By Fanny Cecile Mendelssohn. For organ. Organ solo. Instrumental Music. Level: i...(+)
By Fanny Cecile
Mendelssohn. For organ.
Organ solo. Instrumental
Music. Level:
intermediate. Full score.
Published by
Furore-Verlag (German
import). (fue 4960)
SSATBB chorus a cappella - Medium / medium acc. SKU: JK.80041 Composed by...(+)
SSATBB chorus a cappella
- Medium / medium acc.
SKU: JK.80041
Composed by Stephen
Foster. Arranged by B.
Cecil Gates and Lorin F.
Wheelwright. Choral A
cappella, Choral SATB,
Difficulty Medium, Piano
Choir, Home. Christian,
Inspirational. Jackman
Music Corporation #80041.
Published by Jackman
Music Corporation
(JK.80041).
Folk song
arranged for a cappella
mixed chorus (SSATBB)
with optional piano part
included, written in G
major. (previously listed
as #00148) Composer:
Stephen C. Foster
Arranger: Lorin F.
Wheelwright and B. Cecil
Gates Lyricist:
Stephen C. Foster
Difficulty: Medium /
medium acc.
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus
SKU:
CF.CM9714
Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost.
About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com).
My Old Kentucky Home Chorale SSATBB SSATBB A Cappella [Octavo] - Intermédiaire Jackman Music Corporation
By Stephen Foster. Arranged by Lorin F. Wheelwright And B. Cecil Gates. Text: St...(+)
By Stephen Foster.
Arranged by Lorin F.
Wheelwright And B. Cecil
Gates. Text: Stephen C.
Foster. For SSATBB Choir.
Published by Jackman
Music Corporation.
Level: Medium.
Arranged by Jonathan Brannon. The lively, animated Royal Oak tune is set here fo...(+)
Arranged by Jonathan
Brannon. The lively,
animated Royal Oak tune
is set here for two
simple parts. Singable by
adult voices, but perfect
for children's choirs,
this is a very easy
anthem to add to their
repertoire if they know
the tune, and a wonderful
introduction to this
bouncy Bri. General.
Published by CanticaNOVA
Publications (C5.4209).
Concert Band - Grade 4 SKU: ML.013771070 Composed by Lionel Beltrán-Ceci...(+)
Concert Band - Grade 4
SKU: ML.013771070
Composed by Lionel
Beltrán-Cecilia. Full
set. Molenaar Edition
#013771070. Published by
Molenaar Edition
(ML.013771070).
BAIA is a
symphonic episode
inspired by the submerged
Italian city. Through its
melodies and sound
effects, the authoraims
to transport the audience
to different moments,
providing an aquatic
perspective from the eyes
of a restless
andadventurous fish. This
musical journey leads to
the exploration of the
city of Baia and its
archaeological richness
preservedbeneath the
marine depths, even
across time.[…In its
time, Baia was an ancient
Roman city that
flourished during the 1st
and 2nd centuries AD. It
was a
luxuriousdestination and
a significant political
and social centre in the
Roman Empire. Renowned
for its thermal baths,
impressivearchitecture,
and beautiful natural
surroundings, the city
became a popular retreat
for Roman high society,
including
emperors,nobles, and
artists. However, over
the centuries, Baia was
affected by volcanic
activity and changes in
the coastline, resulting
ina significant portion
of the city being
submerged underwater.
