pts.

Strings and basso continuo (V2)

SKU: HL.49029732

Composed by Mauritio Cazzati. Arranged by Peter Smith. Sheet music. Edition Schott. Individual part. 4 pages. Schott Music #ED 11150-12. Published by Schott Music (HL.49029732).

ISBN 9790220108280. English - German.

Strings and basso continuo (VA)

SKU: HL.49029733

Composed by Mauritio Cazzati. Arranged by Peter Smith. Sheet music. Edition Schott. Individual part. 4 pages. Schott Music #ED 11150-13. Published by Schott Music (HL.49029733).

ISBN 9790220108297. English - German.

Strings and basso continuo (VC)

SKU: HL.49029734

Composed by Mauritio Cazzati. Arranged by Peter Smith. Sheet music. Edition Schott. Individual part. 4 pages. Schott Music #ED 11150-14. Published by Schott Music (HL.49029734).

ISBN 9790220108303. English - German.

Strings and basso continuo (V1)

SKU: HL.49029731

Composed by Mauritio Cazzati. Arranged by Peter Smith. Sheet music. Edition Schott. Individual part. 4 pages. Schott Music #ED 11150-11. Published by Schott Music (HL.49029731).

ISBN 9790220108273. English - German.

Classroom

SKU: BT.PS2102

Book Only. 240 pages. Progetti Sonori #PS2102. Published by Progetti Sonori (BT.PS2102).

Italian.

La scuola italiana tende essenzialmente a strutturare la formazione musicale sul modello della sola competenza colta, secondo un criterio gerarchizzante che non riconosce l'esistenza di una competenza musicale di base, popolare, specchio dei complessi e diversificati vissuti musicali quotidiani. Tuttavia, se vogliamo che l'educazione musicale sia davvero inclusiva, dobbiamo assolutamente riportarla verso condotte in-disciplinate, più a misura d'uomo, e indirizzarla all'educazione della persona prima che all'insegnamento in sé. Da questa urgenza di riconversione disciplinare, argomentata dal punto di vista psico-pedagogico e didatticometodologico, Maurizio Spaccazocchi arriva a proporre una nuova programmazione musicale verticale: fornendo esempi concreti e trattando nello specifico tutte le competenze e le abilit dell'Homo Musicus, l'Autore delinea un progetto propedeutico, ampio e dettagliato, che dal Nido, passando per l'Infanzia e la Primaria, si completa nella Secondaria di 1° grado. Un progetto che mira alla valorizzazione della persona e dell'esperienza comune, al recupero e all'esaltazione del valore est/etico dell'educazione, al rafforzamento dell'autostima e della creativit di bambine e bambini, ragazze e ragazzi. La programmazione musicale verticale si rivolge a tutti gli educatori e ai docenti di musica di ogni ordine e grado.

Flute

SKU: HL.48189805

Composed by Sophie Lacaze. Leduc. Softcover. 4 pages. Alphonse Leduc #NT22010Z. Published by Alphonse Leduc (HL.48189805).

UPC: 888680836191. 8.25x12 inches.

“NT 22 010 - Sophie Lacaze: La Lune dans l'Eau, for young storytelling flautist In 1993, composer Sophie Lacaze chose the translucent timbre of the flute to explore the 'mysterious origins' of vowels and their association with colours in Rimbaud's poem Voyelles (NT 14 451 Z). The composer's fascination with this age-old instrument has never ceased to grow, and was further impelled by her encounter with Pierre-Yves Artaud, to whom she dedicated Les quatre éléments and Het Lam Gods II. Sophie Lacaze has now produced a score for young storytelling flautist in La Lune dans L'eau, a study miniature initially written for saxophone students and published in the Opensax collection (AL 30 701). Written for Year 3 and up, the piece delicately interlaces music and poetry, with the musician pronouncing aloud a haiku by Ueda Chôshû (1852-1932): 'Though in a thousand shards / It is always there / The moon on water.' With a wide variety of techniques and performance indications, this volume is a veritable kaleidoscope of the flute's powers of expression, though this profusion never clouds the limpidity of a unique art: the art of simplicity.andrdquo.

Piano Quintet

SKU: BT.CAZCM2KRS01

Composed by Stott. Book Only. Cadenza Music #CAZCM2KRS01. Published by Cadenza Music (BT.CAZCM2KRS01).

Rachel Stott's Serendipity And Household for Piano Quintet.

Serendipit y And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The ideawas to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house a comb or ruler, empty yoghurt pot, cutlery, pieces of paper,chopsticks rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child.

The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas.

A curious point some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’twaste this piece on a strad…or vice versa. - Rachel Stott

Commissioned by Jean Horsfall

Violin

SKU: BT.CAZCFHSUI01

Composed by Cheryl Frances-Hoad. Book Only. Cadenza Music #CAZCFHSUI01. Published by Cadenza Music (BT.CAZCFHSUI01).

Cheryl Frances-Hoad's Suite No. 1 for solo Violin.

Commissione d by Fenella Humphreys as part of her Bach to the Future project. Premiered by Fenella at the Peter Pears Recital Room, Snap Maltings, on the10th September 2014.