Today, the remains of
Baia lie beneath the
waters of the
gulf,turning it into a
fascinating underwater
archaeological
site…]
BAIA is
een symfonische episode
geïnspireerd door de
ondergedompelde
Italiaanse stad. Door
middel van melodieën en
geluidseffecten wil de
auteurhet publiek mee te
nemen naar verschillende
momenten en biedt een
aquatisch perspectief
vanuit de ogen van een
rusteloze enavontuurlijke
vis. Deze muzikale reis
leidt naar de verkenning
van de stad Baia en haar
archeologische rijkdom
die bewaard is
geblevenonder de
zeebodem, zelfs door de
tijd heen.[In zijn tijd
was Baia een oude
Romeinse stad die
floreerde in de 1e en 2e
eeuw na Christus. Het was
een luxueuzebestemming en
een belangrijk politiek
en sociaal centrum in het
Romeinse Rijk. Bekend om
zijn thermale baden,
indrukwekkendearchitectuu
r en de prachtige
natuurlijke omgeving,
werd de stad een populair
toevluchtsoord voor de
Romeinse society,
waaronder keizers,edelen
en kunstenaars. In de
loop der eeuwen werd Baia
echter beïnvloed door
vulkanische activiteit en
veranderingen in de
kustlijn, wat resulteerde
ineen groot deel van de
stad onder water kwam te
staan. Vandaag de dag
liggen de overblijfselen
van Baia onder het water
van de Golf,waardoor het
een fascinerende
onderwater archeologische
vindplaats is
geworden...]…
BA
IA est un épisode
symphonique inspiré par
la ville italienne
submergée. À travers
ses mélodies et ses
effets sonores, l'auteur
cherche à transporter le
public à différents
moments.l'auteur vise à
transporter le public
dans différents moments,
offrant une perspective
aquatique à travers les
yeux d'un poisson agité
et aventureux.d'un
poisson agité et
aventureux. Ce voyage
musical conduit à
l'exploration de la ville
de Baia et de sa richesse
archéologique
préservée sous les
profondeurs marines.sous
les profondeurs marines,
même à travers le
temps.[...En son temps,
Baia était une ancienne
ville romaine qui a
prospéré au cours des
1er et 2e siècles de
notre ère. C'était une
destination
luxueusedestination
luxueuse et un centre
politique et social
important dans l'Empire
romain. Réputée pour
ses thermes, son
architecturearchitecture
impressionnante et son
magnifique environnement
naturel, la ville devint
un lieu de retraite
populaire pour la haute
société romaine, y
compris les empereurs,
les nobles et les
artistes,empereurs,
nobles et artistes.
Cependant, au fil des
siècles, Baia a été
affectée par l'activité
volcanique et les
modifications du
littoral.une grande
partie de la ville a
été submergée sous
l'eau. Aujourd'hui, les
vestiges de Baia reposent
sous les eaux du golfe,ce
qui en fait un site
archéologique sous-marin
fascinant...]
BAIA
ist eine symphonische
Episode, die von der
versunkenen italienischen
Stadt inspiriert ist. Mit
seinen Melodien und
Klangeffekten will der
Autorder Autor das
Publikum in verschiedene
Momente versetzen, indem
er eine aquatische
Perspektive aus den Augen
eines rastlosen
undabenteuerlichen
Fisches. Diese
musikalische Reise führt
zur Erkundung der Stadt
Baia und ihres
archäologischen
Reichtums, derunter den
Meerestiefen bewahrt hat,
sogar über die Zeit
hinweg.[...Baia war eine
antike römische Stadt,
die im 1. und 2.
Jahrhundert n. Chr.
florierte. Sie war ein
luxuriösesund ein
bedeutendes politisches
und soziales Zentrum im
Römischen Reich.
Berühmt für seine
Thermalbäder, seine
beeindruckendeArchitektur
und die schöne
natürliche Umgebung
bekannt, wurde die Stadt
zu einem beliebten
Rückzugsort für die
römische High Society,
darunter Kaiser, Adlige
und Künstler,Adlige und
Künstler. Im Laufe der
Jahrhunderte wurde Baia
jedoch durch vulkanische
Aktivitäten und
Veränderungen der
Küstenlinie
beeinträchtigt, was dazu
führte, dassein großer
Teil der Stadt unter
Wasser gesetzt wurde.
Heute liegen die
Überreste von Baia unter
dem Wasser des Golfs,und
machen sie zu einer
faszinierenden
archäologischen
Unterwasserstätte...].
p>
String Trio. By Various. Arranged by Joel Lish. For Violin, Viola and Cello. 34 ...(+)
String Trio. By Various.
Arranged by Joel Lish.
For Violin, Viola and
Cello. 34 arrangements of
Baroque Favorites.
Baroque. Level: Advanced.
Set of parts. Published
by Middle Fiddle Music.
Melody in Five Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991506-140 Composed by Jan H...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0991506-140
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991506-140. Published by
De Haske Publications
(BT.DHP-0991506-140).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
Melody in Five Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-0991506-010 Composed by Jan H...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-0991506-010
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 1999.
De Haske Publications
#DHP 0991506-010.
Published by De Haske
Publications
(BT.DHP-0991506-010).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
Melody in Five Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0991506-020 Composed by Jan Hadermann....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991506-020
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 1999.
De Haske Publications
#DHP 0991506-020.
Published by De Haske
Publications
(BT.DHP-0991506-020).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
Melody in Five Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-0991506-120 Composed by Jan Hadermann....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-0991506-120
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991506-120. Published by
De Haske Publications
(BT.DHP-0991506-120).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
Melody in Five Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991506-030 Composed by Jan Hadermann. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991506-030
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Set (Score
& Parts). Composed 1999.
De Haske Publications
#DHP 0991506-030.
Published by De Haske
Publications
(BT.DHP-0991506-030).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
Melody in Five Ensemble de cuivres [Conducteur] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991506-130 Composed by Jan Hadermann. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991506-130
Composed by Jan
Hadermann. Inspiration
Series. Festive and
Solemn Music. Score Only.
Composed 1999. De Haske
Publications #DHP
0991506-130. Published by
De Haske Publications
(BT.DHP-0991506-130).
Evenals
Melody in F van
Anton Rubinstein kan deze
compositie van Jan
Hadermann worden
beschouwd als een fraai
‘muzikaal
moment’. Melody
in Five verwijst naar
de 5/8 maatsoort waarin
het werd geschreven.
Juist deze maatsoortgeeft
de compositie haar
rustige, wiegende
karakter. Melody in
Five: een werk waarin
de technische
speelvaardigheid
ondergeschikt is aan de
muzikaliteit. Een
prachtig
intermezzo.
Der
Titel Melody in
Five verweist auf den
5/8-Takt, in dem das
Stück gschrieben ist.
Diese Taktart verleiht
der Komposition ihren
friedvollen, wiegenden
Charakter. Bei diesem
Werk muss auf das
Gefühl der Musik mehr
Wert gelegt werden als
auf technisches
Können. Jan Hadermann
schrieb diese
musikalische Episode
für die Mitglieder der
Brass Band St. Cecilia in
Hombeek, Belgien.
2 female voices and organ SKU: M7.BNOT-16911 Composed by Cecile Chaminade...(+)
2 female voices and organ
SKU: M7.BNOT-16911
Composed by Cecile
Chaminade. Sheet music.
Score. Op. 167. MDS
(Music Distribution
Services) #BNOT 16911.
Published by MDS (Music
Distribution Services)
(M7.BNOT-16911).
Sammelausgabe
mit allen fünf Teilen.
Die Chorpartitur ist
ebenfalls
erhältlich.
Technical Studies and Solo Literature for String Orchestra and Individuall Study...(+)
Technical Studies and
Solo Literature for
String Orchestra and
Individuall Study. By
Antonin Dvorak; Cecile
Chaminade; D. S.
Bortiniansky; Doris
Gazda; Eduard Poldini;
Edvard Grieg;
Francois-Joseph Gossec;
G.C. Gluck; Georges
Bizet; Guiseppe F Verdi;
Henry Ghys; Jean Philippe
Rameau; Ludwig Van
Beethoven; Pierre
Gavinies. Classical.
Teacher's Book. 174
pages. Published by Carl
Fischer.
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
SKU: HL.48186455 Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5...(+)
SKU: HL.48186455
Composed by Eugene Bozza.
Leduc. Post-1900.
Softcover. 5 pages.
Alphonse Leduc #AL30697.
Published by Alphonse
Leduc (HL.48186455).
UPC: 888680828639.
9x12
inches.
“Born
to an Italian father and
a French mother,
Eugène Bozza
(1905-1991) divided his
music studies between the
Academia Santa Cecilia in
Rome and the
Conservatoire de Paris,
where he was taught by
Henri Büsser and
Henri Rabaud. His chamber
music compositions reveal
a marked predilection for
wind instruments, as
reflected in Fantaisie
pastorale for oboe and
piano (1939) and
New-Orléans for
bass saxhorn and piano
(1944). During his stay a
few years earlier at the
Villa Medici in Rome
(1936), Bozza had written
his Aria Pour Saxophone
Alto Et Piano ' a free
adaptation of the third
movement of Johann
Sebastian Bach's Organ
Pastorale in F major BWV
590. This expansive and
nostalgic melody, which
unfolds over a regular
meter, has become one of
the most widely played
SaxoEphone pieces in the
world. Having enjoyed
such success,
Éditions Leduc has
decided to supplement its
republication with an
audio version that will
enable saxoEphonists to
carry out 'full-scale'
practice.&rdquo.