String Quartet

SKU: BT.CAZGCRSQT04

Composed by Gordon Crosse. Contemporary Music. Set (Score & Parts). Cadenza Music #CAZGCRSQT04. Published by Cadenza Music (BT.CAZGCRSQT04).

Alto Saxophone and Piano

SKU: BT.CAZRKART01

Composed by Rob Keeley. Book and Part(s). Cadenza Music #CAZRKART01. Published by Cadenza Music (BT.CAZRKART01).

Rob Keeley's Music For Art And Tom for Alto Saxophone and Piano.

Soloists and Women's Choir

SKU: BT.CAZCFHAMY02

Composed by Cheryl Frances-Hoad. Study Score. Cadenza Music #CAZCFHAMY02. Published by Cadenza Music (BT.CAZCFHAMY02).

Cheryl Frances-Hoad's Amy's Last Drive for Soloists, Womens Choir and Orchestra.

Duration : 2 hours

Piano

SKU: BT.CAZPN30501

Composed by Patrick Nunn. Contemporary Music. Book Only. Cadenza Music #CAZPN30501. Published by Cadenza Music (BT.CAZPN30501).

Patrick Nunn's 3:5 for solo Piano.

3:5 was written for GéNIA. It was first performed by GéNIA on the 9th June 2005 at the Museum of Garden History, London SE1.

Duration: c. 5 minutes

Oboe, Strings and Piano

SKU: BT.CAZCFHMEM01

Composed by Cheryl Frances-Hoad. Set (Score & Parts). Cadenza Music #CAZCFHMEM01. Published by Cadenza Music (BT.CAZCFHMEM01).

Cheryl Frances-Hoad's Memoria for Oboe, Violin, Viola, Cello and Piano.

Violin, Cello and Piano

SKU: BT.CAZCM2KCM02

Composed by Colin Matthews. Set (Score & Parts). Cadenza Music #CAZCM2KCM02. Published by Cadenza Music (BT.CAZCM2KCM02).

Colin Matthews' Nocturne for Piano Trio.

As well as many large-scale orchestral works and much chamber music, Colin Matthews has written a number of works for children to play, most notably Machines And Dreams, a'toy symphony' for young players and the London Symphony Orchestra (1990). The March, Waltz and Nocturne were composed specifically for the Schubert Ensemble’s Chamber Music 2000 project in 1999. - Colin Matthews

Piano

SKU: BT.CAZJCHOT01

Composed by Joe Cutler. Contemporary Music. Book Only. Cadenza Music #CAZJCHOT01. Published by Cadenza Music (BT.CAZJCHOT01).

Joe Cutler's Buckleys Hot Licks for Piano.

Oboe and Harp

SKU: BT.CAZLPFTS03

Composed by Lynne Plowman. Contemporary Music. Book and Part(s). Composed 2022. 24 pages. Cadenza Music #CAZLPFTS03. Published by Cadenza Music (BT.CAZLPFTS03).

English.

String Quartet

SKU: BT.CAZPCQT101

Composed by Philip Cashian. Contemporary Music. Set (Score & Parts). Cadenza Music #CAZPCQT101. Published by Cadenza Music (BT.CAZPCQT101).

Piano and Chamber Ensemble

SKU: BT.CAZRKPNO01

Composed by Rob Keeley. Score Only. Composed 2018. Cadenza Music #CAZRKPNO01. Published by Cadenza Music (BT.CAZRKPNO01).

Rob Keeley's Piano Concerto for Piano and 12 Instruments.

Harp

SKU: BT.CAZLPMER01

Composed by Lynne Plowman. Book Only. Composed 2018. Cadenza Music #CAZLPMER01. Published by Cadenza Music (BT.CAZLPMER01).

Lynne Plowman's  The Mermaid's Lagoon  for Harp. First Performed by Elinor Bennett in the Go West festival, Merlin Theatre, Haverfordwest, Wales, 26th September 1995. Duration: 6 minutes.

Soloists and Women's Choir

SKU: BT.CAZCFHAMY01

Composed by Cheryl Frances-Hoad. Score Only. Cadenza Music #CAZCFHAMY01. Published by Cadenza Music (BT.CAZCFHAMY01).

Cheryl Frances-Hoad's Amy's Last Drive for Soloists, Womens Choir and Orchestra.

Duration : 2 hours

String Quartet

SKU: BT.CAZGCRSQT02

Composed by Gordon Crosse. Contemporary Music. Set (Score & Parts). Cadenza Music #CAZGCRSQT02. Published by Cadenza Music (BT.CAZGCRSQT02).

Flute and Guitar

SKU: BT.CAZRKBAG02

Composed by Rob Keeley. Book Only. Composed 2018. Cadenza Music #CAZRKBAG02. Published by Cadenza Music (BT.CAZRKBAG02).

Written for and first performed by Marcelo Barbosa and Fabio Zanon at the Wigmore Hall in October 2003, these five pieces are a distillation of my impressions of Brazil (specifically Rio) on my visit there in 1996, although there is no attempt at representation, beyond the waves in the title, which suggested the shape and sounds of some of the material for the work. The duration of the whole set is around 18 minutes: the composer is happy for the central three to be performed as a set, in reverse order ie. 4, 3 and 2.